Complete Recordings on Deutsche Grammophon, Volume 2: Operas / Choral Works

~ Release by Ferenc Fricsay (see all versions of this release, 1 available)

Tracklist

1▶CD: Bartók: Herzog Blaubarts Burg / Cantata profana
2▶CD: Beethoven: Fidelio(1)
3▶CD: Beethoven: Fidelio(2)
4▼CD: Bizet: Carmen
#TitleArtistRatingLength
1Carmen: Vorspiel
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1958-01-06 until 1958-01-12)
conductor:
Ferenc Fricsay (conductor) (from 1958-01-06 until 1958-01-12)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-01-06 until 1958-01-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12)
recording of:
Carmen : Prélude (from 1958-01-06 until 1958-01-12)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet2:12
2Carmen: Habanera: "Ja, die Liebe hat bunte Flügel" (Carmen, Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1958-01-06 until 1958-01-12)
mezzo-soprano vocals [Carmen]:
Oralia Dominguez (mezzo soprano) (from 1958-01-06 until 1958-01-12)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1958-01-06 until 1958-01-12)
conductor:
Ferenc Fricsay (conductor) (from 1958-01-06 until 1958-01-12)
chorus master:
Kurt Eichhorn (conductor) (from 1958-01-06 until 1958-01-12)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-01-06 until 1958-01-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12)
recording of:
Carmen: Habanera: "Ja, die Liebe hat bunte Flügel" (Carmen, Chor) (from 1958-01-06 until 1958-01-12)
composer:
Georges Bizet (French composer)
part of:
Carmen (German translation, Julius Hopp)
Georges Bizet4:06
3Carmen: Duett: "Wie, du kommst von der Mutter" (Don José, Micaëla)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
soprano vocals [Micaëla]:
Maria Stader (soprano) (from 1958-01-06 until 1958-01-12)
tenor vocals [Don José]:
József Simándy (from 1958-01-06 until 1958-01-12)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1958-01-06 until 1958-01-12)
conductor:
Ferenc Fricsay (conductor) (from 1958-01-06 until 1958-01-12)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-01-06 until 1958-01-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12)
recording of:
Carmen: Duett: "Wie, du kommst von der Mutter" (Don José, Micaëla) (from 1958-01-06 until 1958-01-12)
composer:
Georges Bizet (French composer)
part of:
Carmen (German translation, Julius Hopp)
Georges Bizet5:28
4Carmen: Seguidilla & Duett: "Draußen am Wall" (Carmen, Don José)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
mezzo-soprano vocals [Carmen]:
Oralia Dominguez (mezzo soprano) (from 1958-01-06 until 1958-01-12)
tenor vocals [Don José]:
József Simándy (from 1958-01-06 until 1958-01-12)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1958-01-06 until 1958-01-12)
conductor:
Ferenc Fricsay (conductor) (from 1958-01-06 until 1958-01-12)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-01-06 until 1958-01-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12)
recording of:
Carmen: Seguidilla & Duett: "Draußen am Wall" (Carmen, Don José) (from 1958-01-06 until 1958-01-12)
composer:
Georges Bizet (French composer)
part of:
Carmen (German translation, Julius Hopp)
Georges Bizet4:11
5Carmen: Chanson: "Was ist des Zigeuners höchste Lust?" (Carmen, Frasquita, Mercédès)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
mezzo-soprano vocals [Carmen]:
Oralia Dominguez (mezzo soprano) (from 1958-01-06 until 1958-01-12)
soprano vocals [Frasquita]:
Hanny Steffek (soprano) (from 1958-01-06 until 1958-01-12)
soprano vocals [Mercédès]:
Liselotte Fölser (soprano) (from 1958-01-06 until 1958-01-12)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1958-01-06 until 1958-01-12)
conductor:
Ferenc Fricsay (conductor) (from 1958-01-06 until 1958-01-12)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-01-06 until 1958-01-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12)
recording of:
Carmen: Chanson: "Was ist des Zigeuners höchste Lust?" (Carmen, Frasquita, Mercédès) (from 1958-01-06 until 1958-01-12)
composer:
Georges Bizet (French composer)
part of:
Carmen (German translation, Julius Hopp)
Georges Bizet4:27
6Carmen: Couplet: "Euren Toast kann ich wohl erwidern ... Auf, in den Kampf, Torero!" (Escamillo, Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Escamillo]:
Josef Metternich (baritone) (from 1958-01-06 until 1958-01-12)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1958-01-06 until 1958-01-12)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1958-01-06 until 1958-01-12)
