The Greatest Seventies Album

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Waterloo
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Akustikgitarre:
Björn Ulvaeus (am 1973-12-17)
Bassgitarre:
Rutger Gunnarsson (am 1973-12-17)
Gitarre:
Janne Schaffer (am 1973-12-17, am 1974-02-20)
Moog, mellotron und Klavier:
Benny Andersson (ABBA) (am 1973-12-17)
Schlagzeug:
Ola Brunkert (am 1973-12-17, am 1974-02-20)
Tenorsaxophon:
Christer Eklund (am 1974-01-04)
phonographisches Urheberrecht (℗) von:
Polar Music AB (in 1974) und Polar Music International AB (in 2014)
aufgenommen bei:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Schweden (am 1973-12-17, am 1974-01-04, am 1974-02-20)
Teil von:
Sweden in the Eurovision Song Contest (Schweden beim Eurovision Song Contest) (Nummer: 1974) und Winners of the Eurovision Song Contest (Die Sieger des Eurovision Song Contest) (Nummer: 1974)
recording of:
Waterloo (English version) (von 1973-12-17 bis 1974-01)
Verfasser(in):
Stig Anderson (Stikkan), Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Overseas Songs (beendet), Polar Music AB (beendet), Bocu Music Ltd., EMI Grove Park Music, Inc., Union Songs Music, Universal–Songs of PolyGram International, Inc., EMI Waterford Music (vom 1974 bis heute), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (vom 1974 bis heute) und Universal/Union Songs Musikförlag AB (vom 1974 bis heute)
übersetzte Version von:
Waterloo (Swedish version)
Teil von:
Mamma Mia! (1999 musical)
ABBA3.652:46
2Go Your Own Way
assistierende(r) Techniker(in):
Chris Morris (LA engineer & producer (late ’70s))
Techniker(in):
Ken Caillat und Richard Dashut
Produzent(in):
Ken Caillat, Richard Dashut und Fleetwood Mac
zusätzliche(r) Produzent(in):
Ken Caillat und Richard Dashut
Bassgitarre:
John McVie
Gitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard und Synthesizer:
Christine McVie
Schlagzeug und Perkussion:
Mick Fleetwood
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie und Stevie Nicks
phonographisches Urheberrecht (℗) von:
Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 119) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 401)
recording of:
Go Your Own Way
Texter und Komponist(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer)
publisher:
Gentoo Music, Inc. und Now Sounds Music
Fleetwood Mac4.353:38
3Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) und John Mills (recording/mix engineer) (in 1972)
Produzent(in):
Jerry Leiber und Mike Stoller
E-Bass:
Tony Williams (bass) (in 1972)
Gitarre:
Paul Pilnick (in 1972) und Gerry Rafferty (in 1972)
Keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
Schlagzeug:
Rod Coombes (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) und Gerry Rafferty (in 1972)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972) und A&M Records, Ltd. (in 1972)
Musikvideos:
Stuck in the Middle With You von Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
Texter und Komponist(in):
Gerald Rafferty und Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. und Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:24
4If You Leave Me Now
recording engineer:
Armin Steiner (von 1976-03 bis 1976-04: Saiteninstrumente)
assistierende(r) Techniker(in):
Tom Likes
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
Akustikgitarre und Bass:
James William Guercio (von 1976-03 bis 1976-04)
Sologesang:
Peter Cetera (von 1976-03 bis 1976-04)
Saiteninstrumente arranger und Waldhorn arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Rhino Entertainment Company (not for release label use!) (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
aufgenommen bei:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Saiteninstrumente) und Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1976-03 bis 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1976-03 bis 1976-04)
recording of:
If You Leave Me Now (von 1976-03 bis 1976-04)
Texter:
Peter Cetera
Komponist(in):
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music und Spirit Music Publishing Ltd.
