The Complete Lionel Hampton Victor Sessions 1937-1941

~ Release by Lionel Hampton (see all versions of this release, 1 available)

Tracklist

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#TitleRatingLength
1The Munson Street Breakdown
recorded in:
New York, New York, United States (on 1939-10-30)
double bass:
Artie Bernstein (on 1939-10-30)
drums (drum set):
Slick Jones (on 1939-10-30)
guitar:
Al Casey (US jazz/soul guitarist) (on 1939-10-30)
piano:
Lionel Hampton (on 1939-10-30) and Clyde Hart (on 1939-10-30)
reeds:
Toots Mondello (on 1939-10-30)
tenor saxophone:
Jerry Jerome (on 1939-10-30) and Ben Webster (on 1939-10-30)
trumpet:
Ziggy Elman (on 1939-10-30)
vibraphone:
Lionel Hampton (on 1939-10-30)
orchestra:
Lionel Hampton and His Orchestra (on 1939-10-30)
3:17
2I've Found a New Baby
recorded in:
New York, New York, United States (on 1939-10-30)
double bass:
Artie Bernstein (on 1939-10-30)
drums (drum set):
Slick Jones (on 1939-10-30)
guitar:
Al Casey (US jazz/soul guitarist) (on 1939-10-30)
piano:
Lionel Hampton (on 1939-10-30) and Clyde Hart (on 1939-10-30)
reeds:
Toots Mondello (on 1939-10-30)
tenor saxophone:
Jerry Jerome (on 1939-10-30) and Ben Webster (on 1939-10-30)
trumpet:
Ziggy Elman (on 1939-10-30)
orchestra:
Lionel Hampton and His Orchestra (on 1939-10-30)
recording of:
I’ve Found a New Baby
writer:
Jack Palmer (Jazz pianist and composer) and Spencer Williams (US jazz composer, pianist & singer)
2:55
3I Can't Get Started
recorded in:
New York, New York, United States (on 1939-10-30)
double bass:
Artie Bernstein (on 1939-10-30)
drums (drum set):
Slick Jones (on 1939-10-30)
guitar:
Al Casey (US jazz/soul guitarist) (on 1939-10-30)
piano:
Clyde Hart (on 1939-10-30)
reeds:
Toots Mondello (on 1939-10-30)
tenor saxophone:
Jerry Jerome (on 1939-10-30) and Ben Webster (on 1939-10-30)
trumpet:
Ziggy Elman (on 1939-10-30)
vibraphone:
Lionel Hampton (on 1939-10-30)
orchestra:
Lionel Hampton and His Orchestra (on 1939-10-30)
recording of:
I Can’t Get Started
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:55
4Four or Five Times
recorded in:
New York, New York, United States (on 1939-10-30)
double bass:
Artie Bernstein (on 1939-10-30)
drums (drum set):
Slick Jones (on 1939-10-30)
guitar:
Al Casey (US jazz/soul guitarist) (on 1939-10-30)
piano:
Clyde Hart (on 1939-10-30)
reeds:
Toots Mondello (on 1939-10-30)
tenor saxophone:
Jerry Jerome (on 1939-10-30) and Ben Webster (on 1939-10-30)
trumpet:
Ziggy Elman (on 1939-10-30)
vibraphone:
Lionel Hampton (on 1939-10-30)
orchestra:
Lionel Hampton and His Orchestra (on 1939-10-30)
recording of:
Four or Five Times
composer:
Byron Gay (in 1928) and Marco H. Hellman (in 1928)
publisher:
EMI Miller Catalog, Inc.
