Rejoice in the Lamb / A Wedding Anthem / Festival Te Deum / A Boy was Born

~ Release by Benjamin Britten; Corydon Singers, Westminster Cathedral Choristers, Thomas Trotter, Matthew Best (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Rejoice in the Lamb, op. 30: “Rejoice in God, O ye Tongues”
recording engineer:
Antony Howell (engineer) (from 1984-01-31 until 1984-02-04)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
organ:
Thomas Trotter (organist) (from 1984-01-31 until 1984-02-04)
choir vocals:
Corydon Singers (from 1984-01-31 until 1984-02-04) and Westminster Cathedral Choristers (from 1984-01-31 until 1984-02-04)
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (from 1984-01-31 until 1984-02-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1985)
recorded at:
St Alban’s Church, Holborn in London (Greater London), England, United Kingdom (from 1984-01-31 until 1984-02-04)
recording of:
Rejoice in the Lamb, op. 30: I. “Rejoice in God, O ye Tongues” (chorus, (a) Rejoice in God / (b) Let Nimrod / (c) Hallelujah) (from 1984-01-31 until 1984-02-04)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
Christopher Smart (English poet and hymnwriter)
part of:
Rejoice in the Lamb, op. 30
Benjamin Britten4:21
2Rejoice in the Lamb, op. 30: “For I will consider my Cat Jeoffry”
recording engineer:
Antony Howell (engineer) (from 1984-01-31 until 1984-02-04)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
organ:
Thomas Trotter (organist) (from 1984-01-31 until 1984-02-04)
soprano vocals:
Mary Seers (soprano) (from 1984-01-31 until 1984-02-04)
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (from 1984-01-31 until 1984-02-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1985)
recorded at:
St Alban’s Church, Holborn in London (Greater London), England, United Kingdom (from 1984-01-31 until 1984-02-04)
recording of:
Rejoice in the Lamb, op. 30: II. “For I will consider my Cat Jeoffrey” (treble/soprano) (from 1984-01-31 until 1984-02-04)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
Christopher Smart (English poet and hymnwriter)
part of:
Rejoice in the Lamb, op. 30
Benjamin Britten2:34
3Rejoice in the Lamb, op. 30: “For the Mouse is a creature of great personal valour”
recording engineer:
Antony Howell (engineer) (from 1984-01-31 until 1984-02-04)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
organ:
Thomas Trotter (organist) (from 1984-01-31 until 1984-02-04)
alto vocals:
Michael Chance (British countertenor) (from 1984-01-31 until 1984-02-04)
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (from 1984-01-31 until 1984-02-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1985)
recorded at:
St Alban’s Church, Holborn in London (Greater London), England, United Kingdom (from 1984-01-31 until 1984-02-04)
recording of:
Rejoice in the Lamb, op. 30: III. “For the Mouse is a creature of great personal valour” (alto) (from 1984-01-31 until 1984-02-04)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
Christopher Smart (English poet and hymnwriter)
part of:
Rejoice in the Lamb, op. 30
Benjamin Britten1:06
4Rejoice in the Lamb, op. 30: “For the flowers are great blessings ”
recording engineer:
Antony Howell (engineer) (from 1984-01-31 until 1984-02-04)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
organ:
Thomas Trotter (organist) (from 1984-01-31 until 1984-02-04)
tenor vocals:
Philip Salmon (tenor) (from 1984-01-31 until 1984-02-04)
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (from 1984-01-31 until 1984-02-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1985)
recorded at:
St Alban’s Church, Holborn in London (Greater London), England, United Kingdom (from 1984-01-31 until 1984-02-04)
recording of:
Rejoice in the Lamb, op. 30: IV. “For the flowers are great blessings” (tenor) (from 1984-01-31 until 1984-02-04)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
Christopher Smart (English poet and hymnwriter)
part of:
Rejoice in the Lamb, op. 30
Benjamin Britten2:17
5Rejoice in the Lamb, op. 30: “For I am under the same accusation with my Saviour”
recording engineer:
Antony Howell (engineer) (from 1984-01-31 until 1984-02-04)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
organ:
Thomas Trotter (organist) (from 1984-01-31 until 1984-02-04)
choir vocals:
Corydon Singers (from 1984-01-31 until 1984-02-04) and Westminster Cathedral Choristers (from 1984-01-31 until 1984-02-04)
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (from 1984-01-31 until 1984-02-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1985)
recorded at:
St Alban’s Church, Holborn in London (Greater London), England, United Kingdom (from 1984-01-31 until 1984-02-04)
recording of:
Rejoice in the Lamb, op. 30: V. “For I am under the same accusation with my Saviour” (chorus) (from 1984-01-31 until 1984-02-04)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
Christopher Smart (English poet and hymnwriter)
part of:
Rejoice in the Lamb, op. 30
Benjamin Britten2:56
6Rejoice in the Lamb, op. 30: “For H is a spirit and therefore he is God”
recording engineer:
Antony Howell (engineer) (from 1984-01-31 until 1984-02-04)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
organ:
Thomas Trotter (organist) (from 1984-01-31 until 1984-02-04)
bass vocals:
Quentin Hayes (British bass-baritone) (from 1984-01-31 until 1984-02-04)
