Composers in Person

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD: [01] Béla Bartók, Ernő Dohnányi
2CD: [02] Paul Hindemith (1)
3CD: [03] Paul Hindemith (2)
4CD: [04] Aram Khachaturian
5CD: [05] Arthur Honegger, Francis Poulenc
6CD: [06] Charles-Marie Widor, Louis Vierne, Marcel Dupré, Olivier Messiaen
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1Symphonie V in F minor op. 42 no. 1: V. Toccata (Allegro)
organ:
Charles‐Marie Widor (French organist, composer and teacher) (from 1932-04-28 until 1932-04-29)
recorded at:
Église Saint-Sulpice de Paris in Paris, Île-de-France, France (from 1932-04-28 until 1932-04-29)
recording of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1: V. Toccata (from 1932-04-28 until 1932-04-29)
composer:
Charles‐Marie Widor (French organist, composer and teacher) (in 1879)
part of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1
Charles‐Marie Widor6:33
2Symphonie gothique in C minor, op. 70: I. Moderato
organ:
Charles‐Marie Widor (French organist, composer and teacher) (from 1932-04-28 until 1932-04-29)
recorded at:
Église Saint-Sulpice de Paris in Paris, Île-de-France, France (from 1932-04-28 until 1932-04-29)
recording of:
Symphonie pour orgue nº 9 en ut mineur, op. 70 "Symphonie gothique": I. Moderato (from 1932-04-28 until 1932-04-29)
composer:
Charles‐Marie Widor (French organist, composer and teacher)
part of:
Symphonie pour orgue nº 9 en ut mineur, op. 70 "Symphonie gothique"
Charles‐Marie Widor6:50
3Symphonie gothique in C minor, op. 70: II. Andante sostenuto
organ:
Charles‐Marie Widor (French organist, composer and teacher) (from 1932-04-28 until 1932-04-29)
recorded at:
Église Saint-Sulpice de Paris in Paris, Île-de-France, France (from 1932-04-28 until 1932-04-29)
recording of:
Symphonie pour orgue nº 9 en ut mineur, op. 70 "Symphonie gothique": II. Andante sostenuto (from 1932-04-28 until 1932-04-29)
composer:
Charles‐Marie Widor (French organist, composer and teacher)
part of:
Symphonie pour orgue nº 9 en ut mineur, op. 70 "Symphonie gothique"
Charles‐Marie Widor4:20
4Symphonie gothique in C minor, op. 70: III. Moderato - Variations (Allegro - Moderato - Andante - Allegro)
organ:
Charles‐Marie Widor (French organist, composer and teacher) (from 1932-04-28 until 1932-04-29)
recorded at:
Église Saint-Sulpice de Paris in Paris, Île-de-France, France (from 1932-04-28 until 1932-04-29)
recording of:
Symphonie pour orgue nº 9 en ut mineur, op. 70 "Symphonie gothique": IV. Moderato (Variationen) (from 1932-04-28 until 1932-04-29)
composer:
Charles‐Marie Widor (French organist, composer and teacher)
part of:
Symphonie pour orgue nº 9 en ut mineur, op. 70 "Symphonie gothique"
Charles‐Marie Widor4:05
5Trois Improvisations: I. Marche Épiscopale
organ:
Louis Vierne (French organist and composer) (in 1928-12)
recorded at:
Cathédrale Notre-Dame de Paris in Paris, Île-de-France, France (in 1928-12)
recording of:
Trois improvisations: No. 1. Marche épiscopale (in 1928-12)
composer:
Louis Vierne (French organist and composer) (in 1928)
part of:
Trois improvisations
Louis Vierne3:18
6Pieces de Fantasie, Suite no. 1, op. 51: II. Andantino
organ:
Louis Vierne (French organist and composer) (in 1928-12)
recorded at:
Cathédrale Notre-Dame de Paris in Paris, Île-de-France, France (in 1928-12)
recording of:
24 Pièces de fantaisie, suite nº 1, op. 51: Nº 2. Andantino (in 1928-12)
composer:
Louis Vierne (French organist and composer)
part of:
24 Pièces de fantaisie, suite nº 1, op. 51
Louis Vierne2:57
7Trois Improvisations: III. Cortège
organ:
Louis Vierne (French organist and composer) (in 1928-12)
recorded at:
Cathédrale Notre-Dame de Paris in Paris, Île-de-France, France (in 1928-12)
recording of:
Trois improvisations: No. 3. Cortège (in 1928-12)
composer:
Louis Vierne (French organist and composer) (in 1928)
part of:
Trois improvisations
Louis Vierne2:19
8Suite bretonne, op. 21: I. Berceuse
organ:
Marcel Dupré (French organist and composer) (on 1929-06-18)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1929-06-18)
recording of:
Suite Bretonne, op. 21: I. Berceuse (on 1929-06-18)
composer:
Marcel Dupré (French organist and composer)
part of:
Suite Bretonne, op. 21
Marcel Dupré4:06
9Trois Preludes et Fugues, op. 7: No. 3 in G minor
organ:
Marcel Dupré (French organist and composer) (from 1926-06-25 until 1926-10-27)
recorded at:
Queen’s Hall in London (Greater London), England, United Kingdom (from 1926-06-25 until 1926-10-27)
recording of:
Prelude and Fugue in G minor, op. 7 no. 3 (from 1926-06-25 until 1926-10-27)
composer:
Marcel Dupré (French organist and composer)
part of:
Trois préludes et fugues, op. 7
Marcel Dupré5:56
10Le Banquet Céleste
co-producer:
Roland de Candé and Serge Moreux
