The History of Classical Music, Part 1: Medieval to Baroque: From Gregorian Chant to C.P.E. Bach

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶Digital Media: Gregorian chant / Organum / Machaut: Chansons

2▶Digital Media: Dufay & Josquin: Motets

3▶Digital Media: Wind Music From Renaissance Italy

4▶Digital Media: Sacred Music by Tallis, Byrd, Victoria, Palestrina and Allegri

5▶Digital Media: Monteverdi: Madrigals / Vespers (highlights)

6▶Digital Media: Schütz: O bone Jesu / Buxtehude / Pachelbel: Instrumental Music

7▶Digital Media: Purcell: Dido and Æneas (highlights) / The Fairy Queen (highlights) / Te Deum and Jubilate

8▼Digital Media: Charpentier: Te Deum / Rameau: Music From the Stage Works
#	Title	Artist	Rating	Length
1	Te Deum for Soloists, Chorus and Orchestra, H 146: Prélude . Rondeau recording engineer: Jürgen Bulgrin (sound engineer) engineer: Gregor Zielinsky (Balance engineer) executive producer: Dr. Peter Czornyj producer: Arend Prohmann (producer / editor) editor: Stephan Flock orchestra: Les Musiciens du Louvre (from 1997-03 to present, in 1997-03) conductor: Marc Minkowski (bassoonist and conductor) (from 1997-03 to present, in 1997-03) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997) recorded at: Salle Wagram in Paris, Île-de-France, France (from 1997-03 to present) recording of: Te Deum, H. 146: Prélude (in 1997-03) composer: Marc‐Antoine Charpentier (composer) publisher: Copyright Control (not for release label use! this is only for copyrights and publishing relationships) part of: Te Deum, H. 146	Marc‐Antoine Charpentier		1:19
2	Te Deum for Soloists, Chorus and Orchestra, H 146: Te Deum laudamus (Bass) recording engineer: Jürgen Bulgrin (sound engineer) engineer: Gregor Zielinsky (Balance engineer) executive producer: Dr. Peter Czornyj producer: Arend Prohmann (producer / editor) editor: Stephan Flock baritone vocals: Russel Smythe (in 1997-03) orchestra: Les Musiciens du Louvre (in 1997-03) conductor: Marc Minkowski (bassoonist and conductor) (in 1997-03) recording of: Te Deum, H. 146: Te Deum laudamus (in 1997-03) composer: Marc‐Antoine Charpentier (composer) part of: Te Deum, H. 146	Marc‐Antoine Charpentier		0:59
3	Te Deum for Soloists, Chorus and Orchestra, H 146: Te aeternum Patrem (Chorus, Soprano I/II, Mezzo–Soprano, Tenor) recording engineer: Jürgen Bulgrin (sound engineer) engineer: Gregor Zielinsky (Balance engineer) executive producer: Dr. Peter Czornyj producer: Arend Prohmann (producer / editor) editor: Stephan Flock choir vocals: Chœur des Musiciens du Louvre (Choir of the Musicians of the Louvre) (in 1997-03) mezzo-soprano vocals: Magdalena Kožená (mezzo-soprano) (in 1997-03) soprano vocals: Annick Massis (soprano) (in 1997-03) tenor vocals: Patrick Henckens (in 1997-03) and Éric Huchet (french tenor) (in 1997-03) orchestra: Les Musiciens du Louvre (in 1997-03) conductor: Marc Minkowski (bassoonist and conductor) (in 1997-03) recording of: Te Deum, H. 146: Te aeternum Patrem (in 1997-03) composer: Marc‐Antoine Charpentier (composer) part of: Te Deum, H. 146	Marc‐Antoine Charpentier		3:31
