Work From Home With John Williams

~ Release by John Williams (see all versions of this release, 1 available)

Annotation

Copyright: © 2020 UMG Recordings, Inc.
℗ 2020 UMG Recordings, Inc. FP

Annotation last modified on 2025-02-05 04:15 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Hedwig's Theme (From "Harry Potter And The Sorcerer’s Stone")
recording engineer:
Geoff Foster (sound engineer) (on 2017-11-20)
orchestra:
London Symphony Orchestra (on 2017-11-20)
conductor:
Gavin Greenaway (on 2017-11-20)
concertmaster:
Carmine Lauri (violinist) (on 2017-11-20)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 2017-11-20)
recording of:
Hedwig’s Theme (Harry Potter and the Philosopher’s Stone)
composer:
John Williams (American score composer)
publisher:
Warner-Barham Music LLC
part of:
Harry Potter and the Philosopher’s Stone (Harry Potter and the Philosopher's Stone, 2001 film score)
London Symphony Orchestra, Gavin Greenaway & John Williams5:08
2Three Pieces From Schindler's List For Solo Violin And Orchestra: Theme From "Schindler's List"
violin:
Gil Shaham (violinist) (in 1999-10)
orchestra:
Boston Symphony Orchestra (in 1999-10)
conductor:
John Williams (American score composer) (in 1999-10)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2000-10)
recording of:
Main Theme (Schindler’s List)
composer:
John Williams (American score composer) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
part of:
Three Pieces from Schindler’s List
Gil Shaham, Boston Symphony Orchestra & John Williams4:41
3Hymn To The Fallen (From "Saving Private Ryan")
recording engineer:
Geoff Foster (sound engineer) (on 2017-11-20)
choir vocals:
Brighton Festival Chorus
orchestra:
London Symphony Orchestra (on 2017-11-20)
conductor:
Gavin Greenaway (on 2017-11-20)
concertmaster:
Carmine Lauri (violinist) (on 2017-11-20)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 2017-11-20)
recording of:
Hymn to the Fallen (Saving Private Ryan)
composer:
John Williams (American score composer)
publisher:
Cherry Lane Music Ltd. and Universal Music Publishing MGB
part of:
Saving Private Ryan (1998 film score)
London Symphony Orchestra & Gavin Greenaway6:26
4The Tale Of Viktor Navorski
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
editor:
Ken Wannberg and Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at and mixed at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
Viktor’s Tale (The Terminal)
composer:
John Williams (American score composer)
part of:
The Terminal (2004 film score)
John Williams4:13
5Remembrances (From "Schindler's List")
assistant recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
executive producer:
Ute Fesquet
producer:
Bernhard Güttler (engineer)
mixer:
Bernhard Güttler (engineer) and Tobias Lehmann
violin:
Anne‐Sophie Mutter (violinist) (in 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer) (in 2019-04)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (in 2019-04)
recording of:
Remembrances (Schindler’s List) (in 2019-04)
composer:
John Williams (American score composer)
part of:
Schindler's List
part of:
Three Pieces from Schindler’s List
Anne‐Sophie Mutter, Recording Arts Orchestra of Los Angeles & John Williams6:17
6E.T. - Flying Theme
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
E.T. The Extra-Terrestrial: Flying (concert arrangement) (in 1982)
composer:
John Williams (American score composer) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
Boston Pops Orchestra & John Williams3:45
7Jurassic Park - Main Title
choir vocals:
Los Angeles Master Chorale
orchestra:
Hollywood Bowl Orchestra
conductor:
John Mauceri (conductor)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
recording of:
Theme From Jurassic Park (Jurassic Park)
composer:
John Williams (American score composer) (in 1993)
part of:
Jurassic Park (1993 film score)
Los Angeles Master Chorale, Hollywood Bowl Orchestra, John Mauceri & John Williams3:18
8Superman: Love Theme
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Can You Read My Mind (Superman: The Movie, love theme) (in 1980-06)
lyricist:
Leslie Bricusse
composer:
John Williams (American score composer)
publisher:
Warner-Barham Music LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
version of:
Flying Part III (Superman: The Movie)
part of:
Superman: The Movie (1978 film soundtrack)
Boston Pops Orchestra & John Williams4:48
9Gupta's Deliverance
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
editor:
Ken Wannberg and Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at and mixed at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
Gupta's Deliverance (The Terminal)
composer:
John Williams (American score composer)
part of:
The Terminal (2004 film score)
John Williams3:19
10Star Wars - Princess Leia
recorded in:
