| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Baker Street- Bass:
- Gary Taylor (in 1977)
- Gitarre [lead guitar]:
- Hugh Burns (in 1977)
- Gitarre [rhythm guitar]:
- Nigel Jenkins (in 1977)
- Keyboard:
- Tommy Eyre (in 1977)
- Perkussion:
- Glen LeFleur (in 1977)
- Saxophon:
- Raphael Ravenscroft (in 1977)
- Schlagzeug:
- Henry Spinetti (in 1977)
- Sologesang:
- Gerry Rafferty (in 1977)
- phonographisches Urheberrecht (℗) von:
- EMI Records Ltd. (in 1978, in 1980), Parlophone Records Ltd. (in 1978) und United Artists Music and Records Group, Inc. (in 1978)
- aufgenommen bei:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich (in 1977)
- Bearbeitung von:
- Baker Street von Gerry Rafferty
- recording of:
- Baker Street (in 1977)
- Texter und Komponist(in):
- Gerry Rafferty
- publisher:
- B Music, Belfern Ltd., EMI Music Publishing , EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. , Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. , Universal Songs und Universal–Songs of PolyGram International, Inc.
| Gerry Rafferty | 4.15 | 4:09 |
| 2 | I’m Gonna Be (500 Miles) | The Proclaimers | 4 | 3:36 |
| 3 | Whole Lotta Love- Produzent(in):
- Mickie Most
- arranger:
- John Cameron
- instrumental cover recording of:
- Whole Lotta Love
- zusätzlicher Texter:
- Willie Dixon
- Verfasser(in):
- John Bonham, John Paul Jones , Jimmy Page und Robert Plant
- publisher:
- Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc., Warner Chappell Music Ltd. , Warner/Chappell Music Scandinavia AB und WB Music Corp.
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス und ワーナー・チャペル音楽出版 Synch事業部
- basiert auf:
- You Need Love
| C.C.S. | 5 | 3:33 |
| 4 | On the Road Again- recording of:
- On the Road Again
- Texter und Komponist(in):
- Floyd Jones und Alan Wilson
- publisher:
- Embassy Music Corporation, EMI Catalogue Partnership, EMI Music , EMI Music Publishing , EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co , SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer und United Partnership Ltd.
| Canned Heat | 4 | 3:12 |
| 5 | Centerfold- Techniker(in):
- Dave Thoener
- Produzent(in):
- Seth Justman
- arranger:
- Seth Justman
- phonographisches Urheberrecht (℗) von:
- Capitol Records, Inc. (in 1981), Capitol Records, LLC (in 1981), EMI Records USA (in 1981) und EMI Catalog (in 2006)
- aufgenommen bei:
- Long View Farm in North Brookfield, Massachusetts, Vereinigte Staaten
- mixed at:
- Mix Room, Record Plant in New York, New York, Vereinigte Staaten
- Teil von:
- TV Cream: Real 100 Best Singles Ever (Nummer: 38), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 73) und Billboard: The 500 Best Pop Songs (Nummer: 314)
- recording of:
- Centerfold
- Texter und Komponist(in):
- Seth Justman
- publisher:
- Center City Music, Copyright Control , Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. und Warner/Chappell Music Ltd.
