The Chronogical Classics: Lester Flatt and Earl Scruggs 1961-1962

~ Release by Lester Flatt & Earl Scruggs And The Foggy Mountain Boys (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1I Ain't Gonna Work Tomorrow
2:03
2If I Should Wander Back Tonight
producer:
Don Law
banjo:
Earl Scruggs (on 1961-02-03)
double bass:
Jake Tullock (country stand-up bass) (on 1961-02-03)
drums (drum set):
Douglas G. Kirkham (on 1961-02-03)
fiddle:
Paul Warren (US fiddler) (on 1961-02-03)
guitar and lead vocals:
Lester Flatt (on 1961-02-03)
mandolin:
Curly Seckler (on 1961-02-03)
resonator guitar [dobro]:
Josh Graves (on 1961-02-03)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1961-02-03)
recording of:
If I Should Wander Back Tonight (on 1961-02-03)
writer:
Lester Flatt and Earl Scruggs
2:07
3Cold, Cold Loving
producer:
Don Law
banjo:
Earl Scruggs (on 1961-02-03)
double bass and baritone vocals [high baritone vocals]:
Jake Tullock (country stand-up bass) (on 1961-02-03)
drums (drum set):
Douglas G. Kirkham (on 1961-02-03)
fiddle:
Paul Warren (US fiddler) (on 1961-02-03)
guitar and lead vocals:
Lester Flatt (on 1961-02-03)
mandolin and tenor vocals:
Curly Seckler (on 1961-02-03)
resonator guitar [dobro]:
Josh Graves (on 1961-02-03)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1961-02-03)
2:26
4Welcome to the Club
producer:
Don Law
banjo:
Earl Scruggs (on 1961-02-03)
double bass and baritone vocals [high baritone vocals]:
Jake Tullock (country stand-up bass) (on 1961-02-03)
drums (drum set):
Douglas G. Kirkham (on 1961-02-03)
fiddle:
Paul Warren (US fiddler) (on 1961-02-03)
guitar and lead vocals:
Lester Flatt (on 1961-02-03)
mandolin and tenor vocals:
Curly Seckler (on 1961-02-03)
resonator guitar [dobro]:
Josh Graves (on 1961-02-03)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1961-02-03)
2:23
5False Hearted Lover
producer:
Don Law
autoharp:
Mother Maybelle Carter (on 1961-02-10)
double bass:
Jake Tullock (country stand-up bass) (on 1961-02-10)
guitar:
Lester Flatt (on 1961-02-10)
guitar [lead guitar]:
Earl Scruggs (on 1961-02-10)
mandolin:
Curly Seckler (on 1961-02-10)
resonator guitar [dobro]:
Josh Graves (on 1961-02-10)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1961-02-10)
2:20
6Pickin' in the Wildwood
producer:
Don Law
autoharp:
Mother Maybelle Carter (on 1961-02-10)
double bass:
Jake Tullock (country stand-up bass) (on 1961-02-10)
guitar:
Lester Flatt (on 1961-02-10)
guitar [lead guitar]:
Earl Scruggs (on 1961-02-10)
mandolin:
Curly Seckler (on 1961-02-10)
resonator guitar [dobro]:
Josh Graves (on 1961-02-10)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1961-02-10)
instrumental recording of:
Wildwood Flower (Carter family version) (on 1961-02-10)
lyricist and composer:
A.P. Carter
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) and Peer International Corporation (BMI)
version of:
I'll Twine 'mid the Ringlets (parlour song, source for Wildwood Flower)
2:16
7The Homestead on the Farm
producer:
Don Law
autoharp:
Mother Maybelle Carter (on 1961-02-10)
banjo:
Earl Scruggs (on 1961-02-10)
double bass:
Jake Tullock (country stand-up bass) (on 1961-02-10)
fiddle:
Paul Warren (US fiddler) (on 1961-02-10)
guitar and lead vocals:
Lester Flatt (on 1961-02-10)
mandolin:
Curly Seckler (on 1961-02-10)
resonator guitar [dobro]:
Josh Graves (on 1961-02-10)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1961-02-10)
recording of:
Homestead on the Farm (on 1961-02-10)
lyricist and composer:
A.P. Carter
is based on:
I Wonder How the Old Folks Are at Home
2:08
8Foggy Mountain Top
producer:
Don Law
autoharp:
Mother Maybelle Carter (on 1961-02-10)
banjo and baritone vocals:
Earl Scruggs (on 1961-02-10)
double bass and baritone vocals [high baritone vocals]:
Jake Tullock (country stand-up bass) (on 1961-02-10)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1961-02-10)
guitar and lead vocals:
Lester Flatt (on 1961-02-10)
mandolin and tenor vocals:
Curly Seckler (on 1961-02-10)
resonator guitar [dobro]:
Josh Graves (on 1961-02-10)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1961-02-10)
recording of:
Foggy Mountain Top (on 1961-02-10)
lyricist and composer:
A.P. Carter
2:24
9You Are My Flower
producer:
Don Law
autoharp and guitar [lead guitar]:
Mother Maybelle Carter (on 1961-02-10)
banjo:
Earl Scruggs (on 1961-02-10)
double bass:
Jake Tullock (country stand-up bass) (on 1961-02-10)
fiddle:
Paul Warren (US fiddler) (on 1961-02-10)
guitar and lead vocals:
Lester Flatt (on 1961-02-10)
mandolin:
Curly Seckler (on 1961-02-10)
resonator guitar [dobro]:
Josh Graves (on 1961-02-10)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1961-02-10)
recording of:
You Are My Flower (on 1961-02-10)
lyricist and composer:
A.P. Carter
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
2:42
10Forsaken Love
producer:
Don Law
autoharp:
Mother Maybelle Carter (on 1961-02-10)
double bass and baritone vocals [high baritone vocals]:
Jake Tullock (country stand-up bass) (on 1961-02-10)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1961-02-10)
guitar and lead vocals:
Lester Flatt (on 1961-02-10)
guitar [lead guitar] and baritone vocals:
Earl Scruggs (on 1961-02-10)
mandolin and tenor vocals:
Curly Seckler (on 1961-02-10)
resonator guitar [dobro]:
Josh Graves (on 1961-02-10)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1961-02-10)
recording of:
Forsaken Love (on 1961-02-10)
lyricist and composer:
A.P. Carter
2:24
11The Storms Are on the Ocean
producer:
Don Law
autoharp:
Mother Maybelle Carter (on 1961-02-10)
double bass:
Jake Tullock (country stand-up bass) (on 1961-02-10)
guitar and lead vocals:
Lester Flatt (on 1961-02-10)
guitar [lead guitar]:
Earl Scruggs (on 1961-02-10)
mandolin:
Curly Seckler (on 1961-02-10)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1961-02-10)
recording of:
Storms Are on the Ocean (on 1961-02-10)
lyricist and composer:
A.P. Carter
publisher:
Peer International Corporation (BMI)
2:43
12Gathering Flowers From the Hillside
producer:
Don Law
autoharp:
Mother Maybelle Carter (on 1961-02-10)
double bass:
Jake Tullock (country stand-up bass) (on 1961-02-10)
guitar:
Lester Flatt (on 1961-02-10)
guitar [lead guitar]:
Earl Scruggs (on 1961-02-10)
mandolin:
Curly Seckler (on 1961-02-10)
resonator guitar [dobro]:
Josh Graves (on 1961-02-10)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1961-02-10)
instrumental recording of:
Gathering Flowers From the Hillside (on 1961-02-10)
lyricist and composer:
A.P. Carter
2:10
13Worried Man Blues
producer:
Don Law
autoharp:
Mother Maybelle Carter (on 1961-02-10)
banjo:
Earl Scruggs (on 1961-02-10)
double bass and baritone vocals [high baritone vocals]:
Jake Tullock (country stand-up bass) (on 1961-02-10)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1961-02-10)
guitar and lead vocals:
Lester Flatt (on 1961-02-10)
mandolin and tenor vocals:
Curly Seckler (on 1961-02-10)
resonator guitar [dobro] and baritone vocals:
Josh Graves (on 1961-02-10)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1961-02-10)
recording of:
Worried Man Blues (on 1961-02-10)
writer:
[traditional] (special purpose artist)
arranger:
A.P. Carter
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) and Peer International Corporation (BMI)
arrangement of:
Worried Man Blues
1:59
14On the Rock Where Moses Stood
recording of:
On the Rock Where Moses Stood
writer:
The Carter Family (the original Carter Family, 1927–1943)
2:26
15Keep on the Sunny Side
producer:
Don Law
autoharp:
Mother Maybelle Carter (on 1961-02-10)
double bass:
Jake Tullock (country stand-up bass) (on 1961-02-10)
guitar and lead vocals:
Lester Flatt (on 1961-02-10)
guitar [lead guitar] and baritone vocals:
Earl Scruggs (on 1961-02-10)
mandolin and tenor vocals:
Curly Seckler (on 1961-02-10)
bass vocals:
Paul Warren (US fiddler) (on 1961-02-10)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1961-02-10)
recording of:
Keep on the Sunny Side (on 1961-02-10)
lyricist:
Ada Blenkhorn and A.P. Carter
composer:
A.P. Carter and J. Howard Entwisle
