Eight Classic Albums

~ Release by Oscar Peterson (see all versions of this release, 1 available)

Tracklist

1▶CD: The Jazz Soul of Oscar Peterson (1–5) / Plays the Duke Ellington Songbook (6–17)
2▶CD: Plays the George Gershwin Songbook (1–12) / Plays the Harold Arlen Songbook (13–24)
3▼CD: Plays the Jerome Kern Songbook (1–12) / Plays the Cole Porter Songbook (13–24)
#TitleRatingLength
1I Won’t Dance
bass:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09)
instrumental recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (from 1959-07-14 until 1959-08-09)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (American librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (American librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
2:33
2Bill
bass:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09)
instrumental recording of:
Bill (Show Boat) (from 1959-07-14 until 1959-08-09)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) and P. G. Wodehouse
composer:
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
part of:
Show Boat (1951 film)
part of:
Show Boat: Act II
recording of:
Bill (Show Boat)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) and P. G. Wodehouse
composer:
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
part of:
Show Boat (1951 film)
part of:
Show Boat: Act II
2:58
3The Song Is You
bass:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09)
instrumental recording of:
The Song Is You (from 1959-07-14 until 1959-08-09)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co.
3:05
4A Fine Romance
bass:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09)
instrumental recording of:
A Fine Romance (from “Swing Time”) (from 1959-07-14 until 1959-08-09)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
3:10
5Can’t Help Lovin’ Dat Man
bass:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09)
instrumental recording of:
Can’t Help Lovin’ Dat Man (Show Boat) (from 1959-07-14 until 1959-08-09)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
T.B. Harms Co.
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
part of:
The Real Book (compilation of jazz standards, Volume I)
2:46
6Old Man River
bass:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09)
instrumental recording of:
Ol’ Man River (Show Boat) (from 1959-07-14 until 1959-08-09)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co. (on 1927-11-30)
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
recording of:
Ol’ Man River (Show Boat)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co. (on 1927-11-30)
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
2:38
7Long Ago and Far Away
bass:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09)
instrumental recording of:
Long Ago (and Far Away) (from 1959-07-14 until 1959-08-09)
lyricist:
Ira Gershwin
composer:
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and T.B. Harms Co. (in 1944)
part of:
The 17th Academy Award for Best Original Song (number: 2)
included in:
Cover Girl (1944)
2:36
8Lovely to Look At
bass:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09)
instrumental recording of:
Lovely to Look at (from 1959-07-14 until 1959-08-09)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1935)
additional composer:
Jimmy McHugh (songwriter)
composer:
Jerome Kern (in 1935)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
2:48
9Pick Yourself Up
bass:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09)
instrumental recording of:
Pick Yourself Up (from “Swing Time”) (from 1959-07-14 until 1959-08-09)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jerome Kern
part of:
Swing Time (film)
2:13
10Smoke Gets in Your Eyes
bass:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09)
instrumental recording of:
Smoke Gets in Your Eyes (from 1959-07-14 until 1959-08-09)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
2:50
11The Way You Look Tonight
bass:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (from 1959-07-14 until 1959-08-09)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
3:41
12Yesterdays
bass:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09)
instrumental recording of:
Yesterdays (from 1959-07-14 until 1959-08-09)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
3:20
13In the Still of the Night
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (from 1959-07-21 until 1959-08-01)
drums (drum set):
Ed Thigpen (from 1959-07-21 until 1959-08-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-21 until 1959-08-01)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-21 until 1959-08-01)
instrumental recording of:
In the Still of the Night (Cole Porter song) (from 1959-07-21 until 1959-08-01)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
2:53
14It’s All Right With Me
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (from 1959-07-21 until 1959-08-01)
drums (drum set):
Ed Thigpen (from 1959-07-21 until 1959-08-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-21 until 1959-08-01)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-21 until 1959-08-01)
instrumental recording of:
It’s All Right with Me (Can‐Can musical) (from 1959-07-21 until 1959-08-01)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