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (from 1984-01-31 until 1984-02-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1985)
recorded at:
St Alban’s Church, Holborn in London (Greater London), England, United Kingdom (from 1984-01-31 until 1984-02-04)
recording of:
Rejoice in the Lamb, op. 30: VI. “For H is a spirit and therefore he is God” (bass) (from 1984-01-31 until 1984-02-04)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
Christopher Smart (English poet and hymnwriter)
part of:
Rejoice in the Lamb, op. 30
Benjamin Britten1:21
7Rejoice in the Lamb, op. 30: “For the instruments are by their rhimes”
recording engineer:
Antony Howell (engineer) (from 1984-01-31 until 1984-02-04)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
organ:
Thomas Trotter (organist) (from 1984-01-31 until 1984-02-04)
choir vocals:
Corydon Singers (from 1984-01-31 until 1984-02-04) and Westminster Cathedral Choristers (from 1984-01-31 until 1984-02-04)
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (from 1984-01-31 until 1984-02-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1985)
recorded at:
St Alban’s Church, Holborn in London (Greater London), England, United Kingdom (from 1984-01-31 until 1984-02-04)
recording of:
Rejoice in the Lamb, op. 30: VII. “For the instruments are by their rhimes” (chorus) (from 1984-01-31 until 1984-02-04)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
Christopher Smart (English poet and hymnwriter)
part of:
Rejoice in the Lamb, op. 30
recording of:
Rejoice in the Lamb, op. 30: VIII. “For at that time malignity ceases” (chorus) (from 1984-01-31 until 1984-02-04)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
Christopher Smart (English poet and hymnwriter)
part of:
Rejoice in the Lamb, op. 30
Benjamin Britten3:00
8Rejoice in the Lamb, op. 30: “Hallelujah from the heart of God”
recording engineer:
Antony Howell (engineer) (from 1984-01-31 until 1984-02-04)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
organ:
Thomas Trotter (organist) (from 1984-01-31 until 1984-02-04)
choir vocals:
Corydon Singers (from 1984-01-31 until 1984-02-04) and Westminster Cathedral Choristers (from 1984-01-31 until 1984-02-04)
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (from 1984-01-31 until 1984-02-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1985)
recorded at:
St Alban’s Church, Holborn in London (Greater London), England, United Kingdom (from 1984-01-31 until 1984-02-04)
recording of:
Rejoice in the Lamb, op. 30: IX. “Hallelujah from the heart of God” (chorus) (from 1984-01-31 until 1984-02-04)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
Christopher Smart (English poet and hymnwriter)
part of:
Rejoice in the Lamb, op. 30
Benjamin Britten1:28
9A Wedding Anthem (Amo Ergo Sum), op. 46
recording engineer:
Antony Howell (engineer) (from 1984-01-31 until 1984-02-04)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
organ:
Thomas Trotter (organist) (from 1984-01-31 until 1984-02-04)
soprano vocals:
Janet Coxwell (soprano) (from 1984-01-31 until 1984-02-04)
tenor vocals:
Philip Salmon (tenor) (from 1984-01-31 until 1984-02-04)
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (from 1984-01-31 until 1984-02-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1985)
recorded at:
St Alban’s Church, Holborn in London (Greater London), England, United Kingdom (from 1984-01-31 until 1984-02-04)
recording of:
A Wedding Anthem, op. 46 (from 1984-01-31 until 1984-02-04)
lyricist:
Ronald Duncan
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1949)
part of:
Works of Benjamin Britten by opus number (number: op. 46)
Benjamin Britten10:05
10Festival Te Deum, op. 32
recording engineer:
Antony Howell (engineer) (from 1984-01-31 until 1984-02-04)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
organ:
Thomas Trotter (organist) (from 1984-01-31 until 1984-02-04)
soprano vocals:
Mary Seers (soprano) (from 1984-01-31 until 1984-02-04)
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (from 1984-01-31 until 1984-02-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1985)
recorded at:
St Alban’s Church, Holborn in London (Greater London), England, United Kingdom (from 1984-01-31 until 1984-02-04)
recording of:
Festival Te Deum, op. 32 (from 1984-01-31 until 1984-02-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1944-11-08 until 1944-11-09)
premiered at:
St Mark's Church, Swindon in Swindon, England, United Kingdom (on 1945-04-24)
part of:
Works of Benjamin Britten by opus number (number: op. 32)
Benjamin Britten7:47
11A Boy was Born, op. 3: Theme “A Boy was Born”
recording engineer:
Antony Howell (engineer) (from 1984-01-31 until 1984-02-04)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
Corydon Singers (from 1984-01-31 until 1984-02-04) and Westminster Cathedral Choristers (from 1984-01-31 until 1984-02-04)
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (from 1984-01-31 until 1984-02-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1985)
recorded at:
St Alban’s Church, Holborn in London (Greater London), England, United Kingdom (from 1984-01-31 until 1984-02-04)
recording of:
A Boy Was Born, op. 3: Theme. A boy was born (from 1984-01-31 until 1984-02-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1932 until 1933)
part of:
A Boy Was Born, op. 3
Benjamin Britten2:12
12A Boy was Born, op. 3: Variation 1: “Lullay, Jesu ‘Mine own dear mother, sing lullay!”
