The Board of Directors / Annual Report

~ Release by Count Basie & The Mills Brothers (see all versions of this release, 5 available)

Tracklist

1▼CD
#TitleRatingLength
1Up a Lazy River
recording of:
Lazy River
lyricist:
Hoagy Carmichael
composer:
Sidney Arodin and Hoagy Carmichael
3:33
2I May Be Wrong but I Think You're Wonderful
recording of:
I May Be Wrong (but I Think You’re Wonderful)
lyricist:
Harry Ruskin
composer:
Henry Sullivan
3:11
3Release Me
recording of:
Release Me
additional writer:
W.S. Stevenson
writer:
Eddie Miller (US country music songwriter), Dub Williams (pseudonym used by James Pebworth) and Robert Yount (songwriter)
publisher:
Acuff-Rose Music Limited (UK), Four Star Sales, Roschelle Publishing and Sony/ATV Music Publishing Ltd.
2:44
4I Want to Be Happy
recording of:
I Want to Be Happy (No, No, Nanette)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
2:01
5Down-down-down
recording of:
Down, Down, Down
composer:
Don Redman
2:38
6The Whiffenpoof Song
recording of:
The Whiffenpoof Song
lyricist:
Meade Minnigerode (American writer) and George S Pomeroy (American lyricist)
composer:
Tod B Galloway (American composer and songwriter)
3:13
7I Dig Rock and Roll Music
recording of:
I Dig Rock and Roll Music
writer:
Dave Dixon, Jim Mason (Folk rock 1960s-1970s) and Noel Paul Stookey
3:07
8Tiny Bubbles
recording of:
Tiny Bubbles
lyricist and composer:
Leon Pober
publisher:
Granite Music Corporation
3:14
9December
2:46
10Let Me Dream
2:51
11April in Paris
recording of:
April in Paris
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
4:11
12Gentle on My Mind
recorded in:
New York, New York, United States (from 1968-07-02 until 1968-07-03)
producer:
Tom Mack and Teddy Reig
alto saxophone:
Bobby Plater (from 1968-07-02 until 1968-07-03) and Marshall Royal (from 1968-07-02 until 1968-07-03)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (from 1968-07-02 until 1968-07-03)
bass:
Norman Keenan (from 1968-07-02 until 1968-07-03)
guitar:
Freddie Green (from 1968-07-02 until 1968-07-03)
piano:
Count Basie (pianist) (from 1968-07-02 until 1968-07-03)
tenor saxophone:
Eric Dixon (woodwind) (from 1968-07-02 until 1968-07-03) and Frank Foster (saxophonist) (from 1968-07-02 until 1968-07-03)
trombone:
Bill Hughes (jazz trombonist) (from 1968-07-02 until 1968-07-03) and Grover Mitchell (trombone) (from 1968-07-02 until 1968-07-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1968-07-02 until 1968-07-03) and Ernie Royal (from 1968-07-02 until 1968-07-03)
orchestra:
The Mills Brothers (from 1968-07-02 until 1968-07-03)
recording of:
Gentle on My Mind
lyricist and composer:
John Hartford
publisher:
Acuff Rose Publications Ltd. and Ensign Music Corp.
2:45
13Cherry
recorded in:
New York, New York, United States (from 1968-07-02 until 1968-07-03)
producer:
Tom Mack and Teddy Reig
alto saxophone:
Bobby Plater (from 1968-07-02 until 1968-07-03) and Marshall Royal (from 1968-07-02 until 1968-07-03)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (from 1968-07-02 until 1968-07-03)
bass:
Norman Keenan (from 1968-07-02 until 1968-07-03)
guitar:
Freddie Green (from 1968-07-02 until 1968-07-03)
piano:
Count Basie (pianist) (from 1968-07-02 until 1968-07-03)
tenor saxophone:
Eric Dixon (woodwind) (from 1968-07-02 until 1968-07-03) and Frank Foster (saxophonist) (from 1968-07-02 until 1968-07-03)
trombone:
Bill Hughes (jazz trombonist) (from 1968-07-02 until 1968-07-03) and Grover Mitchell (trombone) (from 1968-07-02 until 1968-07-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1968-07-02 until 1968-07-03) and Ernie Royal (from 1968-07-02 until 1968-07-03)
orchestra:
The Mills Brothers (from 1968-07-02 until 1968-07-03)
recording of:
Cherry
lyricist:
