Eight Classic Albums

~ Release by Anita O’Day (see all versions of this release, 1 available)

Tracklist

1▼CD
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1-1You're The Top
recording of:
You’re the Top
lyricist and composer:
Cole Porter (composer) (in 1934)
part of:
Anything Goes
2:23
1-2Honeysuckle Rose
recording of:
Honeysuckle Rose
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
3:12
1-3A Nightingale Sang In Berkeley Square
recording of:
A Nightingale Sang in Berkeley Square
lyricist:
Eric Maschwitz (Holt Marvell)
composer:
Manning Sherwin (in 1939)
publisher:
Colgems-EMI Music Inc., Peter Maurice Music Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
3:59
1-4Who Cares?
recording of:
Who Cares? (Of Thee I Sing)
lyricist:
Ira Gershwin (in 1931)
composer:
George Gershwin (composer) (in 1931)
publisher:
New World Music (new age music) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Of Thee I Sing: Act II
3:12
1-5I Can't Get Started
recording of:
I Can’t Get Started
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:52
1-6Fine And Dandy
recording of:
Fine and Dandy
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
2:23
1-7As Long As I Live
recording of:
As Long as I Live
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
publisher:
Arko Music Corp.
3:37
1-8No Moon At All
recording of:
No Moon at All
lyricist:
Redd Evans
composer:
David Mann (American songwriter)
publisher:
Mann David Music Company, Music Sales Corporation (American copyright holder in both popular and classical music) and Rytvoc, Inc. (ASCAP)
2:26
1-9Time After Time
cover recording of:
Time After Time
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd. and Sands Music Corp.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
recording of:
Time After Time
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd. and Sands Music Corp.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
4:05
1-10I'll See You In My Dreams
recording of:
I’ll See You in My Dreams
lyricist:
Gus Kahn
composer:
Isham Jones
publisher:
Bantam Music Publishing Co., Gilbert Keyes Music Company and Leo Feist, Inc. (on 1924-12-19)
2:48
1-11I Fall In Love Too Easily
recording of:
I Fall in Love Too Easily
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Feist Catalog Inc., EMI United Partnership Ltd. and Leo Feist, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 2)
2:52
1-12Beautiful Love
recording of:
Beautiful Love (Jazz Standard)
lyricist:
Haven Gillespie
composer:
Egbert Van Alstyne, Wayne King and Victor Young (American composer, arranger, violinist & conductor)
publisher:
Movie Tone Music and Sam Fox Publishing Co. (London) Ltd.
2:36
1-13Don't Be That Way
producer:
Norman Granz and Anita O’Day
double bass [bass]:
Joe Mondragon (on 1956-12-18)
drums (drum set):
Alvin Stoller (on 1956-12-18)
guitar:
Barney Kessel (on 1956-12-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-18)
trumpet:
Harry Edison (on 1956-12-18)
vibraphone:
Larry Bunker (on 1956-12-18)
vocals:
Anita O’Day (on 1956-12-18)
recording of:
Don’t Be That Way
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
2:30
1-14Let's Face The Music And Dance
producer:
Norman Granz and Anita O’Day
double bass [bass]:
Joe Mondragon (on 1956-12-18)
drums (drum set):
Alvin Stoller (on 1956-12-18)
guitar:
Barney Kessel (on 1956-12-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-18)
trumpet:
Harry Edison (on 1956-12-18)
vibraphone:
Larry Bunker (on 1956-12-18)
vocals:
Anita O’Day (on 1956-12-18)
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
3:14
1-15I Never Had A Chance
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (american bass trombone) (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
I Never Had a Chance
lyricist and composer:
Irving Berlin
4:21
1-16Stompin' At The Savoy
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (american bass trombone) (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
Stompin’ at the Savoy (on 1956-12-20)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3:16
1-17Pick Yourself Up
producer:
Norman Granz and Anita O’Day
double bass [bass]:
Joe Mondragon (on 1956-12-18)
drums (drum set):
Alvin Stoller (on 1956-12-18)
guitar:
Barney Kessel (on 1956-12-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-18)
trumpet:
Harry Edison (on 1956-12-18)
vibraphone:
Larry Bunker (on 1956-12-18)
vocals:
Anita O’Day (on 1956-12-18)
recording of:
Pick Yourself Up (from “Swing Time”)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jerome Kern
part of:
Swing Time (film)
3:04
1-18Stars Fell On Alabama
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-19) and Bud Shank (on 1956-12-19)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-19)
double bass [bass]:
Joe Mondragon (on 1956-12-19)
drums (drum set):
Alvin Stoller (on 1956-12-19)
guitar:
Al Hendrickson (on 1956-12-19)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-19)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-19) and George Auld (on 1956-12-19)
trombone:
Milt Bernhart (on 1956-12-19), George Roberts (american bass trombone) (on 1956-12-19), Frank Rosolino (on 1956-12-19) and Lloyd Ulyate (on 1956-12-19)
trumpet:
Conte Candoli (on 1956-12-19), Pete Candoli (on 1956-12-19), Conrad Gozzo (on 1956-12-19) and Ray Linn (on 1956-12-19)
vocals:
Anita O’Day (on 1956-12-19)
conductor:
Buddy Bregman (on 1956-12-19)
recording of:
Stars Fell on Alabama
lyricist:
Mitchell Parish
composer:
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
2:50
1-19Sweet Georgia Brown
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (american bass trombone) (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
Sweet Georgia Brown (on 1956-12-20)
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
4:12
1-20I Won't Dance
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (american bass trombone) (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (on 1956-12-20)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (American librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:24
1-21Man With A Horn
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-19) and Bud Shank (on 1956-12-19)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-19)
double bass [bass]:
Joe Mondragon (on 1956-12-19)
drums (drum set):
Alvin Stoller (on 1956-12-19)
guitar:
Al Hendrickson (on 1956-12-19)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-19)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-19) and George Auld (on 1956-12-19)
trombone:
Milt Bernhart (on 1956-12-19), George Roberts (american bass trombone) (on 1956-12-19), Frank Rosolino (on 1956-12-19) and Lloyd Ulyate (on 1956-12-19)
trumpet:
Conte Candoli (on 1956-12-19), Pete Candoli (on 1956-12-19), Conrad Gozzo (on 1956-12-19) and Ray Linn (on 1956-12-19)
vocals:
Anita O’Day (on 1956-12-19)
conductor:
Buddy Bregman (on 1956-12-19)
recording of:
Man With a Horn (on 1956-12-19)
lyricist:
Eddie DeLange
composer:
Jack Jenney (American jazz trombonist) and Bonnie Lake
3:55
1-22I Used To Be Color Blind
producer:
Norman Granz and Anita O’Day
double bass [bass]:
Joe Mondragon (on 1956-12-18)
drums (drum set):
Alvin Stoller (on 1956-12-18)
guitar:
Barney Kessel (on 1956-12-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-18)
trumpet:
Harry Edison (on 1956-12-18)
vibraphone:
Larry Bunker (on 1956-12-18)
vocals:
Anita O’Day (on 1956-12-18)
recording of:
I Used to Be Color Blind (from "Carefree")
lyricist and composer:
Irving Berlin (in 1938)
3:07
1-23There's A Lull In My Life
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-19) and Bud Shank (on 1956-12-19)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-19)
double bass [bass]:
Joe Mondragon (on 1956-12-19)
drums (drum set):
Alvin Stoller (on 1956-12-19)
guitar:
Al Hendrickson (on 1956-12-19)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-19)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-19) and George Auld (on 1956-12-19)
trombone:
Milt Bernhart (on 1956-12-19), George Roberts (american bass trombone) (on 1956-12-19), Frank Rosolino (on 1956-12-19) and Lloyd Ulyate (on 1956-12-19)
trumpet:
Conte Candoli (on 1956-12-19), Pete Candoli (on 1956-12-19), Conrad Gozzo (on 1956-12-19) and Ray Linn (on 1956-12-19)
vocals:
Anita O’Day (on 1956-12-19)
conductor:
Buddy Bregman (on 1956-12-19)
recording of:
There’s a Lull in My Life (on 1956-12-19)
lyricist:
Mack Gordon
composer:
Harry Revel (British-born American composer)
publisher:
Robbins Music Corp.