| The J. Geils Band | 4 | 3:38 |
| 6 | You Can Leave Your Hat On- Techniker(in):
- Brian Reeves
- Produzent(in):
- Richie Zito
- Mix:
- Rik Pekkonen
- Bass und Synthesizer:
- Arthur Barrow
- Gitarre:
- Richie Zito
- Horn:
- Dick Hyde, Steve Madaio und Joel Peskin
- membranophone:
- Michael Baird
- Hintergrundgesang:
- Maxine Sharp, Julia Waters und Maxine Waters
- Sologesang:
- Joe Cocker
- aufgenommen bei:
- Ocean Way Recording in Hollywood, Los Angeles, California , Vereinigte Staaten
- cover recording of:
- You Can Leave Your Hat On
- Texter und Komponist(in):
- Randy Newman
- publisher:
- Warner–Tamerlane Publishing Corp. , WC Music Corp., Randy Newman (in 1972), Randy Newman Music (in 1972, in 1976) und WB Music Corp. (in 1972, in 1976)
- recording of:
- You Can Leave Your Hat On
- Texter und Komponist(in):
- Randy Newman
- publisher:
- Warner–Tamerlane Publishing Corp. , WC Music Corp., Randy Newman (in 1972), Randy Newman Music (in 1972, in 1976) und WB Music Corp. (in 1972, in 1976)
| Joe Cocker | 3.85 | 4:13 |
| 7 | The Power of Love- recording engineer:
- Jim Gaines und Robert Missbach
- assistierende(r) Techniker(in):
- Rob Beaton, Alex Haas , Tom Size und Jim “Watts” Vereecke
- zusätzliche(r) Techniker(in):
- Michael Christopher , Phil Kaffel und Malcolm Pollack
- Produzent(in):
- Bob Clearmountain, Jellybean und Huey Lewis and the News
- Mix:
- Robert Missbach
- Bassgitarre:
- Mario Cipollina
- Gitarre:
- Johnny Colla und Chris Hayes
- Keyboard:
- Sean Hopper
- Mundharmonika:
- Huey Lewis
- Perkussion und Schlagzeug:
- Bill Gibson
- Saxophon:
- Johnny Colla
- vocals:
- Johnny Colla , Bill Gibson , Chris Hayes , Sean Hopper und Huey Lewis
- phonographisches Urheberrecht (℗) von:
- Chrysalis Records, Inc. (in 1984, in 1985, in 1986) und Chrysalis (in 1985)
- aufgenommen bei:
- Fantasy Studios in Berkeley, California , Vereinigte Staaten, Studio D Recording in Sausalito, California , Vereinigte Staaten und The Plant Studios in Sausalito, California , Vereinigte Staaten
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, Vereinigte Staaten
- Musikvideos:
- The Power of Love von Huey Lewis and the News
- Teil von:
- Billboard: The 500 Best Pop Songs (Nummer: 108)
- recording of:
- The Power of Love
- Verfasser(in):
- Johnny Colla , Chris Hayes und Huey Lewis
- publisher:
- Cause and Effect Music, Copyright Control , Huey Lewis Music, Hulex Music , Kinda Blue Music, Mushroom Music und WB Music Corp.
- sub-publisher:
- Warner/Chappell Music Japan, Synch division und Yamaha Music Entertainment Holdings, Inc.
- Teil von:
- The 58th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1985 nominee)
- Teil von:
- Back to the Future: the Musical
| Huey Lewis and the News | 4 | 3:44 |
| 8 | Don’t You (Forget About Me) | Simple Minds | 4.25 | 4:20 |
| 9 | Milk and Alcohol | Dr. Feelgood | 4.2 | 2:46 |
| 10 | Hush | Deep Purple | 4.2 | 4:25 |
| 11 | Rebel Yell- Techniker(in):
- Michael Frondelli
- Produzent(in):
- Keith Forsey
- Mix:
- Dave Wittman
- Bass, Gitarre und Keyboard:
- Steve Stevens (in 1983)
- Bassgitarre:
- Steve Webster (in 1983)
- Keyboard:
- Judi Dozier (in 1983)
- Schlagzeug:
- Thommy Price (in 1983)
- Sologesang:
- Billy Idol (in 1983)
- arranger:
- Billy Idol und Steve Stevens
- phonographisches Urheberrecht (℗) von:
- Capitol Records, Inc. (in 1983), Capitol Records, LLC (in 1983), Chrysalis Records, Inc. (in 1983, in 1999) und Chrysalis Records Ltd. (in 1986)
- aufgenommen bei:
- Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (in 1983)
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
- Musikvideos:
- Rebel Yell von Billy Idol
- Teil von:
- VH1: 100 Greatest Hard Rock Songs (Nummer: 79)
- recording of:
- Rebel Yell (in 1983)
- Texter und Komponist(in):
- Billy Idol und Steve Stevens
- publisher:
- BMG Monarch, Boneidol Music, Chrysalis Music , Chrysalis Music Holdings GmbH , Chrysalis Music Ltd. , Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. , Neue Welt Musikverlag GmbH & Co. KG , Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. , Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. und WC Music Corp.
| Billy Idol | 4.55 | 4:48 |
| 12 | Hit Me With Your Best Shot | Pat Benatar | 4.15 | 2:50 |
| 13 | Alright | Supergrass | 3.7 | 3:02 |
| 14 | The Beautiful Ones | Suede | 4.5 | 3:51 |
| 15 | Bohemian Like You | The Dandy Warhols | 4.15 | 3:32 |
| 16 | Babylon’s Burning | The Ruts | 5 | 2:35 |
| 17 | Into the Valley | The Skids | 4 | 3:11 |
| 18 | No More Heroes | The Stranglers | 5 | 2:56 |
| 19 | The Whole of the Moon | The Waterboys | 4.45 | 5:01 |
| 20 | Wichita Lineman | Glen Campbell | 3.65 | 3:05 |
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