The British Invasion: The History of British Rock, Volume 9

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Fire
associate producer:
Pete Townshend (of The Who)
producer:
Kit Lambert
bass:
Sean Nicholas
drums (drum set):
Dracken Theaker
organ:
Vincent Crane
vocals:
Arthur Brown
arranger:
Vincent Crane
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1968)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
recording of:
Fire
writer:
Arthur Brown, Vincent Crane, Mike Finesilver and Peter Ker (producer and songwriter)
publisher:
Gowmonk, Inc. and Onward Music Ltd.
The Crazy World of Arthur Brown3.852:55
2White Room
recording of:
White Room
writer:
Pete Brown (UK poet & producer, with Cream and Jack Bruce) and Jack Bruce
publisher:
BG Publishing, Casserole Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner Chappell Music, Inc.
sub-publisher:
Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Cream3:04
3I've Gotta Get a Message to You
producer:
Bee Gees and Robert Stigwood
conductor:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
arranger:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
phonographic copyright (℗) by:
Barry Gibb (in 1968), Maurice Gibb (in 1968) and Robin Gibb (in 1968)
phonographic copyright (℗) by:
PolyGram International Ltd. (in 1968), PolyGram International Music B.V. (not for release label use!) (in 1968) and Robert Stigwood Organisation Ltd. (in 1968)
recording of:
I’ve Gotta Get a Message to You (in 1968-07)
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Songs of Universal, Inc. (BMI), Universal Music Careers and Universal Music Publishing International MGB Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bee Gees3.353:07
4Sky Pilot, Part 1
Eric Burdon & The Animals3:00
5Reflections of My Life
recording of:
Reflections of My Life
writer:
Junior Campbell and Thomas McAleese
Marmalade4:17
6Something in the Air
producer:
Pete Townshend (of The Who)
recording of:
Something in the Air (in 1969)
lyricist and composer:
John Keen (“Speedy”)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) and Songs of Windswept Pacific
Thunderclap Newman43:54
7Zabadak
recording of:
Zabadak
composer:
Alan Blaikley and Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
Dave Dee, Dozy, Beaky, Mick & Tich3:43
8I Don't Want Our Loving to Die
recording of:
I Don't Want Our Loving to Die
writer:
Alan Blaikley and Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
The Herd2:57
9Rainbow Chaser
producer:
Muff Winwood (bass player, songwriter, producer)
Nirvana42:38
10Atlantis
producer:
Mickie Most (English record producer)
acoustic guitar:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968-11)
bass:
Bobby Ray (60s/70s US folk artist/bassist) (in 1968-11)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (in 1968-11)
electric guitar:
Ricki (in 1968-11)
keyboard:
Gabriel Mekler (in 1968-11)
background vocals:
Donovan's fans ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1968-11)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968-11)
arranger:
Gabriel Mekler
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1968)
recorded at:
American Recording Co. (original Los Angeles location, 1959–1982) in Studio City, Los Angeles, California, United States (in 1968-11)
recording of:
Atlantis (Donovan song) (in 1968-11)
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan (Music) Ltd., Peer International Corporation (BMI), Peer Musikverlag, Peer Southern Music (publisher), peermusic (“Peermusic—the global independent”) and Peer Southern Music (publisher) (in 1968)
Donovan3.755:05
11Long Cool Woman (In a Black Dress)
engineer:
John Punter
producer:
The Hollies and Ron Richards
phonographic copyright (℗) by:
The Hollies Ltd. (in 1971) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1971-07-16, from 1971-07-27 until 1971-07-30)
recording of:
Long Cool Woman in a Black Dress (from 1971-07-16 until 1971-07-30)
writer:
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) and Roger Greenaway
The Hollies4.23:19
12Hush
engineer:
Barry Ainsworth (engineer)
producer and mixer:
Derek Lawrence (British producer)
drums (drum set):
Ian Paice (on 1968-05-11)
electric bass guitar:
Nick Simper (on 1968-05-11)
electric guitar:
Ritchie Blackmore (on 1968-05-11)
Hammond organ and background vocals:
Jon Lord (on 1968-05-11)
lead vocals:
Rod Evans (on 1968-05-11)
phonographic copyright (℗) by:
HEC Enterprises Ltd. (in 1968)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (on 1968-05-11)
cover recording of:
Hush (South, Royal, Deep Purple) (on 1968-05-11)
lyricist and composer:
Joe South (until 1967)
publisher:
BMG Music Publishing Ltd., BMG Ufa (not for release label use! this is a music publisher), Lowery-Chappell Music and Sony/ATV Music Publishing Australia Pty Ltd.
Deep Purple4.24:22
13With a Little Help From My Friends
producer:
Denny Cordell
mixer:
Tony Visconti
bass guitar:
Chris Stainton (keyboard player, session musician and songwriter)
drums (drum set):
Barrie James Wilson
guitar:
Jimmy Page
organ:
Tommy Eyre
background vocals:
Madeline Bell, Rosetta Hightower and Sunny Weetman
phonographic copyright (℗) by:
Straight Ahead Productions Ltd. (in 1968)
part of:
New York Post: 100 Greatest Covers (2007) (number: 86)
cover recording of:
With a Little Help From My Friends
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, in 1967), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP) (from 1967 to present)
Joe Cocker3.84:58
14Words
producer:
Bee Gees and Robert Stigwood
conductor:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
arranger:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
phonographic copyright (℗) by:
Barry Gibb (in 1968), Maurice Gibb (in 1968) and Robin Gibb (in 1968)
phonographic copyright (℗) by:
PolyGram International Ltd. (in 1968), PolyGram International Music B.V. (not for release label use!) (in 1968) and Robert Stigwood Organisation Ltd. (in 1968)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (on 1967-10-03)
recording of:
Words (on 1967-10-03)
written in:
London (Greater London), England, United Kingdom
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Abigail Music, BMG Publishing, Careers–BMG Music Publishing, Inc., Casserole Music, Inc., Chappell Music Ltd., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) and Universal Music Careers
live recording of:
Words
written in:
London (Greater London), England, United Kingdom
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Abigail Music, BMG Publishing, Careers–BMG Music Publishing, Inc., Casserole Music, Inc., Chappell Music Ltd., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) and Universal Music Careers
Bee Gees3.753:20
15Dance in the Smoke
recording of:
Dance in the Smoke
writer:
Rod Argent and Chris White (UK bassist for The Zombies)
Argent6:23
16Lalena
producer:
Mickie Most (English record producer)
recording of:
Lalena
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
Donovan2:58
17(I Know) I'm Losing You
edit of:
(I Know) I’m Losing You by Rod Stewart
cover recording of:
(I Know) I’m Losing You (in 1971-01)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Cornelius Grant (soul, funk and disco producer and songwriter) and Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Stone Agate Music and Stone Agate Music Division
Rod Stewart & the Faces53:44
18Build Me Up Buttercup
music videos:
Build Me Up Buttercup by The Foundations (British soul band, active from 1967 to 1970)
part of:
Cachitos Nochevieja 2022 (number: 43) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 252)
recording of:
Build Me Up Buttercup
writer:
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann) and Tony Macaulay
publisher:
A. Schroeder Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI United Partnership Ltd., Immediate Music Ltd. and Welbeck Music (publisher)
The Foundations3.53:01
19Smile a Little Smile for Me
The Flying Machine3:01
20He Ain't Heavy, He's My Brother
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) and The Hollies Ltd. (from 1969 until 1970)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1969-06-25)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 46)
cover recording of:
He Ain’t Heavy, He’s My Brother (on 1969-06-25)
writer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) and Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Hollies4.24:22

Credits

Release

ASIN:US: B0000032EL [info]

Release group

part of:The British Invasion: The History of British Rock (Rhino Records) (number: 9) (order: 9)
Allmusic:https://www.allmusic.com/album/mw0000265177 [info]