Classic Cuts Presents: Party in a Box

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Twistin’ the Night Away
recording of:
Twistin’ the Night Away
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music
Sam Cooke2:42
2Return to Sender
cover recording of:
Return to Sender
writer:
Otis Blackwell (American pianist, singer and songwriter) and Winfield Scott
translator:
Margot Borgström
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), The Manor Music Co. Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Carlin Music Corp. (in 1981)
version of:
Verkeerd verbonden
Elvis Presley2:09
3My Boy Lollipop
producer:
Chris Blackwell (Island Records)
cover recording of:
My Boy Lollipop
writer:
Morris Levy, Johnny Roberts (US songwriter, "My Boy Lollipop") and Robert Spencer (English lutenist, guitarist & musicologist)
recording of:
My Boy Lollipop
writer:
Morris Levy, Johnny Roberts (US songwriter, "My Boy Lollipop") and Robert Spencer (English lutenist, guitarist & musicologist)
Millie4.652:02
4Mickey
cover recording of:
Kitty (more well known as "Mickey")
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
translated version of:
Mickey
Toni Basil3:39
5Fame
recording of:
Fame
lyricist:
Dean Pitchford
composer:
Michael Gore (composer)
publisher:
EMI Affiliated Catalog Inc.
part of:
The 53rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1980 winner)
Irene Cara53:50
6Working My Way Back to You
cover recording of:
Working My Way Back to You
writer:
Sandy Linzer and Denny Randell
publisher:
Ardmore and Beechwood Ltd., EMI Music Publishing (do not use as a release label!), Saturday Music, Inc. and Seasons 4 Music
The Spinners54:04
7We Don’t Have To
recording of:
We Don’t Have to Take Our Clothes Off
writer:
Preston Glass and Narada Michael Walden
Jermaine Stewart4:07
8Like a Prayer (Immaculate version)
additional producer:
Shep Pettibone
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
mixer:
Goh Hotoda and Shep Pettibone
mixed at:
Sound Works (New York) in New York, New York, United States
recording of:
Like a Prayer
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
publisher:
Bleu Disque Music Co., Inc. (publisher), EMI Blackwood Music Inc., Orangejello Music (BMI-affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Johnny Yuma Music (publisher) (in 1988), Webo Girl Publishing, Inc. (in 1988), WB Music Corp. (1929–2019) (from 1989 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Madonna4.855:51
9I Think We’re Alone Now
additional recording engineer:
John Kerns (US engineer)
drum machine [drum] programming:
John Duarte
engineer:
Bill Smith (US recording engineer)
producer:
George E. Tobin
guitar:
Chuck Yamek
synthesizer:
John Duarte
background vocals and lead vocals:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin and Bill Smith (US recording engineer)
arranger:
John Duarte
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1987)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 7) (number: 7)
cover recording of:
I Think We’re Alone Now
lyricist and composer:
Ritchie Cordell
publisher:
EMI Longitude Music
recording of:
I Think We’re Alone Now
lyricist and composer:
Ritchie Cordell
publisher:
EMI Longitude Music
Tiffany3.83:48
10Feels Like I’m in Love
recording of:
Feels Like I’m in Love
lyricist and composer:
Ray Dorset
publisher:
Grade One Music, Red Bus Music (International) Ltd. (publisher) and Satellite Music Ltd.
Kelly Marie3:17
11D.I.S.C.O.
