Complete Recordings on Archiv Produktion

~ Release by Reinhard Goebel, Musica Antiqua Köln (see all versions of this release, 1 available)

Annotation

A 75-CD collection of Reinhard Goebel's Archiv recordings with Musica Anitqua Köln. Includes a 200-page booklet and original album covers.

Annotation last modified on 2022-11-21 10:51 UTC.

Tracklist

1CD: J. S. Bach: Brandenburg Concertos nos. 1-5
2CD: J. S. Bach: Brandenburg Concerto no. 6 / Orchestral Suites (Overtures) nos. 1 & 2 / Concerto for Flute, Violin & Harpsichord
3CD: J. S. Bach: Orchestral Suites (Overtures) nos. 3 & 4 / Orchestral Suite, BWV 1070
4CD: J. S. Bach: Musikalisches Opfer
5CD: J. S. Bach: Die Kunst der Fuge (I)
6CD: J. S. Bach: Die Kunst der Fuge (II) / Canone
7CD: J. S. Bach: Trio Sonatas
8CD: J. S. Bach: Violin Sonatas nos. 1-5
9CD: J. S. Bach: Violin Sonata no. 6 / Violin Sonatas, Fugue & Suite
10CD: J. S. Bach: Violin Sonatas / Gamba Sonatas nos. 1 & 2
11CD: J. S. Bach: Gamba Sonata no. 3 / Violin Sonata, BWV 1019a / Flute Sonatas
12CD: J. S. Bach: Flute Sonatas & Partita
13CD: J. S. Bach: Secular Cantatas (I)
14CD: J. S. Bach: Secular Cantatas (II)
15CD: J. S. Bach: Wedding Cantatas
16CD: C. P. E. Bach, W. F. Bach: Concertos for 2 Harpsichords
17CD: Bachiana: Music by the Bach Family
18CD: Bachiana: Double Concertos
19CD: Cantatas by the Bach Family Before Johan Sebastian (I)
20CD: Cantatas by the Bach Family Before Johan Sebastian (II)
21CD: Lamento: Arias and Cantatas by the Bach Family
22CD: Biber: Mensa sonora / Sonata representativa
23CD: Biber: Harmonia artificiosa (I)
24CD: Biber: Harmonia artificiosa (II)
25CD: Biber: Rosenkranz Sonatas (I)
26CD: Biber: Rosenkranz Sonatas (II) / Passacaglia
27CD: Biber: Missa Salisburgensis
28CD: Charpentier: Musiques sacrée
29CD: Clérambault: Orphée / Médée
30CD: Couperin: Les Nations (I)
31CD: Couperin: Les Nations (II)
32CD: Gilles: Requiem
33CD: Handel: Marian Cantatas & Arias
34CD: Hasse: Salve Regina
35CD: Haydn: Concerti, concertini & divertimenti (I)
36CD: Haydn: Concerti, concertini & divertimenti (II)
37CD: Heinichen: Dresden Concerti (I)
38CD: Heinichen: Dresden Concerti (II)
39CD: Heinichen: Lamentationes - Passionsmusik (I)
40CD: Lamentationes - Passionsmusik (II)
41CD: Leclair: Musique de chambre - Late Works
42CD: Le roi danse - Original Motion Picture Soundtrack
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1Te Deum: Symphonie
executive producer:
Marita Prohmann (in 1999-07)
producer:
Sid McLauchlan (engineer/producer) (in 1999-07)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin (in 1999-07)
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Te Deum: Symphonie (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
part of:
Te Deum
Jean‐Baptiste Lully2:18
2La Bocanne primitive
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
La Bocanne primitive (in 1999-07)
composer:
Jacques Cordier (17th century composer)
Jacques Cordier1:43
3La Bocanne compliquée
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
La Bocanne compliquée (in 1999-07)
composer:
Jacques Cordier (17th century composer)
Jacques Cordier1:07
4Phaéton: Troupe d'Astrée dansante (Prologue)
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Phaéton: Troupe d'Astrée dansante (prologue) (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
part of:
Phaëton : Prologue
Jean‐Baptiste Lully0:46
5Ballet de la Nuit: Ouverture
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Ballet de la Nuit: Ouverture (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
Jean‐Baptiste Lully2:03
6Ballet des Plaisirs: Sarabande
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Ballet des Plaisirs: Sarabande (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
part of:
Ballet des Plaisirs
Jean‐Baptiste Lully2:19
7Ballet de la Nuit: Le Roi représentant le soleil levant
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Ballet de la Nuit: Le Roi représentant le soleil levant (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
Jean‐Baptiste Lully1:57
8Xerxès: Air pour les matelots jouant des trompettes marines
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Ballet de Xerxes: 2e Air pour les matelots jouans des Trompettes marines; 3 Air pour les Esclaves et Singes dansans (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
part of:
Ballet de Xerxes
Jean‐Baptiste Lully1:25
9Xerxès: Air pour les esclaves et singes dansants
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Ballet de Xerxes: Air pour les Esclaves dansans (minuet and passepied versions) (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
