We All Love Ella: Celebrating the First Lady of Song

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1A Tisket a Tasket
Produzent(in):
Phil Ramone
alto saxophone [alto sax]:
Ken Hitchcock (multi-instrumentalist) und Marc Phaneuf (saxaphonist)
baritone saxophone [baritone sax]:
Roger Rosenberg
Bass:
Kevin Axt
Bassposaune:
Dave Taylor (US jazz bass trombonist)
Gitarre:
Dean Parks (American session guitarist)
Klavier:
Terry Trotter
Schlagzeug [drums]:
Gregg Field (drums, producer)
Tenorposaune:
Bruce Eidem, John Fedchock und Birch Johnson
Tenorsaxophon [tenor sax]:
Charlie Pillow und Walt Weiskopf
Trompete:
Alex Sipiaguine (Russian jazz trumpeter and flugelhorn player), Frank Greene (trumpet), Tony Kadleck und Jeff Kievit
conductor:
Rob Mounsey
arranger:
Rob Mounsey
cover recording of:
A‐Tisket, A‐Tasket
Texter:
[traditional] (special purpose artist), Ella Fitzgerald (American jazz singer) und Van Alexander (aka Al Feldman)
Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 13188)
Natalie Cole2:38
2Lullaby of Birdland
Produzent(in):
Phil Ramone
Altflöte:
Elizabeth Mann (flutist) und Pamela Sklar
Bass:
Kevin Axt
Bassklarinette [contra alto clarinet]:
Virgil Blackwell
Euphonium:
Dave Bargeron (US trombonist & tubist)
Gitarre:
Dean Parks (American session guitarist)
Klavier:
Rob Mounsey
Schlagzeug [drums]:
Gregg Field (drums, producer)
Solo-Trompete:
Tony Kadleck
Trompete:
Tony Kadleck und Jeff Kievit
conductor:
Rob Mounsey
arranger:
Rob Mounsey
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
Texter:
B. Y. Forster (pseudonym of George David Weiss)
Verfasser(in):
George David Weiss
Komponist(in):
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited und Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Chaka Khan2:56
3The Lady Is a Tramp
Produzent(in):
Phil Ramone
alto saxophone [alto sax]:
Ken Hitchcock (multi-instrumentalist) und Marc Phaneuf (saxaphonist)
baritone saxophone [baritone sax]:
Roger Rosenberg
Bass:
Kevin Axt
Bassposaune:
Dave Taylor (US jazz bass trombonist)
Flügelhorn:
Tony Kadleck und Jeff Kievit
Gitarre:
Dean Parks (American session guitarist)
Klavier:
Billy Childs (US composer/jazz pianist)
Schlagzeug [drums]:
Curt Bisquera
Tenorposaune:
Bruce Eidem, John Fedchock und Birch Johnson
Tenorsaxophon [tenor sax]:
Charlie Pillow und Walt Weiskopf
Trompete:
Alex Sipiaguine (Russian jazz trumpeter and flugelhorn player) und Frank Greene (trumpet)
conductor:
Rob Mounsey
arranger:
Rob Mounsey
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
Queen Latifah3:53
4Dream a Little Dream of Me
Produzent(in):
Phil Ramone
Klavier:
Hank Jones (piano)
conductor:
Rob Mounsey
arranger:
Rob Mounsey
cover recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) und ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Diana Krall4:35
5(You’ll Have to Swing It) Mr. Paganini
Produzent(in):
Phil Ramone
alto saxophone [alto sax]:
Ken Hitchcock (multi-instrumentalist) und Marc Phaneuf (saxaphonist)
baritone saxophone [baritone sax]:
Roger Rosenberg
Bass:
Kevin Axt
Bassposaune:
Dave Taylor (US jazz bass trombonist)
Bratsche / Viola:
Karen Dreyfus (violist), Desiree Elsevier und Vincent Lionti