Chicago4.23:55
5Maggie May
Produzent(in):
Rod Stewart
recording of:
Maggie May
publisher:
Rod Stewart
Verfasser(in):
Mike Peters, Martin Quittenton (guitarist for Steamhammer) und Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell und Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart4:58
6Into the Mystic (1999 remaster)
leitende(r) Produzent(in):
Lewis Merenstein
Produzent(in):
Van Morrison
Sologesang:
Van Morrison
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1970)
produced for:
Inherit Productions
Remix von:
Into the Mystic (original mix with tambourine) von Van Morrison
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 462) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 480)
recording of:
Into the Mystic
Texter und Komponist(in):
Van Morrison
publisher:
Caledonia Productions, Inc. (Caledonia Soul Music Division), Warner/Chappell North America, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Caledonia Soul Music (in 1970), WB Music Corp. (1929–2019) (von 1970 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Van Morrison3.23:29
7Listen to the Music (single version; 2006 remaster)
recording of:
Listen to the Music
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.353:27
8Ooh La La
assistierende(r) Techniker(in):
Phil Chapman (engineer)
Techniker(in) und Produzent(in):
Glyn Johns
Akustikgitarre:
Ronnie Lane und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Harmonium und Klavier:
Ian McLagan
Perkussion und Schlagzeug:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
Sologesang:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 246)
recording of:
Ooh La La
Texter:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Komponist(in):
Ronnie Lane und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
WB Music Corp. (1929–2019)
Faces3.753:34
9Baker Street (edit)
Bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (in 1977)
Gitarre [lead guitar]:
Hugh Burns (in 1977)
Gitarre [rhythm guitar]:
Nigel Jenkins (in 1977)
Keyboard:
Tommy Eyre (in 1977)
Perkussion:
Glen LeFleur (in 1977)
Saxophon:
Raphael Ravenscroft (in 1977)
Schlagzeug:
Henry Spinetti (in 1977)
Sologesang:
Gerry Rafferty (in 1977)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) und United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich (in 1977)
Bearbeitung von:
Baker Street von Gerry Rafferty
recording of:
Baker Street (in 1977)
Texter und Komponist(in):
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) und Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:08
10Long Cool Woman (in a Black Dress)
Techniker(in):
John Punter
Produzent(in):
The Hollies und Ron Richards
phonographisches Urheberrecht (℗) von:
The Hollies Ltd. (in 1971) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 1971-07-16, von 1971-07-27 bis 1971-07-30)
recording of:
Long Cool Woman in a Black Dress (von 1971-07-16 bis 1971-07-30)
Verfasser(in):
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
The Hollies4.23:17
11Cold as Ice
Partner-Techniker(in):
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron und Randy Mason
Techniker(in):
Gary Lyons (UK engineer & producer)
Koproduzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Produzent(in):
Gary Lyons (UK engineer & producer) und John Sinclair (engineer)
Mix:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Bassgitarre:
Ed Gagliardi (bass player (Foreigner))
Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Horn:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Keyboard:
Al Greenwood und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Schlagzeug:
Dennis Elliott
Synthesizer:
Al Greenwood
Hintergrundgesang:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
vocals:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977) und Rhino Entertainment Company (not for release label use!) (in 2009)
recording of:
Cold as Ice
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Fuji Pacific Music inc. (Fujipacific Music inc.) (bis 2014-12-31), Yamaha Music Publishing (bis 2017-03-31), Fujipacific Music, Inc. (vom 2015-01-01 bis heute) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Foreigner43:20
12Tush
E-Bass:
Dusty Hill
E-Gitarre:
Billy Gibbons
Perkussion und Schlagzeug:
Frank Beard (ZZ Top drummer)
vocals:
Billy Gibbons und Dusty Hill
recording of:
Tush
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
publisher:
Music of Stage Three und Songs of Mosaic
ZZ Top4.52:17
13School’s Out
Techniker(in):
Roy Cicala und Shelly Yakus
Produzent(in):
Bob Ezrin
E-Bass:
Dennis Dunaway (original bass player for Alice Cooper)
E-Gitarre:
Michael Bruce (of Alice Cooper) und Glen Buxton (American guitarist)
Gitarre und Hintergrundgesang:
Reggie Vincent
Keyboard:
Michael Bruce (of Alice Cooper) und Bob Ezrin
Schlagzeug:
Neil Smith (former Alice Cooper drummer)
Sologesang:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972, in 1974) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
produced for:
Alive Enterprises Incorporated und Nimbus 9 Productions
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 293) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 319)
recording of:
School’s Out
Verfasser(in):
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Dennis Dunaway (original bass player for Alice Cooper) und Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.23:29
14Blitzkrieg Bop
assistierende(r) Techniker(in):
Don Hünerberg
Techniker(in):
Rob Freeman (engineer)
Partner-Produzent(in):
Thomas Erdelyi (Tommy Ramone)
Produzent(in):
Craig Leon (musician, arranger, composer and producer)
Bassgitarre:
Dee Dee Ramone
Gitarre:
Johnny Ramone
Schlagzeug:
Tommy Ramone
Sologesang:
Joey Ramone
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 25), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 64), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 92) und Indie 88: Top 500 Indie Rock Songs (Nummer: 93)
recording of:
Blitzkrieg Bop (in 1976-01)
Verfasser(in):
Douglas Glenn Colvin, Thomas Erdelyi (Tommy Ramone), Jeffrey Hyman und John Cummings
publisher:
Bleu Disque Music Co., Inc. (publisher) und Taco Tunes Inc.