3:16
1-24Let's Begin
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (american bass trombone) (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
Let’s Begin (from "Roberta")
lyricist:
Dorothy Fields (American librettist and lyricist) and Otto Harbach (in 1933)
composer:
Jerome Kern (in 1933)
part of:
Roberta
2:19
2-1'S Wonderful / They Can't Take That Away From Me
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
medley including a recording of:
’S Wonderful
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
medley including a recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
2:55
2-2Tenderly
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
Tenderly
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
3:19
2-3Old Devil Moon
recorded in:
Los Angeles, California, United States (on 1960-08-03)
producer:
Norman Granz
alto saxophone:
Joe Maini (on 1960-08-03)
double bass:
Joe Mondragon (on 1960-08-03)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1960-08-03)
piano:
Lou Levy (on 1960-08-03)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1960-08-03)
trombone:
Frank Rosolino (on 1960-08-03)
trumpet:
Lee Katzman (on 1960-08-03) and Al Porcino (on 1960-08-03)
vocals:
Anita O’Day (on 1960-08-03)
recording of:
Old Devil Moon (from “Finian’s Rainbow”) (on 1960-08-03)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
part of:
Finian’s Rainbow (1947 Broadway musical)
2:50
2-4Love Me Or Leave Me
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
Love Me or Leave Me
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
2:32
2-5We'll Be Together Again
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
We’ll Be Together Again
lyricist:
Frankie Laine
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:36
2-6Stella By Starlight
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
Stella by Starlight
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
42:03
2-7Taking A Chance On Love
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
Taking a Chance on Love
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
2:20
2-8Them There Eyes
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
Them There Eyes
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) and Warner Chappell Music Limited (2019–present)
2:35
2-9I've Got The World On A String
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
I’ve Got the World on a String
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:57
2-10You Turned The Tables On Me
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
You Turned the Tables on Me
lyricist:
Sidney Mitchell
composer:
Louis Alter
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label) (in 1936)
3:39
2-11Bewitched, Bothered And Bewildered
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
3:53
2-12Take The A Train
recorded in:
Los Angeles, California, United States (on 1958-04-03)
producer:
Norman Granz
alto saxophone:
Med Flory
baritone saxophone:
Bill Perkins (jazz saxophonist)
bass:
Buddy Clark (US jazz bassist)
drums (drum set):
Mel Lewis (American jazz drummer)
flute:
Herbie Mann
piano:
Jimmy Rowles
tenor saxophone:
Herbie Mann and Bill Perkins (jazz saxophonist)
trombone:
Pete Carpenter, Bob Fitzpatrick, Dick Nash and Dave Wells (US jazz trombonist, trumpeter & bass trumpeter)
trumpet:
Frank Beach (trombone, trumpet), Buddy Childers (American jazz trumpeter & composer), Dick Collins (trumpet) and Jack Sheldon
tuba:
John Kitzmiller
vocals:
Anita O’Day (on 1958-04-03)
arranger:
Marty Paich
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-04-03)
cover recording of:
Take the “A” Train (version with lyrics by Sherrill) (on 1958-04-03)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
2:48
2-13Tenderly
recorded in:
Los Angeles, California, United States (on 1958-04-03)
producer:
Norman Granz
alto saxophone:
Med Flory
baritone saxophone:
Bill Perkins (jazz saxophonist)
bass:
Buddy Clark (US jazz bassist)
drums (drum set):
Mel Lewis (American jazz drummer)
flute:
Herbie Mann
piano:
Jimmy Rowles
tenor saxophone:
Herbie Mann and Bill Perkins (jazz saxophonist)
trombone:
Pete Carpenter, Bob Fitzpatrick, Dick Nash and Dave Wells (US jazz trombonist, trumpeter & bass trumpeter)
trumpet:
Frank Beach (trombone, trumpet), Buddy Childers (American jazz trumpeter & composer), Dick Collins (trumpet) and Jack Sheldon
tuba:
John Kitzmiller
vocals:
Anita O’Day (on 1958-04-03)
arranger:
Marty Paich
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-04-03)
