80s Forever

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

CD 1: 00600753853740
CD 2: 00600753853757
CD 3: 00600753853764

BIEM/SDRM, LC 07341

Annotazione modificata l'ultima volta il 2025-05-25 19:33 UTC.

Elenco tracce

1▶CD
2▼CD
#TitoloArtistaValutazioneDurata
1Relax
tecnico:
Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood) (nel 1983)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (nel 1983)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983)
percussione ospite :
Luís Jardim (nel 1983)
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) (nel 1983) e Anne Dudley (English score composer) (nel 1983)
voce principale:
Holly Johnson (nel 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983) e Paul Rutherford (member of Frankie Goes to Hollywood) (nel 1983)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1983) e Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1983)
versione karaoke di:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) di DJ Schmolli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 10) e Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 44)
registrazione di:
Relax (nel 1983)
paroliere:
Holly Johnson
compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.054:00
2Rock Me Amadeus (The Gold mix)
produttore:
Ferdi Bolland e Rob Bolland
diritti fonografici (℗) detenuti da:
GiG Records (Austrian label) (nel 1985) e TELDEC Record Service GmbH (not for release label use! manufacturing and distribution company) (nel 1985)
video musicali:
Rock Me Amadeus di Falco (Austrian pop & rock musician)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 15) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 87)
registrazione di:
Rock Me Amadeus (nel 1985)
paroliere:
Ferdi Bolland, Rob Bolland e Falco (Austrian pop & rock musician)
compositore:
Ferdi Bolland e Rob Bolland
editore:
Bolland Music, Manuskript (not for release label use! this is only for copyrights and publishing relationships) e Nada Music (Dutch publisher)
Falco3.653:22
3Living in a Box
co-produttore:
Tom Lord Alge
produttore:
Richard James Burgess
diritti fonografici (℗) detenuti da:
BMG Ariola München GmbH (nel 1987)
è stato produttore per:
The Burgess Worldco
registrazione di:
Living in a Box
paroliere e compositore:
Steve Piggott e Marcus Vere
editore:
Brampton Music International, Brampton Music Ltd. (publisher) e Empire Music Ltd.
Living in a Box3.353:06
4What Is Love?
tecnico:
Stephen W. Tayler (UK engineer)
produttore:
Rupert Hine
voce principale:
Howard Jones (English singer, songwriter)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1984)
registrazione di:
What Is Love?
paroliere:
William Bryant (UK lyricist, writer and speaker) e Howard Jones (English singer, songwriter)
compositore:
Howard Jones (English singer, songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Howard Jones Music Ltd., Kobalt Music Group e Warner Chappell Publishing
Howard Jones4.53:41
5Don’t You Want Me
assistente alla programmazione:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (nel 1981)
programmazione:
Martin Rushent (nel 1981)
assistente tecnico:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
produttore:
The Human League e Martin Rushent
sintetizzatore :
Ian Burden (nel 1981), Jo Callis (nel 1981) e Philip Oakey (nel 1981)
voce di accompagnamento:
Joanne Catherall (nel 1981) e Susan Ann Sulley (nel 1981)
voce principale:
Philip Oakey (nel 1981) e Susan Ann Sulley (nel 1981)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito (nel 1981)
video musicali:
Don’t You Want Me di The Human League
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 79) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 82)
registrazione di:
Don’t You Want Me (Human League song) (nel 1981)
paroliere:
Philip Oakey
compositore:
Jo Callis, Philip Oakey e Philip Adrian Wright (Human League)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.853:59
6Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
sassofono :
David Tofani
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:39
7True Faith
registrazione di:
True Faith
autore:
Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company), Cut Music (UK publisher), MCA Music Inc. (US-based music publishers), Notting Hill Music (publisher) e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
parte di:
American Psycho
New Order4:13
8Temptation
registrazione di:
Temptation
autore:
Glenn Gregory, Ian Craig Marsh e Martyn Ware
editore:
Cradle of Filth Music Ltd. (publishing company for British metal band Cradle of Filth), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 174:03
9Valerie
Steve Winwood4:09
10Together in Electric Dreams
produttore:
Giorgio Moroder e Philip Oakey
tecnico di missaggio:
Brian Reeves
basso :
Arthur Barrow
chitarra :
Richie Zito
sintetizzatore :
Giorgio Moroder
voce di accompagnamento:
E.G. Daily (American singer and actress) e Joe Esposito
voce principale:
Philip Oakey
registrazione di:
Together in Electric Dreams
paroliere:
Philip Oakey
compositore:
Giorgio Moroder
editore:
BMG Gold Songs e WB Music Corp. (1929–2019)