organ:
Olivier Messiaen (composer and organist) (on 1956-07-26)
balance engineer:
André Charlin (sound engineer)
recorded at:
Église de la Sainte-Trinité in Paris, Île-de-France, France (on 1956-07-26)
recording of:
Le Banquet céleste (on 1956-07-26)
composer:
Olivier Messiaen (composer and organist) (in 1928)
publisher:
Éditions Leduc
Olivier Messiaen7:23
11L'Ascension: I. Majesté du Christ demandant sa gloire à son Père
co-producer:
Roland de Candé and Serge Moreux
producer:
Roland de Candé and Serge Moreux
organ [Orgue Cavaillé-Coll/Merklin/Beuchet de l’eglise de la Sainte-Trinité]:
Olivier Messiaen (composer and organist)
balance engineer:
André Charlin (sound engineer)
phonographic copyright (℗) by:
EMI France (in 1957, in 1992)
produced for:
Ducretet-Thomson
recorded at:
Église de la Sainte-Trinité in Paris, Île-de-France, France (from 1956-06 until 1956-07)
recording of:
L’Ascension: I. Majesté du Christ demandant sa gloire à son Père (for organ) (from 1956-06-13 until 1956-06-25)
composer:
Olivier Messiaen (composer and organist) (from 1932 until 1933)
arranger:
Olivier Messiaen (composer and organist) (from 1933 until 1934)
publisher:
Éditions Leduc
arrangement of:
L’Ascension: I. Majesté du Christ demandant sa gloire à son Père. Très lent et majestueux (for orchestra)
part of:
L’Ascension (for organ)
Olivier Messiaen6:45
12L'Ascension: II. Alleluias sereins d'une âme qui désire le ciel
co-producer:
Roland de Candé and Serge Moreux
producer:
Roland de Candé and Serge Moreux
organ [Orgue Cavaillé-Coll/Merklin/Beuchet de l’eglise de la Sainte-Trinité]:
Olivier Messiaen (composer and organist)
balance engineer:
André Charlin (sound engineer)
phonographic copyright (℗) by:
EMI France (in 1957, in 1992)
produced for:
Ducretet-Thomson
recorded at:
Église de la Sainte-Trinité in Paris, Île-de-France, France (from 1956-06 until 1956-07)
recording of:
L’Ascension: II. Alleluias sereins d’une âme qui désire le ciel (for organ) (from 1956-06-13 until 1956-06-25)
composer:
Olivier Messiaen (composer and organist) (from 1932 until 1933)
arranger:
Olivier Messiaen (composer and organist) (from 1933 until 1934)
publisher:
Éditions Leduc
arrangement of:
L’Ascension: II. Alléluias sereins d’une âme qui désire le ciel. Bien modéré, clair (for orchestra)
part of:
L’Ascension (for organ)
Olivier Messiaen7:53
13L'Ascension: III. Transports de joie d'une âme devant la gloire du Christ qui est la sienne
co-producer:
Roland de Candé and Serge Moreux
producer:
Roland de Candé and Serge Moreux
organ [Orgue Cavaillé-Coll/Merklin/Beuchet de l’eglise de la Sainte-Trinité]:
Olivier Messiaen (composer and organist)
balance engineer:
André Charlin (sound engineer)
phonographic copyright (℗) by:
EMI France (in 1957, in 1992)
produced for:
Ducretet-Thomson
recorded at:
Église de la Sainte-Trinité in Paris, Île-de-France, France (from 1956-06 until 1956-07)
recording of:
L’Ascension: III. Transports de joie d’une âme devant la gloire du Christ qui est la sienne (from 1956-06-13 until 1956-06-25)
composer:
Olivier Messiaen (composer and organist) (from 1933 until 1934)
publisher:
Éditions Leduc
part of:
L’Ascension (for organ)
Olivier Messiaen4:18
14L'Ascension: IV. Prière du Christ montant vers son Père
co-producer:
Roland de Candé and Serge Moreux
producer:
Roland de Candé and Serge Moreux
organ [Orgue Cavaillé-Coll/Merklin/Beuchet de l’eglise de la Sainte-Trinité]:
Olivier Messiaen (composer and organist)
balance engineer:
André Charlin (sound engineer)
phonographic copyright (℗) by:
EMI France (in 1957, in 1992)
produced for:
Ducretet-Thomson
recorded at:
Église de la Sainte-Trinité in Paris, Île-de-France, France (from 1956-06 until 1956-07)
recording of:
L’Ascension: IV. Prière du Christ montant vers son Père (for organ) (from 1956-06-13 until 1956-06-25)
composer:
Olivier Messiaen (composer and organist) (from 1932 until 1933)
arranger:
Olivier Messiaen (composer and organist) (from 1933 until 1934)
publisher:
Éditions Leduc
arrangement of:
L’Ascension: IV. Prière du Christ montant vers son Père. Extrêmement lent, ému et solennel (for orchestra)
part of:
L’Ascension (for organ)
Olivier Messiaen9:10
7CD: [07] Edward Elgar
8CD: [08] Olivier Messiaen
9CD: [09] Sergei Prokofiev, Alexander Glazunov
10CD: [10] Heitor Villa-Lobos
11CD: [11] Hans Pfitzner
12CD: [12] Darius Milhaud
13CD: [13] Francis Poulenc, Benjamin Britten
14CD: [14] Dmitri Shostakovich
15CD: [15] Igor Stravinsky (1)
16CD: [16] Igor Stravinsky (2)
17CD: [17] Richard Strauss
18CD: [18] Manuel de Falla, Enrique Granados, Federico Mompou, Joaquín Nin
19CD: [19] Edward Elgar, Gustav Holst
20CD: [20] Franz Lehár
21CD: [21] Nicolas Medtner
22CD: [22] Albert Roussel, Florent Schmitt