part of:
Ballet de Xerxes
Jean‐Baptiste Lully0:42
10Xerxès: Air pour les postures de Scaramouche
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Ballet de Xerxes: 2e Air pour les postures de Scaramouche (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
part of:
Ballet de Xerxes
Jean‐Baptiste Lully1:14
11Xerxès: Air pour les docteurs, Frivelins et Polichinelles
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Ballet de Xerxes: 3e Air pour les Docteurs, Frivelins, et Polichinelles (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
part of:
Ballet de Xerxes
Jean‐Baptiste Lully1:13
12Xerxès: Air pour les esclaves dansants
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Xerxès: Air pour les esclaves dansants (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
part of:
Ballet de Xerxes
Jean‐Baptiste Lully2:11
13Idylle sur la paix: Air pour Madame la Dauphine
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Idylle sur la paix: Air pour Madame la Dauphine (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
Jean‐Baptiste Lully2:07
14Ballet d'Alcidiane: Ritournelle et air de Mademoiselle Hilaire
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Ballet d'Alcidiane: Ritournelle et air de Mademoiselle Hilaire (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
Jean‐Baptiste Lully2:53
15Ballet d'Alcidiane: Ouverture
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Ballet d'Alcidiane: Ouverture (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
Jean‐Baptiste Lully0:58
16Le Triomphe de l'amour: Ouverture
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Le Triomphe de l'amour: Ouverture (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
Jean‐Baptiste Lully3:31
17Persée: Act III, Scene 10. Entrée des divinités infernales
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Persée: Entrée des divinités infernales (Acte III, Scène 10) (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
Jean‐Baptiste Lully1:43
18Le Bourgeois gentilhomme: Marche pour la cérémonie des Turcs
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Le Bourgeois gentilhomme : Marche pour la cérémonie des Turcs (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
part of:
Le Bourgeois gentilhomme, LWV 43
Jean‐Baptiste Lully2:46
19Le Bourgeois gentilhomme: “Giourdina”
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Le Bourgeois Gentilhomme: Giourdina (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
Jean‐Baptiste Lully0:37
20Le Bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Le Bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
part of:
Chronologisch-thematisches Verzeichnis sämtlicher Werke von Jean-Baptiste Lully (number: LWV 43/10)
part of:
Le Bourgeois gentilhomme : Ballet des Nations : Quatrième Entrée
Jean‐Baptiste Lully1:45
21Ombre de mon amant (air de cour)
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Ombre de mon amant (in 1999-07)
composer:
Michel Lambert (French composer, 1610-1696)
Michel Lambert2:59
22Le Triomphe d l'amour: Prélude de la nuit
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Le Triomphe de l'amour: Prélude de la nuit (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
Jean‐Baptiste Lully4:58
23Pomone: Act I, Scene 1. “Passons nos jours dans ces vergers”
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Pomone: Passons nos jours dans ces vergers (Acte I, Scène 1) (in 1999-07)
composer:
Robert Cambert
Robert Cambert1:47
24Pomone: Act II, Scene 4. “Que voyez-vour, mes yeux?”
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Pomone: Que voyez-vous, mes yeux (Acte II, Scène 4) (in 1999-07)
composer:
Robert Cambert
Robert Cambert2:16
25Armide: Act II, Scene 3. Plus j'observe ces lieux
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
solo violin:
Florian Deuter (violinist and conductor) (in 1999-07)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Armide : Acte second, scène 3. « Plus j’observe ces lieux, et plus je les admire » (Renaud) (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
part of:
Armide, LWV 71: Acte second
Jean‐Baptiste Lully3:19
26Atys, “Le Sommeil”: Act III, Scene 4. Dormons, dormons tous
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
solo violin:
Florian Deuter (violinist and conductor) (in 1999-07)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Atys: Acte III, Scène IV. Prélude - "Dormons, dormons tous" (Le Sommeil, Morphée, Phobétor, Phantase) (in 1999-07)
composer:
Jean‐Baptiste Lully (composer) (from 1675 until 1676-01-10)