Boston, Massachusetts, United States (in 1980-06)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Princess Leia's Theme (Star Wars, Episode IV: A New Hope) (in 1980-06)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
Boston Pops Orchestra & John Williams4:06
11The Attack On The Car (Original Motion Picture Soundtrack)
conductor:
John Williams (American score composer)
recording of:
The Attack on the Car (War of the Worlds)
composer:
John Williams (American score composer)
part of:
War of the Worlds (2005 film score)
John Williams2:44
12Probing The Basement (Original Motion Picture Soundtrack)
conductor:
John Williams (American score composer)
recording of:
Probing the Basement (War of the Worlds)
composer:
John Williams (American score composer)
part of:
War of the Worlds (2005 film score)
John Williams4:12
13The Separation Of The Family (Original Motion Picture Soundtrack)
conductor:
John Williams (American score composer)
recording of:
The Separation of the Family (War of the Worlds)
composer:
John Williams (American score composer)
part of:
War of the Worlds (2005 film score)
John Williams2:37
14The Wedding Of Officer Torres
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
editor:
Ken Wannberg and Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at and mixed at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
The Wedding of Officer Torres (The Terminal)
composer:
John Williams (American score composer)
part of:
The Terminal (2004 film score)
John Williams5:02
15E.T. - Adventures On Earth
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer) (in 1983-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
E.T. The Extra-Terrestrial: Adventure on Earth (concert arrangement) (in 1983-06)
composer:
John Williams (American score composer) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
Boston Pops Orchestra & John Williams9:14
16Epilogue (Original Motion Picture Soundtrack)
conductor:
John Williams (American score composer)
recording of:
Epilogue (War of the Worlds)
composer:
John Williams (American score composer)
part of:
War of the Worlds (2005 film score)
John Williams & Morgan Freeman3:11
17Nice to Be Around (From "Cinderella Liberty")
assistant recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
executive producer:
Ute Fesquet
producer:
Bernhard Güttler (engineer)
mixer:
Bernhard Güttler (engineer) and Tobias Lehmann
violin:
Anne‐Sophie Mutter (violinist) (in 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer) (in 2019-04)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (in 2019-04)
recording of:
Nice to Be Around (in 2019-04)
lyricist:
Paul Williams (US songwriter/soft rock vocalist)
composer:
John Williams (American score composer)
part of:
The 46th Academy Award for Best Original Song (number: 2)
Anne‐Sophie Mutter, Recording Arts Orchestra of Los Angeles & John Williams4:02
18A Happy Navorski Ending!
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
editor:
Ken Wannberg and Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at and mixed at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
A Happy Navorski Ending! (The Terminal)
composer:
John Williams (American score composer)
part of:
The Terminal (2004 film score)
John Williams2:47
19Reaching The Country (Original Motion Picture Soundtrack)
timpani:
Donald J. Williams (US percussionist, composer, arranger) (in 2005)
conductor:
John Williams (American score composer)
recording of:
Reaching the Country (War of the Worlds)
composer:
John Williams (American score composer)
part of:
War of the Worlds (2005 film score)
John Williams3:24
20The Reunion (Original Motion Picture Soundtrack)
spoken vocals:
Morgan Freeman (actor)
conductor:
John Williams (American score composer)
recording of:
The Reunion (War of the Worlds)
composer:
John Williams (American score composer)
part of:
War of the Worlds (2005 film score)
John Williams3:17
21A Legend Is Born
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
editor:
Ken Wannberg and Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at and mixed at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
A Legend Is Born (The Terminal)
composer:
John Williams (American score composer)
part of:
The Terminal (2004 film score)
John Williams3:17
22The Empire Strikes Back - Yoda's Theme
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Yoda's Theme (Star Wars, Episode V: The Empire Strikes Back) (in 1980-06)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
Boston Pops Orchestra & John Williams3:22
23The Flight To Neverland (Original Motion Picture Soundtrack)
recording engineer:
Geoff Foster (sound engineer) (on 2017-11-20)
orchestra:
London Symphony Orchestra (on 2017-11-20)
conductor:
Gavin Greenaway (on 2017-11-20)
concertmaster:
Carmine Lauri (violinist) (on 2017-11-20)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 2017-11-20)