Ray Gilbert
composer:
Ray Gilbert and Don Redman
publisher:
Ipanema Music Corp., Peer Musikverlag GmbH and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
3:28
14You Never Miss the Water Till the Well Runs Dry
recorded in:
New York, New York, United States (from 1968-07-02 until 1968-07-03)
producer:
Tom Mack and Teddy Reig
alto saxophone:
Bobby Plater (from 1968-07-02 until 1968-07-03) and Marshall Royal (from 1968-07-02 until 1968-07-03)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (from 1968-07-02 until 1968-07-03)
bass:
Norman Keenan (from 1968-07-02 until 1968-07-03)
guitar:
Freddie Green (from 1968-07-02 until 1968-07-03)
piano:
Count Basie (pianist) (from 1968-07-02 until 1968-07-03)
tenor saxophone:
Eric Dixon (woodwind) (from 1968-07-02 until 1968-07-03) and Frank Foster (saxophonist) (from 1968-07-02 until 1968-07-03)
trombone:
Bill Hughes (jazz trombonist) (from 1968-07-02 until 1968-07-03) and Grover Mitchell (trombone) (from 1968-07-02 until 1968-07-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1968-07-02 until 1968-07-03) and Ernie Royal (from 1968-07-02 until 1968-07-03)
orchestra:
The Mills Brothers (from 1968-07-02 until 1968-07-03)
recording of:
You Never Miss the Water Till the Well Runs Dry (in 1968-07)
writer:
Arthur Kent and Paul Secon
2:55
15Glow Worm
recorded in:
New York, New York, United States (from 1968-07-02 until 1968-07-03)
producer:
Tom Mack and Teddy Reig
alto saxophone:
Bobby Plater (from 1968-07-02 until 1968-07-03) and Marshall Royal (from 1968-07-02 until 1968-07-03)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (from 1968-07-02 until 1968-07-03)
bass:
Norman Keenan (from 1968-07-02 until 1968-07-03)
guitar:
Freddie Green (from 1968-07-02 until 1968-07-03)
piano:
Count Basie (pianist) (from 1968-07-02 until 1968-07-03)
tenor saxophone:
Eric Dixon (woodwind) (from 1968-07-02 until 1968-07-03) and Frank Foster (saxophonist) (from 1968-07-02 until 1968-07-03)
trombone:
Bill Hughes (jazz trombonist) (from 1968-07-02 until 1968-07-03) and Grover Mitchell (trombone) (from 1968-07-02 until 1968-07-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1968-07-02 until 1968-07-03) and Ernie Royal (from 1968-07-02 until 1968-07-03)
orchestra:
The Mills Brothers (from 1968-07-02 until 1968-07-03)
recording of:
The Glow‐Worm (Johnny Mercer version)
additional lyricist:
Johnny Mercer
composer:
Paul Lincke
translator:
Lilla Cayley Robinson
translated version of:
Lysistrata: „Glühwürmchen, Glühwürmchen flimm're” (Glühwürmchen-Idyll)
2:27
16Sent for You Yesterday and Here You Come Today
recorded in:
New York, New York, United States (from 1968-07-02 until 1968-07-03)
producer:
Tom Mack and Teddy Reig
alto saxophone:
Bobby Plater (from 1968-07-02 until 1968-07-03) and Marshall Royal (from 1968-07-02 until 1968-07-03)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (from 1968-07-02 until 1968-07-03)
bass:
Norman Keenan (from 1968-07-02 until 1968-07-03)
guitar:
Freddie Green (from 1968-07-02 until 1968-07-03)
piano:
Count Basie (pianist) (from 1968-07-02 until 1968-07-03)
tenor saxophone:
Eric Dixon (woodwind) (from 1968-07-02 until 1968-07-03) and Frank Foster (saxophonist) (from 1968-07-02 until 1968-07-03)
trombone:
Bill Hughes (jazz trombonist) (from 1968-07-02 until 1968-07-03) and Grover Mitchell (trombone) (from 1968-07-02 until 1968-07-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1968-07-02 until 1968-07-03) and Ernie Royal (from 1968-07-02 until 1968-07-03)
orchestra:
The Mills Brothers (from 1968-07-02 until 1968-07-03)
recording of:
Sent for You Yesterday
lyricist:
Jimmy Rushing
composer:
Count Basie (pianist) and Eddie Durham (American guitarist, trombonist, composer and arranger.)