Ramones4.652:12
15Just What I Needed
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 112) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 369)
recording of:
Just What I Needed (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
BMG Music Publishing Ltd., Lido Music, Inc. und Lido Music (not for release label use!) (in 1978)
The Cars4.33:46
16Life’s Been Good
recording of:
Life’s Been Good
Texter und Komponist(in):
Joe Walsh (Eagles/James Gang)
publisher:
Wow & Flutter Music
Joe Walsh44:39
17Feel Like Makin’ Love
recording engineer:
Ron Nevison (in 1974-09)
Produzent(in):
Bad Company (British blues-rock supergroup)
Mix:
Ron Nevison
E-Bass:
Boz Burrell (English musician) (in 1974-09)
Gitarre:
Mick Ralphs (in 1974-09) und Paul Rodgers (in 1974-09)
Keyboard:
Mick Ralphs (in 1974-09)
Klavier und Sologesang:
Paul Rodgers (in 1974-09)
Schlagzeug:
Simon Kirke (in 1974-09)
phonographisches Urheberrecht (℗) von:
Swan Song Inc. (in 1975)
aufgenommen bei:
Clearwell Castle in Gloucestershire, England, Vereinigtes Königreich (in 1974-09)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 78)
recording of:
Feel Like Makin’ Love (in 1974-09)
Verfasser(in):
Mick Ralphs und Paul Rodgers
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Badco Music, Inc. (vom 1974 bis heute)
Bad Company4.255:15
18Make It With You
Bassgitarre, Gitarre, Saiteninstrumente, Hintergrundgesang und Sologesang:
David Gates (singer/songwriter, lead singer of Bread)
Schlagzeug:
Michael Botts
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1970) und Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 13)
recording of:
Make It With You
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:13
19Fire and Rain
Techniker(in):
Bill Lazerus (in 1969-12)
Produzent(in):
Peter Asher (in 1969-12)
Akustikgitarre und Sologesang:
James Taylor (singer-songwriter and guitarist) (in 1969-12)
Klavier:
Carole King (in 1969-12)
Kontrabass:
Bobby ‘Wild, Wild’ West (in 1969-12)
Schlagzeug:
Russ Kunkel (session drummer) (in 1969-12)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1969)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1969-12)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 146) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 227)
recording of:
Fire and Rain (in 1969-12)
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated) (beendet), EMI Blackwood Music Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
James Taylor4.33:21
20Brass in Pocket
zusätzlich recording engineer:
Steve Nye (producer, engineer and pianist)
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Michael Paul Stavrou (producer/engineer)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1979, in 1987, in 2000)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
zusätzlich aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 89) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 389)
recording of:
Brass in Pocket
Verfasser(in):
James Honeyman‐Scott und Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music und Modern Music Publishing Co., Inc.
Pretenders4.153:04
21December, 1963 (Oh What a Night!)
recording engineer:
Steve Maslow
Produzent(in):
Bob Gaudio
Mix:
Val Garay
Bass:
Don Ciccone
Gitarre:
John Paiva
Keyboard:
Bob Gaudio und Lee Shapiro
Klavier:
Bob Gaudio
Schlagzeug:
Gerry Polci
vocals:
Bob Gaudio, Don Ciccone, Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons), Gerry Polci und John Paiva
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Lee Shapiro
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 64)
recording of:
December, 1963 (Oh, What a Night)
Texter:
Bob Gaudio und Judy Parker
Komponist(in):
Bob Gaudio
publisher:
EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. und Seasons Music Co.