2:55
15Love for Sale
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (from 1959-07-21 until 1959-08-01)
drums (drum set):
Ed Thigpen (from 1959-07-21 until 1959-08-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-21 until 1959-08-01)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-21 until 1959-08-01)
instrumental recording of:
Love for Sale (from 1959-07-21 until 1959-08-01)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
3:31
16Just One of Those Things
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (from 1959-07-21 until 1959-08-01)
double bass:
Ray Brown (jazz bassist) (in 1959)
drums (drum set):
Ed Thigpen (in 1959, from 1959-07-21 until 1959-08-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1959, from 1959-07-21 until 1959-08-01)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-21 until 1959-08-01)
instrumental recording of:
Just One of Those Things (from 1959-07-21 until 1959-08-01)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
instrumental recording of:
Just One of Those Things (in 1959)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
2:25
17I’ve Got You Under My Skin
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (from 1959-07-21 until 1959-08-01)
drums (drum set):
Ed Thigpen (from 1959-07-21 until 1959-08-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-21 until 1959-08-01)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-21 until 1959-08-01)
instrumental recording of:
I’ve Got You Under My Skin (from 1959-07-21 until 1959-08-01)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
2:52
18Every Time We Say Goodbye
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (from 1959-07-21 until 1959-08-01)
drums (drum set):
Ed Thigpen (from 1959-07-21 until 1959-08-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-21 until 1959-08-01)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-21 until 1959-08-01)
instrumental recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (from 1959-07-21 until 1959-08-01)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:22
19Night and Day
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (from 1959-07-21 until 1959-08-01)
drums (drum set):
Ed Thigpen (from 1959-07-21 until 1959-08-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-21 until 1959-08-01)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-21 until 1959-08-01)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (from 1959-07-21 until 1959-08-01)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
2:35
20You’d Be So Easy to Love
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (from 1959-07-21 until 1959-08-01)
drums (drum set):
Ed Thigpen (from 1959-07-21 until 1959-08-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-21 until 1959-08-01)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-21 until 1959-08-01)
instrumental recording of:
Easy to Love (from 1959-07-21 until 1959-08-01)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
2:38
21Why Can’t You Behave
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (from 1959-07-21 until 1959-08-01)
drums (drum set):
Ed Thigpen (from 1959-07-21 until 1959-08-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-21 until 1959-08-01)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-21 until 1959-08-01)
instrumental recording of:
Why Can’t You Behave? (from Kiss Me, Kate) (from 1959-07-21 until 1959-08-01)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
3:02
22I Love Paris
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (from 1959-07-21 until 1959-08-01)
drums (drum set):
Ed Thigpen (from 1959-07-21 until 1959-08-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-21 until 1959-08-01)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-21 until 1959-08-01)
instrumental recording of:
I Love Paris (Can-Can [Pistache, Company]) (from 1959-07-21 until 1959-08-01)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
recording of:
I Love Paris (Can-Can [Pistache, Company])
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
2:13
23I Concentrate on You
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (from 1959-07-21 until 1959-08-01)
drums (drum set):
Ed Thigpen (from 1959-07-21 until 1959-08-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-21 until 1959-08-01)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-21 until 1959-08-01)
instrumental recording of:
I Concentrate on You (from 1959-07-21 until 1959-08-01)
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
3:13
24It’s De‐Lovely
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (from 1959-07-21 until 1959-08-01)
drums (drum set):
Ed Thigpen (from 1959-07-21 until 1959-08-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-21 until 1959-08-01)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-21 until 1959-08-01)
instrumental recording of:
It’s De‐Lovely (from 1959-07-21 until 1959-08-01)
lyricist and composer:
Cole Porter (composer) (in 1936)
part of:
Anything Goes
part of:
Red, Hot and Blue (1936 Cole Porter musical)
52:29
4▶CD: Plays Porgy and Bess (1–10) / A Jazz Portrait of Frank Sinatra (11–22)