3:38
17Sunny
recorded in:
New York, New York, United States (from 1968-07-02 until 1968-07-03)
producer:
Tom Mack and Teddy Reig
alto saxophone:
Bobby Plater (from 1968-07-02 until 1968-07-03) and Marshall Royal (from 1968-07-02 until 1968-07-03)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (from 1968-07-02 until 1968-07-03)
bass:
Norman Keenan (from 1968-07-02 until 1968-07-03)
guitar:
Freddie Green (from 1968-07-02 until 1968-07-03)
piano:
Count Basie (pianist) (from 1968-07-02 until 1968-07-03)
tenor saxophone:
Eric Dixon (woodwind) (from 1968-07-02 until 1968-07-03) and Frank Foster (saxophonist) (from 1968-07-02 until 1968-07-03)
trombone:
Bill Hughes (jazz trombonist) (from 1968-07-02 until 1968-07-03) and Grover Mitchell (trombone) (from 1968-07-02 until 1968-07-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1968-07-02 until 1968-07-03) and Ernie Royal (from 1968-07-02 until 1968-07-03)
orchestra:
The Mills Brothers (from 1968-07-02 until 1968-07-03)
cover recording of:
Sunny (from 1968-07-02 until 1968-07-03)
lyricist and composer:
Bobby Hebb
publisher:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:34
18I'll Be Around
recorded in:
New York, New York, United States (from 1968-07-02 until 1968-07-03)
producer:
Tom Mack and Teddy Reig
alto saxophone:
Bobby Plater (from 1968-07-02 until 1968-07-03) and Marshall Royal (from 1968-07-02 until 1968-07-03)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (from 1968-07-02 until 1968-07-03)
bass:
Norman Keenan (from 1968-07-02 until 1968-07-03)
guitar:
Freddie Green (from 1968-07-02 until 1968-07-03)
piano:
Count Basie (pianist) (from 1968-07-02 until 1968-07-03)
tenor saxophone:
Eric Dixon (woodwind) (from 1968-07-02 until 1968-07-03) and Frank Foster (saxophonist) (from 1968-07-02 until 1968-07-03)
trombone:
Bill Hughes (jazz trombonist) (from 1968-07-02 until 1968-07-03) and Grover Mitchell (trombone) (from 1968-07-02 until 1968-07-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1968-07-02 until 1968-07-03) and Ernie Royal (from 1968-07-02 until 1968-07-03)
orchestra:
The Mills Brothers (from 1968-07-02 until 1968-07-03)
recording of:
I’ll Be Around
lyricist and composer:
Alec Wilder (American composer)
publisher:
Ludlow Music, Inc., Primary Wave 3 Songs (BMI) and TRO-Ludlow Music, Inc.
2:45
19Cielito Lindo
recorded in:
New York, New York, United States (from 1968-07-02 until 1968-07-03)
producer:
Tom Mack and Teddy Reig
alto saxophone:
Bobby Plater (from 1968-07-02 until 1968-07-03) and Marshall Royal (from 1968-07-02 until 1968-07-03)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (from 1968-07-02 until 1968-07-03)
bass:
Norman Keenan (from 1968-07-02 until 1968-07-03)
guitar:
Freddie Green (from 1968-07-02 until 1968-07-03)
piano:
Count Basie (pianist) (from 1968-07-02 until 1968-07-03)
tenor saxophone:
Eric Dixon (woodwind) (from 1968-07-02 until 1968-07-03) and Frank Foster (saxophonist) (from 1968-07-02 until 1968-07-03)
trombone:
Bill Hughes (jazz trombonist) (from 1968-07-02 until 1968-07-03) and Grover Mitchell (trombone) (from 1968-07-02 until 1968-07-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1968-07-02 until 1968-07-03) and Ernie Royal (from 1968-07-02 until 1968-07-03)
orchestra:
The Mills Brothers (from 1968-07-02 until 1968-07-03)
2:22
20Blue and Sentimental
recorded in:
New York, New York, United States (from 1968-07-02 until 1968-07-03)
producer:
Tom Mack and Teddy Reig
alto saxophone:
Bobby Plater (from 1968-07-02 until 1968-07-03) and Marshall Royal (from 1968-07-02 until 1968-07-03)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (from 1968-07-02 until 1968-07-03)
bass:
Norman Keenan (from 1968-07-02 until 1968-07-03)
guitar:
Freddie Green (from 1968-07-02 until 1968-07-03)
piano:
Count Basie (pianist) (from 1968-07-02 until 1968-07-03)
tenor saxophone:
Eric Dixon (woodwind) (from 1968-07-02 until 1968-07-03) and Frank Foster (saxophonist) (from 1968-07-02 until 1968-07-03)
trombone:
Bill Hughes (jazz trombonist) (from 1968-07-02 until 1968-07-03) and Grover Mitchell (trombone) (from 1968-07-02 until 1968-07-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1968-07-02 until 1968-07-03) and Ernie Royal (from 1968-07-02 until 1968-07-03)
orchestra:
The Mills Brothers (from 1968-07-02 until 1968-07-03)
recording of:
Blue and Sentimental
composer:
Count Basie (pianist), Mack David (American lyricist and songwriter) and Jerry Livingston (songwriter)
3:36
21Every Day
recorded in:
New York, New York, United States (from 1968-07-02 until 1968-07-03)
producer:
Tom Mack and Teddy Reig
alto saxophone:
Bobby Plater (from 1968-07-02 until 1968-07-03) and Marshall Royal (from 1968-07-02 until 1968-07-03)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (from 1968-07-02 until 1968-07-03)
bass:
Norman Keenan (from 1968-07-02 until 1968-07-03)
guitar:
Freddie Green (from 1968-07-02 until 1968-07-03)
piano:
Count Basie (pianist) (from 1968-07-02 until 1968-07-03)
tenor saxophone:
Eric Dixon (woodwind) (from 1968-07-02 until 1968-07-03) and Frank Foster (saxophonist) (from 1968-07-02 until 1968-07-03)
trombone:
Bill Hughes (jazz trombonist) (from 1968-07-02 until 1968-07-03) and Grover Mitchell (trombone) (from 1968-07-02 until 1968-07-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1968-07-02 until 1968-07-03) and Ernie Royal (from 1968-07-02 until 1968-07-03)
orchestra:
The Mills Brothers (from 1968-07-02 until 1968-07-03)
2:55