Frankie Valli & The Four Seasons3.853:32
22You Sexy Thing
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) und CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1984)
recording of:
You Sexy Thing (in 1975)
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. und RAK Publishing Ltd
Hot Chocolate3.854:03
23Le Freak (single edit)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
recording of:
Le Freak (in 1978)
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4.453:32
24I Want You Back
Produzent(in):
The Corporation (Motown songwriters)
Bassgitarre:
Wilton Felder (in 1969-07)
Gitarre:
Donald Peake, David T. Walker und Tito Jackson (in 1969-07)
Gitarre [lead guitar]:
Louis Shelton (in 1969-07)
Keyboard:
Clarence McDonald und Ronnie Rancifer (in 1969-07)
Klavier:
Fonce Mizell, Freddie Perren, Joe Sample und Ronnie Rancifer (in 1969-07)
Perkussion:
Sandra Crouch und Marlon Jackson (in 1969-07)
Schlagzeug:
Gene Pello und Johnny Jackson (drummer for Jackson 5) (in 1969-07)
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1969-07), Marlon Jackson (in 1969-07) und Tito Jackson (in 1969-07)
Sologesang:
Michael Jackson (“King of Pop”) (in 1969-07)
vocals:
Jackie Jackson (member of the Jackson 5) (in 1969-07)
arranger:
The Corporation (Motown songwriters)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
aufgenommen bei:
The Sound Factory West in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1969-07, von 1969-07 bis 1969-09)
Musikvideos:
I Want You Back von The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 23), Billboard Year-End Hot 100 singles of 1970 (Nummer: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 104) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 120)
recording of:
I Want You Back (in 1969-07)
Texter und Komponist(in):
The Corporation (Motown songwriters)
publisher:
EMI April Music Inc., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
MJ: The Musical
Jackson 54.152:58
25We Are Family
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 444)
recording of:
We Are Family
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge43:37
26Long Train Runnin’
Techniker(in):
Donn Landee
Produzent(in):
Ted Templeman
Becken, Conga und Timbales:
Michael Hossack
Gast-Synthesizer:
Malcolm Cecil und Robert Margouleff
Gitarre:
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
Keyboard, Klavier und Orgel:
Bill Payne
membranophone:
John Hartman (drummer for the Doobie Brothers) und Michael Hossack
Mundharmonika:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
Perkussion:
John Hartman (drummer for the Doobie Brothers) und Ted Templeman
Steel-Gitarre:
Jeff “Skunk” Baxter
Synthesizer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
vocals:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter und Patrick Simmons
Bass arranger:
Tiran Porter
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1973) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
aufgenommen bei:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Long Train Runnin’
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (in 1982) und Warner Chappell Music (publisher as Warner/Chappell Music) (in 1991)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:27
27Can’t Get Enough of Your Love, Babe
Produzent(in):
Barry White
recording of:
Can’t Get Enough of Your Love Babe
Texter und Komponist(in):
Barry White
publisher:
January Music Corp., Sa‐Vette Music Co., Warner Chappell Music (publisher as Warner/Chappell Music) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Barry White44:30
28I’m Every Woman (single version)
Techniker(in):
James Douglass (engineer)
Produzent(in):
Arif Mardin
Hintergrundgesang:
Will Lee (US jazz/rock bassist) (in 1978) und Hamish Stuart (Scottish guitarist, bassist, singer composer & producer) (in 1978)
Hintergrundgesang und Sologesang:
Chaka Khan (in 1978)
Blechblasinstrumente arranger, Holzblasinstrumente arranger und Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 6) (Nummer: 4)
recording of:
I’m Every Woman (in 1978)
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Chaka Khan3.34:04
29Young Hearts Run Free
Produzent(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
Bassgitarre:
Scotty Edwards (bassist)
Conga:
Eddie Bongo
Gitarre:
Jay Graydon und Ray Parker
Keyboard:
Michael Boddicker, Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer) und Sonny Burke (soul/jazz/funk keyboardist)
Perkussion:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
Schlagzeug:
Ollie E. Brown (US drummer, session musician & record producer)
Synthesizer:
Monty Stark
Vibraphon:
Vic Feldman
Hintergrundgesang:
Jim Gilstrap, Lani Groves, Angie Johnson, Fleming McWilliams, Rochelle Runnells und June D. Williams
Sologesang:
Candi Staton
arranger:
Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer)
aufgenommen bei:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 424)
recording of:
Young Hearts Run Free
Texter und Komponist(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Da Ann Music (ASCAP-affiliated), Ghati Music Inc. und IQ Music Ltd.