recording of:
Flight to Neverland (Hook)
composer:
John Williams (American score composer)
part of:
Hook
London Symphony Orchestra, Gavin Greenaway & John Williams4:56
24Finding Coins and Learning To Read
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
editor:
Ken Wannberg and Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at and mixed at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
Finding Coins and Learning to Read (The Terminal)
composer:
John Williams (American score composer)
part of:
The Terminal (2004 film score)
John Williams4:03
25Return of The Jedi - Luke & Leia Theme
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer) (in 1983-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
Luke and Leia (Star Wars, Episode VI: Return of the Jedi) (in 1983-06)
composer:
John Williams (American score composer)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
Boston Pops Orchestra & John Williams4:26
26Refusing To Escape
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
editor:
Ken Wannberg and Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at and mixed at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
Refusing to Escape (The Terminal)
composer:
John Williams (American score composer)
part of:
The Terminal (2004 film score)
John Williams3:01
27Jazz Autographs
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
editor:
Ken Wannberg and Peter Myles (editing Engineer)
double bass [bass]:
Michael Valerio (double bassist)
piano:
Randy Kerber
orchestra:
Hollywood Studio Symphony
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at and mixed at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
Jazz Autographs (The Terminal)
composer:
John Williams (American score composer)
part of:
The Terminal (2004 film score)
John Williams3:46
28Ray And Rachel (Original Motion Picture Soundtrack)
conductor:
John Williams (American score composer)
recording of:
Ray and Rachel (War of the Worlds)
composer:
John Williams (American score composer)
part of:
War of the Worlds (2005 film score)
John Williams2:42
29Looking For Work
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
editor:
Ken Wannberg and Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at and mixed at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
Looking for Work (The Terminal)
composer:
John Williams (American score composer)
part of:
The Terminal (2004 film score)
John Williams3:17
30Krakozhia National Anthem and Homesickness
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
editor:
Ken Wannberg and Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at and mixed at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
Krakozhia National Anthem and Homesickness (The Terminal)
composer:
John Williams (American score composer)
part of:
The Terminal (2004 film score)
John Williams1:50
31Return Of The Jedi - The Forest Battle
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer) (in 1983-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
The Forest Battle (Star Wars, Episode VI: Return of the Jedi) (in 1983-06)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
Boston Pops Orchestra & John Williams4:05
32End Credits
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
editor:
Ramiro Belgardt and Ken Wannberg
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
End Credits (Munich)
composer:
John Williams (American score composer)
part of:
Munich (2005 film score)
John Williams4:06
33Return Of The Jedi - Jabba The Hutt
producer:
John McClure (recording engineer and record producer)
tuba:
Chester Schmitz (tubist) (in 1983-06)
orchestra:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer) (in 1983-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
Jabba the Hutt (Star Wars, Episode VI: Return of the Jedi) (in 1983-06)
composer:
John Williams (American score composer)
Boston Pops Orchestra & John Williams3:34
34Munich, 1972
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
editor:
Ramiro Belgardt and Ken Wannberg
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Munich, 1972 (Munich)
composer:
John Williams (American score composer)
part of:
Munich (2005 film score)
John Williams42:37
35Remembering Munich
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
editor:
Ramiro Belgardt and Ken Wannberg
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Remembering Munich (Munich)
composer:
John Williams (American score composer)
part of:
Munich (2005 film score)
John Williams4:38
36Close Encounters Of The Third Kind - Suite
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Close Encounters of the Third Kind: Suite (in 1980-06)
composer:
John Williams (American score composer)
publisher:
EMI Music Publishing (do not use as a release label!)