4	Te Deum for Soloists, Chorus and Orchestra, H 146: Te per orbem terrarum (Mezzo–Soprano, Tenor, Bass) recording engineer: Jürgen Bulgrin (sound engineer) engineer: Gregor Zielinsky (Balance engineer) executive producer: Dr. Peter Czornyj producer: Arend Prohmann (producer / editor) editor: Stephan Flock bass vocals: Jean-Louis Bindi (in 1997-03) tenor vocals: Patrick Henckens (in 1997-03) and Éric Huchet (french tenor) (in 1997-03) orchestra: Les Musiciens du Louvre (in 1997-03) conductor: Marc Minkowski (bassoonist and conductor) (in 1997-03) recording of: Te Deum, H. 146: Te per orbem terrarum (in 1997-03) composer: Marc‐Antoine Charpentier (composer) part of: Te Deum, H. 146	Marc‐Antoine Charpentier		3:03
5	Te Deum for Soloists, Chorus and Orchestra, H 146: Tu devicto mortis aculeo (Chorus, Bass) recording engineer: Jürgen Bulgrin (sound engineer) engineer: Gregor Zielinsky (Balance engineer) executive producer: Dr. Peter Czornyj producer: Arend Prohmann (producer / editor) editor: Stephan Flock baritone vocals: Russel Smythe (in 1997-03) choir vocals: Chœur des Musiciens du Louvre (Choir of the Musicians of the Louvre) (in 1997-03) orchestra: Les Musiciens du Louvre (in 1997-03) conductor: Marc Minkowski (bassoonist and conductor) (in 1997-03) recording of: Te Deum, H. 146: Tu devicto mortis aculeo (in 1997-03) composer: Marc‐Antoine Charpentier (composer) part of: Te Deum, H. 146	Marc‐Antoine Charpentier		1:15
6	Te Deum for Soloists, Chorus and Orchestra, H 146: Te ergo quaesumus (Soprano I) recording engineer: Jürgen Bulgrin (sound engineer) engineer: Gregor Zielinsky (Balance engineer) executive producer: Dr. Peter Czornyj producer: Arend Prohmann (producer / editor) editor: Stephan Flock soprano vocals: Annick Massis (soprano) (in 1997-03) orchestra: Les Musiciens du Louvre (in 1997-03) conductor: Marc Minkowski (bassoonist and conductor) (in 1997-03) recording of: Te Deum, H. 146: Te Deum laudamus (in 1997-03) composer: Marc‐Antoine Charpentier (composer) part of: Te Deum, H. 146	Marc‐Antoine Charpentier		1:47
7	Te Deum for Soloists, Chorus and Orchestra, H 146: Aeterna fac cum Sanctis tuis (Chorus, Mezzo–Soprano, Tenor, Bass, Soprano II) recording engineer: Jürgen Bulgrin (sound engineer) engineer: Gregor Zielinsky (Balance engineer) executive producer: Dr. Peter Czornyj producer: Arend Prohmann (producer / editor) editor: Stephan Flock baritone vocals: Russel Smythe (in 1997-03) bass vocals: Jean-Louis Bindi (in 1997-03) choir vocals: Chœur des Musiciens du Louvre (Choir of the Musicians of the Louvre) (in 1997-03) mezzo-soprano vocals: Magdalena Kožená (mezzo-soprano) (in 1997-03) tenor vocals: Patrick Henckens (in 1997-03) and Éric Huchet (french tenor) (in 1997-03) orchestra: Les Musiciens du Louvre (in 1997-03) conductor: Marc Minkowski (bassoonist and conductor) (in 1997-03) recording of: Te Deum, H. 146: Aeterna fac cum sanctis tuis (in 1997-03) composer: Marc‐Antoine Charpentier (composer) part of: Te Deum, H. 146	Marc‐Antoine Charpentier		2:12
8	Te Deum for Soloists, Chorus and Orchestra, H 146: Dignare, Domine, die isto (Soprano I, Bass, Soprano II) recording engineer: Jürgen Bulgrin (sound engineer) engineer: Gregor Zielinsky (Balance engineer) executive producer: Dr. Peter Czornyj producer: Arend Prohmann (producer / editor) editor: Stephan Flock baritone vocals: Russel Smythe (in 1997-03) bass vocals: Jean-Louis Bindi (in 1997-03) mezzo-soprano vocals: Magdalena Kožená (mezzo-soprano) (in 1997-03) soprano vocals: Annick Massis (soprano) (in 1997-03) orchestra: Les Musiciens du Louvre (in 1997-03) conductor: Marc Minkowski (bassoonist and conductor) (in 1997-03) recording of: Te Deum, H. 146: Dignare Domine (in 1997-03) composer: Marc‐Antoine Charpentier (composer) part of: Te Deum, H. 146	Marc‐Antoine Charpentier		1:34
