Ladies and Gentlemen… Mr. B.B. King (smaller 4 CD set)

~ Release by B.B. King (see all versions of this release, 2 available)

Tracklist

1▼CD: 1949–1964
#TitleRatingLength
1Miss Martha King
bass:
Tuff Green (from 1949-05 until 1949-06)
drums (drum set):
Phineas Newborn, Sr. (drummer) (from 1949-05 until 1949-06)
guitar:
B.B. King (from 1949-05 until 1949-06) and Calvin Newborn (50s US R&B guitar player) (from 1949-05 until 1949-06)
piano:
Phineas Newborn, Jr. (American jazz pianist) (from 1949-05 until 1949-06)
tenor saxophone:
Ben Branch (from 1949-05 until 1949-06)
trombone:
Sammy Jett (from 1949-05 until 1949-06)
trumpet:
Thomas Branch (from 1949-05 until 1949-06)
vocals:
B.B. King (from 1949-05 until 1949-06)
recorded at:
WDIA Radio Studios in Memphis, Tennessee, United States (from 1949-05 until 1949-06)
recording of:
Miss Martha King (from 1949-05 until 1949-06)
writer:
B.B. King
2:43
2When Your Baby Packs Up and Goes
bass:
Tuff Green (from 1949-05 until 1949-06)
drums (drum set):
Phineas Newborn, Sr. (drummer) (from 1949-05 until 1949-06)
guitar:
B.B. King (from 1949-05 until 1949-06) and Calvin Newborn (50s US R&B guitar player) (from 1949-05 until 1949-06)
piano:
Phineas Newborn, Jr. (American jazz pianist) (from 1949-05 until 1949-06)
tenor saxophone:
Ben Branch (from 1949-05 until 1949-06)
trombone:
Sammy Jett (from 1949-05 until 1949-06)
trumpet:
Thomas Branch (from 1949-05 until 1949-06)
vocals:
B.B. King (from 1949-05 until 1949-06)
recorded at:
WDIA Radio Studios in Memphis, Tennessee, United States (from 1949-05 until 1949-06)
recording of:
When Your Baby Packs Up and Goes (from 1949-05 until 1949-06)
writer:
B.B. King
2:29
3B.B. Boogie
producer:
Sam Phillips (founder of Sun Records)
guitar:
B.B. King (in 1950-07)
piano:
Phineas Newborn, Jr. (American jazz pianist) (in 1950-07)
vocals:
B.B. King (in 1950-07)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1950) and P‐VINE RECORDS (record label — add releases here) (in 1950)
recorded at:
Memphis Recording and Sound Service in Memphis, Tennessee, United States (in 1950-07)
recording of:
B.B. Boogie (in 1950-07)
writer:
B.B. King and Jules Taub
3:12
4She’s Dynamite
producer:
Sam Phillips (founder of Sun Records)
bass:
James Walker (American rock bassist, member of Manmade God) (on 1951-05-27)
drums (drum set) and piano:
Phineas Newborn, Jr. (American jazz pianist) (on 1951-05-27)
guitar:
B.B. King (on 1951-05-27) and Calvin Newborn (50s US R&B guitar player) (on 1951-05-27)
tenor saxophone:
Richard Sanders (saxophonist) (on 1951-05-27)
vocals:
B.B. King (on 1951-05-27)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1951) and P‐VINE RECORDS (record label — add releases here) (in 1951)
recorded at:
Memphis Recording and Sound Service in Memphis, Tennessee, United States (on 1951-05-27)
cover recording of:
She’s Dynamite (on 1951-05-27)
lyricist and composer:
Hudson Whittaker
2:30
53 O’Clock Blues
producer:
Joe Bihari
bass:
Tuff Green (in 1951-09)
drums (drum set):
Earl Forest (in 1951-09)
guitar:
B.B. King (in 1951-09) and Calvin Newborn (50s US R&B guitar player) (in 1951-09)
piano:
Johnny Ace (1950s rhythm & blues) (in 1951-09)
saxophone:
Adolph "Billy" Duncan (in 1951-09) and Richard Sanders (saxophonist) (in 1951-09)
vocals:
B.B. King (in 1951-09)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1951) and P‐VINE RECORDS (record label — add releases here) (in 1951)
recorded at:
Memphis YMCA in Memphis, Tennessee, United States (in 1951-09)
recording of:
Three O’Clock Blues (First recorded in 1946) (in 1951-09)
writer:
Lowell Fulson
publisher:
Careers–BMG Music Publishing, Inc. and Powerforce Music
3:02
6Woke Up This Morning (My Baby She Was Gone)
producer:
Joe Bihari
congas:
Charles Crosby (drums) (in 1952-12)
guitar:
B.B. King (in 1952-12)