Boston Pops Orchestra & John Williams10:07
37Theme (From
assistant recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
executive producer:
Ute Fesquet
producer:
Bernhard Güttler (engineer)
mixer:
Bernhard Güttler (engineer) and Tobias Lehmann
violin:
Anne‐Sophie Mutter (violinist) (in 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer) (in 2019-04)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (in 2019-04)
recording of:
Theme From Sabrina (in 2019-04)
composer:
John Williams (American score composer)
part of:
Sabrina (1995 film score)
Anne‐Sophie Mutter, Recording Arts Orchestra of Los Angeles & John Williams4:59
38Mission Theme: Theme from N.B.C. News
recording engineer:
Erdo Groot (sound engineer for recordings of classical music)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-05)
conductor:
John Williams (American score composer) (in 1987-05)
balance engineer:
Onno Scholtze (sound engineer)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-05)
recording of:
The Mission (NBC News theme) (in 1987-05)
composer:
John Williams (American score composer)
Boston Pops Orchestra & John Williams3:23
39The Imperial March - Star Wars Ep. V - The Empire Strikes Back - Live At Walt Disney Concert Hall
recording engineer:
Alexander Lipay and Dmitriy Lipay (recording engineer & producer)
producer:
Dmitriy Lipay (recording engineer & producer)
orchestra:
Los Angeles Philharmonic (from 2019-01-24 until 2019-01-27)
conductor:
Gustavo Dudamel (conductor and violinist) (from 2019-01-24 until 2019-01-27)
recorded at:
Walt Disney Concert Hall (Los Angeles Music Center) in Los Angeles, California, United States (from 2019-01-24 until 2019-01-27)
live recording of:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme) (from 2019-01-24 until 2019-01-27)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
Los Angeles Philharmonic, Gustavo Dudamel & John Williams3:03
40Avner's Theme
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
editor:
Ramiro Belgardt and Ken Wannberg
solo guitar:
Adam Del Monte
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Avner's Theme (Munich)
composer:
John Williams (American score composer)
part of:
Munich (2005 film score)
John Williams3:07
41Bonding
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
editor:
Ramiro Belgardt and Ken Wannberg
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Bonding (Munich)
composer:
John Williams (American score composer)
part of:
Munich (2005 film score)
John Williams1:57
42The Tarmac At Munich
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
editor:
Ramiro Belgardt and Ken Wannberg
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
The Tarmac at Munich (Munich)
composer:
John Williams (American score composer)
part of:
Munich (2005 film score)
John Williams3:59
43Discovering Hans
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
editor:
Ramiro Belgardt and Ken Wannberg
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Discovering Hans (Munich)
composer:
John Williams (American score composer)
part of:
Munich (2005 film score)
John Williams2:47
44Letter Bombs
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
editor:
Ramiro Belgardt and Ken Wannberg
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Letter Bombs (Munich)
composer:
John Williams (American score composer)
part of:
Munich (2005 film score)
John Williams2:49
45Hiding The Family
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
editor:
Ramiro Belgardt and Ken Wannberg
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Hiding the Family (Munich)
composer:
John Williams (American score composer)
part of:
Munich (2005 film score)
John Williams1:26
46The Chairman's Waltz (From "Memoirs Of A Geisha")
assistant recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
executive producer:
Ute Fesquet
producer:
Bernhard Güttler (engineer)
mixer:
Bernhard Güttler (engineer) and Tobias Lehmann
cello:
Lynn Harrell (cellist) (in 2019-04)
violin:
Anne‐Sophie Mutter (violinist) (in 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer) (in 2019-04)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (in 2019-04)
recording of:
The Chairman's Waltz (Memoirs of a Geisha) (in 2019-04)
composer:
John Williams (American score composer)
part of:
Memoirs of a Geisha (2005 film score)
Anne‐Sophie Mutter, Lynn Harrell, Recording Arts Orchestra of Los Angeles & John Williams4:00
47A Prayer for Peace (From "Munich")
assistant recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
executive producer:
Ute Fesquet
producer:
Bernhard Güttler (engineer)
mixer:
Bernhard Güttler (engineer) and Tobias Lehmann
violin:
Anne‐Sophie Mutter (violinist) (in 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer) (in 2019-04)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (in 2019-04)