9	Te Deum for Soloists, Chorus and Orchestra, H 146: Fiat misericordia tua, Domine, super nos (Soprano I, Bass) recording engineer: Jürgen Bulgrin (sound engineer) engineer: Gregor Zielinsky (Balance engineer) executive producer: Dr. Peter Czornyj producer: Arend Prohmann (producer / editor) editor: Stephan Flock baritone vocals: Russel Smythe (in 1997-03) mezzo-soprano vocals: Magdalena Kožená (mezzo-soprano) (in 1997-03) soprano vocals: Annick Massis (soprano) (in 1997-03) orchestra: Les Musiciens du Louvre (in 1997-03) conductor: Marc Minkowski (bassoonist and conductor) (in 1997-03) recording of: Te Deum, H. 146: Fiat misericordia tua Domine (in 1997-03) composer: Marc‐Antoine Charpentier (composer) part of: Te Deum, H. 146	Marc‐Antoine Charpentier		1:25
10	Te Deum for Soloists, Chorus and Orchestra, H 146: in te, Domine, speravi (Chorus, Mezzo–Soprano, Tenor, Bass) recording engineer: Jürgen Bulgrin (sound engineer) engineer: Gregor Zielinsky (Balance engineer) executive producer: Dr. Peter Czornyj producer: Arend Prohmann (producer / editor) editor: Stephan Flock bass vocals: Jean-Louis Bindi (in 1997-03) choir vocals: Chœur des Musiciens du Louvre (Choir of the Musicians of the Louvre) (in 1997-03) tenor vocals: Patrick Henckens (in 1997-03) and Éric Huchet (french tenor) (in 1997-03) orchestra: Les Musiciens du Louvre (in 1997-03) conductor: Marc Minkowski (bassoonist and conductor) (in 1997-03) recording of: Te Deum, H. 146: In te Domine speravi (in 1997-03) composer: Marc‐Antoine Charpentier (composer) part of: Te Deum, H. 146	Marc‐Antoine Charpentier		2:08
11	Zaïs: Overture orchestra: Les Musiciens du Louvre (in 2003-06) conductor: Marc Minkowski (bassoonist and conductor) (in 2003-06) recorded at: Salle Molière in Poissy, Yvelines, Île-de-France, France (in 2003-06) recording of: Zaïs (in 2003-06) composer: Jean‐Philippe Rameau (French composer of the Baroque era) (in 1748) librettist: Louis de Cahusac (librettist) (in 1748) part of: Catalogue thématique des oeuvres musicales de Jean-Philippe Rameau (number: RCT 60)	Jean‐Philippe Rameau		5:46
12	Castor et Pollux: Scène funèbre orchestra: Les Musiciens du Louvre (in 2003-06) conductor: Marc Minkowski (bassoonist and conductor) (in 2003-06) recorded at: Salle Molière in Poissy, Yvelines, Île-de-France, France (in 2003-06) partial recording of: Castor et Pollux (in 2003-06) composer: Jean‐Philippe Rameau (French composer of the Baroque era) (from 1737 until 1754) librettist: Pierre-Joseph Bernard premiered at: Théâtre du Palais-Royal (1st, 1660-1763) in Paris, Île-de-France, France (on 1737-10-24) part of: Catalogue thématique des oeuvres musicales de Jean-Philippe Rameau (number: RCT 32)	Jean‐Philippe Rameau		3:25
