Color Me Barbra

~ Veröffentlichung von Barbra Streisand (alle Versionen dieser Veröffentlichung ansehen, 7 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Yesterdays
Produzent(in):
Robert Mersey
conductor:
Peter Matz (am 1966-01-20)
arranger:
Peter Matz
aufgenommen bei:
Columbia (CBS) Studio ‘A’ in Manhattan, New York, New York, Vereinigte Staaten (am 1966-01-20)
recording of:
Yesterdays (am 1966-01-20)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
3:06
2One Kiss
Produzent(in):
Robert Mersey
conductor:
Peter Matz (am 1966-03-02)
arranger:
Peter Matz
aufgenommen bei:
Columbia (CBS) Studio ‘C’ in New York, New York, Vereinigte Staaten (am 1966-03-02)
recording of:
One Kiss (from "The New Moon") (am 1966-03-02)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Sigmund Romberg
publisher:
Bambalina Music Publishing Company und Warner Bros., Inc. (Warner Bros. Music Division)
Teil von:
The New Moon
2:17
3The Minute Waltz
Produzent(in):
Robert Mersey
conductor:
Peter Matz (am 1966-01-20)
arranger:
Peter Matz
aufgenommen bei:
Columbia (CBS) Studio ‘A’ in Manhattan, New York, New York, Vereinigte Staaten (am 1966-01-20)
recording of:
The Minute Waltz (lyrics by Lan O’Kun) (am 1966-01-20)
Texter:
Lan O’Kun (songwriter, arranger)
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer)
publisher:
BJS Music Corp. und World Song Publishing Inc.
basiert auf:
Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz” (Walzer Nr. 6 Des-Dur "Minutenwalter", op. 64 Nr.1, BI. 164 Nr. 1)
1:59
4Gotta Move
Produzent(in):
Robert Mersey
conductor:
Peter Matz (am 1966-01-20)
arranger:
Peter Matz
aufgenommen bei:
Columbia (CBS) Studio ‘A’ in Manhattan, New York, New York, Vereinigte Staaten (am 1966-01-20)
recording of:
Gotta Move (am 1966-01-20)
Texter und Komponist(in):
Peter Matz
publisher:
Alley Music Corp. und Trio Music Company
2:02
5Non c’est rien
Produzent(in):
Robert Mersey
conductor:
Michel Legrand (am 1965-11-16)
arranger:
Michel Legrand
recording of:
Non… c’est rien (am 1965-11-16)
Texter:
Michel Jourdan
Komponist(in):
Joss Baselli (French accordionist & composer) und Armand Canfora (French composer)
publisher:
Dauphine éditions musicales SA, Sugarmusic Éditions und Warner Chappell Music France
3:27
6Where or When
Produzent(in):
Robert Mersey
conductor:
Peter Matz (am 1966-01-20)
arranger:
Peter Matz
aufgenommen bei:
Columbia (CBS) Studio ‘A’ in Manhattan, New York, New York, Vereinigte Staaten (am 1966-01-20)
recording of:
Where or When (from “Babes in Arms”) (am 1966-01-20)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company und Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
53:06
7Medley: Animal Crackers in My Soup / Funny Face / That Face / They Didn’t Believe Me / Were Thine That Special Face / I’ve Grown Accustomed to Her Face / Let’s Face the Music and Dance / Sam, You Made the Pants Too Long / What’s New Pussycat? / Small World / I Love You / I Stayed Too Long at the Fair / Look at That Face
Produzent(in):
Robert Mersey
conductor:
Peter Matz (am 1966-01-20)
arranger:
Peter Matz
aufgenommen bei:
Columbia (CBS) Studio ‘A’ in Manhattan, New York, New York, Vereinigte Staaten (am 1966-01-20)
medley including a recording of:
(Have I Stayed) Too Long at the Fair? (am 1966-01-20)
Texter und Komponist(in):
Billy Barnes (composer and lyricist)
publisher:
Tylerson Music Co.
medley including a recording of:
Animal Crackers in My Soup (from “Curly Top”) (am 1966-01-20)
Texter:
Irving Caesar (in 1935) und Ted Koehler (in 1935)
Komponist(in):
Ray Henderson (in 1935)
publisher:
Movietone Music Corp. (beendet) und Warner Bros., Inc. (Warner Bros. Music Division)
Teil von:
Curly Top (1935 film)
medley including a recording of:
Funny Face (am 1966-01-20)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
New World Music Company Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
medley including a recording of:
I Love You (Mexican Hayride musical) (am 1966-01-20)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
