La Damnation de Faust

~ Release by Hector Berlioz; von Otter, Terfel, Lewis, von Halem, Philharmonia Orchestra, Philharmonia Chorus, Myung-Whun Chung (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
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1La Damnation de Faust, op. 24 : Troisième partie. Tambours et trompettes sonnant la retraite
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
recording of:
La Damnation de Faust : Troisième Partie : Scène 9. Prélude : Tambours et trompettes sonnant la retraite (Orchestre) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Troisième Partie
Hector Berlioz0:56
2La Damnation de Faust, op. 24 : Troisième partie, scène 9. Air de Faust « Merci, doux crépuscule ! » (Faust)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
tenor vocals [Faust]:
Keith Lewis (tenor) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
recording of:
La Damnation de Faust : Troisième Partie : Scène 9. Air de Faust « Merci, doux crépuscule ! » (Faust) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Troisième Partie
Hector Berlioz4:58
3La Damnation de Faust, op. 24 : Troisième partie, scène 10. « Je l’entends ! » (Méphistophélès, Faust)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
baritone vocals [Méphistophélès]:
Bryn Terfel (bass‐baritone opera singer) (from 1995 until 1996)
tenor vocals [Faust]:
Keith Lewis (tenor) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
recording of:
La Damnation de Faust : Troisième Partie : Scène 10. « Je l’entends ! » (Méphistophélès, Faust) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Troisième Partie
Hector Berlioz1:01
4La Damnation de Faust, op. 24 : Troisième partie, scène 11. « Que l’air est étouffant ! » (Marguerite)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
mezzo-soprano vocals [Marguerite]:
Anne Sofie von Otter (mezzo-soprano) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
recording of:
La Damnation de Faust : Troisième Partie : Scène 11. « Que l’air est étouffant ! » (Marguerite) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Troisième Partie
Hector Berlioz2:57
5La Damnation de Faust, op. 24 : Troisième partie, scène 11. Le roi de Thulé (Chanson gothique) « Autrefois un roi de Thulé » (Marguerite)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
mezzo-soprano vocals [Marguerite]:
Anne Sofie von Otter (mezzo-soprano) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
recording of:
La Damnation de Faust : Troisième Partie : Scène 11. Le Roi de Thulé (Chanson gothique) « Autrefois un roi de Thulé » (Marguerite) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Troisième Partie
Hector Berlioz5:23
6La Damnation de Faust, op. 24 : Troisième partie, scène 12. Évocation « Esprits des flammes inconstantes » (Méphistophélès)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
baritone vocals [Méphistophélès]:
Bryn Terfel (bass‐baritone opera singer) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
recording of:
La Damnation de Faust : Troisième Partie : Scène 12. Évocation « Esprits des flammes inconstantes » (Méphistophélès) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Troisième Partie
Hector Berlioz1:46
7La Damnation de Faust, op. 24 : Troisième partie, scène 12. Menuet des follets « Maintenant, chantons à cette belle une chanson morale » (Méphistophélès)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
baritone vocals [Méphistophélès]:
Bryn Terfel (bass‐baritone opera singer) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
recording of:
La Damnation de Faust : Troisième Partie : Scène 12. Menuet des Feux follets … « Maintenant, chantons à cette belle … » (Méphistophélès) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Troisième Partie
Hector Berlioz5:32
8La Damnation de Faust, op. 24 : Troisième partie, scène 12. Sérénade de Méphistophélès avec chœur de follets « Devant la maison » (Méphistophélès, Chœur)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
baritone vocals [Méphistophélès]:
Bryn Terfel (bass‐baritone opera singer) (from 1995 until 1996)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
recording of:
La Damnation de Faust : Troisième Partie : Scène 12. Sérénade de Méphistophélès « Devant la maison » (Méphistophélès, Chœur) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Troisième Partie
Hector Berlioz1:58