13	Les fêtes d’Hébé, Act II: Air tendre orchestra: Les Musiciens du Louvre (in 2003-06) conductor: Marc Minkowski (bassoonist and conductor) (in 2003-06) recorded at: Salle Molière in Poissy, Yvelines, Île-de-France, France (in 2003-06) recording of: Les Fêtes d'Hébé: Deuxième Entrée (La Musique), Scène V. Ballet (in 2003-06) composer: Jean‐Philippe Rameau (French composer of the Baroque era) (in 1739) part of: Les Fêtes d'Hébé: Deuxième Entrée (La Musique)	Jean‐Philippe Rameau		1:53
14	Dardanus, Prologue: Premier Tambourin / Deuxième Tambourin orchestra: Les Musiciens du Louvre (in 2003-06) conductor: Marc Minkowski (bassoonist and conductor) (in 2003-06) recorded at: Salle Molière in Poissy, Yvelines, Île-de-France, France (in 2003-06)	Jean‐Philippe Rameau		1:51
15	Le temple de la gloire: Air tendre pour les Muses orchestra: Les Musiciens du Louvre (in 2003-06) conductor: Marc Minkowski (bassoonist and conductor) (in 2003-06) recorded at: Salle Molière in Poissy, Yvelines, Île-de-France, France (in 2003-06)	Jean‐Philippe Rameau		4:25
16	Les Boréades, Act I: Contredanse orchestra: Les Musiciens du Louvre (in 2003-06) conductor: Marc Minkowski (bassoonist and conductor) (in 2003-06) recorded at: Salle Molière in Poissy, Yvelines, Île-de-France, France (in 2003-06) recording of: Les Boréades, RCT 31 : Acte I. Contredanse en Rondeau (in 2003-06) composer: Jean‐Philippe Rameau (French composer of the Baroque era) part of: Les Boréades, RCT 31 : Acte I	Jean‐Philippe Rameau		3:06
17	La Naissance d’Osiris: Air gracieux orchestra: Les Musiciens du Louvre (in 2003-06) conductor: Marc Minkowski (bassoonist and conductor) (in 2003-06) recorded at: Salle Molière in Poissy, Yvelines, Île-de-France, France (in 2003-06)	Jean‐Philippe Rameau		2:19
18	Les Boréades, Act IV: Gavottes pour les Heures et les Zéphirs orchestra: Les Musiciens du Louvre (in 2003-06) conductor: Marc Minkowski (bassoonist and conductor) (in 2003-06) recorded at: Salle Molière in Poissy, Yvelines, Île-de-France, France (in 2003-06) recording of: Les Boréades: VI. Gavotte I & II pour les heures et les Zephirs (in 2003-06) composer: Jean‐Philippe Rameau (French composer of the Baroque era) part of: Suite Les Boréades	Jean‐Philippe Rameau		2:44
19	Platée [ou Junon jalouse]: Orage orchestra: Les Musiciens du Louvre (in 2003-06) conductor: Marc Minkowski (bassoonist and conductor) (in 2003-06) recorded at: Salle Molière in Poissy, Yvelines, Île-de-France, France (in 2003-06)	Jean‐Philippe Rameau		2:32
20	Les Boréades, Act V: Prélude orchestra: Les Musiciens du Louvre (in 2003-06) conductor: Marc Minkowski (bassoonist and conductor) (in 2003-06) recorded at: Salle Molière in Poissy, Yvelines, Île-de-France, France (in 2003-06) partial recording of: Les Boréades (in 2003-06) lyricist: Louis de Cahusac (librettist) composer: Jean‐Philippe Rameau (French composer of the Baroque era) part of: Catalogue thématique des oeuvres musicales de Jean-Philippe Rameau (number: RCT 31)	Jean‐Philippe Rameau		1:19
21	6 Concerts transcrits en sextuor / 6e concert: 1. La poule orchestra: Les Musiciens du Louvre (in 2003-06) conductor: Marc Minkowski (bassoonist and conductor) (in 2003-06) recorded at: Salle Molière in Poissy, Yvelines, Île-de-France, France (in 2003-06) recording of: 6 Concerts Transcrits en Sextuor: VIe Concert: I. La Poule (in 2003-06) composer: Jean‐Philippe Rameau (French composer of the Baroque era) strings arranger: [anonymous] (special purpose artist) version of: Nouvelles Suites de Pièces de Clavecin: La Poule part of: 6 Concerts Transcrits en Sextuor: VIe Concert	Jean‐Philippe Rameau		4:31