Candi Staton4.24:09
30Aint No Mountain High Enough
Produzent(in):
Nickolas Ashford, Henry Cosby und Valerie Simpson
arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 6)
cover recording of:
Ain’t No Mountain High Enough
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Diana Ross4.153:30
31The Rubberband Man (single version)
The Spinners4.653:33
32She’s Gone (remastered)
recorded in:
New York, New York, Vereinigte Staaten (in 1973)
Produzent(in):
Arif Mardin
Bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
E-Gitarre, mellotron und Synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
Gitarre:
John Oates (in 1973)
Hybrid-Piano:
Daryl Hall (in 1973)
Perkussion:
Ralph MacDonald (in 1973)
Schlagzeug:
Bernard “Pretty” Purdie (in 1973)
Tenorsaxophon:
Joe Farrell (in 1973)
Sologesang:
Daryl Hall (in 1973) und John Oates (in 1973)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 336)
recording of:
She’s Gone (in 1973)
Texter und Komponist(in):
Daryl Hall und John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:15
33Breezin’
cover recording of:
Breezin’
Komponist(in):
Bobby Womack
publisher:
Unart Music Corp. (beendet), ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Unart Catalog Inc., Tracebob Music Co., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und 日本アブコ音楽出版 (ABKCO Japan Publishing)
George Benson5:21
34Supernatural Thing, Pt. 1
Ben E. King44:08
35Wishing on a Star
recording of:
Wishing on a Star
Texter und Komponist(in):
Billie Calvin (Billie Rae Calvin)
publisher:
Warner/Chappell North America
Rose Royce54:52
36Until You Come Back to Me (That’s What I’m Gonna Do)
Techniker(in):
Lew Hahn
Produzent(in):
Aretha Franklin, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Chuck Rainey (American bassist) (am 1973-09-07)
Gitarre:
Hugh McCracken (am 1973-09-07)
Hybrid-Piano:
Donny Hathaway (am 1973-09-07)
Klavier und Sologesang:
Aretha Franklin (am 1973-09-07)
Orgel:
Richard Tee (am 1973-09-07)
Schlagzeug:
Bernard “Pretty” Purdie (am 1973-09-07)
Solo-flute:
Joe Farrell (am 1973-09-07)
Synthesizer:
Ken Bichel (keyboardist) (am 1973-09-07)
Hintergrundgesang:
Margaret Branch (am 1973-09-07), Ann S. Clark (am 1973-09-07) und Pat Smith (soul vocalist) (am 1973-09-07)
arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (am 1973-09-07)
Verfasser(in):
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul und Stevie Wonder
publisher:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau und Stone Agate Music
Aretha Franklin4.353:26
37It Looks Like Love
Goody Goody6:23
38Dancing in the City
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) und Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (in 1978)
recording of:
Dancing in the City (in 1978)
Verfasser(in):
Kit Hain und Julian Marshall
publisher:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) und Rondor Music (London) Ltd.
Marshall Hain3:47
39Then Came You (2006 remaster)
Gast vocals:
Dionne Warwick
Interpret(in):
The Spinners (The Detroit Spinners, US R&B/soul group, aka The Detroit Spinners)
cover recording of:
Then Came You
Verfasser(in):
Sherman Marshall und Philip Pugh
publisher:
Mijac Double Diamond Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners & Dionne Warwick4.54:00
40Disco Inferno
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) und WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1977)
recording of:
Disco Inferno
Verfasser(in):
Leroy Green (disco/soul songwriter) und Ron Kersey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. und Six Strings Music
The Trammps53:34
41Moondance (1999 remaster)
leitende(r) Produzent(in):
Lewis Merenstein
Produzent(in):
Van Morrison
Mix:
Elliot Scheiner (in 1969-12)
Sologesang:
Van Morrison (in 1969)
phonographisches Urheberrecht (℗) von:
Exile Productions Ltd. (not for Label Release) (in 1970) und Warner Bros. Records, Ltd. (UK holding, not for label use) (in 1970)
produced for:
Inherit Productions
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (in 1969)
mixed at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Vereinigte Staaten (in 1969-12)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 226)
recording of:
Moondance (in 1969)
Texter und Komponist(in):
Van Morrison
publisher:
Caledonia Productions, Inc. (Caledonia Soul Music Division), Chappell Music (UK), Van-Jan Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, Caledonia Soul Music (von 1970 bis 1971), WB Music Corp. (1929–2019) (von 1970 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Van Morrison3.954:38
42Wuthering Heights (edit)
Produzent(in):
Andrew Powell (known for contributions to Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
recording of:
Wuthering Heights
publisher:
Kate Bush (vom 1978 bis heute)
Texter und Komponist(in):
Kate Bush (am 1977-03-05)
publisher:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. und EMI Music Publishing Ltd. (PRS‐affiliated) (vom 1978 bis heute)
Kate Bush3:29
43Werewolves of London
Techniker(in):
Dennis Kirk und Greg Ladanyi
Produzent(in):
Jackson Browne (American singer-songwriter) und Waddy Wachtel
Bass:
John McVie
Gitarre [guitars]:
Waddy Wachtel
Klavier:
Warren Zevon
Schlagzeug:
Mick Fleetwood