piano:
Connie McBooker (in 1952-12)
saxophone:
George Coleman (US jazz saxophonist) (in 1952-12)
tenor saxophone:
Bill Harvey (saxophone) (in 1952-12)
trumpet:
Floyd Jones (Soul trumpet player and arranger) (in 1952-12)
vocals:
B.B. King (in 1952-12)
arranger:
Bill Harvey (saxophone)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1953) and P‐VINE RECORDS (record label — add releases here) (in 1953)
recorded at:
ACA Studios in Houston, Texas, United States (in 1952-12)
recording of:
Woke Up This Morning (in 1952-12)
writer:
B.B. King and Jules Taub
publisher:
BMG Music Publishing Ltd., Careers‐BMG Music Publishing and Powerforce Music
2:57
7Blind Love
producer:
Joe Bihari
congas:
Charles Crosby (drums) (in 1952-12)
guitar:
B.B. King (in 1952-12)
piano:
Connie McBooker (in 1952-12)
saxophone:
George Coleman (US jazz saxophonist) (in 1952-12)
tenor saxophone:
Bill Harvey (saxophone) (in 1952-12)
trumpet:
Floyd Jones (Soul trumpet player and arranger) (in 1952-12)
vocals:
B.B. King (in 1952-12)
arranger:
Bill Harvey (saxophone)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1953) and P‐VINE RECORDS (record label — add releases here) (in 1953)
recorded at:
ACA Studios in Houston, Texas, United States (in 1952-12)
recording of:
Blind Love (in 1952-12)
writer:
B.B. King and Jules Taub
publisher:
BMG Music Publishing Ltd. and Sounds Of Lucille, Inc.
3:05
8When My Heart Beats Like a Hammer
congas:
Charles Crosby (drums) (on 1954-03-02)
guitar:
B.B. King (on 1954-03-02)
vocals:
B.B. King (on 1954-03-02)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1954) and P‐VINE RECORDS (record label — add releases here) (in 1954)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-03-02)
recording of:
When My Heart Beats Like a Hammer (on 1954-03-02)
writer:
B.B. King and Jules Taub
publisher:
Careers–BMG Music Publishing, Inc., Powerforce Music and Universal/MCA Music Ltd. (not for release label use!)
2:55
9You Upset Me, Baby
alto saxophone:
Jewell Grant (US saxophonist) (from 1954-08-18 until 1954-08-19)
bass:
Ralph Hamilton (US jazz/R&B bassist) (from 1954-08-18 until 1954-08-19)
drums (drum set):
Jesse Sailes (from 1954-08-18 until 1954-08-19)
guitar:
B.B. King (from 1954-08-18 until 1954-08-19)
piano:
Willard McDaniel (from 1954-08-18 until 1954-08-19)
saxophone:
Floyd Turnham (from 1954-08-18 until 1954-08-19)
tenor saxophone:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (from 1954-08-18 until 1954-08-19)
trumpet:
Harry D. Jones (from 1954-08-18 until 1954-08-19)
vocals:
B.B. King (from 1954-08-18 until 1954-08-19)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
publisher:
Intersong Music
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1954) and P‐VINE RECORDS (record label — add releases here) (in 1954)
recorded at:
Modern Studios in Culver City, California, United States (from 1954-08-18 until 1954-08-19)
recording of:
You Upset Me Baby (from 1954-08-18 until 1958-08-19)
writer:
Riley B. King and Jules Taub
publisher:
BMG Music Publishing Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3:03
10Ten Long Years
guitar:
B.B. King (in 1955)
vocals:
B.B. King (in 1955)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1955) and P‐VINE RECORDS (record label — add releases here) (in 1955)
recorded at:
Modern Studios in Culver City, California, United States (in 1955)
recording of:
Ten Long Years (in 1955)
writer:
Jules Bihari and Riley B. King
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc. and Powerforce Music
2:48
11Bad Luck
alto saxophone:
Lawrence Burdine (on 1955-11-19)
baritone saxophone:
Floyd Newman (on 1955-11-19)
bass:
Jymie Merritt (on 1955-11-19)
drums (drum set):
Ted Curry (on 1955-11-19)
guitar:
B.B. King (on 1955-11-19)
piano:
Millard Lee (on 1955-11-19)
tenor saxophone:
Johnny Board (on 1955-11-19)
trumpet:
Kenny Sands (on 1955-11-19)
vocals:
B.B. King (on 1955-11-19)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1956) and P‐VINE RECORDS (record label — add releases here) (in 1956)
recorded at:
Modern Studios in Culver City, California, United States (on 1955-11-19)
recording of:
Bad Luck (on 1955-11-19)
writer:
B.B. King
2:54
12Troubles, Troubles, Troubles
alto saxophone:
Lawrence Burdine (on 1956-02-25)
baritone saxophone:
Floyd Newman (on 1956-02-25)
bass:
Jymie Merritt (on 1956-02-25)
drums (drum set):
Ted Curry (on 1956-02-25)
guitar:
B.B. King (on 1956-02-25)
piano:
Millard Lee (on 1956-02-25)
tenor saxophone:
Johnny Board (on 1956-02-25)
trumpet:
Kenny Sands (on 1956-02-25)
vocals:
B.B. King (on 1956-02-25)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1957) and P‐VINE RECORDS (record label — add releases here) (in 1957)
recorded at:
Modern Studios in Culver City, California, United States (on 1956-02-25)
recording of:
Troubles, Troubles, Troubles (on 1956-02-25)
composer:
J.J. Cale
2:54
13Early in the Morning
guitar:
B.B. King (in 1956)
vocals:
B.B. King (in 1956)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1957) and P‐VINE RECORDS (record label — add releases here) (in 1957)
recorded at:
Modern Studios in Culver City, California, United States (in 1956)
recording of:
Early in the Morning (in 1956)
lyricist and composer:
Sonny Boy Williamson (John Lee “Sonny Boy” Williamson, 1914–1948)
publisher:
MCA Music Ltd.
2:35
14Everyday I Have the Blues
recorded in:
Los Angeles, California, United States (on 1959-04-03)
alto saxophone:
Jewell Grant (US saxophonist) (on 1959-04-03) and Marshall Royal (on 1959-04-03)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1959-04-03)
bass:
Eddie Jones (US jazz double bassist) (on 1959-04-03)
drums (drum set):
Sonny Payne (on 1959-04-03)
guitar:
B.B. King (on 1959-04-03) and Herman Mitchell (on 1959-04-03)
piano:
Milt Raskin (Milton Raskin) (on 1959-04-03)
tenor saxophone:
Frank Foster (saxophonist) (on 1959-04-03) and Frank Wes (on 1959-04-03)
trombone:
Henry Coker (jazz trombonist) (on 1959-04-03), Dick Noel (trombone) (on 1959-04-03) and Tommy Pederson (on 1959-04-03)
trumpet:
John Anderson (trumpet) (on 1959-04-03), Pete Candoli (on 1959-04-03), Joe Newman (US jazz trumpeter) (on 1959-04-03) and Snooky Young (on 1959-04-03)
vocals:
B.B. King (on 1959-04-03)
orchestra:
The Count Basie Orchestra (on 1959-04-03)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1959) and P‐VINE RECORDS (record label — add releases here) (in 1959)
recording of:
Everyday I Have the Blues (on 1959-04-03)
lyricist, composer and revised by:
Peter Chatman
writer:
Memphis Slim, Aaron ‘Pinetop’ Sparks (1930s blues & boogie-woogie pianist) (in 1935) and Milton Sparks (in 1935)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), BMG Platinum Songs, Fort Knox Music Co, Fort Knox Music Inc., Golden State Songs, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label), Trio Music Co., Inc., Trio Music Company and Tristan Music Ltd.
5:06
15(I’ve) Got a Right to Love My Baby
alto saxophone:
Jewell Grant (US saxophonist) (on 1960-03-10)
guitar:
Hilmer J. "Tiny" Timbrell (on 1960-03-10) and B.B. King (on 1960-03-10)
piano:
Lloyd Glenn (on 1960-03-10)
tenor saxophone:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (on 1960-03-10), Hubert "Bumps" Myers (on 1960-03-10) and Dave Pell (on 1960-03-10)
vocals:
B.B. King (on 1960-03-10)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1960) and P‐VINE RECORDS (record label — add releases here) (in 1960)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1960-03-10)
recording of:
I’ve Got a Right to Love My Baby (on 1960-03-10)
writer:
B.B. King and Sam Ling
publisher:
BMG Music Publishing Ltd.