22	Les fêtes d’Hébé, Act III: Musette tendre en rondeau, Tambourin en rondeau orchestra: Les Musiciens du Louvre (in 2003-06) conductor: Marc Minkowski (bassoonist and conductor) (in 2003-06) recorded at: Salle Molière in Poissy, Yvelines, Île-de-France, France (in 2003-06) recording of: Les Fêtes d'Hébé: Troisième Entrée (La Danse), Scène VII. Musette (in 2003-06) composer: Jean‐Philippe Rameau (French composer of the Baroque era) (in 1739) part of: Les Fêtes d'Hébé: Troisième Entrée (La Danse) recording of: Les Fêtes d'Hébé: Troisième Entrée (La Danse), Scène VII. Tambourin en rondeau (in 2003-06) composer: Jean‐Philippe Rameau (French composer of the Baroque era) (in 1739) part of: Les Fêtes d'Hébé: Troisième Entrée (La Danse)	Jean‐Philippe Rameau		3:22
23	Hippolyte et Aricie, Act III: Ritournelle orchestra: Les Musiciens du Louvre (in 2003-06) conductor: Marc Minkowski (bassoonist and conductor) (in 2003-06) recorded at: Salle Molière in Poissy, Yvelines, Île-de-France, France (in 2003-06) recording of: Hippolyte et Aricie: Acte III (in 2003-06) composer: Jean‐Philippe Rameau (French composer of the Baroque era) librettist: Simon‐Joseph Pellegrin part of: Hippolyte et Aricie	Jean‐Philippe Rameau		2:09
24	Naïs, Prologue: Rigaudons orchestra: Les Musiciens du Louvre (in 2003-06) conductor: Marc Minkowski (bassoonist and conductor) (in 2003-06) recorded at: Salle Molière in Poissy, Yvelines, Île-de-France, France (in 2003-06) recording of: Naïs, RCT 49, Prologue: Ouverture (in 2003-06) composer: Jean‐Philippe Rameau (French composer of the Baroque era) part of: Naïs	Jean‐Philippe Rameau		2:22
25	Les indes galantes, Act IX: Danse des sauvages orchestra: Les Musiciens du Louvre (in 2003-06) conductor: Marc Minkowski (bassoonist and conductor) (in 2003-06) recorded at: Salle Molière in Poissy, Yvelines, Île-de-France, France (in 2003-06) recording of: Les Indes Galantes, Suites d’orchestre: Entrée les Sauvages: I. Danse du grand calumet de Paix executée par les Sauvages (in 2003-06) composer: Jean‐Philippe Rameau (French composer of the Baroque era) part of: Les Indes Galantes, Suites d’orchestre: Entrée les Sauvages	Jean‐Philippe Rameau		2:18
26	Les Boréades, Act IV: Entrée de Polymnie orchestra: Les Musiciens du Louvre (in 2003-06) conductor: Marc Minkowski (bassoonist and conductor) (in 2003-06) recorded at: Salle Molière in Poissy, Yvelines, Île-de-France, France (in 2003-06) recording of: Les Boréades, RCT 31 : Acte IV. Entrée (in 2003-06) composer: Jean‐Philippe Rameau (French composer of the Baroque era) part of: Les Boréades, RCT 31 : Acte IV	Jean‐Philippe Rameau		6:05
27	Les indes galantes, Act IX: Chaconne orchestra: Les Musiciens du Louvre (in 2003-06) conductor: Marc Minkowski (bassoonist and conductor) (in 2003-06) recorded at: Salle Molière in Poissy, Yvelines, Île-de-France, France (in 2003-06) recording of: Les Indes Galantes, Suites d’orchestre: Entrée les Sauvages: III. Chaconne (à deux clavecins) (in 2003-06) composer: Jean‐Philippe Rameau (French composer of the Baroque era) part of: Les Indes Galantes, Suites d’orchestre: Entrée les Sauvages	Jean‐Philippe Rameau		6:17

