The Apostles / Meditation From ‘The Light of Life’

~ Release by Elgar; Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult (see all versions of this release, 2 available)

Tracklist

1▶CD: The Apostles, op. 49
2▼CD
#TitleArtistRatingLength
1The Apostles, op. 49: Introduction
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
recording of:
The Apostles, op. 49: Part II: Introduction (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II
Edward Elgar4:20
2The Apostles, op. 49: And it came to pass
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
partial recording of:
The Apostles, op. 49: Part II: IV. The Betrayal: Andante. "And it came to pass" (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II: IV. The Betrayal
recording of:
The Apostles, op. 49: Part II: IV. The Betrayal: Andante. "And it came to pass"
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II: IV. The Betrayal
Edward Elgar1:59
3The Apostles, op. 49: Then gathered the chief priests and pharisees
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
partial recording of:
The Apostles, op. 49: Part II: IV. The Betrayal: Andante. "And it came to pass" (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II: IV. The Betrayal
Edward Elgar3:24
4The Apostles, op. 49: Hail! Master!
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
partial recording of:
The Apostles, op. 49: Part II: IV. The Betrayal: Andante. "And it came to pass" (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II: IV. The Betrayal
Edward Elgar5:01
5The Apostles, op. 49: Then Judas, which had betrayed him
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
recording of:
The Apostles, op. 49: Part II: IV. The Betrayal: The Temple (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II: IV. The Betrayal
Edward Elgar3:57
6The Apostles, op. 49: Without the Temple
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
recording of:
The Apostles, op. 49: Part II: IV. The Betrayal: Without the Temple (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II: IV. The Betrayal
Edward Elgar9:04
7The Apostles, op. 49: Golgotha
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
recording of:
The Apostles, op. 49: Part II: V. Golgotha (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II
Edward Elgar4:37
8The Apostles, op. 49: At the Sepulchre
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
recording of:
The Apostles, op. 49: Part II: VI. At the Sepulchre (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II
Edward Elgar4:24
9The Apostles, op. 49: We trusted that it had been He
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
recording of:
The Apostles, op. 49: Part II: VII. The Ascension: Moderato. "We trusted that it had been He" (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II: VII. The Ascension
Edward Elgar5:15
10The Apostles, op. 49: Give Us One Heart
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
recording of:
The Apostles, op. 49: Part II: VII. The Ascension: In Heaven / On Earth (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II: VII. The Ascension
Edward Elgar9:21
11‘Meditation’ From The Light of Life
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1974-02-06)
conductor:
Sir Adrian Boult (conductor) (on 1974-02-06)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) and Warner Classics (in 1975, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1974-02, on 1974-02-06)
recording of:
The Light of Life, op. 29 no. 1: Meditation (on 1974-02-06)
composer:
Edward Elgar (composer)
part of:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Edward Elgar5:52

Credits

Release

manufactured in:UK
printed in:Holland, Kingdom of the Netherlands
copyrighted (©) by and phonographic copyright (℗) by:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
printed by:EMI Services Benelux B.V.
Discogs:https://www.discogs.com/release/31448352 [info]