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und Rhino Entertainment Company (not for release label use!) (vom 2007 bis heute)
aufgenommen bei:
The Sound Factory in Tucson, Arizona, Vereinigte Staaten (in 2007)
recording of:
Werewolves of London
Verfasser(in):
LeRoy P. Marinell, Waddy Wachtel und Warren Zevon
publisher:
Leadsheet Land Music, Polite Music, Tiny Tunes und Zevon Music Inc. (BMI)
Warren Zevon4.93:26
44The Air That I Breathe
Techniker(in):
Mike Jarratt (Recording, mixing and lacquer cutting engineer) und Alan Parsons (of The Alan Parsons Project)
Produzent(in):
The Hollies und Ron Richards
vocals:
Allan Clarke (of The Hollies) (von 1973-11-15 bis 1973-11-22), Tony Hicks (von 1973-11-15 bis 1973-11-22) und Terry Sylvester (von 1973-11-15 bis 1973-11-22)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) und Polydor International GmbH (not for release label use!) (in 1974)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-11-15 bis 1973-11-22)
cover recording of:
The Air That I Breathe (von 1973-11-15 bis 1973-11-22)
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
The Air That I Breathe
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies4.54:04
45Magic
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974, in 1975, in 2003)
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 41)
recording of:
Magic
Verfasser(in):
Billy Lyall und David Paton (of Pilot)
publisher:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Robbins Music Corp. Ltd.
Pilot4.753:06
46Stay With Me
Produzent(in):
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood) und Glyn Johns
Bassgitarre:
Ronnie Lane
Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Schlagzeug:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
Wurlitzer Electric Piano:
Ian McLagan
Sologesang:
Rod Stewart
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recording of:
Stay With Me
Verfasser(in):
Rod Stewart und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Bros. Music Co., Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Faces4.54:39
47Tiger Feet
Koproduzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
Interpret(in):
Mud (UK glam rock band)
phonographisches Urheberrecht (℗) von:
RAK (in 1974)
recording of:
Tiger Feet
Texter und Komponist(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) und BMG Music Publishing Ltd.
Mud53:50
48Devil Woman
Produzent(in):
Bruce Welch (English guitarist, singer, songwriter and producer)
vocals:
Cliff Richard
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1976, in 2001)
cover recording of:
Devil Woman
Verfasser(in):
Terry Britten und Kristine Sparkle (UK singer and songwriter)
publisher:
Mushroom Music Pty. Ltd. und Warner/Chappell Music Australia Pty. Ltd.
Cliff Richard53:35
4925 or 6 to 4
Techniker(in):
Chris Hinshaw, Don Puluse und Brian Ross-Myring
Produzent(in):
James William Guercio
Sologesang:
Peter Cetera (in 1969-08)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970), Warner Strategic Marketing Inc. (in 1970) und Rhino Entertainment Company (not for release label use!) (in 2002)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 61)
recording of:
25 or 6 to 4 (in 1969-08)
Texter und Komponist(in):
Robert Lamm (in 1969)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Spirit Music Publishing Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Aurelius Music (in 1986) und Lamminations Music (in 1986)
Chicago4:49
50Hot Blooded
Bearbeitung von:
Hot Blooded von Foreigner (British/American rock band)
recording of:
Hot Blooded
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Foreigner3.653:05
51My Best Friend’s Girl (2016 remaster)
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer), Jay Faires und Tricia Holloway
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978, in 1979)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
recording of:
My Best Friend’s Girl (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc., Universal/MCA Music Publishing Pty Ltd und Lido Music (not for release label use!) (in 1978)
The Cars4.353:44
52Marquee Moon (edit)
recording of:
Marquee Moon
Texter und Komponist(in):
Tom Verlaine
Television54:31
53Guitar Man
Techniker(in):
Armin Steiner
Partner-Produzent(in):
James Griffin (soft rock singer/songwriter/guitarist)
Produzent(in):
David Gates (singer/songwriter, lead singer of Bread)
Bassgitarre:
David Gates (singer/songwriter, lead singer of Bread)
Gitarre:
David Gates (singer/songwriter, lead singer of Bread) und James Griffin (soft rock singer/songwriter/guitarist)
Klavier:
James Griffin (soft rock singer/songwriter/guitarist)
Perkussion und Schlagzeug:
Michael Botts
arranger:
David Gates (singer/songwriter, lead singer of Bread)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1972), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972) und Warner Music International (trademark of Warner Music International the company) (in 1973)
aufgenommen bei:
Elektra Sound Recorders in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Guitar Man
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music Publishing (do not use as a release label!) und Screen Gems–Columbia Music, Inc.