2:49
5Gin for Christmas
recorded in:
New York, New York, United States (on 1939-10-30)
double bass:
Artie Bernstein (on 1939-10-30)
drums (drum set):
Lionel Hampton (on 1939-10-30)
guitar:
Al Casey (US jazz/soul guitarist) (on 1939-10-30)
piano:
Clyde Hart (on 1939-10-30)
reeds:
Toots Mondello (on 1939-10-30)
tenor saxophone:
Jerry Jerome (on 1939-10-30) and Ben Webster (on 1939-10-30)
trumpet:
Ziggy Elman (on 1939-10-30)
orchestra:
Lionel Hampton and His Orchestra (on 1939-10-30)
2:31
6Dinah
recorded in:
New York, New York, United States (on 1939-12-21)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1939-12-21)
double bass:
Artie Bernstein (on 1939-12-21)
drums (drum set):
Zutty Singleton (on 1939-12-21)
guitar:
Freddie Green (on 1939-12-21)
piano:
Joe Sullivan (piano, USA) (on 1939-12-21)
tenor saxophone:
Coleman Hawkins (on 1939-12-21)
trumpet:
Benny Carter (on 1939-12-21)
vibraphone:
Lionel Hampton (on 1939-12-21)
orchestra:
Lionel Hampton and His Orchestra (on 1939-12-21)
recording of:
Dinah
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) and Morley Music Corp.
part of:
The Girl’s Suite
2:46
7My Buddy
recorded in:
New York, New York, United States (on 1939-12-21)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1939-12-21)
double bass:
Artie Bernstein (on 1939-12-21)
drums (drum set):
Zutty Singleton (on 1939-12-21)
guitar:
Freddie Green (on 1939-12-21)
piano:
Joe Sullivan (piano, USA) (on 1939-12-21)
tenor saxophone:
Coleman Hawkins (on 1939-12-21)
trumpet:
Benny Carter (on 1939-12-21)
vibraphone:
Lionel Hampton (on 1939-12-21)
orchestra:
Lionel Hampton and His Orchestra (on 1939-12-21)
recording of:
My Buddy
lyricist:
Gus Kahn (in 1922)
composer:
Walter Donaldson (in 1922)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
2:47
8Singin' the Blues
recorded in:
New York, New York, United States (on 1939-12-21)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1939-12-21)
double bass:
Artie Bernstein (on 1939-12-21)
drums (drum set):
Zutty Singleton (on 1939-12-21)
guitar:
Freddie Green (on 1939-12-21)
piano:
Joe Sullivan (piano, USA) (on 1939-12-21)
tenor saxophone:
Coleman Hawkins (on 1939-12-21)
trumpet:
Benny Carter (on 1939-12-21)
vibraphone:
Lionel Hampton (on 1939-12-21)
orchestra:
Lionel Hampton and His Orchestra (on 1939-12-21)
recording of:
Singin’ the Blues
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Con Conrad and J. Russel Robinson
2:54
9Shades of Jade
recorded in:
New York, New York, United States (on 1940-02-26)
alto saxophone:
Buff Estes (Sterling Buford Estes) (on 1940-02-26) and Toots Mondello (on 1940-02-26)
double bass:
Artie Bernstein (on 1940-02-26)
drums (drum set):
Nick Fatool (on 1940-02-26)
guitar:
Ernest Ashley (on 1940-02-26)
piano:
Spencer Odom (on 1940-02-26)
tenor saxophone:
Jerry Jerome (on 1940-02-26) and Budd Johnson (on 1940-02-26)
trumpet:
Ziggy Elman (on 1940-02-26)
vibraphone:
Lionel Hampton (on 1940-02-26)
orchestra:
Lionel Hampton and His Orchestra (on 1940-02-26)
3:27
10Till Tom Special
recorded in:
New York, New York, United States (on 1940-02-26)
alto saxophone:
Buff Estes (Sterling Buford Estes) (on 1940-02-26) and Toots Mondello (on 1940-02-26)
double bass:
Artie Bernstein (on 1940-02-26)
drums (drum set):
Nick Fatool (on 1940-02-26)
guitar:
Ernest Ashley (on 1940-02-26)
piano:
Spencer Odom (on 1940-02-26)
tenor saxophone:
Jerry Jerome (on 1940-02-26) and Budd Johnson (on 1940-02-26)
trumpet:
Ziggy Elman (on 1940-02-26)
vibraphone:
Lionel Hampton (on 1940-02-26)
orchestra:
Lionel Hampton and His Orchestra (on 1940-02-26)
recording of:
Till Tom Special (on 1940-02-26)
writer:
Benny Goodman (clarinetist and bandleader) and Lionel Hampton
3:23
11Flyin' Home
recorded in:
New York, New York, United States (on 1940-02-26)
alto saxophone:
Buff Estes (Sterling Buford Estes) (on 1940-02-26) and Toots Mondello (on 1940-02-26)
double bass:
Artie Bernstein (on 1940-02-26)
drums (drum set):
Nick Fatool (on 1940-02-26)
guitar:
Ernest Ashley (on 1940-02-26)
piano:
Spencer Odom (on 1940-02-26)
tenor saxophone:
Jerry Jerome (on 1940-02-26) and Budd Johnson (on 1940-02-26)
trumpet:
Ziggy Elman (on 1940-02-26)
vibraphone:
Lionel Hampton (on 1940-02-26)
orchestra:
Lionel Hampton and His Orchestra (on 1940-02-26)
recording of:
Flying Home (sung/scat version, eg. by Ella Fitzgerald) (on 1940-02-26)
lyricist:
Sid Robin (US lyricist & composer)
composer:
Benny Goodman (clarinetist and bandleader) and Lionel Hampton
publisher:
Boosey & Hawkes Music Publishers, Ltd and Regent Music (BMI)
version of:
Flying Home (instrumental version)
2:59
12Save It, Pretty Mama
recorded in:
New York, New York, United States (on 1940-02-26)
alto saxophone:
Buff Estes (Sterling Buford Estes) (on 1940-02-26) and Toots Mondello (on 1940-02-26)
double bass:
Artie Bernstein (on 1940-02-26)
drums (drum set):
Nick Fatool (on 1940-02-26)
guitar:
Ernest Ashley (on 1940-02-26)
piano:
Spencer Odom (on 1940-02-26)
tenor saxophone:
Jerry Jerome (on 1940-02-26) and Budd Johnson (on 1940-02-26)
trumpet:
Ziggy Elman (on 1940-02-26)
vibraphone:
Lionel Hampton (on 1940-02-26)
orchestra:
Lionel Hampton and His Orchestra (on 1940-02-26)
recording of:
Save It, Pretty Mama (on 1940-02-26)
writer:
Paul Denniker, Joseph M. Davis (Joe Davis, US lyricist, producer, publisher & promoter) and Don Redman
3:22
13Tempo and Swing
recorded in:
New York, New York, United States (on 1940-02-26)
alto saxophone:
Buff Estes (Sterling Buford Estes) (on 1940-02-26) and Toots Mondello (on 1940-02-26)
double bass:
Artie Bernstein (on 1940-02-26)
drums (drum set):
Nick Fatool (on 1940-02-26)
guitar:
Ernest Ashley (on 1940-02-26)
piano:
Spencer Odom (on 1940-02-26)
tenor saxophone:
Jerry Jerome (on 1940-02-26) and Budd Johnson (on 1940-02-26)
trumpet:
Ziggy Elman (on 1940-02-26)
vibraphone:
Lionel Hampton (on 1940-02-26)
orchestra:
Lionel Hampton and His Orchestra (on 1940-02-26)
recording of:
Tempo and Swing (on 1940-02-26)
3:22
14House of Morgan
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-05-10)
double bass:
Wesley Prince (on 1940-05-10)
drums (drum set):
Al Spieldock (on 1940-05-10)
electric guitar:
Oscar Moore (on 1940-05-10)
piano:
Nat King Cole (on 1940-05-10)
vibraphone:
Lionel Hampton (on 1940-05-10)
orchestra:
Lionel Hampton and His Orchestra (on 1940-05-10)
3:11
15I'd Be Lost Without You
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-05-10)
drums (drum set):
Al Spieldock (on 1940-05-10)
electric guitar:
Oscar Moore (on 1940-05-10)
piano:
Nat King Cole (on 1940-05-10)
vibraphone:
Lionel Hampton (on 1940-05-10)
orchestra:
Lionel Hampton and His Orchestra (on 1940-05-10)
3:00
16Central Avenue Breakdown
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-05-10)
double bass:
Wesley Prince (on 1940-05-10)
drums (drum set):
Al Spieldock (on 1940-05-10)
electric guitar:
Oscar Moore (on 1940-05-10)
piano:
Nat King Cole (on 1940-05-10) and Lionel Hampton (on 1940-05-10)