medley including a recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady) (am 1966-01-20)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
My Fair Lady (full musical)
medley including a recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”) (am 1966-01-20)
Texter und Komponist(in):
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. und Williamson Music Company
Teil von:
Follow the Fleet (1936 film)
medley including a recording of:
Look at That Face (am 1966-01-20)
Verfasser(in):
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd, Downtown DMP Songs und Musical Comedy Prods.
Teil von:
The Roar of the Greasepaint – The Smell of the Crowd
medley including a recording of:
Sam, You Made the Pants Too Long (am 1966-01-20)
Texter:
Sam M. Lewis (1930s lyricist) (in 1932)
zusätzlicher Texter:
Milton Berle (in 1940) und Fred Whitehouse (in 1940)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
publisher:
Shapiro, Bernstein & Co., Inc.
Parodieversion von:
Lord, You Made the Night Too Long
medley including a recording of:
Small World (from “Gypsy”) (am 1966-01-20)
Texter:
Stephen Sondheim
Komponist(in):
Jule Styne
publisher:
Stratford Music Corporation und Williamson Music Company
Teil von:
Gypsy
medley including a recording of:
That Face (am 1966-01-20)
Texter:
Alan Bergman (American lyricist)
Komponist(in):
Lew Spence
publisher:
Lew Spence Music und Spirit Two Music Crescendo
medley including a recording of:
They Didn’t Believe Me (am 1966-01-20)
Texter:
Herbert Reynolds (lyricist)
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd. und Redwood Music Ltd. (Carlin)
Teil von:
The Girl From Utah
medley including a recording of:
Were Thine That Special Face (from “Kiss Me, Kate”) (am 1966-01-20)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Kiss Me, Kate (musical)
medley including a recording of:
What’s New Pussycat? (am 1966-01-20)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Teil von:
The 38th Academy Award for Best Original Song (Nummer: 2)
9:01
8C’est si bon (It’s So Good)
Produzent(in):
Robert Mersey
conductor:
Michel Legrand (am 1966-01-13)
arranger:
Michel Legrand
aufgenommen bei:
Columbia (CBS) Studio ‘A’ in Manhattan, New York, New York, Vereinigte Staaten (am 1966-01-13)
recording of:
C’est si bon (It's So Good, English version) (am 1966-01-13)
Texter:
André Hornez (in 1947)
Komponist(in):
Henri Betti (songwriter and pianist) (in 1947)
Übersetzer:
Jerry Seelen (screenwriter, lyricist. songwriter) (in 1949)
publisher:
Éditions Beuscher Arpège
übersetzte Version von:
C’est si bon (original French version)
3:41
9Where Am I Going?
Produzent(in):
Robert Mersey
conductor:
Robert Mersey (am 1966-01-07)
arranger:
Robert Mersey
aufgenommen bei:
Columbia (CBS) Studio ‘A’ in Manhattan, New York, New York, Vereinigte Staaten (am 1966-01-07)
recording of:
Where Am I Going (from “Sweet Charity”) (am 1966-01-07)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Cy Coleman
publisher:
Hipgnosis Notes (ASCAP), Lida Enterprises Inc. und Notable Music Co., Inc.
Teil von:
Overture (Sweet Charity)
Teil von:
Sweet Charity
2:51
10Starting Here, Starting Now
Produzent(in):
Robert Mersey
conductor:
Don Costa (US pop music arranger & producer) (am 1965-12-14)
arranger:
Don Costa (US pop music arranger & producer)
aufgenommen bei:
Columbia (CBS) Studio ‘A’ in Manhattan, New York, New York, Vereinigte Staaten (am 1965-12-14)
recording of:
Starting Here, Starting Now (am 1965-12-14)
Texter:
Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
Komponist(in):
David Shire (American score composer)
publisher:
Chappell & Co., Inc. (USA)
52:54

Nennungen

Veröffentlichung

liner notes:馬場啓一
illustration:Elinor Bunin (Emmy award-winning title designer, director, and producer)
Verwertungsgesellschaft:JASRAC (Japan rights society; do not use this as a label or work publisher!)
hergestellt von:Sony Music Entertainment (Japan) Inc. (parent company, not normally a label – see subsidiaries)
Teil von:Barbra Streisand Collection (Japanese CD reissue series) (Reihenfolge: 9)
Discogs:https://www.discogs.com/release/14024225 [Info]
ASIN:JP: B000UVFT7S [Info]