recording of:
Tenderly (on 1958-04-03)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
2:37
2-14A Night In Tunisia
recorded in:
Los Angeles, California, United States (on 1958-04-03)
producer:
Norman Granz
alto saxophone:
Med Flory
baritone saxophone:
Bill Perkins (jazz saxophonist)
bass:
Buddy Clark (US jazz bassist)
drums (drum set):
Mel Lewis (American jazz drummer)
flute:
Herbie Mann
piano:
Jimmy Rowles
tenor saxophone:
Herbie Mann and Bill Perkins (jazz saxophonist)
trombone:
Pete Carpenter, Bob Fitzpatrick, Dick Nash and Dave Wells (US jazz trombonist, trumpeter & bass trumpeter)
trumpet:
Frank Beach (trombone, trumpet), Buddy Childers (American jazz trumpeter & composer), Dick Collins (trumpet) and Jack Sheldon
tuba:
John Kitzmiller
vocals:
Anita O’Day (on 1958-04-03)
arranger:
Marty Paich
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-04-03)
2:33
2-15Four
recorded in:
Los Angeles, California, United States (on 1958-04-03)
producer:
Norman Granz
alto saxophone:
Med Flory
baritone saxophone:
Bill Perkins (jazz saxophonist)
bass:
Buddy Clark (US jazz bassist)
drums (drum set):
Mel Lewis (American jazz drummer)
flute:
Herbie Mann
piano:
Jimmy Rowles
tenor saxophone:
Herbie Mann and Bill Perkins (jazz saxophonist)
trombone:
Pete Carpenter, Bob Fitzpatrick, Dick Nash and Dave Wells (US jazz trombonist, trumpeter & bass trumpeter)
trumpet:
Frank Beach (trombone, trumpet), Buddy Childers (American jazz trumpeter & composer), Dick Collins (trumpet) and Jack Sheldon
tuba:
John Kitzmiller
vocals:
Anita O’Day (on 1958-04-03)
arranger:
Marty Paich
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-04-03)
2:47
2-16Early Autumn
recorded in:
Los Angeles, California, United States (on 1958-04-03)
producer:
Norman Granz
alto saxophone:
Med Flory
baritone saxophone:
Bill Perkins (jazz saxophonist)
bass:
Buddy Clark (US jazz bassist)
drums (drum set):
Mel Lewis (American jazz drummer)
flute:
Herbie Mann
piano:
Jimmy Rowles
tenor saxophone:
Herbie Mann and Bill Perkins (jazz saxophonist)
trombone:
Pete Carpenter, Bob Fitzpatrick, Dick Nash and Dave Wells (US jazz trombonist, trumpeter & bass trumpeter)
trumpet:
Frank Beach (trombone, trumpet), Buddy Childers (American jazz trumpeter & composer), Dick Collins (trumpet) and Jack Sheldon
tuba:
John Kitzmiller
vocals:
Anita O’Day (on 1958-04-03)
arranger:
Marty Paich
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-04-03)
recording of:
Early Autumn (on 1958-04-03)
lyricist:
Johnny Mercer (in 1949)
composer:
Ralph Burns (in 1949) and Woody Herman (in 1949)
3:08
2-17Four Brothers
recorded in:
Los Angeles, California, United States (on 1958-04-03)
producer:
Norman Granz
alto saxophone:
Med Flory
baritone saxophone:
Bill Perkins (jazz saxophonist)
bass:
Buddy Clark (US jazz bassist)
drums (drum set):
Mel Lewis (American jazz drummer)
flute:
Herbie Mann
piano:
Jimmy Rowles
tenor saxophone:
Herbie Mann and Bill Perkins (jazz saxophonist)
trombone:
Pete Carpenter, Bob Fitzpatrick, Dick Nash and Dave Wells (US jazz trombonist, trumpeter & bass trumpeter)
trumpet:
Frank Beach (trombone, trumpet), Buddy Childers (American jazz trumpeter & composer), Dick Collins (trumpet) and Jack Sheldon
tuba:
John Kitzmiller
vocals:
Anita O’Day (on 1958-04-03)
arranger:
Marty Paich
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-04-03)
recording of:
Four Brothers
composer:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (in 1947)
2:22
2-18Sing, Sing, Sing (With A Swing)
recorded in:
Los Angeles, California, United States (on 1958-04-02)
producer:
Norman Granz
alto saxophone:
Benny Carter and Ronnie Lang
baritone saxophone:
Ronnie Lang
bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Tony Rizzi
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
tenor saxophone:
Buddy Collette and Irving “Babe” Russin
trombone:
Jim Amlotte, Bob Enevoldsen, Kent Larsen, Archie LeCoque and Ken Shroyer (trombonist)
trumpet:
Bill Catalano, Jules Chaikin, Phil Gilbert, Lee Katzman and Sam Noto
vocals:
Anita O’Day (on 1958-04-02)
arranger:
Russ Garcia
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-04-02)
recording of:
Sing, Sing, Sing (With a Swing)
lyricist and composer:
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (ended) and EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
3:29
2-19My Funny Valentine
recorded in:
Los Angeles, California, United States (on 1958-04-02)
producer:
Norman Granz
alto saxophone:
Benny Carter and Ronnie Lang
baritone saxophone:
Ronnie Lang
bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Tony Rizzi
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
tenor saxophone:
Buddy Collette and Irving “Babe” Russin
trombone:
Jim Amlotte, Bob Enevoldsen, Kent Larsen, Archie LeCoque and Ken Shroyer (trombonist)
trumpet:
Bill Catalano, Jules Chaikin, Phil Gilbert, Lee Katzman and Sam Noto
vocals:
Anita O’Day (on 1958-04-02)
arranger:
Russ Garcia
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-04-02)
recording of:
My Funny Valentine (from “Babes in Arms”) (on 1958-04-02)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
3:34
2-20Frenesi
recorded in:
Los Angeles, California, United States (on 1958-04-02)
producer:
Norman Granz
alto saxophone:
Benny Carter and Ronnie Lang
baritone saxophone:
Ronnie Lang
bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Tony Rizzi
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
tenor saxophone:
Buddy Collette and Irving “Babe” Russin
trombone:
Jim Amlotte, Bob Enevoldsen, Kent Larsen, Archie LeCoque and Ken Shroyer (trombonist)
trumpet:
Bill Catalano, Jules Chaikin, Phil Gilbert, Lee Katzman and Sam Noto
vocals:
Anita O’Day (on 1958-04-02)
arranger:
Russ Garcia
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-04-02)
recording of:
Frenesi
composer:
Alberto Domínguez
translator:
Leonard Whitcup
translated version of:
Frenesí
3:01
2-21Body And Soul
recorded in:
Los Angeles, California, United States (on 1958-04-02)
producer:
Norman Granz
alto saxophone:
Benny Carter and Ronnie Lang
baritone saxophone:
Ronnie Lang
bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Tony Rizzi
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
tenor saxophone:
Buddy Collette and Irving “Babe” Russin
trombone:
Jim Amlotte, Bob Enevoldsen, Kent Larsen, Archie LeCoque and Ken Shroyer (trombonist)
trumpet:
Bill Catalano, Jules Chaikin, Phil Gilbert, Lee Katzman and Sam Noto
vocals:
Anita O’Day (on 1958-04-02)
arranger:
Russ Garcia
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-04-02)
recording of:
Body and Soul (on 1958-04-02)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:20
2-22What's Your Story Morning Glory
recorded in:
Los Angeles, California, United States (on 1958-04-02)
producer:
Norman Granz
alto saxophone:
Benny Carter and Ronnie Lang
baritone saxophone:
Ronnie Lang
bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Tony Rizzi
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
tenor saxophone:
Buddy Collette and Irving “Babe” Russin
trombone:
Jim Amlotte, Bob Enevoldsen, Kent Larsen, Archie LeCoque and Ken Shroyer (trombonist)
trumpet:
Bill Catalano, Jules Chaikin, Phil Gilbert, Lee Katzman and Sam Noto
vocals:
Anita O’Day (on 1958-04-02)
arranger:
Russ Garcia
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-04-02)
recording of:
What's Your Story, Morning Glory?
lyricist:
Jack Lawrence (US songwriter)
composer:
Mary Lou Williams (American jazz pianist and composer)
publisher:
Advanced Music corp.
3:47
2-23Peanut Vendor
recorded in:
Los Angeles, California, United States (on 1958-04-02)
producer:
Norman Granz
alto saxophone:
Benny Carter and Ronnie Lang
baritone saxophone:
Ronnie Lang
bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Tony Rizzi
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
tenor saxophone:
Buddy Collette and Irving “Babe” Russin
trombone:
Jim Amlotte, Bob Enevoldsen, Kent Larsen, Archie LeCoque and Ken Shroyer (trombonist)
trumpet:
Bill Catalano, Jules Chaikin, Phil Gilbert, Lee Katzman and Sam Noto
vocals:
Anita O’Day (on 1958-04-02)
arranger:
Russ Garcia
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-04-02)
recording of:
The Peanut Vendor
lyricist:
L. Wolfe Gilbert and Marion Sunshine
composer:
Moisés Simons
translated version of:
El manisero
2:38
3-1Just One Of Those Things
2:37
3-2Love For Sale
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-02)
orchestra:
Billy May & His Orchestra (on 1959-04-02)
recording of:
Love for Sale (on 1959-04-02)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
2:41
3-3You'd Be So Nice To Come Home
1:48
3-4Easy To Love
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-02)
orchestra:
Billy May & His Orchestra (on 1959-04-02)
recording of:
Easy to Love (on 1959-04-02)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
2:01
3-5I Get A Kick Out Of You
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
I Get a Kick Out of You (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
2:21
3-6All Of You
