The Very Best of Billie Holiday

~ Pubblicazione di Billie Holiday (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1CD
#TitoloValutazioneDurata
1Good Morning Heartache
batteria :
Lenny McBrowne (US jazz drummer) (il 1956-06-07)
chitarra :
Kenny Burrell (il 1956-06-07)
clarinetto :
Tony Scott (bop/jazz clarinetist, arranger & conductor) (il 1956-06-07)
contrabbasso :
Aaron Bell (jazz double bassist) (il 1956-06-07)
pianoforte :
Wynton Kelly (il 1956-06-07)
sassofono tenore :
Paul Quinichette (il 1956-06-07)
tromba :
Charlie Shavers (il 1956-06-07)
voce:
Billie Holiday (il 1956-06-07)
registrazione di:
Good Morning Heartache (il 1956-06-07)
paroliere:
Ervin Drake (Songwriter)
compositore:
Dan Fisher (U.S. songwriter ("Good Morning Heartache"), author, producer) e Irene Higginbotham
editore:
Fisher Music Corp., Lindabet Music, Inc. e Universal/MCA Music (music publisher; do not use as release label!)
43:31
2Summertime
registrazione di:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
2:56
3My Man
2:38
4Strange Fruit
produttore:
Milt Gabler
batteria :
Eddie Dougherty (jazz drummer) (il 1939-04-20)
chitarra :
Jimmy McLin (il 1939-04-20)
contrabbasso :
John Williams (jazz bassist) (il 1939-04-20)
pianoforte :
Sonny White (il 1939-04-20)
sassofono e sassofono contralto :
Tab Smith (il 1939-04-20)
sassofono tenore :
Kenneth Hollon (il 1939-04-20) e Stan Payne (il 1939-04-20)
tromba :
Frankie Newton (il 1939-04-20)
voce:
Billie Holiday (il 1939-04-20)
registrata presso:
Brunswick World Broadcasting Studio in New York, New York, Stati Uniti (il 1939-04-20)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 1), CBC Music: 10 Songs That Have Changed the World, National Recording Registry (a list of sound recordings that are “culturally, historically, or aesthetically significant, and/or inform or reflect life in the United States”) (numero: 1939, inducted: 2002) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 21)
registrazione di:
Strange Fruit (il 1939-04-20)
paroliere e compositore:
Lewis Allan
editore:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) e Music Sales Corporation (American copyright holder in both popular and classical music)
versione di:
Bitter Fruit
43:06
5Lover Man (Oh, Where Can You Be?)
registrazione di:
Lover Man
paroliere:
Jimmy Davis (US songwriter, wrote “Lover Man”) (nel 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (nel 1942) e Jimmy Sherman (pianist, arranger and songwriter) (nel 1942)
compositore:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (nel 1942) e Jimmy Sherman (pianist, arranger and songwriter) (nel 1942)
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (conclusa), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (conclusa) e Universal Music Corp. (USA, affiliated with ASCAP)
2:57
6God Bless the Child
registrazione di:
God Bless the Child
paroliere:
Billie Holiday
compositore:
Arthur Herzog, Jr.