9La Damnation de Faust, op. 24 : Troisième partie, scène 13. Duo « Grand dieu ! Que vois‐je ? » (Marguerite)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
mezzo-soprano vocals [Marguerite]:
Anne Sofie von Otter (mezzo-soprano) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
partial recording of:
La Damnation de Faust : Troisième Partie : Scène 13. Final: Duo « Grand Dieu ! Que vois‐je ? » … « Ange adoré » (Marguerite, Faust) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Troisième Partie
Hector Berlioz0:50
10La Damnation de Faust, op. 24 : Troisième partie, scène 13. Duo « Ange adoré » (Faust, Marguerite)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
mezzo-soprano vocals [Marguerite]:
Anne Sofie von Otter (mezzo-soprano) (from 1995 until 1996)
tenor vocals [Faust]:
Keith Lewis (tenor) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
partial recording of:
La Damnation de Faust : Troisième Partie : Scène 13. Final: Duo « Grand Dieu ! Que vois‐je ? » … « Ange adoré » (Marguerite, Faust) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Troisième Partie
Hector Berlioz4:30
11La Damnation de Faust, op. 24 : Troisième partie, scène 14. Trio et chœur « Allons, il est trop tard ! » (Méphistophélès, Marguerite, Faust, Chœur)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
baritone vocals [Méphistophélès]:
Bryn Terfel (bass‐baritone opera singer) (from 1995 until 1996)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1995 until 1996)
mezzo-soprano vocals [Marguerite]:
Anne Sofie von Otter (mezzo-soprano) (from 1995 until 1996)
tenor vocals [Faust]:
Keith Lewis (tenor) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
recording of:
La Damnation de Faust : Troisième Partie : Scène 14. Final: Trio et chœur « Allons, il est trop tard ! » (Méphistophélès, Marguerite, Faust, Chœur) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Troisième Partie
Hector Berlioz2:41
12La Damnation de Faust, op. 24 : Troisième partie, scène 14. Trio et chœur « Je connais donc enfin tout le prix de la vie » (Faust, Méphistophélès, Marguerite, Chœur)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
baritone vocals [Méphistophélès]:
Bryn Terfel (bass‐baritone opera singer) (from 1995 until 1996)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1995 until 1996)
mezzo-soprano vocals [Marguerite]:
Anne Sofie von Otter (mezzo-soprano) (from 1995 until 1996)
tenor vocals [Faust]:
Keith Lewis (tenor) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
recording of:
La Damnation de Faust : Troisième Partie : Scène 14. Final: Trio et chœur « Allons, il est trop tard ! » (Méphistophélès, Marguerite, Faust, Chœur) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Troisième Partie
Hector Berlioz2:00
13La Damnation de Faust, op. 24 : Quatrième partie, scène 15. Romance « D’amour l’ardente flamme » (Marguerite)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
mezzo-soprano vocals [Marguerite]:
Anne Sofie von Otter (mezzo-soprano) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
partial recording of:
La Damnation de Faust : Quatrième Partie, scène 15. « D'amour l'ardente flamme » … « Au son des trompettes » (Marguerite, Chœur) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
part of:
La Damnation de Faust, op. 24: Quatrième Partie
Hector Berlioz8:15
14La Damnation de Faust, op. 24 : Quatrième partie, scène 15. Romance « Au son des trompettes » (Chœur, Marguerite)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1995 until 1996)
mezzo-soprano vocals [Marguerite]:
Anne Sofie von Otter (mezzo-soprano) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
partial recording of:
La Damnation de Faust : Quatrième Partie, scène 15. « D'amour l'ardente flamme » … « Au son des trompettes » (Marguerite, Chœur) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
part of:
La Damnation de Faust, op. 24: Quatrième Partie
Hector Berlioz2:09
15La Damnation de Faust, op. 24 : Quatrième partie, scène 16. Invocation à la nature « Nature immense, impénétrable et fière » (Faust)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
tenor vocals [Faust]:
Keith Lewis (tenor) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
recording of:
La Damnation de Faust : Quatrième Partie, scène 16. Invocation à la Nature « Nature immense, impénetrable et fière » (Faust) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
Hector Berlioz5:42