3:05
16Jimmie Brown, the Newsboy
producer:
Don Law
autoharp:
Mother Maybelle Carter (on 1961-02-10)
double bass:
Jake Tullock (country stand-up bass) (on 1961-02-10)
guitar and lead vocals:
Lester Flatt (on 1961-02-10)
guitar [lead guitar] and baritone vocals:
Earl Scruggs (on 1961-02-10)
mandolin and tenor vocals:
Curly Seckler (on 1961-02-10)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1961-02-10)
recording of:
Jimmy Brown the Newsboy (on 1961-02-10)
lyricist and composer:
A.P. Carter
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
2:33
17Just Ain't
2:13
18Where Will I Shelter My Sheep
recording of:
Where Will I Shelter My Sheep
composer:
Joe Grieshop and Irene Stier
2:18
19I Saw Mother With God Last Night
producer:
Don Law
double bass:
Jake Tullock (country stand-up bass) (on 1961-05-23)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1961-05-23)
guitar and lead vocals:
Lester Flatt (on 1961-05-23)
guitar [lead guitar] and baritone vocals:
Earl Scruggs (on 1961-05-23)
mandolin and tenor vocals:
Curly Seckler (on 1961-05-23)
resonator guitar [dobro]:
Josh Graves (on 1961-05-23)
bass vocals:
Paul Warren (US fiddler) (on 1961-05-23)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1961-05-23)
2:39
20Go Home
producer:
Don Law
double bass and baritone vocals [high baritone vocals]:
Jake Tullock (country stand-up bass) (on 1961-05-23)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1961-05-23)
guitar and lead vocals:
Lester Flatt (on 1961-05-23)
guitar [lead guitar] and baritone vocals:
Earl Scruggs (on 1961-05-23)
mandolin and tenor vocals:
Curly Seckler (on 1961-05-23)
resonator guitar [dobro]:
Josh Graves (on 1961-05-23)
bass vocals:
Paul Warren (US fiddler) (on 1961-05-23)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1961-05-23)
3:14
21Handsome Molly
producer:
Don Law
banjo and baritone vocals:
Earl Scruggs (on 1962-02-20)
double bass and baritone vocals [high baritone vocals]:
Jake Tullock (country stand-up bass) (on 1962-02-20)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1962-02-20)
fiddle:
Paul Warren (US fiddler) (on 1962-02-20)
guitar and lead vocals:
Lester Flatt (on 1962-02-20)
mandolin and tenor vocals:
Curly Seckler (on 1962-02-20)
resonator guitar [dobro]:
Josh Graves (on 1962-02-20)
recorded at:
Columbia Studio B (Nashville) in Nashville, Tennessee, United States (on 1962-02-20)
recording of:
Handsome Molly (on 1962-02-20)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 454)
2:01
22Coal Loadin' Johnny
2:48
23Hear That Whistle Blow (A Hundred Miles)
producer:
Don Law
banjo and baritone vocals:
Earl Scruggs (on 1962-02-20)
double bass and baritone vocals [high baritone vocals]:
Jake Tullock (country stand-up bass) (on 1962-02-20)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1962-02-20)
fiddle:
Paul Warren (US fiddler) (on 1962-02-20)
guitar and lead vocals:
Lester Flatt (on 1962-02-20)
mandolin and tenor vocals:
Curly Seckler (on 1962-02-20)
resonator guitar [dobro]:
Josh Graves (on 1962-02-20)
recorded at:
Columbia Studio B (Nashville) in Nashville, Tennessee, United States (on 1962-02-20)
recording of:
500 Miles
lyricist and composer:
Hedy West
publisher:
Robert Mellin, Inc., Unichappell Music, Inc. and ミュージカル・ライツ・東京 (Musical Lights Tokyo)
2:35
24Too Old for a Broken Heart
producer:
Don Law
banjo and baritone vocals:
Earl Scruggs (on 1962-02-20)
double bass and baritone vocals [high baritone vocals]:
Jake Tullock (country stand-up bass) (on 1962-02-20)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1962-02-20)
fiddle:
Paul Warren (US fiddler) (on 1962-02-20)
guitar and lead vocals:
Lester Flatt (on 1962-02-20)
mandolin and tenor vocals:
Curly Seckler (on 1962-02-20)
resonator guitar [dobro]:
Josh Graves (on 1962-02-20)
recorded at:
Columbia Studio B (Nashville) in Nashville, Tennessee, United States (on 1962-02-20)
2:26

Credits

Release group

part of:The Chronogical Classics (not to be confused with The Chronological Classics) (number: 6115) (order: 136)