9▶Digital Media: Telemann: Concertos

10▶Digital Media: Vivaldi: The Four Seasons / Gloria

11▶Digital Media: Bach: Brandenburg Concertos nos. 2 & 5 / Orchestral Suite no. 2

12▶Digital Media: Bach: Goldberg Variations / Italian Concerto / Fantasias

13▶Digital Media: Bach: Organ Music

14▶Digital Media: Bach: St. Matthew Passion (highlights)

15▶Digital Media: Bach: Magnificat / Cantatas nos. 63 & 65

16▶Digital Media: Handel: Fireworks Music / Overtures / Concerto grosso “Alexander’s Feast”

17▶Digital Media: Handel: Concertos

18▶Digital Media: Handel: Messiah (arias and choruses)

19▶Digital Media: Scarlatti, D: Harpsichord Sonatas

20▶Digital Media: Bach, C.P.E.: String Symphonies, WQ 182 / Bach, J.C.: Quintet, op. 11 no. 6

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purchase for download:	https://itunes.apple.com/de/album/id719873554 [info]
discography entry:	http://www.deutschegrammophon.com/en/cat/4791048 [info] http://www.deutschegrammophon.com/en/cat/4792300 [info]

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includes:	Brandenburg Concertos nos. 2 & 5 / Suite no. 2 by Bach (Johann Sebastian Bach, German Baroque period composer & musician); Musica Antiqua Köln (Musica Antiqua Cologne), Reinhard Goebel (violinist and conductor) Dido and Aeneas / The Fairy Queen / Te Deum & Jubilate (excerpts) by Henry Purcell (Baroque composer) Goldberg Variations / Italian Concerto by Bach (Johann Sebastian Bach, German Baroque period composer & musician); Ralph Kirkpatrick (harpsichordist, clavichordist, pianist) Great Organ Works by Bach (Johann Sebastian Bach, German Baroque period composer & musician); Ton Koopman (conductor, organist and harpsichordist) Kammerkonzerte by Georg Philipp Telemann (composer); Musica Antiqua Köln (Musica Antiqua Cologne), Reinhard Goebel (violinist and conductor) Magnificat - Cantatas BWV 63 & BWV 65 by Bach (Johann Sebastian Bach, German Baroque period composer & musician); Munich Bach Choir, Munich Bach Orchestra, Karl Richter (conductor/ choir master/ organist/ harpsichordist) Marien‐Vesper (highlights) / Madrigals by Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player); Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir), Monteverdi‐Chor Hamburg, Hanns‐Martin Schneidt (harpsichordist, organist, conductor), Jürgen Jürgens (chorus master and conductor) Messiah: Arias and Choruses by Handel (George Frideric Handel, German‐British baroque composer); The English Concert & Choir, Trevor Pinnock (conductor / harpsichord) Orgelkonzert “The Cuckoo and the Nightingale” / Harfenkonzert / Oboenkonzert nr. 3 / Concerto a Due Cori nr. 2 by Handel (George Frideric Handel, German‐British baroque composer); Simon Preston (organist, conductor, composer), The English Concert, Trevor Pinnock (conductor / harpsichord) Royal Fireworks Music / Concerto Grosso “Alexander’s Feast” / Ouvertures by Handel (George Frideric Handel, German‐British baroque composer); The English Concert, Trevor Pinnock (conductor / harpsichord) The Symphonies for Strings by Carl Philipp Emanuel Bach (German classical composer); The English Concert, Trevor Pinnock (conductor / harpsichord)

includes:

Brandenburg Concertos nos. 2 & 5 / Suite no. 2 by Bach (Johann Sebastian Bach, German Baroque period composer & musician); Musica Antiqua Köln (Musica Antiqua Cologne), Reinhard Goebel (violinist and conductor)
Dido and Aeneas / The Fairy Queen / Te Deum & Jubilate (excerpts) by Henry Purcell (Baroque composer)
Goldberg Variations / Italian Concerto by Bach (Johann Sebastian Bach, German Baroque period composer & musician); Ralph Kirkpatrick (harpsichordist, clavichordist, pianist)
Great Organ Works by Bach (Johann Sebastian Bach, German Baroque period composer & musician); Ton Koopman (conductor, organist and harpsichordist)
Kammerkonzerte by Georg Philipp Telemann (composer); Musica Antiqua Köln (Musica Antiqua Cologne), Reinhard Goebel (violinist and conductor)
Magnificat - Cantatas BWV 63 & BWV 65 by Bach (Johann Sebastian Bach, German Baroque period composer & musician); Munich Bach Choir, Munich Bach Orchestra, Karl Richter (conductor/ choir master/ organist/ harpsichordist)
Marien‐Vesper (highlights) / Madrigals by Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player); Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir), Monteverdi‐Chor Hamburg, Hanns‐Martin Schneidt (harpsichordist, organist, conductor), Jürgen Jürgens (chorus master and conductor)
Messiah: Arias and Choruses by Handel (George Frideric Handel, German‐British baroque composer); The English Concert & Choir, Trevor Pinnock (conductor / harpsichord)
Orgelkonzert “The Cuckoo and the Nightingale” / Harfenkonzert / Oboenkonzert nr. 3 / Concerto a Due Cori nr. 2 by Handel (George Frideric Handel, German‐British baroque composer); Simon Preston (organist, conductor, composer), The English Concert, Trevor Pinnock (conductor / harpsichord)
Royal Fireworks Music / Concerto Grosso “Alexander’s Feast” / Ouvertures by Handel (George Frideric Handel, German‐British baroque composer); The English Concert, Trevor Pinnock (conductor / harpsichord)
The Symphonies for Strings by Carl Philipp Emanuel Bach (German classical composer); The English Concert, Trevor Pinnock (conductor / harpsichord)

part of:	The History of Classical Music: From Gregorian Chant to Górecki (order: 1)

The History of Classical Music, Part 1: Medieval to Baroque: From Gregorian Chant to C.P.E. Bach

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