3:14
16It’s My Own Fault
recorded in:
Los Angeles, California, United States (from 1958 until 1960-03-03)
bass:
Billy Hadnott (from 1958 until 1960-03-03)
drums (drum set):
Jesse Sailes (from 1958 until 1960-03-03)
guitar:
B.B. King (from 1958 until 1960-03-03)
piano:
Lloyd Glenn (from 1958 until 1960-03-03)
vocals:
B.B. King (from 1958 until 1960-03-03)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1960) and P‐VINE RECORDS (record label — add releases here) (in 1960)
recording of:
It’s My Own Fault (from 1958 until 1960-03-03)
lyricist and composer:
John Lee Hooker (US blues singer, songwriter & guitarist)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Ltd.
3:33
17Walking Dr. Bill
recorded in:
Los Angeles, California, United States (from 1958 until 1960-03-03)
bass:
Billy Hadnott (from 1958 until 1960-03-03)
drums (drum set):
Jesse Sailes (from 1958 until 1960-03-03)
guitar:
B.B. King (from 1958 until 1960-03-03)
piano:
Lloyd Glenn (from 1958 until 1960-03-03)
vocals:
B.B. King (from 1958 until 1960-03-03)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1960) and P‐VINE RECORDS (record label — add releases here) (in 1960)
cover recording of:
Walking Dr. Bill (from 1958 until 1960-03-03)
writer:
Doctor Clayton
publisher:
Universal/MCA Music Ltd. (not for release label use!)
3:41
18Rock Me Baby
guitar:
B.B. King
vocals:
B.B. King
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1964) and P‐VINE RECORDS (record label — add releases here) (in 1964)
recording of:
Rock Me Baby
writer:
Joe Josea and B.B. King
publisher:
Careers–BMG Music Publishing, Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), Powerforce Music, Sidney A. Seidenberg Music Ltd., Universal Music Careers, BMG Music (in 1994) and Modern Sparta Music Ltd. (in 1994)
is based on:
Rockin’ and Rollin’
2:59
19You Ask Me
recorded in:
Los Angeles, California, United States (on 1962-03-01)
producer:
Sid Feller
alto saxophone:
Jewell Grant (US saxophonist) (on 1962-03-01) and William Green (woodwind) (on 1962-03-01)
baritone saxophone:
Floyd Turnham (on 1962-03-01)
bass:
Ralph Hamilton (US jazz/R&B bassist) (on 1962-03-01)
drums (drum set):
Jesse Sailes (on 1962-03-01)
guitar:
B.B. King (on 1962-03-01)
piano:
Lloyd Glenn (on 1962-03-01)
tenor saxophone:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (on 1962-03-01)
vocals:
B.B. King (on 1962-03-01)
conductor:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Geffen Records (in 1963)
recording of:
You Ask Me (on 1962-03-01)
writer:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”), B.B. King and Ronnie Rae
2:10
20Blues at Midnight
recorded in:
Los Angeles, California, United States (on 1962-03-01)
producer:
Sid Feller
alto saxophone:
Jewell Grant (US saxophonist) (on 1962-03-01) and William Green (woodwind) (on 1962-03-01)
baritone saxophone:
Floyd Turnham (on 1962-03-01)
bass:
Ralph Hamilton (US jazz/R&B bassist) (on 1962-03-01)
drums (drum set):
Jesse Sailes (on 1962-03-01)
guitar:
B.B. King (on 1962-03-01)
piano:
Lloyd Glenn (on 1962-03-01)
tenor saxophone:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (on 1962-03-01)
vocals:
B.B. King (on 1962-03-01)
conductor:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Geffen Records (in 1963)
cover recording of:
Blues at Midnight (on 1962-03-01)
writer:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist)
2:58
21Sneakin’ Around
recorded in:
Los Angeles, California, United States (on 1962-03-01)
producer:
Sid Feller
alto saxophone:
Jewell Grant (US saxophonist) (on 1962-03-01) and William Green (woodwind) (on 1962-03-01)
baritone saxophone:
Floyd Turnham (on 1962-03-01)
bass:
Ralph Hamilton (US jazz/R&B bassist) (on 1962-03-01)
drums (drum set):
Jesse Sailes (on 1962-03-01)
guitar:
B.B. King (on 1962-03-01)
piano:
Lloyd Glenn (on 1962-03-01)
tenor saxophone:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (on 1962-03-01)
vocals:
B.B. King (on 1962-03-01)
conductor:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Geffen Records (in 1963)
recording of:
Sneakin' Around (on 1962-03-01)
lyricist and composer:
Jessie Mae Robinson
publisher:
Cherio Corporation and Crawford Music
2:07
22How Blue Can You Get?
