Amorosi pensieri

~ Release by Philippe de Monte, Jean Guyot, Jacobus Vaet, Jakob Regnart; Cinquecento (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Amorosi pensieri
recording engineer:
Hans Martin Renz (engineer)
executive producer:
Ludwig Rink
producer:
Sebastian Stein (classical producer/engineer)
baritone vocals:
Tim Scott Whiteley (UK baritone vocalist) (from 2010-09-01 until 2010-09-03)
bass vocals:
Ulfried Staber (bass vocalist) (from 2010-09-01 until 2010-09-03)
countertenor vocals:
Jakob Huppmann (Austrian Countertenor) (from 2010-09-01 until 2010-09-03) and Terry Wey (countertenor) (from 2010-09-01 until 2010-09-03)
tenor vocals:
Tore Tom Denys (Belgian tenor vocalist, conductor) (from 2010-09-01 until 2010-09-03) and Thomas Künne (tenor) (from 2010-09-01 until 2010-09-03)
vocals:
Cinquecento (vocal ensemble) (from 2010-09-01 until 2010-09-03)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2010-09-01 until 2010-09-03)
recording of:
Amorosi pensieri (from 2010-09-01 until 2010-09-03)
composer:
Philippe de Monte (Flemish composer of the late Renaissance)
Philippe de Monte1:48
2Ombra son io
recording engineer:
Hans Martin Renz (engineer)
executive producer:
Ludwig Rink
producer:
Sebastian Stein (classical producer/engineer)
bass vocals:
Ulfried Staber (bass vocalist) (from 2010-09-01 until 2010-09-03)
countertenor vocals:
Jakob Huppmann (Austrian Countertenor) (from 2010-09-01 until 2010-09-03) and Terry Wey (countertenor) (from 2010-09-01 until 2010-09-03)
tenor vocals:
Tore Tom Denys (Belgian tenor vocalist, conductor) (from 2010-09-01 until 2010-09-03) and Thomas Künne (tenor) (from 2010-09-01 until 2010-09-03)
vocals:
Cinquecento (vocal ensemble) (from 2010-09-01 until 2010-09-03)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2010-09-01 until 2010-09-03)
recording of:
Ombra son io (from 2010-09-01 until 2010-09-03)
composer:
Philippe de Monte (Flemish composer of the late Renaissance)
Philippe de Monte3:47
3Con che soavità
recording engineer:
Hans Martin Renz (engineer)
executive producer:
Ludwig Rink
producer:
Sebastian Stein (classical producer/engineer)
baritone vocals:
Tim Scott Whiteley (UK baritone vocalist) (from 2010-09-01 until 2010-09-03)
bass vocals:
Ulfried Staber (bass vocalist) (from 2010-09-01 until 2010-09-03)
countertenor vocals:
Jakob Huppmann (Austrian Countertenor) (from 2010-09-01 until 2010-09-03) and Terry Wey (countertenor) (from 2010-09-01 until 2010-09-03)
tenor vocals:
Thomas Künne (tenor) (from 2010-09-01 until 2010-09-03)
vocals:
Cinquecento (vocal ensemble) (from 2010-09-01 until 2010-09-03)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2010-09-01 until 2010-09-03)
recording of:
Settimo libro de madrigali: Con che soavità, labbra odorate, SV 139 (from 2010-09-01 until 2010-09-03)
lyricist:
Giovanni Battista Guarini
composer:
Philippe de Monte (Flemish composer of the late Renaissance) and Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 139)
part of:
Settimo Libro de Madrigali, SV 117–145
Philippe de Monte2:30
4Anima dolorosa
recording engineer:
Hans Martin Renz (engineer)
executive producer:
Ludwig Rink
producer:
Sebastian Stein (classical producer/engineer)
baritone vocals:
Tim Scott Whiteley (UK baritone vocalist) (from 2010-09-01 until 2010-09-03)
bass vocals:
Ulfried Staber (bass vocalist) (from 2010-09-01 until 2010-09-03)
countertenor vocals:
Jakob Huppmann (Austrian Countertenor) (from 2010-09-01 until 2010-09-03) and Terry Wey (countertenor) (from 2010-09-01 until 2010-09-03)
tenor vocals:
Thomas Künne (tenor) (from 2010-09-01 until 2010-09-03)
vocals:
Cinquecento (vocal ensemble) (from 2010-09-01 until 2010-09-03)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2010-09-01 until 2010-09-03)