Bread43:46
54I Hear You Knocking
Produzent(in):
Dave Edmunds
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
cover recording of:
I Hear You Knocking
Texter und Komponist(in):
Dave Bartholomew und Pearl King
publisher:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier und World Music (publisher)
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:48
55Dance With Me
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1975)
recording of:
Dance With Me
Texter:
Johanna Hall
Komponist(in):
John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
EMI Blackwood Music Inc., Siren Songs, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Orleans53:00
56I’d Really Love to See You Tonight
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
I’d Really Love to See You Tonight
Texter und Komponist(in):
Parker McGee
publisher:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing und Sutjujo Music
England Dan & John Ford Coley52:38
57Better Days
Graham Nash3:50
58Willin’
Techniker(in):
Bob Kovach
Produzent(in):
Russ Titelman
Gast-Slide-Gitarre:
Ry Cooder
recording of:
Willin’ (in 1970)
Texter und Komponist(in):
Lowell George
publisher:
Abraham Music und Naked Snake Music
Little Feat2:23
59Chuck E’s in Love
Techniker(in):
Loyd Clifft und Lee Herschberg
zusätzliche(r) Techniker(in):
Tom Knox und Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Russ Titelman und Lenny Waronker
Mix:
Lee Herschberg
vocals:
Rickie Lee Jones
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1979)
aufgenommen bei:
The Burbank Studios in Burbank, California (Kalifornien), Vereinigte Staaten und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Chuck E.’s in Love
Texter und Komponist(in):
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Rondor Music (Australia) Pty Ltd, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Rickie Lee Jones4.253:30
60No More Heroes
Techniker(in):
Alan Winstanley (English record producer)
Produzent(in):
Martin Rushent
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
aufgenommen bei:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1977-07)
recording of:
No More Heroes (in 1977-07)
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music Ltd.
The Stranglers4.653:28
61Good Times
Bass:
Bernard Edwards (American bassist and record producer) (in 1979)
Gitarre:
Nile Rodgers (in 1979)
Hybrid-Piano:
Raymond Jones (in 1979)
Klavier:
Rob Sabino (in 1979)
Schlagzeug:
Tony Thompson (drummer, best known for his work in CHIC) (in 1979)
Sologesang:
Alfa Anderson (in 1979) und Luci Martin (in 1979)
Interpret(in):
Chic (US disco group) (in 1979)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 68) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 224)
recording of:
Good Times (in 1979)
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs und Tommy Jymi Inc.
Chic53:38
62Every 1’s a Winner
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) und Infinity Records Inc. (in 1978)
recording of:
Every 1’s a Winner
Texter und Komponist(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated) und RAK Music Publishing Ltd.
Hot Chocolate4.154:04
63Hooked on a Feeling
Produzent(in):
Bengt Palmers
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (in 1973) und EMI Records Group (in 1973)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 284)
recording of:
Hooked on a Feeling
Texter und Komponist(in):
Mark James (Francis Zambon, composer of “Suspicious Minds”)
Blue Swede & Björn Skifs4.052:53
64I Will Survive
Partner-Produzent(in):
Freddie Perren
Produzent(in):
Dino Fekaris
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978) und Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979)
Bearbeitung von:
I Will Survive (12″ single version) von Gloria Gaynor
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 251) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 489)
recording of:
I Will Survive
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:21
65He’s the Greatest Dancer (single version)
recording of:
He’s the Greatest Dancer
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Sister Sledge4.153:35
66Easy
Produzent(in):
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
arranger:
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1977), Motown Record Corporation (company credits only; do NOT use as release label) (in 1977), Motown Records (not for label use; use “Motown” instead) (in 1977) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 2009)
recording of:
Easy
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Libren Music
The Commodores3.754:14
67The Ghetto
recording of:
The Ghetto (Donny Hathaway)
Verfasser(in):
Donny Hathaway und Leroy Hutson
publisher:
Don‐Pow und Peer International (BMI; Peer Int'l or Peer-International)
sub-publisher:
Peermusic (UK) Ltd.