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-02)
orchestra:
Billy May & His Orchestra (on 1959-04-02)
recording of:
All of You (Silk Stockings musical) (on 1959-04-02)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
1:40
3-7Get Out Of Town
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
Get Out of Town (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
2:30
3-8I've Got You Under My Skin
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
I’ve Got You Under My Skin (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
1:44
3-9Night And Day
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
1:59
3-10It's De-lovely
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
It’s De‐Lovely (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1936)
part of:
Anything Goes
part of:
Red, Hot and Blue (1936 Cole Porter musical)
2:03
3-11I Love You
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
I Love You (Mexican Hayride musical) (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
1:56
3-12What Is This Thing Called Love
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
2:29
3-13You're The Top
2:24
3-14My Heart Belongs To Daddy
2:51
3-15Why Shouldn't I
3:05
3-16From This Moment On
3:10
3-17Love For Sale
3:34
3-18Just One Of Those Things
2:37
3-19Johnny One Note
1:50
3-20Little Girl Blue
2:58
3-21Falling In Love With Love
1:24
3-22Bewitched, Bothered And Bewildered
4:17
3-23I Could Write A Book
2:05
3-24Have You Met Miss Jones
1:50
3-25Lover
1:58
3-26It Never Entered My Mind
2:21
3-27Ten Cents A Dance
2:13
3-28I've Got Five Dollars
1:43
3-29To Keep My Love Alive
3:09
3-30Spring Is Here
vocals:
Anita O’Day (on 1960-06-07)
orchestra:
Billy May & His Orchestra (on 1960-06-07)
conductor:
Billy May (on 1960-06-07)
arranger:
Billy May
cover recording of:
Spring Is Here (on 1960-06-07)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
2:42
4-1That Old Feeling
2:26
4-2Angel Eyes
3:37
4-3The Thrill Is Gone
2:12
4-4Detour Ahead
4:22
4-5Yesterdays
5:09
4-6Waiter, Make Mine Blues
3:19
4-7Whatever Happened To You
4:39
4-8When Sunny Gets Blue
3:02
4-9Stella By Starlight
2:47
4-10Mad About The Boy
3:25
4-11A Blues Serenade
2:53
4-12Goodbye
3:35
4-13Trav'lin Light
recording of:
Trav’lin’ Light
lyricist:
Johnny Mercer (in 1942)
composer:
Jimmy Mundy (in 1942) and Trummy Young (in 1942)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publishing, Music Sales Corporation (American copyright holder in both popular and classical music), Rytvoc, Inc. (ASCAP) and WB Music Corp. (1929–2019)
3:32
4-14The Moon Looks Down And Laughs
3:55
4-15Don't Explain
recording of:
Don’t Explain
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
3:08
4-16Remember
recording of:
Remember
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
2:35
4-17Some Other Spring
2:24
4-18What A Little Moonlight Can Do
recording of:
What a Little Moonlight Can Do
lyricist and composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) and Warner Brothers Music Inc.
2:26
4-19Miss Brown To You
4:00
4-20God Bless The Child
cover recording of:
God Bless the Child
lyricist:
Billie Holiday
composer:
Arthur Herzog, Jr.
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
2:06
4-21If The Moon Turns Green
baritone saxophone:
Chuck Gentry (on 1961-01-18)
double bass:
Buddy Clark (US jazz bassist) (on 1961-01-18)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1961-01-18)
guitar:
Al Viola (on 1961-01-18)
piano:
Russ Freeman (pianist) (on 1961-01-18)
saxophone:
Joe Maini (on 1961-01-18)
trombone:
Lew McCreary (on 1961-01-18), Dick Nash (on 1961-01-18) and Frank Rosolino (on 1961-01-18)
trumpet:
Al Porcino (on 1961-01-18), Jack Sheldon (on 1961-01-18), Ray Triscari (on 1961-01-18) and Stu Williamson (on 1961-01-18)
vibraphone:
Larry Bunker (on 1961-01-18)
vocals:
Anita O’Day (on 1961-01-18)
conductor:
Johnny Mandel (American composer and arranger) (on 1961-01-18)
recording of:
If the Moon Turns Green (on 1961-01-18)
lyricist:
Paul Coates (songwriter; “If the Moon Turns Green”) (on 1934-11-27)
composer:
Bernie Hanighen (on 1934-11-27)
publisher:
Bourne Co. (not for release label use, this is a music publisher) (on 1934-11-27)
2:52
4-22I Hear Music
recording of:
I Hear Music (Dancing on a Dime)
lyricist:
Frank Loesser
composer:
Burton Lane
2:12
4-23Lover, Come Back To Me
recording of:
Lover, Come Back to Me (from "The New Moon")
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
2:48
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