Giorgio Moroder & Philip Oakey2.53:51
11Souvenir
produttore:
M. Howlett
voce:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
registrazione di:
Souvenir
autore:
Martin Cooper (OMD and The Listening Pool) e Paul Humphreys (Orchestral Manoeuvres in the Dark)
editore:
Dinsong Music
Orchestral Manoeuvres in the Dark33:38
12Vienna
registrazione di:
Vienna
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) e Sing Sing Songs Ltd.
Ultravox4:40
13Lullaby
registrazione di:
Lullaby
paroliere:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
compositore:
Simon Gallup, Roger O’Donnell, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst e Boris Williams
editore:
APB Music Co. e Fiction Songs Ltd. (nel 1989)
The Cure4:11
14Don’t Dream It’s Over
tecnico di registrazione:
Tchad Blake e Dennis Kirk
assistente tecnico:
Glen Holguin (engineer)
produttore:
Mitchell Froom
tecnico di missaggio:
Michael Frondelli
basso :
Nick Seymour (Nicholas More Seymour)
batteria :
Paul Hester (Australian drummer for Crowded House/Split Enz)
chitarra elettrica [Gibson Les Paul Goldtop] e voce principale:
Neil Finn
chitarra elettrica [Tom Anderson “S” Style] :
Tim Pierce (US session guitarist)
congas , mbira [kalimba] e shaker :
Jorge Bermudez
organo e tastiera :
Mitchell Froom
voce di accompagnamento:
Noel Crombie, Jim Gilstrap, Andy Milton e Joe Satriani
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1986)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti e Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Studio 55 in Los Angeles, California, Stati Uniti
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 5)
registrazione di:
Don’t Dream It’s Over
paroliere e compositore:
Neil Finn
editore:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing e Roundhead Music (Neil Finn)
parte di:
APRA Top 100 New Zealand Songs of All Time (numero: 2)
Crowded House3.94:00
15Kayleigh
tecnico di registrazione:
Thomas Stiehler
produttore:
Chris Kimsey
tecnico di missaggio:
Mark Freegard e Chris Kimsey
batteria e percussione :
Ian Mosley (dal 1985-03 al 1985-05)
chitarra :
Steve Rothery (dal 1985-03 al 1985-05)
chitarra basso :
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (dal 1985-03 al 1985-05)
tastiera :
Mark Kelly (Marillion keyboardist) (dal 1985-03 al 1985-05)
voce principale:
Fish (Derek William Dick, ex‐Marillion frontman) (dal 1985-03 al 1985-05)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrata presso:
Hansa Studios in Berlin, Germania (dal 1985-03 al 1985-05)
registrazione di:
Kayleigh (dal 1985-03 al 1985-05)
paroliere:
Derek William Dick
compositore:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery e Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
editore:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. e Marillion Music
Marillion3.73:33
16Wouldn’t It Be Good
tecnico di registrazione:
Julian Mendelsohn (Australian record producer and engineer) (nel 1983)
assistente tecnico:
Roger Howorth
produttore:
Peter Collins (producer)
tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
voce principale:
Nik Kershaw (nel 1983)
arrangiatore corno :
Jerry Hey e Nik Kershaw
arrangiatore:
Nik Kershaw
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1983, nel 1984) e MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1984)
mixata presso:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 88)
registrazione di:
Wouldn’t It Be Good (nel 1983)
paroliere e compositore:
Nik Kershaw
editore:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
parte di:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:32
17It Must Be Love
registrazione cover di:
It Must Be Love
paroliere e compositore:
Labi Siffre
editore:
Chrysalis Music (music publisher, ASCAP-affiliated)
Madness43:22
18Wonderful Life
produttore:
Dave Dix (Dave Dix)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1987)
video musicali:
Wonderful Life di Black (UK indie pop musician Colin Vearncombe)
registrazione di:
Wonderful Life
paroliere e compositore:
Colin Vearncombe
editore:
Rondor Music Ltd. (publisher)
Black4.354:49
19Broken Wings
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985) e RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (nel 1985)
registrazione di:
Broken Wings
autore:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
editore:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister54:42
20Jealous Guy
produttore:
Rhett Davies, Bryan Ferry e Roxy Music
tecnico di missaggio:
Bob Clearmountain
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1981), Virgin EG Records Ltd. (nel 1981) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1981, nel 2000)
registrazione cover di:
Jealous Guy
paroliere e compositore:
John Lennon (The Beatles)
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., Chappell Music Ltd., EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Lenono Music, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-editore:
Fujipacific Music, Inc. Division 2
revisione di:
Child of Nature
Roxy Music4.54:53
3▶CD

Accreditamenti

Pubblicazione

ASIN:UK: B07HP2G42D [info]