recording of:
Anima dolorosa (from 2010-09-01 until 2010-09-03)
composer:
Philippe de Monte (Flemish composer of the late Renaissance)
Philippe de Monte2:25
5O dolci sguardi
recording engineer:
Hans Martin Renz (engineer)
executive producer:
Ludwig Rink
producer:
Sebastian Stein (classical producer/engineer)
bass vocals:
Ulfried Staber (bass vocalist) (from 2010-09-01 until 2010-09-03)
countertenor vocals:
Jakob Huppmann (Austrian Countertenor) (from 2010-09-01 until 2010-09-03) and Terry Wey (countertenor) (from 2010-09-01 until 2010-09-03)
tenor vocals:
Tore Tom Denys (Belgian tenor vocalist, conductor) (from 2010-09-01 until 2010-09-03) and Thomas Künne (tenor) (from 2010-09-01 until 2010-09-03)
vocals:
Cinquecento (vocal ensemble) (from 2010-09-01 until 2010-09-03)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2010-09-01 until 2010-09-03)
recording of:
O dolci sguardi (from 2010-09-01 until 2010-09-03)
composer:
Philippe de Monte (Flemish composer of the late Renaissance)
Philippe de Monte3:24
6Que me servent mes vers
recording engineer:
Hans Martin Renz (engineer)
executive producer:
Ludwig Rink
producer:
Sebastian Stein (classical producer/engineer)
bass vocals:
Ulfried Staber (bass vocalist) (from 2010-09-01 until 2010-09-03)
countertenor vocals:
Jakob Huppmann (Austrian Countertenor) (from 2010-09-01 until 2010-09-03) and Terry Wey (countertenor) (from 2010-09-01 until 2010-09-03)
tenor vocals:
Tore Tom Denys (Belgian tenor vocalist, conductor) (from 2010-09-01 until 2010-09-03) and Thomas Künne (tenor) (from 2010-09-01 until 2010-09-03)
vocals:
Cinquecento (vocal ensemble) (from 2010-09-01 until 2010-09-03)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2010-09-01 until 2010-09-03)
recording of:
Que me servent mes vers (from 2010-09-01 until 2010-09-03)
lyricist:
Pierre de Ronsard (French poet) (in 1575)
composer:
Philippe de Monte (Flemish composer of the late Renaissance)
Philippe de Monte2:40
7Susanne un jour
recording engineer:
Hans Martin Renz (engineer)
executive producer:
Ludwig Rink
producer:
Sebastian Stein (classical producer/engineer)
bass vocals:
Ulfried Staber (bass vocalist) (from 2010-09-01 until 2010-09-03)
countertenor vocals:
Jakob Huppmann (Austrian Countertenor) (from 2010-09-01 until 2010-09-03) and Terry Wey (countertenor) (from 2010-09-01 until 2010-09-03)
tenor vocals:
Tore Tom Denys (Belgian tenor vocalist, conductor) (from 2010-09-01 until 2010-09-03) and Thomas Künne (tenor) (from 2010-09-01 until 2010-09-03)
vocals:
Cinquecento (vocal ensemble) (from 2010-09-01 until 2010-09-03)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2010-09-01 until 2010-09-03)
recording of:
Susanne un jour (Ph. de Monte) (from 2010-09-01 until 2010-09-03)
lyricist:
Guillaume Guéroult
composer:
Philippe de Monte (Flemish composer of the late Renaissance) (in 1567)
Philippe de Monte2:09
8Sortez regretz
recording engineer:
Hans Martin Renz (engineer)
executive producer:
Ludwig Rink
producer:
Sebastian Stein (classical producer/engineer)
baritone vocals:
Tim Scott Whiteley (UK baritone vocalist) (from 2010-09-01 until 2010-09-03)
countertenor vocals:
Jakob Huppmann (Austrian Countertenor) (from 2010-09-01 until 2010-09-03) and Terry Wey (countertenor) (from 2010-09-01 until 2010-09-03)
tenor vocals:
Tore Tom Denys (Belgian tenor vocalist, conductor) (from 2010-09-01 until 2010-09-03)
vocals:
Cinquecento (vocal ensemble) (from 2010-09-01 until 2010-09-03)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2010-09-01 until 2010-09-03)
recording of:
Sortez regretz (from 2010-09-01 until 2010-09-03)
composer:
Philippe de Monte (Flemish composer of the late Renaissance)
Philippe de Monte2:11
9En lieux d’esbatz m’assault melancolie
