Musique de notre temps : Reperes 1945 / 1975

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Chronochromie
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Manuel Rosenthal (French conductor & composer)
recording of:
Chronochromie, I/43
composer:
Olivier Messiaen (composer and organist) (from 1959 until 1960)
Olivier Messiaen24:00
2Le marteau sans maître : Avant « L'artisanat furieux »
flute:
Severino Gazzelloni (flutist) (in 1964)
guitar:
Anton Stingl (guitarist and composer) (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (violist) (in 1964)
xylorimba:
Georges van Gucht (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: I. Avant l'Artisanat furieux. Rapide (in 1964)
composer:
Pierre Boulez (composer and conductor) (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez1:20
3Le marteau sans maître : Commentaire I de « Bourreaux de solitude »
flute:
Severino Gazzelloni (flutist) (in 1964)
guitar:
Anton Stingl (guitarist and composer) (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (violist) (in 1964)
xylorimba:
Georges van Gucht (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: II. Commentaire I de Bourreaux de solitude. Lent (in 1964)
composer:
Pierre Boulez (composer and conductor) (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez3:26
4Le marteau sans maître : « L'artisanat furieux »
flute:
Severino Gazzelloni (flutist) (in 1964)
guitar:
Anton Stingl (guitarist and composer) (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (violist) (in 1964)
xylorimba:
Georges van Gucht (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: III. L'Artisanat furieux. Modéré sans riguer (in 1964)
composer:
Pierre Boulez (composer and conductor) (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez2:00
5Le marteau sans maître : Commentaire II de « Bourreaux de solitude »
flute:
Severino Gazzelloni (flutist) (in 1964)
guitar:
Anton Stingl (guitarist and composer) (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (violist) (in 1964)
xylorimba:
Georges van Gucht (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: IV. Commentaire II de Bourreaux de solitude. Rapide (in 1964)
composer:
Pierre Boulez (composer and conductor) (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez4:09
6Le marteau sans maître : « Bel édifice et les pressentiments », version première
flute:
Severino Gazzelloni (flutist) (in 1964)
guitar:
Anton Stingl (guitarist and composer) (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (violist) (in 1964)
xylorimba:
Georges van Gucht (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: V. Bel édifice et les pressentiments - version première. Assez vif (in 1964)
composer:
Pierre Boulez (composer and conductor) (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez3:19
7Le marteau sans maître : « Bourreaux de solitude »
flute:
Severino Gazzelloni (flutist) (in 1964)
guitar:
Anton Stingl (guitarist and composer) (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (violist) (in 1964)
xylorimba:
Georges van Gucht (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: II. Commentaire I de Bourreaux de solitude. Lent (in 1964)
composer:
Pierre Boulez (composer and conductor) (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez3:16
8Le marteau sans maître : Après « L'artisanat furieux »
flute:
Severino Gazzelloni (flutist) (in 1964)
guitar:
Anton Stingl (guitarist and composer) (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (violist) (in 1964)
xylorimba:
Georges van Gucht (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: VII. Après l'Artisanat furieux. Rapide (in 1964)
composer:
Pierre Boulez (composer and conductor) (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez1:12
9Le marteau sans maître : Commentaire III de « Bourreaux de solitude »
flute:
Severino Gazzelloni (flutist) (in 1964)
guitar:
Anton Stingl (guitarist and composer) (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (violist) (in 1964)
xylorimba:
Georges van Gucht (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: VIII. Commentaire III de Bourreaux de solitude. Assez lent (in 1964)
composer:
Pierre Boulez (composer and conductor) (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez5:34
10Le marteau sans maître : « Bel édifice et les pressentiments », double
flute:
Severino Gazzelloni (flutist) (in 1964)
guitar:
Anton Stingl (guitarist and composer) (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (violist) (in 1964)
xylorimba:
Georges van Gucht (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: IX. Bel édifice et les pressentiments - double. Tempo libre de rècit (in 1964)
composer:
Pierre Boulez (composer and conductor) (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez7:17
11Daughters of the Lonesome Isle
piano:
Gérard Frémy (French pianist)
recording of:
Daughters of the Lonesome Isle
composer:
John Cage (American composer) (in 1945)
John Cage9:57
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