Cello:
Diane Barere, Jeanne LeBlanc und Richard Locker (cellist)
Flügelhorn:
Tony Kadleck und Jeff Kievit
Geige / Violine:
Eva Burmeister, David Chan (US violinist/conductor), Katherine Fong, Vesselin Gellev (violinist), Katherine Livolsi-Stern, Ann Lehmann, Laura McGinniss, Catherine Ro (Violinist), Richard Sortomme (violinist/composer) und Yuri Vodovos
Gitarre:
Dean Parks (American session guitarist)
Klavier:
Rob Mounsey
Schlagzeug [drums]:
Gregg Field (drums, producer)
Tenorposaune:
Bruce Eidem, John Fedchock und Birch Johnson
Tenorsaxophon [tenor sax]:
Charlie Pillow und Walt Weiskopf
Trompete:
Alex Sipiaguine (Russian jazz trumpeter and flugelhorn player) und Frank Greene (trumpet)
conductor:
Rob Mounsey
arranger:
Rob Mounsey
concertmaster:
Elena Barere (violinist)
cover recording of:
You'll Have to Swing It (Mr Paganini)
Verfasser(in):
Sam Coslow
Natalie Cole & Chaka Khan6:00
6Oh Lady Be Good
Produzent(in):
Phil Ramone
alto saxophone [alto sax]:
Ken Hitchcock (multi-instrumentalist) und Marc Phaneuf (saxaphonist)
baritone saxophone [baritone sax]:
Roger Rosenberg
Bass:
David Finck
Bassposaune:
Dave Taylor (US jazz bass trombonist)
Bratsche / Viola:
Karen Dreyfus (violist), Desiree Elsevier und Vincent Lionti
Cello:
Diane Barere, Jeanne LeBlanc und Richard Locker (cellist)
Flügelhorn:
Tony Kadleck und Jeff Kievit
Geige / Violine:
Eva Burmeister, David Chan (US violinist/conductor), Katherine Fong, Vesselin Gellev (violinist), Katherine Livolsi-Stern, Ann Lehmann, Laura McGinniss, Catherine Ro (Violinist), Richard Sortomme (violinist/composer) und Yuri Vodovos
Gitarre:
Rodney Jones
Klavier:
Rob Mounsey
Schlagzeug [drums]:
Lewis Nash (American jazz drummer)
Tenorposaune:
John Fedchock und Birch Johnson
Tenorsaxophon [tenor sax]:
Charlie Pillow und Walt Weiskopf
Trompete:
Alex Sipiaguine (Russian jazz trumpeter and flugelhorn player) und Frank Greene (trumpet)
conductor:
Rob Mounsey
arranger:
Rob Mounsey
concertmaster:
Elena Barere (violinist)
cover recording of:
Oh, Lady Be Good!
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
American Splendor
Teil von:
Lady, Be Good (full musical)
Dianne Reeves3:14
7Reaching for the Moon
Produzent(in):
Phil Ramone
Bass:
David Finck
Geige / Violine:
Regina Carter (jazz violinist)
Gitarre:
Russell Malone
Klavier:
Rob Mounsey
Schlagzeug [drums]:
Lewis Nash (American jazz drummer)
conductor:
Rob Mounsey
arranger:
Rob Mounsey
Lizz Wright2:52
8Blues in the Night
Produzent(in):
Phil Ramone
alto saxophone [alto sax]:
Ken Hitchcock (multi-instrumentalist)
baritone saxophone [baritone sax]:
Roger Rosenberg
Bass:
David Finck
Bassposaune:
Dave Taylor (US jazz bass trombonist)
Flügelhorn:
Tony Kadleck und Jeff Kievit
Gitarre:
Rodney Jones
Klavier:
Rob Mounsey
Schlagzeug [drums]:
Lewis Nash (American jazz drummer)
Tenorposaune:
Birch Johnson
Tenorsaxophon [tenor sax]:
Charlie Pillow und Walt Weiskopf
conductor:
Rob Mounsey
arranger:
Rob Mounsey
cover recording of:
Blues in the Night (My Mama Done Tol’ Me)
Texter:
Johnny Mercer (in 1941)
Komponist(in):
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) und WB Music Corp. (1929–2019)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