recording engineer:
Hans Martin Renz (engineer)
executive producer:
Ludwig Rink
producer:
Sebastian Stein (classical producer/engineer)
baritone vocals:
Tim Scott Whiteley (UK baritone vocalist) (from 2010-09-01 until 2010-09-03)
bass vocals:
Ulfried Staber (bass vocalist) (from 2010-09-01 until 2010-09-03)
countertenor vocals:
Jakob Huppmann (Austrian Countertenor) (from 2010-09-01 until 2010-09-03) and Terry Wey (countertenor) (from 2010-09-01 until 2010-09-03)
tenor vocals:
Tore Tom Denys (Belgian tenor vocalist, conductor) (from 2010-09-01 until 2010-09-03) and Thomas Künne (tenor) (from 2010-09-01 until 2010-09-03)
vocals:
Cinquecento (vocal ensemble) (from 2010-09-01 until 2010-09-03)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2010-09-01 until 2010-09-03)
recording of:
En lieux d’esbatz m’assault melancolie (from 2010-09-01 until 2010-09-03)
composer:
Jean Guyot (Franco-Flemish 16th century composer)
Jean Guyot2:23
10Je suis amoureux d’une fille
recording engineer:
Hans Martin Renz (engineer)
executive producer:
Ludwig Rink
producer:
Sebastian Stein (classical producer/engineer)
baritone vocals:
Tim Scott Whiteley (UK baritone vocalist) (from 2010-09-01 until 2010-09-03)
countertenor vocals:
Jakob Huppmann (Austrian Countertenor) (from 2010-09-01 until 2010-09-03) and Terry Wey (countertenor) (from 2010-09-01 until 2010-09-03)
tenor vocals:
Tore Tom Denys (Belgian tenor vocalist, conductor) (from 2010-09-01 until 2010-09-03)
vocals:
Cinquecento (vocal ensemble) (from 2010-09-01 until 2010-09-03)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2010-09-01 until 2010-09-03)
recording of:
Je suis amoureux d’une fille (from 2010-09-01 until 2010-09-03)
composer:
Jean Guyot (Franco-Flemish 16th century composer)
Jean Guyot1:20
11Vous estes si doulce et benigne
recording engineer:
Hans Martin Renz (engineer)
executive producer:
Ludwig Rink
producer:
Sebastian Stein (classical producer/engineer)
baritone vocals:
Tim Scott Whiteley (UK baritone vocalist) (from 2010-09-01 until 2010-09-03)
bass vocals:
Ulfried Staber (bass vocalist) (from 2010-09-01 until 2010-09-03)
countertenor vocals:
Jakob Huppmann (Austrian Countertenor) (from 2010-09-01 until 2010-09-03) and Terry Wey (countertenor) (from 2010-09-01 until 2010-09-03)
tenor vocals:
Tore Tom Denys (Belgian tenor vocalist, conductor) (from 2010-09-01 until 2010-09-03) and Thomas Künne (tenor) (from 2010-09-01 until 2010-09-03)
vocals:
Cinquecento (vocal ensemble) (from 2010-09-01 until 2010-09-03)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2010-09-01 until 2010-09-03)
recording of:
Vous estes si doulce et benigne (from 2010-09-01 until 2010-09-03)
composer:
Jean Guyot (Franco-Flemish 16th century composer)
Jean Guyot2:08
12L’arbre d’amour ung fruict d’amaritude
recording engineer:
Hans Martin Renz (engineer)
executive producer:
Ludwig Rink
producer:
Sebastian Stein (classical producer/engineer)
baritone vocals:
Tim Scott Whiteley (UK baritone vocalist) (from 2010-09-01 until 2010-09-03)
countertenor vocals:
Jakob Huppmann (Austrian Countertenor) (from 2010-09-01 until 2010-09-03) and Terry Wey (countertenor) (from 2010-09-01 until 2010-09-03)
tenor vocals:
Tore Tom Denys (Belgian tenor vocalist, conductor) (from 2010-09-01 until 2010-09-03)
vocals:
Cinquecento (vocal ensemble) (from 2010-09-01 until 2010-09-03)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2010-09-01 until 2010-09-03)
recording of:
L’arbre d’amour ung fruict d’amaritude (from 2010-09-01 until 2010-09-03)
composer:
Jean Guyot (Franco-Flemish 16th century composer)
Jean Guyot2:40
13Vous perdez temps de me dire mal d’elle
recording engineer:
Hans Martin Renz (engineer)
executive producer:
Ludwig Rink