recording engineer:
Antony Howell (engineer) (from 1984-01-31 until 1984-02-04)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
Corydon Singers (from 1984-01-31 until 1984-02-04) and Westminster Cathedral Choristers (from 1984-01-31 until 1984-02-04)
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (from 1984-01-31 until 1984-02-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1985)
recorded at:
St Alban’s Church, Holborn in London (Greater London), England, United Kingdom (from 1984-01-31 until 1984-02-04)
recording of:
A Boy Was Born, op. 3: Variation I. Lullay, Jesu (from 1984-01-31 until 1984-02-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1932 until 1933)
part of:
A Boy Was Born, op. 3
Benjamin Britten4:29
13A Boy was Born, op. 3: Variation 2: “Herod”
recording engineer:
Antony Howell (engineer) (from 1984-01-31 until 1984-02-04)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
Corydon Singers (from 1984-01-31 until 1984-02-04) and Westminster Cathedral Choristers (from 1984-01-31 until 1984-02-04)
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (from 1984-01-31 until 1984-02-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1985)
recorded at:
St Alban’s Church, Holborn in London (Greater London), England, United Kingdom (from 1984-01-31 until 1984-02-04)
recording of:
A Boy Was Born, op. 3: Variation II. Herod (from 1984-01-31 until 1984-02-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1932 until 1933)
part of:
A Boy Was Born, op. 3
Benjamin Britten2:24
14A Boy was Born, op. 3: Variation 3: “Jesu, as Thou art our Saviour”
recording engineer:
Antony Howell (engineer) (from 1984-01-31 until 1984-02-04)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
Corydon Singers (from 1984-01-31 until 1984-02-04) and Westminster Cathedral Choristers (from 1984-01-31 until 1984-02-04)
treble vocals:
Roderick Unwin (treble) (from 1984-01-31 until 1984-02-04)
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (from 1984-01-31 until 1984-02-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1985)
recorded at:
St Alban’s Church, Holborn in London (Greater London), England, United Kingdom (from 1984-01-31 until 1984-02-04)
recording of:
A Boy Was Born, op. 3: Variation III. Jesu, as Thou art our Saviour (from 1984-01-31 until 1984-02-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1932 until 1933)
part of:
A Boy Was Born, op. 3
Benjamin Britten2:44
15A Boy was Born, op. 3: Variation 4: “The Three Kings”
recording engineer:
Antony Howell (engineer) (from 1984-01-31 until 1984-02-04)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
Corydon Singers (from 1984-01-31 until 1984-02-04) and Westminster Cathedral Choristers (from 1984-01-31 until 1984-02-04)
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (from 1984-01-31 until 1984-02-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1985)
recorded at:
St Alban’s Church, Holborn in London (Greater London), England, United Kingdom (from 1984-01-31 until 1984-02-04)
recording of:
A Boy Was Born, op. 3: Variation IV. The three kings (from 1984-01-31 until 1984-02-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1932 until 1933)
part of:
A Boy Was Born, op. 3
Benjamin Britten3:23
16A Boy was Born, op. 3: Variation 5: “In the bleak mid-winter” / “Lully, lulley, lully, lulley”
recording engineer:
Antony Howell (engineer) (from 1984-01-31 until 1984-02-04)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
Corydon Singers (from 1984-01-31 until 1984-02-04) and Westminster Cathedral Choristers (from 1984-01-31 until 1984-02-04)
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (from 1984-01-31 until 1984-02-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1985)
recorded at:
St Alban’s Church, Holborn in London (Greater London), England, United Kingdom (from 1984-01-31 until 1984-02-04)
recording of:
A Boy Was Born, op. 3: Variation V. In the bleak mid-winter (from 1984-01-31 until 1984-02-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1932 until 1933)
part of:
A Boy Was Born, op. 3
Benjamin Britten4:58
17A Boy was Born, op. 3: Variation 6: Finale “Noël!”
recording engineer:
Antony Howell (engineer) (from 1984-01-31 until 1984-02-04)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
Corydon Singers (from 1984-01-31 until 1984-02-04) and Westminster Cathedral Choristers (from 1984-01-31 until 1984-02-04)
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (from 1984-01-31 until 1984-02-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1985)
recorded at:
St Alban’s Church, Holborn in London (Greater London), England, United Kingdom (from 1984-01-31 until 1984-02-04)
recording of:
A Boy Was Born, op. 3: Variation VI (Finale). Noel! (from 1984-01-31 until 1984-02-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1932 until 1933)
part of:
A Boy Was Born, op. 3
Benjamin Britten9:06

Credits

Release

executive producer:Edward Perry (producer and founder of Hyperion, aka Ted Perry)
copyrighted (©) by:Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1985)
Discogs:https://www.discogs.com/release/2114743 [info]