16La Damnation de Faust, op. 24 : Quatrième partie, scène 17. Récitatif et chasse « À la voûte azurée » (Méphistophélès, Faust)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
baritone vocals [Méphistophélès]:
Bryn Terfel (bass‐baritone opera singer) (from 1995 until 1996)
tenor vocals [Faust]:
Keith Lewis (tenor) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
recording of:
La Damnation de Faust : Quatrième Partie, scène 17. Récitatif et chasse « À la voûte azurée » (Méphistophélès, Faust) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
Hector Berlioz3:23
17La Damnation de Faust, op. 24 : Quatrième partie, scène 18. La course à l’abîme « Dans mon cœur retentit sa voix désespérée » (Faust, chœur, Méphistophélès)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
baritone vocals [Méphistophélès]:
Bryn Terfel (bass‐baritone opera singer) (from 1995 until 1996)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1995 until 1996)
tenor vocals [Faust]:
Keith Lewis (tenor) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
partial recording of:
La Damnation de Faust : Quatrième Partie, scène 18. « La course à l'abîme » … « Dans mon cœur » (Faust, chœur, Méphistophélès) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
Hector Berlioz3:20
18La Damnation de Faust, op. 24 : Quatrième partie, scène 19. Pandaemonium (Chœur en langue infernale) « Ha ! Irimirukarabrao ! » (Chœur, Méphistophélès)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
baritone vocals [Méphistophélès]:
Bryn Terfel (bass‐baritone opera singer) (from 1995 until 1996)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
partial recording of:
La Damnation de Faust : Quatrième Partie, scène 19. Pandaemonium « Has ! Irimirukarabrao ! Has ! Has ! Has ! » (Chœur, Méphistophélès) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
Hector Berlioz1:46
19La Damnation de Faust, op. 24 : Quatrième partie, scène 19. Pandaemonium (Chœur en langue infernale) « Tradioun marexil firtrudinxé burrudixé » (Chœur)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
partial recording of:
La Damnation de Faust : Quatrième Partie, scène 19. Pandaemonium « Has ! Irimirukarabrao ! Has ! Has ! Has ! » (Chœur, Méphistophélès) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
Hector Berlioz1:59
20La Damnation de Faust, op. 24 : Épilogue. « Alors, l’enfer se tut » (Chœur)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
recording of:
La Damnation de Faust : Quatrième Partie, scène 19. Épilogue: Sur la terre « Alors, l’Enfer se tut » (Chœur) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
Hector Berlioz1:17
21La Damnation de Faust, op. 24 : Épilogue, scène 20. « Laus ! Laus ! Hosanna ! Hosanna ! » (Chœur, Voix céleste)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1995 until 1996)
treble vocals [voix céleste]:
David Nicklass (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
partial recording of:
La Damnation de Faust : Quatrième Partie, scène 20. Épilogue dans le ciel « Laus ! Hosanna ! » / Apothéose de Marguerite « Remonte au ciel, âme naïve » (Chœur) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
Hector Berlioz1:08
22La Damnation de Faust, op. 24 : Épilogue, scène 20. Apothéose de Marguerite « Remonte au ciel, âme naïve » (Chœur)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
partial recording of:
La Damnation de Faust : Quatrième Partie, scène 20. Épilogue dans le ciel « Laus ! Hosanna ! » / Apothéose de Marguerite « Remonte au ciel, âme naïve » (Chœur) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
Hector Berlioz1:00
23La Damnation de Faust, op. 24 : Épilogue, scène 20. Apothéose de Marguerite « Viens ! Les vierges divines » (Chœur)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock and Rainer Höpfner (engineer)
producer:
Lennart Dehn
editor:
Stephan Flock
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1995 until 1996)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995 until 1996)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1995 until 1996)
balance engineer:
Wolfgang Mitlehner
recorded at:
The Anvil in Basingstoke, Hampshire, England, United Kingdom (from 1995 until 1996)
partial recording of:
La Damnation de Faust : Quatrième Partie, scène 20. Épilogue dans le ciel « Laus ! Hosanna ! » / Apothéose de Marguerite « Remonte au ciel, âme naïve » (Chœur) (from 1995 until 1996)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
Hector Berlioz2:31