recording of:
A Prayer for Peace (Munich) (in 2019-04)
composer:
John Williams (American score composer)
part of:
Munich (2005 film score)
Anne‐Sophie Mutter, Recording Arts Orchestra of Los Angeles & John Williams3:14
48TreeSong - 1. Doctor Hu And The Meta Sequoia
violin:
Gil Shaham (violinist) (in 2000-10)
orchestra:
Boston Symphony Orchestra (in 2000-10)
conductor:
John Williams (American score composer) (in 2000-10)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2000-10)
recording of:
TreeSong for Violin and Orchestra: I. Dreamly. "Doctor Hu and the Metasequoia" (in 2000-10)
composer:
John Williams (American score composer) (in 2000)
part of:
TreeSong for Violin and Orchestra
Gil Shaham, Boston Symphony Orchestra & John Williams6:36
49TreeSong - 2. Trunks, Branches And Leaves
violin:
Gil Shaham (violinist) (in 2000-10)
orchestra:
Boston Symphony Orchestra (in 2000-10)
conductor:
John Williams (American score composer) (in 2000-10)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2000-10)
recording of:
TreeSong for Violin and Orchestra: II. Twice as fast - Deciso. "Trunks, Branches and Leaves" (in 2000-10)
composer:
John Williams (American score composer) (in 2000)
part of:
TreeSong for Violin and Orchestra
Gil Shaham, Boston Symphony Orchestra & John Williams8:24
50TreeSong - 3. The Tree Sings
violin:
Gil Shaham (violinist) (in 2000-10)
orchestra:
Boston Symphony Orchestra (in 2000-10)
conductor:
John Williams (American score composer) (in 2000-10)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2000-10)
recording of:
TreeSong for Violin and Orchestra: III. Tempo primo. "The Tree Sings" (in 2000-10)
composer:
John Williams (American score composer) (in 2000)
part of:
TreeSong for Violin and Orchestra
Gil Shaham, Boston Symphony Orchestra & John Williams5:09
51By The Time I Get To Phoenix
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
arranger:
Richard Hayman
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
By the Time I Get to Phoenix (in 1987-06)
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Charles Koppelman Music, Jonathan Three Music Co. and Martin Bandier Music
Boston Pops Orchestra & John Williams2:30
52Yes, Giorgio - If We Were In Love
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
If We Were in Love (Yes, Giorgio) (in 1982)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
John Williams (American score composer)
part of:
The 55th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1982 nominee)
part of:
Yes, Giorgio
Boston Pops Orchestra & John Williams4:57
53Concerto For Violin And Orchestra - 1. Moderato
violin:
Gil Shaham (violinist) (in 1999-10)
orchestra:
Boston Symphony Orchestra (in 1999-10)
conductor:
John Williams (American score composer) (in 1999-10)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2000-10)
recording of:
Violin Concerto: I. Moderato (in 1999-10)
composer:
John Williams (American score composer) (in 1976)
part of:
Concerto for Violin and Orchestra (Violin Concerto, 1974-1976, rev. 1998)
Gil Shaham, Boston Symphony Orchestra & John Williams11:01
54Concerto For Violin And Orchestra - 2. Slowly (In Peaceful Contemplation)
violin:
Gil Shaham (violinist) (in 1999-10)
orchestra:
Boston Symphony Orchestra (in 1999-10)
conductor:
John Williams (American score composer) (in 1999-10)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2000-10)
recording of:
Violin Concerto: II. Adagio (in 1999-10)
composer:
John Williams (American score composer) (in 1976)
part of:
Concerto for Violin and Orchestra (Violin Concerto, 1974-1976, rev. 1998)
Gil Shaham, Boston Symphony Orchestra & John Williams9:47
55Concerto For Violin And Orchestra - 3. Broadly (Maestoso) - Quickly
violin:
Gil Shaham (violinist) (in 1999-10)
orchestra:
Boston Symphony Orchestra (in 1999-10)
conductor:
John Williams (American score composer) (in 1999-10)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2000-10)
recording of:
Violin Concerto: III. Maestoso - Presto (in 1999-10)
composer:
John Williams (American score composer) (in 1976)
part of:
Concerto for Violin and Orchestra (Violin Concerto, 1974-1976, rev. 1998)
Gil Shaham, Boston Symphony Orchestra & John Williams9:20
56Olympic Fanfare And Theme
recording engineer:
Erdo Groot (sound engineer for recordings of classical music)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-05)
conductor:
John Williams (American score composer) (in 1987-05)
balance engineer:
Onno Scholtze (sound engineer)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-05)
recording of:
Olympic Fanfare and Theme (1984 version) (in 1987-05)
composer:
John Williams (American score composer)
part of:
Official Songs of the Olympic Games (number: 1984)
Boston Pops Orchestra & John Williams4:24