Donny Hathaway6:50
68Love Don’t Live Here Anymore
recording of:
Love Don’t Live Here Anymore
Texter und Komponist(in):
Miles Gregory
publisher:
Sony/ATV Ballad und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Rose Royce4.53:52
69Summer Breeze
Produzent(in):
Louie Shelton
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1972)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 10)
recording of:
Summer Breeze
Texter:
James Seals
Komponist(in):
Dash Crofts und James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals & Crofts4.353:25
70Rainy Night in Georgia
Produzent(in):
Arif Mardin
Bass:
Harold Cowart (am 1969-09-11)
Gitarre:
Cornell Dupree (in 1969) und Jim O’Rourke (US musician & producer, b. 1969) (am 1969-09-11)
Instrumente:
Cold Grits (in 1969)
Klavier:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) (am 1969-09-11)
Mundharmonika:
Toots Thielemans (in 1969)
Orgel:
Billy Carter (organ, jazz) (am 1969-09-11)
Schlagzeug:
Ron Ziegler (drummer) (am 1969-09-11)
Hintergrundgesang:
The Sweet Inspirations (am 1969-09-11)
arranger:
Arif Mardin
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1969-09-11)
spätere Veröffentlichungen:
Rainy Night in Georgia von Brook Benton
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 498)
cover recording of:
Rainy Night in Georgia (am 1969-09-11)
Texter und Komponist(in):
Tony Joe White
publisher:
Combine Music Corp. und EMI Songs Limited
Brook Benton43:49
71Thin Line Between Love and Hate (single version; 2007 remaster)
The Persuaders3:22
72Dancer
Gino Soccio3:31
73Tonight I’m Alright
Narada Michael Walden5:16
74Fantasy
Produzent(in):
Norman Connors
Aquarian Dream3:34
75Mr Radio
recording of:
Mr. Radio
Texter und Komponist(in):
Jeff Lynne
Electric Light Orchestra5:04
76Pennants
Steve Howe4:33
77Wear It Out (edit)
recording of:
Wear It Out
Verfasser(in):
Charles Fearing, Rochelle Runnells und Robert Wright (disco/funk producer)
Stargard53:40
78Fool (If You Think It’s Over)
Produzent(in):
Gus Dudgeon
Bass:
Dave Markee
cabasa, Conga, Templeblocks und Vibraphon:
Frank Ricotti (percussionist)
E-Gitarre:
Paul Keogh
Hybrid-Piano:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Klavier, Synthesizer und Sologesang:
Chris Rea
Schlagzeug:
Dave Mattacks
Sopransaxophon:
Steve Gregory (English jazz saxophonist)
Hintergrundgesang:
Stuart Epps und Chris Rea
conductor:
Richard Hewson
Orchestrator(in):
Richard Hewson
phonographisches Urheberrecht (℗) von:
Magnet Records Ltd.
recording of:
Fool (If You Think It’s Over)
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea4:45
79Midnight at the Oasis
Techniker(in):
Lee Herschberg und Donn Landee
Produzent(in):
Joe Boyd (US producer, founder of Hannibal Records) und Lenny Waronker
Mix:
Lee Herschberg
Akustikgitarre:
David Nichtern
Bassgitarre:
Freebo
E-Gitarre:
Amos Garrett
Klavier:
Mark T. Jordan
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
Sprecher:
Greg Prestopino
vocals:
Maria Muldaur
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Midnight at the Oasis
Texter und Komponist(in):
David Nichtern
publisher:
Space Potato Music (in 1974)
Maria Muldaur43:50
80Psycho Killer (live)
recording engineer:
Allen Chinowsky (in 1983-12)
Mastering:
Ted Jensen (American mastering engineer) und Jack Skinner (engineer)
assistierende(r) Techniker(in):
Nick Delre, Robin Laine, Linda Randazzo und Glenn Rosenstein
Techniker(in):
Joel Moss und Mark Wolfson
Produzent(in):
Talking Heads
Mix:
Eric Thorngren
zusätzliche(r) Mix:
Chris Frantz und Jerry Harrison (Talking Heads & producer)
vocals:
David Byrne (Talking Heads) (in 1983-12)
aufgenommen bei:
Hollywood Pantages Theatre in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983-12)
live recording of:
Psycho Killer (in 1983-12)
Texter:
David Byrne (Talking Heads), Chris Frantz und Tina Weymouth
Komponist(in):
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell Music (publisher as Warner/Chappell Music)
Talking Heads4.54:27

Nennungen

Veröffentlichung

phonographisches Urheberrecht (℗) von:Rhino UK (company credits only; do NOT use as release label) (in 2018)
zum Herunterladen kaufen:https://itunes.apple.com/gb/album/id1384956127 [Info]
kostenlos streamen:https://www.deezer.com/album/65239912 [Info]