producer:
Sebastian Stein (classical producer/engineer)
baritone vocals:
Tim Scott Whiteley (UK baritone vocalist) (from 2010-09-01 until 2010-09-03)
bass vocals:
Ulfried Staber (bass vocalist) (from 2010-09-01 until 2010-09-03)
countertenor vocals:
Jakob Huppmann (Austrian Countertenor) (from 2010-09-01 until 2010-09-03) and Terry Wey (countertenor) (from 2010-09-01 until 2010-09-03)
tenor vocals:
Tore Tom Denys (Belgian tenor vocalist, conductor) (from 2010-09-01 until 2010-09-03) and Thomas Künne (tenor) (from 2010-09-01 until 2010-09-03)
vocals:
Cinquecento (vocal ensemble) (from 2010-09-01 until 2010-09-03)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2010-09-01 until 2010-09-03)
recording of:
Vous perdez temps (Guyot) (from 2010-09-01 until 2010-09-03)
lyricist:
Clément Marot (French renaissance poet, 1496-1544)
composer:
Jean Guyot (Franco-Flemish 16th century composer) (in 1550) and Tielman Susato (Flemish Renaissance composer) (in 1550)
Jean Guyot3:06
14Tel en mesdict qui pour soy la desire
recording engineer:
Hans Martin Renz (engineer)
executive producer:
Ludwig Rink
producer:
Sebastian Stein (classical producer/engineer)
baritone vocals:
Tim Scott Whiteley (UK baritone vocalist) (from 2010-09-01 until 2010-09-03)
bass vocals:
Ulfried Staber (bass vocalist) (from 2010-09-01 until 2010-09-03)
countertenor vocals:
Jakob Huppmann (Austrian Countertenor) (from 2010-09-01 until 2010-09-03) and Terry Wey (countertenor) (from 2010-09-01 until 2010-09-03)
tenor vocals:
Tore Tom Denys (Belgian tenor vocalist, conductor) (from 2010-09-01 until 2010-09-03) and Thomas Künne (tenor) (from 2010-09-01 until 2010-09-03)
vocals:
Cinquecento (vocal ensemble) (from 2010-09-01 until 2010-09-03)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2010-09-01 until 2010-09-03)
recording of:
Tel en mesdict qui pour soy la desire (from 2010-09-01 until 2010-09-03)
lyricist:
Clément Marot (French renaissance poet, 1496-1544)
composer:
Jean Guyot (Franco-Flemish 16th century composer) (in 1550)
Jean Guyot2:53
15Amour leal
recording engineer:
Hans Martin Renz (engineer)
executive producer:
Ludwig Rink
producer:
Sebastian Stein (classical producer/engineer)
baritone vocals:
Tim Scott Whiteley (UK baritone vocalist) (from 2010-09-01 until 2010-09-03)
countertenor vocals:
Jakob Huppmann (Austrian Countertenor) (from 2010-09-01 until 2010-09-03) and Terry Wey (countertenor) (from 2010-09-01 until 2010-09-03)
tenor vocals:
Thomas Künne (tenor) (from 2010-09-01 until 2010-09-03)
vocals:
Cinquecento (vocal ensemble) (from 2010-09-01 until 2010-09-03)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2010-09-01 until 2010-09-03)
recording of:
Amour leal (from 2010-09-01 until 2010-09-03)
composer:
Jacobus Vaet (Flemish composer of the Renaissance) (in 1556)
Jacobus Vaet2:00
16Sans vous ne puis
recording engineer:
Hans Martin Renz (engineer)
executive producer:
Ludwig Rink
producer:
Sebastian Stein (classical producer/engineer)
baritone vocals:
Tim Scott Whiteley (UK baritone vocalist) (from 2010-09-01 until 2010-09-03)
countertenor vocals:
Jakob Huppmann (Austrian Countertenor) (from 2010-09-01 until 2010-09-03)
tenor vocals:
Tore Tom Denys (Belgian tenor vocalist, conductor) (from 2010-09-01 until 2010-09-03) and Thomas Künne (tenor) (from 2010-09-01 until 2010-09-03)
vocals:
Cinquecento (vocal ensemble) (from 2010-09-01 until 2010-09-03)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2010-09-01 until 2010-09-03)
recording of:
Sans vous ne puis (from 2010-09-01 until 2010-09-03)
composer:
Jacobus Vaet (Flemish composer of the Renaissance)
Jacobus Vaet1:34
17En l’ombre d’ung buissonet
recording engineer:
Hans Martin Renz (engineer)
executive producer:
Ludwig Rink
