A Baroque Festival

~ Release by J.S. Bach, Handel, Pachelbel, Purcell; Taverner Players, Andrew Parrott (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Synfony: "The Arrival Of The Queen Of Sheba
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
George Frideric Handel2:52
2Harp Concerto in B-flat major, op. 4 no. 6: I. Andante Allegro
harp:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1988)
orchestra:
Taverner Consort (in 1988) and Taverner Players (in 1988)
conductor:
Andrew Parrott (conductor) (in 1988)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294: I. Andante – Allegro (original version, for harp)
composer:
George Frideric Handel (German‐British baroque composer) (in 1736)
part of:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294
George Frideric Handel6:05
3Harp Concerto in B-flat major, op. 4 no. 6: II. Larghetto
harp:
Andrew Lawrence‐King (Early music harpist and conductor)
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294: II. Larghetto (original version, for harp)
composer:
George Frideric Handel (German‐British baroque composer) (in 1736)
part of:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294
George Frideric Handel5:02
4Harp Concerto in B-flat major, op. 4 no. 6: III. Allegro Moderato
harp:
Andrew Lawrence‐King (Early music harpist and conductor)
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294: III. Allegro moderato (original version, for harp)
composer:
George Frideric Handel (German‐British baroque composer) (in 1736)
part of:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294
George Frideric Handel2:51
5Three Parts Upon A Ground
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Fantasia, 3 parts on a Ground for three recorders, Z. 731
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 731)
Henry Purcell5:11
6A Suite of Theatre Music: I. Trumpet Overture
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
The Indian Queen, Z. 630: Trumpet Overture
composer:
Henry Purcell (Baroque composer)
part of:
The Indian Queen, Z. 630
Henry Purcell2:47
7A Suite of Theatre Music: II. Rondeau
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell1:34
8A Suite of Theatre Music: III. Chaconne
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
The Gordian Knot Unty’d, Z. 597: VI. Chaconne
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
The Gordion Knot Unty’d, Z. 597
Henry Purcell1:49
9A Suite of Theatre Music: IV. Symphony & Dance
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
partial recording of:
The Indian Queen, Z. 630: Act II
composer:
Henry Purcell (Baroque composer)
part of:
The Indian Queen, Z. 630
Henry Purcell1:47
10Canon & Gigue: Canon
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel3:39
11Canon & Gigue: Gigue
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Canon and Gigue in D major, P. 37, T. 337: II. Gigue
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel1:27
12Sinfonia from Cantata, BWV 29
orchestra:
Taverner Players (from 1987-04 until 1987-06)
conductor:
Andrew Parrott (conductor) (from 1987-04 until 1987-06)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1987-04 until 1987-06)
recording of:
Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: I. Sinfonia (from 1987-04 until 1987-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach3:39
13Sinfonia from Cantata, BWV 156
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
is based on:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach2:24
14Sonata from Cantata, BWV 31
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": I. Sonata
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach2:25
15Sinfonia from Wehnachts-Oratorium (II. Teil), BWV 248
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:02
16Sonatina from Cantata, BWV 106
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:44
17Choral: "Jesus bleibet meine Freude" from Cantata, BWV 147
choir vocals:
Taverner Consort (in 1987)
orchestra:
Taverner Players (in 1987)
conductor:
Andrew Parrott (conductor) (in 1987)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1987)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:16
18Sinfonia from Cantata, BWV 174
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: I. Sinfonia
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
is based on:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
Johann Sebastian Bach5:43

Credits

Release

manufactured in:USA
copyrighted (©) by:Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1996)
part of:Veritas (Virgin Classics) (order: 6)
Discogs:https://www.discogs.com/release/24433199 [info]