recorded in:
New York, New York, United States (on 1963-09-30)
producer:
Sid Feller
alto saxophone:
Lawrence Burdine (on 1963-09-30)
baritone saxophone:
Jerome Richardson (on 1963-09-30)
bass:
Leo Lauchie (on 1963-09-30)
drums (drum set):
Sonny Freeman (on 1963-09-30)
guitar:
B.B. King (on 1963-09-30)
piano:
Charles Brooks (on 1963-09-30)
tenor saxophone:
Vernon Slater (on 1963-09-30)
trumpet:
Carl Adams (trumpeter) (on 1963-09-30) and Kenny Sands (on 1963-09-30)
vocals:
B.B. King (on 1963-09-30)
conductor:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
performer:
Jane Feather and Leonard Feather
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Geffen Records (in 1964) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
recording of:
How Blue Can You Get? (on 1963-09-30)
writer:
Jane Feather
composer:
Leonard Feather
publisher:
Burlington Music Co., Ltd., Melva Pub. Co. and Modern Age Music
cover recording of:
How Blue Can You Get? (on 1963-09-30)
writer:
Jane Feather
composer:
Leonard Feather
publisher:
Burlington Music Co., Ltd., Melva Pub. Co. and Modern Age Music
2:44
23I Wonder Why
recorded in:
New York, New York, United States (on 1963-09-30)
producer:
Sid Feller
alto saxophone:
Lawrence Burdine (on 1963-09-30)
baritone saxophone:
Jerome Richardson (on 1963-09-30)
bass:
Leo Lauchie (on 1963-09-30)
drums (drum set):
Sonny Freeman (on 1963-09-30)
guitar:
B.B. King (on 1963-09-30)
piano:
Charles Brooks (on 1963-09-30)
tenor saxophone:
Vernon Slater (on 1963-09-30)
trumpet:
Carl Adams (trumpeter) (on 1963-09-30) and Kenny Sands (on 1963-09-30)
vocals:
B.B. King (on 1963-09-30)
conductor:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Geffen Records (in 2012)
cover recording of:
I Wonder Why (on 1963-09-30)
writer:
George Johnson (member of Brothers Johnson, guitar) and Billy Preston
3:07
24Please Accept My Love
recorded in:
New York, New York, United States (on 1963-09-30)
producer:
Sid Feller
alto saxophone:
Lawrence Burdine (on 1963-09-30)
baritone saxophone:
Jerome Richardson (on 1963-09-30)
bass:
Leo Lauchie (on 1963-09-30)
drums (drum set):
Sonny Freeman (on 1963-09-30)
guitar:
B.B. King (on 1963-09-30)
piano:
Charles Brooks (on 1963-09-30)
tenor saxophone:
Vernon Slater (on 1963-09-30)
trumpet:
Carl Adams (trumpeter) (on 1963-09-30) and Kenny Sands (on 1963-09-30)
vocals:
B.B. King (on 1963-09-30)
conductor:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Geffen Records (in 1964)
recording of:
Please Accept My Love (on 1963-09-30)
lyricist and composer:
Clarence Garlow
publisher:
Kamar Music and Universal Music Careers
2:57
25Help the Poor
recorded in:
New York, New York, United States (on 1964-04-07)
producer:
Sid Feller
guitar:
B.B. King (on 1964-04-07)
vocals:
B.B. King (on 1964-04-07)
conductor:
Sid Feller
arranger:
Sid Feller
phonographic copyright (℗) by:
Geffen Records (in 1964)
recording of:
Help the Poor (on 1964-04-07)
lyricist and composer:
Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Noma Music Inc. and Trio Music Co., Inc.
2:37
26Never Trust a Woman
recorded in:
New York, New York, United States (on 1964-09-25)
drums (drum set):
Sonny Freeman (on 1964-09-25)
guitar:
Billy Butler (jazz guitarist) (on 1964-09-25) and B.B. King (on 1964-09-25)
vocals:
B.B. King (on 1964-09-25)
conductor:
Johnny Pate
arranger:
Johnny Pate
phonographic copyright (℗) by:
Geffen Records (in 1964)
recording of:
Never Trust a Woman (on 1964-09-25)
writer:
Dave Alvin (singer-songwriter, guitarist) and Rick Estrin
2:36
2▶CD: 1964–1969
3▶CD: 1970–1983
4▶CD: 1984–2008