recording of:
D.I.S.C.O. (English version)
writer:
Jean Kluger (Belgian producer, publisher, songwriter) and Daniel Vangarde
publisher:
Heath Levy Music Ltd. (publisher), Bleu Blanc Rouge (in 1979) and Editions Zagora (in 1979)
version of:
D.I.S.C.O. (French version)
Ottowan3:18
12Cotton Eye Joe
recording engineer and mixer:
Lee Monteverde
engineer and producer:
Pat Reiniz
banjo:
Ken Tacky
vocals:
Billy Ray (stage name of Jonas Nilsson, violinist of Swedish novelty act Rednex), Mary Joe, Bobby Sue and Ken Tacky
additional performer:
Goran Danielsson (Rednex singer Ken Tacky), Annika Ljungberg and Bosse Nilsson
phonographic copyright (℗) by:
Zomba Records (in 1994) and Zomba Records Ltd (not strictly a label - avoid adding releases here) (in 1994)
recorded at and mixed at:
Future Crew Studios, Idaho in Stockholms län (Stockholm county), Sweden
music videos:
Cotton‐Eye Joe by Rednex (Swedish Euro-House group)
part of:
A.Side: 10 Songs That Have Their Own Dance Moves (number: 7)
recording of:
Cotton-Eye Joe (Rednex version)
writer:
Jan Ericsson (Swedish producer), Örjan Öberg (Örjan “Öban” Öberg, Swedish producer) and Pat Reiniz
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
version of:
Cotton‐Eyed Joe (traditional song)
Rednex43:13
135‐6‐7‐8
assistant engineer:
Bradlee Spreadborough and Al Unsworth
engineer:
Chris McDonnell (engineer)
producer:
Mark Topham, Karl Twigg and Pete Waterman
mixer:
Les Sharma
banjo:
Sean Lyons
drums (drum set) [drums]:
Chris McDonnell (engineer)
guitar [guitars]:
Mark Topham and Barry Upton (songwriter, arranger, musician, record producer)
keyboard [keyboards]:
Karl Twigg
violin:
Chris Haigh (violinist)
phonographic copyright (℗) by:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1997)
recorded at and mixed at:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, United Kingdom and PWL Studios (London) in London (Greater London), England, United Kingdom
recording of:
5, 6, 7, 8
writer:
Steve Crosby (record producer, songwriter, music manager) and Barry Upton (songwriter, arranger, musician, record producer)
publisher:
All Boys Music Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Steps3.353:22
14Flashdance… What a Feeling
producer:
Giorgio Moroder
vocals:
Irene Cara
phonographic copyright (℗) by:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) and Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 38) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 492)
recording of:
Flashdance… What a Feeling
lyricist:
Irene Cara and Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1983 winner)
Irene Cara3.653:45
15Footloose
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984)
recording of:
Footloose
lyricist:
Dean Pitchford
composer:
Kenny Loggins
publisher:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. and Universal Music Publishers MGB Australia Pty Ltd
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Kenny Loggins53:23
16You Never Can Tell
producer:
Chuck Berry, Leonard Chess, Leonard & Phil Chess (legendary US production duo), Phil Chess and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (from 1964-01-07 until 1964-01-09)
electric bass guitar:
Louis Satterfield (from 1964-01-07 until 1964-01-09)
guitar:
Chuck Berry (from 1964-01-07 until 1964-01-09)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1964-01-07 until 1964-01-09)
tenor saxophone:
Rubin Cooper (from 1964-01-07 until 1964-01-09) and George Patterson (from 1964-01-07 until 1964-01-09)
vocals:
Chuck Berry (from 1964-01-07 until 1964-01-09)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1964-01-07 until 1964-01-09)
recording of:
You Never Can Tell (from 1964-01-07 until 1964-01-09)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Tristan Music Ltd. and Isalee Music (in 1994)
Chuck Berry4.152:43
17That’s What I Like
recording of:
That’s What I Like (Jive Bunny & the Mastermixers medley)
medley of:
Hawaii Five‐O
medley of:
Let’s Twist Again
medley of:
Let’s Dance
medley of:
Wipe Out
medley of:
Great Balls of Fire
medley of:
Johnny B. Goode
medley of:
Good Golly Miss Molly
medley of:
The Twist
medley of:
Chantilly Lace
medley of:
Runaround Sue
medley of:
Summertime Blues
medley of:
Razzle Dazzle
Jive Bunny & the Mastermixers5:29
18La Bamba
producer:
Mitchell Froom
performer:
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographic copyright (℗) by:
FFRR Records Ltd. (company name, NOT a label!) (in 1987) and Slash Records (company, do not use as release label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
additional lyricist:
Ritchie Valens
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music and M.P.A. (M.P.A.)
version of:
La bamba
Los Lobos4.152:50
19Some Girls
recording of:
Some Girls
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Downtown DLJ Songs, Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Racey3:27
20Shout! Shout! Knock Yourself Out
cover recording of:
Shout! Shout! (Knock Yourself Out)
lyricist and composer:
T.F. Bogdany and Ernie Maresca
Rocky Sharpe & the Replays2:45
21You’re Sixteen
engineer:
Bill Schnee
producer:
Richard Perry (producer)
bass:
Klaus Voormann
drums (drum set):
Jim Keltner and Ringo Starr (The Beatles)
guitar:
Jimmy Calvert and Vini Poncia
piano:
Nicky Hopkins (pianist and organist)
solo kazoo [Mouth Sax]:
Paul McCartney (The Beatles)
background vocals:
Harry Nilsson (US singer-songwriter)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
cover recording of:
You’re Sixteen
writer:
Bob Sherman (American songwriter) and Dick Sherman
publisher:
Viva Music, Inc, Warner/Chappell Music Ltd. (1996–2019) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1960)
Ringo Starr3.652:46
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