Ledisi35:01
9Miss Otis Regrets
recording engineer und Mix:
George Massenburg
Produzent(in):
John Boylan und George Massenburg
Bass:
Christian McBride (American jazz bassist)
Cello:
Roberta Cooper
Geige / Violine:
Eugene Drucker
Klavier:
Alan Broadbent
arranger:
Alan Broadbent
cover recording of:
Miss Otis Regrets
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1934)
Linda Ronstadt3:13
10Someone to Watch Over Me
Produzent(in):
Phil Ramone
Altflöte:
Charlie Pillow
Bass:
David Finck
Bassposaune:
George Flynn (trombone)
Flügelhorn:
Tony Kadleck und Jeff Kievit
flute:
David Mann (saxophonist)
Gitarre:
Jeffrey Mironov
Klavier:
Billy Childs (US composer/jazz pianist)
Schlagzeug [drums]:
Mark McLean (Canadian jazz drummer/composer/producer)
Solo-alto saxophone [alto sax]:
Steve Wilson (saxophonist)
Tenorposaune:
Bruce Eidem und Jim Pugh (US trombonist)
conductor:
Billy Childs (US composer/jazz pianist)
arranger:
Billy Childs (US composer/jazz pianist)
cover recording of:
Someone to Watch Over Me (Oh, Kay!)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
Gladys Knight4:56
11Do Nothin’ Till You Hear From Me
Produzent(in):
Phil Ramone
alto saxophone [alto sax]:
Ken Hitchcock (multi-instrumentalist)
baritone saxophone [baritone sax]:
Roger Rosenberg
Bass:
Kevin Axt
Flügelhorn:
Tony Kadleck
Gitarre:
Dean Parks (American session guitarist) und Josh Sklair
Klavier:
Billy Childs (US composer/jazz pianist)
Schlagzeug [drums]:
Curt Bisquera
Tenorposaune:
Birch Johnson
Tenorsaxophon [tenor sax]:
Charlie Pillow und Walt Weiskopf
conductor:
Rob Mounsey
arranger:
Rob Mounsey
cover recording of:
Do Nothin’ Till You Hear From Me
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Sony/ATV Harmony
Version von:
Concerto for Cootie
Etta James4:20
12Angel Eyes
Produzent(in):
Phil Ramone
Bass:
David Finck
Bratsche / Viola:
Karen Dreyfus (violist), Desiree Elsevier und Vincent Lionti
Cello:
Diane Barere, Jeanne LeBlanc und Richard Locker (cellist)
Geige / Violine:
Eva Burmeister, David Chan (US violinist/conductor), Katherine Fong, Vesselin Gellev (violinist), Katherine Livolsi-Stern, Ann Lehmann, Laura McGinniss, Catherine Ro (Violinist), Richard Sortomme (violinist/composer) und Yuri Vodovos
Gitarre:
Rodney Jones
Harfe:
Stacy Shames
Klavier:
Rob Mounsey
Kontrabass [bass]:
Tim Cobb (double bassist) und Lawrence Glazener
Schlagzeug [drums]:
Lewis Nash (American jazz drummer)
Solo-Tenorsaxophon [tenor sax]:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
conductor:
Rob Mounsey
arranger:
Rob Mounsey
concertmaster:
Elena Barere (violinist)
cover recording of:
Angel Eyes (1946 jazz standard)
Texter:
Earl Brent (in 1946)
Komponist(in):
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music), Onyx Music Corporation und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
k.d. lang5:14
13Too Close for Comfort
Produzent(in):
Phil Ramone
Altflöte und Tenorsaxophon [tenor sax]:
Charlie Pillow
alto saxophone [alto sax] und flute:
Ken Hitchcock (multi-instrumentalist)
Bass:
Robert Hurst (jazz bassist composer)
Bassposaune:
George Flynn (trombone)
Bratsche / Viola:
Karen Dreyfus (violist), Desiree Elsevier, Vincent Lionti und Craig Mumm
Cello:
Jeanne LeBlanc und Richard Locker (cellist)
Flügelhorn:
Tony Kadleck
Geige / Violine:
Eva Burmeister, David Chan (US violinist/conductor), Jonathan Dinklage, Vesselin Gellev (violinist), Karen Karlsrud, Katherine Livolsi-Stern, Ann Leathers (US violinist), Ann Lehmann, Matthew Lehmann, Laura McGinniss, Catherine Ro (Violinist) und Yuri Vodovos
Gitarre:
Dean Parks (American session guitarist)
Klavier:
Billy Childs (US composer/jazz pianist)
Schlagzeug [drums]:
Gregg Field (drums, producer)
Tenorposaune:
Birch Johnson
Trompete:
Barry Danielian (American trumpeter, producer and arranger) und Nick Marchione
conductor:
Rob Mounsey
arranger:
Billy Childs (US composer/jazz pianist)
concertmaster:
Elena Barere (violinist)
cover recording of:
Too Close for Comfort (Mr. Wonderful)
Verfasser(in):
Jerry Bock, Lawrence Holofcener und George David Weiss
publisher:
Carlin Music Corporation und Memory Lane Music Ltd.
Michael Bublé3:08
14You Are the Sunshine of My Life Live
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (in 1977)
live cover recording of:
You Are the Sunshine of My Life (in 1977)
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Co., Inc. (in 1972) und Stein & Van Stock, Inc. (in 1972)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Ella Fitzgerald & Stevie Wonder4:18
15Airmail Special
Produzent(in):
Tommy LiPuma
Bass:
John Clayton (US jazz and classical double bassist)
Gitarre:
Anthony Wilson (guitarist and composer)
Klavier:
Gerald Clayton (Netherlands-born jazz pianist)
Schlagzeug [drums]:
Jeff Hamilton (jazz drummer)
Vibraphon [vibes]:
Bob Zimmitti
conductor:
John Clayton (conductor)
arranger:
John Clayton (conductor)
Nikki Yanofsky4:18

Nennungen

Veröffentlichung

sonstige Unterstützung:Jill Dell’Abate (producer, coordinator) (Aufgabe: production manager and contractor)
Mix:Al Schmitt
assistierende(r) Techniker(in):Brian Dozoretz
Steve Genewick
Tim Mitchell (engineer, producer)
Kevin Porter (engineer)
Angie Teo
German Villacorta
Missy Webb
Sheldon Yellowhair
Techniker(in):Brian Dozoretz (Aufgabe: Pro Tools operator)
Steve Genewick (Aufgabe: Pro Tools operator)
Kevin Porter (engineer) (Aufgabe: Pro Tools operator)
Brian Pugh (engineer) (Aufgabe: Pro Tools operator)
BJ Ramone (Aufgabe: digital)
recording engineer:Nathaniel Kunkel
Al Schmitt
Mark Valentine
mastering:Doug Sax
aufgenommen bei:Bennett Studios in Englewood, New Jersey, Vereinigte Staaten
Bill Schnee Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Clinton Studios (NYC 10th Ave till 2010) in New York, New York, Vereinigte Staaten
Henson Studios (former A&M Studios) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Legacy Studios (not to be confused with Legacy Studios, Canada) in Manhattan, New York, New York, Vereinigte Staaten
mixed at:Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mastered at:The Mastering Lab (Ojai (2008–2015)) in Ojai, California (Kalifornien), Vereinigte Staaten

Veröffentlichungsgruppe

Hommage an:Ella Fitzgerald (American jazz singer)
Discogs:https://www.discogs.com/master/282062 [Info]
Wikidata:Q7977242 [Info]