librettist:
Philippe Quinault
part of:
Atys: Acte III
Jean‐Baptiste Lully7:35
27Armide: Act V. Passecaille
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Armide: Passacaille (Acte V) (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
Jean‐Baptiste Lully3:58
28Armide: Act II, Scene 5. Prélude
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Armide, LWV 71: Acte cinquième, scène V. Prélude (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
part of:
Armide, LWV 71: Acte cinquième
Jean‐Baptiste Lully1:27
29Les Folies d'Espagne
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Les Folies d'Espagne (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
Jean‐Baptiste Lully2:52
30Les Amants magnifiques: Entrée d'Apollon
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Les Amants magnifiques: Entrée d'Apollon (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
Jean‐Baptiste Lully1:02
31Le Triomphe de l'amour: Entrée d'Apollon
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Le Triomphe de l'amour: Entrée d'Apollon (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
Jean‐Baptiste Lully2:19
32Le Triomphe de l'amour: Act IV, Scene 2. Deuxième air
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Le Triomphe de l'amour: Deuxième air (Acte IV, Scène 2) (in 1999-07)
Jean‐Baptiste Lully0:54
33Isis: Prologue, Scene 1. “C'est lui dont les dieux ont fait choix” - “Publions en tous lieux”
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1999-07)
soprano vocals [soprano I]:
Céline Scheen (Belgian soprano vocalist) (in 1999-07)
soprano vocals [soprano II]:
Goedele Heidbüchel (Belgian soprano) (in 1999-07)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Isis, Prologue, sc. 1 : Publions en tous lieux (in 1999-07)
composer:
Jean‐Baptiste Lully (composer) (in 1677)
part of:
Isis, LWV 54
Jean‐Baptiste Lully1:55
34Armide: Prologue. “Que l'éclat de son nom”
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1999-07)
soprano vocals [soprano I]:
Céline Scheen (Belgian soprano vocalist) (in 1999-07)
soprano vocals [soprano II]:
Goedele Heidbüchel (Belgian soprano) (in 1999-07)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Armide: Que l'éclat de son nom (Prologue) (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
Jean‐Baptiste Lully1:19
35Amadis: Prologue. “Esprits empressés à nous plaire“ - “Que le ciel annonce à la terre”
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1999-07)
soprano vocals [soprano I]:
Céline Scheen (Belgian soprano vocalist) (in 1999-07)
soprano vocals [soprano II]:
Goedele Heidbüchel (Belgian soprano) (in 1999-07)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Amadis: Esprits empressés à nous plaire / Que le ciel annonce a la terre (Prologue) (in 1999-07)
Jean‐Baptiste Lully1:47
43CD: Monteverdi: Combattimento di Tancredi e Clorinda / Lamento d'Arianna
44CD: Telemann: Tafelmusik (I)
45CD: Telemann: Tafelmusik (II)
46CD: Telemann: Tafelmusik (III)
47CD: Telemann: Tafelmusik (IV)
48CD: Telemann: Wassermusik / 3 Concertos
49CD: Telemann: Wind Concertos
50CD: Telemann: String Concertos (I)
51CD: Telemann: Sinfonia spirituosa / String Concertos (II)
52CD: Telemann: Chamber Concertos
53CD: Telemann: Flute Quartets
54CD: Telemann: Overture / Ino
55CD: Veracini: 5 Overtures
56CD: Vivaldi: Concerti da camera
57CD: Concerti per flauto: Mancini, Sarri, Barbella, Valentine
58CD: Le Parnasse français: Marais, Rebel, Couperin
59CD: Early Italian Violin Music: Gabrieli, Rossi, Fontana, Marini, Farina, Buonamente
60CD: German Chamber Music Before Bach (I): Reincken, J. S. Bach
61CD: German Chamber Music Before Bach (II): Buxtehude, Pachelbel
62CD: German Chamber Music Before Bach (III): Rosenmülkler, Schenck, Westhoff
63CD: Conversation Galante: Philidor, Francœur, Guillemain, Quentin
64CD: French Baroque Concertos: Blavet, Boismortier, Buffardin, Corrette, Quentin
65CD: Pachelbel: Canon & Gigue / J. S. Bach, Handel, Vivaldi
66CD: De profundis: Schütz, Tunder, Bruhns, Weckmann, Strungk
67CD: Scherzi Musicali: Biber, Schmelzer, Walther
68CD: Concerti: Torelli, Mossi, Valentini, Locatelli, Leo
69CD: Rebel: Les Élémens / Gluck: Alessandro
70CD: Concerti “per L'orchestra di Dresda”
71CD: Chaconne: Blow, Corelli, Muffat, Pezel, Purcell
72CD: Sonata pro tabula: Biber, Schmelzer, Bertali, Pezel, Valentini
73CD: Lamenti: Monteverdi, Vivaldi, Purcell, Bertali, Legrenzi
74CD: Musica Baltica
75CD: Reinhard Goebel in Gespräch: Interviews with music examples - J. S. Bach, Gilles, Handel, Mozart, Ockeghem etc.