producer:
Sebastian Stein (classical producer/engineer)
baritone vocals:
Tim Scott Whiteley (UK baritone vocalist) (from 2010-09-01 until 2010-09-03)
countertenor vocals:
Jakob Huppmann (Austrian Countertenor) (from 2010-09-01 until 2010-09-03) and Terry Wey (countertenor) (from 2010-09-01 until 2010-09-03)
tenor vocals:
Tore Tom Denys (Belgian tenor vocalist, conductor) (from 2010-09-01 until 2010-09-03)
vocals:
Cinquecento (vocal ensemble) (from 2010-09-01 until 2010-09-03)
arranger:
Jacobus Vaet (Flemish composer of the Renaissance)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2010-09-01 until 2010-09-03)
recording of:
En l'ombre d'un buissonet (for 3 voices) (from 2010-09-01 until 2010-09-03)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Jacobus Vaet1:31
18Ach weh der Zeit, die ich verzert
recording engineer:
Hans Martin Renz (engineer)
executive producer:
Ludwig Rink
producer:
Sebastian Stein (classical producer/engineer)
bass vocals:
Ulfried Staber (bass vocalist) (from 2010-09-01 until 2010-09-03)
countertenor vocals:
Jakob Huppmann (Austrian Countertenor) (from 2010-09-01 until 2010-09-03) and Terry Wey (countertenor) (from 2010-09-01 until 2010-09-03)
tenor vocals:
Tore Tom Denys (Belgian tenor vocalist, conductor) (from 2010-09-01 until 2010-09-03) and Thomas Künne (tenor) (from 2010-09-01 until 2010-09-03)
vocals:
Cinquecento (vocal ensemble) (from 2010-09-01 until 2010-09-03)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2010-09-01 until 2010-09-03)
recording of:
Ach weh der Zeit, die ich verzert (from 2010-09-01 until 2010-09-03)
composer:
Jacob Regnart (Flemish Renaissance composer)
Jacob Regnart3:46
19Ein Lieb nit mehr hat
recording engineer:
Hans Martin Renz (engineer)
executive producer:
Ludwig Rink
producer:
Sebastian Stein (classical producer/engineer)
countertenor vocals:
Jakob Huppmann (Austrian Countertenor) (from 2010-09-01 until 2010-09-03) and Terry Wey (countertenor) (from 2010-09-01 until 2010-09-03)
tenor vocals:
Thomas Künne (tenor) (from 2010-09-01 until 2010-09-03)
vocals:
Cinquecento (vocal ensemble) (from 2010-09-01 until 2010-09-03)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2010-09-01 until 2010-09-03)
recording of:
Ein Lieb nit mehr hat (from 2010-09-01 until 2010-09-03)
composer:
Jacob Regnart (Flemish Renaissance composer)
Jacob Regnart2:39
20Venus du und dein Kind
recording engineer:
Hans Martin Renz (engineer)
executive producer:
Ludwig Rink
producer:
Sebastian Stein (classical producer/engineer)
baritone vocals:
Tim Scott Whiteley (UK baritone vocalist) (from 2010-09-01 until 2010-09-03)
bass vocals:
Ulfried Staber (bass vocalist) (from 2010-09-01 until 2010-09-03)
tenor vocals:
Tore Tom Denys (Belgian tenor vocalist, conductor) (from 2010-09-01 until 2010-09-03)
vocals:
Cinquecento (vocal ensemble) (from 2010-09-01 until 2010-09-03)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2010-09-01 until 2010-09-03)
recording of:
Venus du und dein Kind (from 2010-09-01 until 2010-09-03)
composer:
Jacob Regnart (Flemish Renaissance composer)
Jacob Regnart3:07
21Du hast mich sollen nemen
recording engineer:
Hans Martin Renz (engineer)
executive producer:
Ludwig Rink
producer:
Sebastian Stein (classical producer/engineer)
baritone vocals:
Tim Scott Whiteley (UK baritone vocalist) (from 2010-09-01 until 2010-09-03)
bass vocals:
Ulfried Staber (bass vocalist) (from 2010-09-01 until 2010-09-03)
countertenor vocals:
Jakob Huppmann (Austrian Countertenor) (from 2010-09-01 until 2010-09-03) and Terry Wey (countertenor) (from 2010-09-01 until 2010-09-03)
tenor vocals:
Thomas Künne (tenor) (from 2010-09-01 until 2010-09-03)
vocals:
Cinquecento (vocal ensemble) (from 2010-09-01 until 2010-09-03)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2010-09-01 until 2010-09-03)
recording of:
Du hast mich sollen nemen (from 2010-09-01 until 2010-09-03)
composer:
Jacob Regnart (Flemish Renaissance composer)
Jacob Regnart3:02
22Chi mi consolerà
recording engineer:
Hans Martin Renz (engineer)
executive producer:
Ludwig Rink
producer:
Sebastian Stein (classical producer/engineer)
baritone vocals:
Tim Scott Whiteley (UK baritone vocalist) (from 2010-09-01 until 2010-09-03)
bass vocals:
Ulfried Staber (bass vocalist) (from 2010-09-01 until 2010-09-03)
countertenor vocals:
Jakob Huppmann (Austrian Countertenor) (from 2010-09-01 until 2010-09-03) and Terry Wey (countertenor) (from 2010-09-01 until 2010-09-03)
tenor vocals:
Tore Tom Denys (Belgian tenor vocalist, conductor) (from 2010-09-01 until 2010-09-03)
vocals:
Cinquecento (vocal ensemble) (from 2010-09-01 until 2010-09-03)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2010-09-01 until 2010-09-03)
recording of:
Chi mi consolerà (from 2010-09-01 until 2010-09-03)
composer:
Jacob Regnart (Flemish Renaissance composer)
Jacob Regnart2:15
23Amor, che debbo fare
recording engineer:
Hans Martin Renz (engineer)
executive producer:
Ludwig Rink
producer:
Sebastian Stein (classical producer/engineer)
bass vocals:
Ulfried Staber (bass vocalist) (from 2010-09-01 until 2010-09-03)
countertenor vocals:
Jakob Huppmann (Austrian Countertenor) (from 2010-09-01 until 2010-09-03) and Terry Wey (countertenor) (from 2010-09-01 until 2010-09-03)
tenor vocals:
Tore Tom Denys (Belgian tenor vocalist, conductor) (from 2010-09-01 until 2010-09-03) and Thomas Künne (tenor) (from 2010-09-01 until 2010-09-03)
vocals:
Cinquecento (vocal ensemble) (from 2010-09-01 until 2010-09-03)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2010-09-01 until 2010-09-03)
recording of:
Amor, che debbo fare (from 2010-09-01 until 2010-09-03)
composer:
Jacob Regnart (Flemish Renaissance composer)
Jacob Regnart2:02
24Vola vola pensier
recording engineer:
Hans Martin Renz (engineer)
executive producer:
Ludwig Rink
producer:
Sebastian Stein (classical producer/engineer)
baritone vocals:
Tim Scott Whiteley (UK baritone vocalist) (from 2010-09-01 until 2010-09-03)
bass vocals:
Ulfried Staber (bass vocalist) (from 2010-09-01 until 2010-09-03)
countertenor vocals:
Terry Wey (countertenor) (from 2010-09-01 until 2010-09-03)
tenor vocals:
Tore Tom Denys (Belgian tenor vocalist, conductor) (from 2010-09-01 until 2010-09-03) and Thomas Künne (tenor) (from 2010-09-01 until 2010-09-03)
vocals:
Cinquecento (vocal ensemble) (from 2010-09-01 until 2010-09-03)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2010-09-01 until 2010-09-03)
recording of:
Vola vola pensier (from 2010-09-01 until 2010-09-03)
composer:
Jacob Regnart (Flemish Renaissance composer)
Jacob Regnart1:40
25Alarm’, alarm’ o fidi miei pensieri
recording engineer:
Hans Martin Renz (engineer)
executive producer:
Ludwig Rink
producer:
Sebastian Stein (classical producer/engineer)
baritone vocals:
Tim Scott Whiteley (UK baritone vocalist) (from 2010-09-01 until 2010-09-03)
bass vocals:
Ulfried Staber (bass vocalist) (from 2010-09-01 until 2010-09-03)
countertenor vocals:
Terry Wey (countertenor) (from 2010-09-01 until 2010-09-03)
tenor vocals:
Tore Tom Denys (Belgian tenor vocalist, conductor) (from 2010-09-01 until 2010-09-03) and Thomas Künne (tenor) (from 2010-09-01 until 2010-09-03)
vocals:
Cinquecento (vocal ensemble) (from 2010-09-01 until 2010-09-03)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2010-09-01 until 2010-09-03)
recording of:
Alarm’, alarm’ o fidi miei pensieri (from 2010-09-01 until 2010-09-03)
composer:
Jacob Regnart (Flemish Renaissance composer)
Jacob Regnart1:19