orchestra:
Lionel Hampton and His Orchestra (on 1940-05-10)
recording of:
Central Avenue Breakdown (on 1940-05-10)
3:04
17Jack the Bellboy
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-05-10)
double bass:
Wesley Prince (on 1940-05-10)
drums (drum set):
Lionel Hampton (on 1940-05-10)
electric guitar:
Oscar Moore (on 1940-05-10)
piano:
Nat King Cole (on 1940-05-10)
orchestra:
Lionel Hampton and His Orchestra (on 1940-05-10)
recording of:
Jack the Bellboy (on 1940-05-10)
composer:
Lionel Hampton
2:52
18Dough-Ra-Me
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-07-17)
double bass:
Wesley Prince (on 1940-07-17)
drums (drum set):
Al Spieldock (on 1940-07-17)
electric guitar:
Oscar Moore (on 1940-07-17)
piano:
Nat King Cole (on 1940-07-17)
vibraphone:
Lionel Hampton (on 1940-07-17)
orchestra:
Lionel Hampton and His Orchestra (on 1940-07-17)
3:07
19Jivin' With Jarvis
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-07-17)
double bass:
Wesley Prince (on 1940-05-17, on 1940-07-17)
drums (drum set):
Al Spieldock (on 1940-07-17)
electric guitar:
Oscar Moore (on 1940-07-17)
guitar:
Oscar Moore (on 1940-05-17)
piano:
Nat King Cole (on 1940-05-17, on 1940-07-17)
vibraphone:
Lionel Hampton (on 1940-07-17)
vocals:
Nat King Cole (on 1940-05-17) and Oscar Moore (on 1940-05-17)
orchestra:
Lionel Hampton and His Orchestra (on 1940-07-17)
recording of:
Jivin' with Jarvis (on 1940-05-17)
recording of:
Jivin' with Jarvis (on 1940-07-17)
2:40
20Blue
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-07-17)
double bass:
Wesley Prince (on 1940-07-17)
drums (drum set):
Al Spieldock (on 1940-07-17)
electric guitar and guitar:
Oscar Moore (on 1940-07-17)
piano:
Nat King Cole (on 1940-07-17)
vibraphone:
Lionel Hampton (on 1940-07-17)
orchestra:
Lionel Hampton and His Orchestra (on 1940-07-17)
2:58
21I Don't Stand a Ghost of a Chance With You
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-07-17)
double bass:
Wesley Prince (on 1940-07-17)
drums (drum set):
Al Spieldock (on 1940-07-17)
electric guitar:
Oscar Moore (on 1940-07-17)
piano:
Nat King Cole (on 1940-07-17)
vibraphone:
Lionel Hampton (on 1940-07-17)
orchestra:
Lionel Hampton and His Orchestra (on 1940-07-17)
instrumental recording of:
(I Don’t Stand) A Ghost of a Chance (on 1940-07-17)
lyricist:
Bing Crosby and Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited and Mills Music, Inc.
2:55
22Dinah (alternate take)
recorded in:
New York, New York, United States (on 1939-12-21)
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1939-12-21)
double bass:
Artie Bernstein (on 1939-12-21)
drums (drum set):
Zutty Singleton (on 1939-12-21)
guitar:
Freddie Green (on 1939-12-21)
piano:
Joe Sullivan (piano, USA) (on 1939-12-21)
tenor saxophone:
Coleman Hawkins (on 1939-12-21)
trumpet:
Benny Carter (on 1939-12-21)
vibraphone:
Lionel Hampton (on 1939-12-21)
orchestra:
Lionel Hampton and His Orchestra (on 1939-12-21)
recording of:
Dinah
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) and Morley Music Corp.
part of:
The Girl’s Suite
2:39
23Dough-Ra-Me (alternate take)
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-07-17)
double bass:
Wesley Prince (on 1940-07-17)
drums (drum set):
Al Spieldock (on 1940-07-17)
electric guitar:
Oscar Moore (on 1940-07-17)
piano:
Nat King Cole (on 1940-07-17)
vibraphone:
Lionel Hampton (on 1940-07-17)
orchestra:
Lionel Hampton and His Orchestra (on 1940-07-17)
3:09
5▶CD