| # | Title | Artist | Rating | Length |
|---|
| 1 | Devil Gate Drive | Suzi Quatro | 4.75 | 3:46 |
| 2 | Hypnosis | Mud | | 2:44 |
| 3 | Ball Park Incident | Wizzard | 4 | 3:37 |
| 4 | Dance With the Devil | Cozy Powell | 2 | 3:31 |
| 5 | The Bump | Kenny | 3.5 | 2:32 |
| 6 | A Touch Too Much | The Arrows | 5 | 2:59 |
| 7 | Lay Your Love on Me | Racey | | 3:11 |
| 8 | Motor Bikin’ | Chris Spedding | 3.35 | 2:34 |
| 9 | January | Pilot | 3 | 3:28 |
| 10 | Mr. Soft | Steve Harley & Cockney Rebel | | 3:18 |
| 11 | Nutbush City Limits- producer:
- Ike Turner
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1973), EMI Records USA (in 1973) and EMI Records Ltd. (in 2004)
- recording of:
- Nutbush City Limits
- lyricist and composer:
- Tina Turner
- publisher:
- Copyright Control , EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing , EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music and Valley Spring Music Corp.
| Ike & Tina Turner | 3.75 | 2:49 |
| 12 | Roll Over Beethoven- engineer:
- Denny Bridges and John Middleton
- producer:
- Jeff Lynne
- bass:
- Michael d’Albuquerque (on 1972-09-08)
- cello:
- Mike Edwards (on 1972-09-08) and Colin Walker (on 1972-09-08)
- drums (drum set) and percussion:
- Bev Bevan (on 1972-09-08)
- guitar, harmonium and Moog:
- Jeff Lynne (on 1972-09-08) and Richard Tandy (on 1972-09-08)
- piano:
- Richard Tandy (on 1972-09-08)
- violin:
- Wilfred Gibson (on 1972-09-08)
- background vocals:
- Michael d’Albuquerque (on 1972-09-08) and Richard Tandy (on 1972-09-08)
- lead vocals:
- Jeff Lynne (on 1972-09-08)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1972, in 2011), Sony Music Entertainment (in 1972) and Sony Music Entertainment Inc. (in 1973)
- recorded at:
- Air Studios in London , England, United Kingdom (on 1972-09-08)
- cover recording of:
- Roll Over Beethoven (on 1972-09-08)
- lyricist and composer:
- Chuck Berry (in 1956-01)
- publisher:
- Arc Music , Arc Music Corp. , Copyright Control , Dualtone Words and Songs, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd.
- sub-publisher:
- Fujipacific Music, Inc. and Rock ’n’ Roll Music
| Electric Light Orchestra | 4.35 | 4:30 |
| 13 | I Hear You Knocking | Dave Edmunds | 4 | 2:45 |
| 14 | Tonight | The Move | 5 | 3:16 |
| 15 | Rag Mama Rag | The Band | | 2:58 |
| 16 | Let’s Work Together- recording engineer and mixer:
- Tommy Oliver
- engineer:
- Joe Bellamy, Paul du Gré and Willie "Bass" Rice
- producer:
- Canned Heat, Fito de la Parra and Skip Taylor
- bass guitar:
- Larry Taylor (from 2001-03 until 2002-12)
- drums (drum set), percussion and timbales:
- Fito de la Parra (from 2001-03 until 2002-12)
- flute, harmonica and horn [horns]:
- Stanley Behrens (from 2001-03 until 2002-12)
- guitar [rhythm guitar]:
- Harvey Mandel (from 2001-03 until 2002-12)
- slide guitar:
- John Paulus (from 2001-03 until 2002-12)
- vocals:
- Dallas Hodge (from 2001-03 until 2002-12)
- phonographic copyright (℗) by:
- Liberty Records, Inc. (in 1970)
- recorded at and mixed at:
- The Village in Los Angeles, California, United States
- cover recording of:
- Let’s Work Together (from 2001-03 until 2002-12)
- lyricist:
- Wilbert Harrison
- publisher:
- EMI Catalogue Partnership, EMI Longitude Music, EMI Music , EMI Music Publishing , EMI Music Publishing Ltd. , EMI United Partnership Ltd., Mozella Music Inc., SBK United Partnership Ltd., United Artists Music Co., Inc. and United Artists Musik GmbH
| Canned Heat | 4 | 2:45 |
| 17 | When I’m Dead and Gone | McGuinness Flint | | 3:35 |
| 18 | Tap Turns on the Water | CCS | 2 | 3:37 |