editore:
Basart Editions (conclusa) e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
4:01
7Lady Sings the Blues
registrazione di:
Lady Sings the Blues
paroliere:
Billie Holiday
compositore:
Herbie Nichols (jazz pianist and composer)
editore:
Northern Music Company
3:47
8I’ve Got My Love to Keep Me Warm
registrazione di:
I’ve Got My Love to Keep Me Warm
paroliere e compositore:
Irving Berlin (nel 1937)
editore:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Williamson Music Company
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:59
9Billie’s Blues (Aka I Love My Man)
registrazione di:
Billie’s Blues
paroliere:
Billie Holiday
compositore:
Billie Holiday (fino al 1936-08-01)
editore:
Basart Editions
3:28
10I Cried for You2:30
11Stormy Blues
registrata a:
Los Angeles, California, Stati Uniti (il 1954-09-03)
batteria :
Chico Hamilton (il 1954-09-03)
chitarra elettrica :
Barney Kessel (il 1954-09-03)
contrabbasso [bass] :
Red Callender (il 1954-09-03)
pianoforte :
Bobby Tucker (il 1954-09-03)
sassofono contralto :
Willie Smith (US jazz alto saxophonist, 1910-1967) (il 1954-09-03)
tromba :
Harry “Sweets” Edison (il 1954-09-03)
voce:
Billie Holiday (il 1954-09-03)
registrazione di:
Stormy Blues (il 1954-09-03)
autore:
Billie Holiday
43:28
12Lover, Come Back to Me
batteria :
Gus Johnson (drums)
contrabbasso [Bass] :
Ray Brown (jazz bassist)
sassofono tenore :
Paul Quinichette
strumenti:
Oscar Peterson (Canadian jazz pianist and composer)
tromba :
Joe Newman (US jazz trumpeter)
voce:
Billie Holiday
registrazione di:
Lover, Come Back to Me (from "The New Moon") (il 1952-07-27)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1928)
autore:
Sigmund Romberg
compositore:
Sigmund Romberg (nel 1928)
editore:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1928)
sub-editore:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The New Moon: Act II
53:39
13Fine & Mellow
registrazione di:
Fine and Mellow
paroliere e compositore:
Billie Holiday
editore:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
3:28
14Love Is Here to Stay
produttore:
Norman Granz
batteria :
Alvin Stoller (il 1957-01-08)
chitarra :
Barney Kessel (il 1957-01-08)
contrabbasso :
Red Mitchell (jazz double-bassist, composer and lyricist) (il 1957-01-08)
pianoforte :
Jimmy Rowles (il 1957-01-08)
sassofono tenore :
Ben Webster (il 1957-01-08)
tromba :
Harry “Sweets” Edison (il 1957-01-08)
voce:
Billie Holiday (il 1957-01-08)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1957-01-08)
registrazione di:
Love Is Here to Stay (il 1957-01-08)
paroliere:
Ira Gershwin
compositore:
George Gershwin (composer)
editore:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Gershwin Publishing Corp (nel 1938) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The Goldwyn Follies
53:44
15Don’t Explain
registrazione di:
Don’t Explain
autore:
Arthur Herzog, Jr. e Billie Holiday
editore:
Duchess Music Corporation (BMI-affiliated) e Universal Music Publishing (use ONLY if no country‐specific information is available)
2:34
16Please Don’t Talk About Me When I’m Gone
registrazione di:
Please Don’t Talk About Me When I’m Gone
paroliere:
Sidney Clare
compositore:
Sam H. Stept
editore:
Bourne Co. (not for release label use, this is a music publisher) e Remick Music Corp.
4:22
17Trav’lin’ Light
voce:
Billie Holiday (nel 1942)
orchestra:
Paul Whiteman and His Orchestra (nel 1942)
registrazione di:
Trav’lin’ Light
paroliere:
Johnny Mercer (nel 1942)
compositore:
Jimmy Mundy (nel 1942) e Trummy Young (nel 1942)
editore:
Bregman, Vocco & Conn, Inc., Commander Publishing, Music Sales Corporation (American copyright holder in both popular and classical music), Rytvoc, Inc. (ASCAP) e WB Music Corp. (1929–2019)
3:10
18All of Me
registrazione di:
All of Me
autore:
Gerald Marks (nel 1932) e Seymour Simons (nel 1932)
editore:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs e Sony/ATV Tunes LLC (ASCAP)
sub-editore:
Peermusic e 日音 Synch事業部 (NICHION, INC. Synch Division)
2:02
19Gee Baby, Ain’t I Good to You?
produttore:
Norman Granz (il 1957-01-09)
chitarra :
Barney Kessel (il 1957-01-09)
contrabbasso :
Joe Mondragon (il 1957-01-09)
pianoforte :
Jimmy Rowles (il 1957-01-09)
sassofono tenore :
Ben Webster (il 1957-01-09)
tromba :
Harry “Sweets” Edison (il 1957-01-09)
voce:
Billie Holiday (il 1957-01-09)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1957-01-09)
registrazione di:
Gee, Baby Ain’t I Good to You (il 1957-01-09)
paroliere:
Andy Razaf
compositore:
Don Redman
editore:
Michael H. Goldsen Inc. e Razaf Music
parte di:
The Real Book (compilation of jazz standards, Volume I)
45:39
2CD

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