conductor:
Ferenc Fricsay (conductor) (from 1958-01-06 until 1958-01-12)
chorus master:
Kurt Eichhorn (conductor) (from 1958-01-06 until 1958-01-12)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-01-06 until 1958-01-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12)
recording of:
Carmen: Couplet: "Euren Toast kann ich wohl erwidern ... Auf, in den Kampf, Torero!" (Escamillo, Chor) (from 1958-01-06 until 1958-01-12)
composer:
Georges Bizet (French composer)
part of:
Carmen (German translation, Julius Hopp)
Georges Bizet4:40
7Carmen: Quintett: "Ich hab' ein Geschäft vorzutragen" (Dancairo, Frasquita, Mercédès, Carmen, Remendado)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Dancairo]:
Kurt Wehofschitz (from 1958-01-06 until 1958-01-12)
mezzo-soprano vocals [Carmen]:
Oralia Dominguez (mezzo soprano) (from 1958-01-06 until 1958-01-12)
soprano vocals [Frasquita]:
Hanny Steffek (soprano) (from 1958-01-06 until 1958-01-12)
soprano vocals [Mercédès]:
Liselotte Fölser (soprano) (from 1958-01-06 until 1958-01-12)
tenor vocals [Remendado]:
Paul Kuën (tenor) (from 1958-01-06 until 1958-01-12)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1958-01-06 until 1958-01-12)
conductor:
Ferenc Fricsay (conductor) (from 1958-01-06 until 1958-01-12)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-01-06 until 1958-01-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12)
recording of:
Carmen: Quintett: "Ich hab' ein Geschäft vorzutragen" (Dancairo, Frasquita, Mercédès, Carmen, Remendado) (from 1958-01-06 until 1958-01-12)
composer:
Georges Bizet (French composer)
part of:
Carmen (German translation, Julius Hopp)
Georges Bizet4:38
8Carmen: Arie: "Hier an dem Herzen" (Don José)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
tenor vocals [Don José]:
József Simándy (from 1958-01-06 until 1958-01-12)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1958-01-06 until 1958-01-12)
conductor:
Ferenc Fricsay (conductor) (from 1958-01-06 until 1958-01-12)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-01-06 until 1958-01-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12)
recording of:
Carmen: Arie: "Hier an dem Herzen" (Don José) (from 1958-01-06 until 1958-01-12)
composer:
Georges Bizet (French composer)
part of:
Carmen (German translation, Julius Hopp)
Georges Bizet3:48
9Carmen: Arie: "Wenn dir die Karten" (Carmen)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
mezzo-soprano vocals [Carmen]:
Oralia Dominguez (mezzo soprano) (from 1958-01-06 until 1958-01-12)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1958-01-06 until 1958-01-12)
conductor:
Ferenc Fricsay (conductor) (from 1958-01-06 until 1958-01-12)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-01-06 until 1958-01-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12)
recording of:
Carmen: Arie: "Wenn dir die Karten" (Carmen) (from 1958-01-06 until 1958-01-12)
composer:
Georges Bizet (French composer)
part of:
Carmen (German translation, Julius Hopp)
Georges Bizet2:22
10Carmen: Arie: "Hier in der Felsenschlucht... Ich sprach, dass ich furchtlos mich fühle" (Micaëla)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
soprano vocals [Micaëla]:
Maria Stader (soprano) (from 1958-01-06 until 1958-01-12)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1958-01-06 until 1958-01-12)
conductor:
Ferenc Fricsay (conductor) (from 1958-01-06 until 1958-01-12)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-01-06 until 1958-01-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12)
recording of:
Carmen: Arie: "Hier in der Felsenschlucht... Ich sprach, dass ich furchtlos mich fühle" (Micaëla) (from 1958-01-06 until 1958-01-12)
composer:
Georges Bizet (French composer)
part of:
Carmen (German translation, Julius Hopp)
Georges Bizet5:48
11Carmen: Marsch: "Ha sie naht" (Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1958-01-06 until 1958-01-12)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1958-01-06 until 1958-01-12)
conductor:
Ferenc Fricsay (conductor) (from 1958-01-06 until 1958-01-12)
chorus master:
Kurt Eichhorn (conductor) (from 1958-01-06 until 1958-01-12)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-01-06 until 1958-01-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12)
recording of:
Carmen: Marsch: "Ha sie naht" (Chor) (from 1958-01-06 until 1958-01-12)
composer:
Georges Bizet (French composer)
part of:
Carmen (German translation, Julius Hopp)
Georges Bizet2:22
12Carmen: Finale "Du bist's?" - "Ich bin's!" (Carmen, Don José, Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1958-01-06 until 1958-01-12)
mezzo-soprano vocals [Carmen]:
Oralia Dominguez (mezzo soprano) (from 1958-01-06 until 1958-01-12)
tenor vocals [Don José]:
József Simándy (from 1958-01-06 until 1958-01-12)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1958-01-06 until 1958-01-12)
conductor:
Ferenc Fricsay (conductor) (from 1958-01-06 until 1958-01-12)
chorus master:
Kurt Eichhorn (conductor) (from 1958-01-06 until 1958-01-12)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-01-06 until 1958-01-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1958-01-06 until 1958-01-12)
recording of:
Carmen: Finale "Du bist's?" - "Ich bin's!" (Carmen, Don José, Chor) (from 1958-01-06 until 1958-01-12)
composer:
Georges Bizet (French composer)
part of:
Carmen (German translation, Julius Hopp)
Georges Bizet8:11
13Carmen: Couplet: "Euren Toast kann ich wohl erwidern ... Auf, in den Kampf, Torero!" (Escamillo, Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Escamillo]:
Josef Metternich (baritone) (from 1957-01-18 until 1957-01-22)
choir vocals:
RIAS Kammerchor (German chamber choir) (from 1957-01-18 until 1957-01-22)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-01-18 until 1957-01-22)
conductor:
Ferenc Fricsay (conductor) (from 1957-01-18 until 1957-01-22)
balance engineer:
Alfred Steinke
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-01-18 until 1957-01-22)
recording of:
Carmen: Couplet: "Euren Toast kann ich wohl erwidern ... Auf, in den Kampf, Torero!" (Escamillo, Chor) (from 1957-01-18 until 1957-01-22)
composer:
Georges Bizet (French composer)
part of:
Carmen (German translation, Julius Hopp)
Georges Bizet4:46
14Der Barbier von Sevilla: "Ich bin das Faktotum" (Figaro)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Figaro]:
Josef Metternich (baritone) (from 1957-01-18 until 1957-01-22)
orchestra:
Radio-Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1957-01-18 until 1957-01-22)
conductor:
Ferenc Fricsay (conductor) (from 1957-01-18 until 1957-01-22)
balance engineer:
Alfred Steinke
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-01-18 until 1957-01-22)
recording of:
Il barbiere di Siviglia: “Largo al factotum” (Figaro) (catch-all for arrangements) (from 1957-01-18 until 1957-01-22)
composer:
Gioachino Rossini (composer)
arrangement of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro)
Georges Bizet4:23
15Der Troubadour: "Lodernde Flammen schlagen zum Himmel auf" (Azucena)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Azucena]:
Hertha Töpper (mezzo soprano) (from 1957-01-18 until 1957-01-22)
orchestra:
Radio-Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1957-01-18 until 1957-01-22)
conductor:
Ferenc Fricsay (conductor) (from 1957-01-18 until 1957-01-22)
balance engineer:
Alfred Steinke
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-01-18 until 1957-01-22)
recording of:
Der Troubadour: 2. Akt "Lodernde Flammen" (from 1957-01-18 until 1957-01-22)
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena)
part of:
Der Troubadour
Georges Bizet2:51
16Don Carlos: "Unsel'ge Gabe, unsel'ges Los" (Eboli)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Eboli]:
Hertha Töpper (mezzo soprano) (from 1957-01-18 until 1957-01-22)
orchestra:
Radio-Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1957-01-18 until 1957-01-22)
conductor:
Ferenc Fricsay (conductor) (from 1957-01-18 until 1957-01-22)
balance engineer:
Alfred Steinke
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-01-18 until 1957-01-22)
recording of:
Don Carlos: "Unsel'ge Gabe, unsel'ges Los" (Eboli) (from 1957-01-18 until 1957-01-22)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlos (German translation)
Georges Bizet4:52
17La bohème: "Wie eiskalt ist dies Händchen" (Rodolfo)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
tenor vocals [Rodolfo]:
Ernst Kozub (tenor) (from 1957-01-18 until 1957-01-22)
orchestra:
Radio-Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1957-01-18 until 1957-01-22)
conductor:
Ferenc Fricsay (conductor) (from 1957-01-18 until 1957-01-22)
balance engineer:
Alfred Steinke
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-01-18 until 1957-01-22)
recording of:
La bohème: "Wie eiskalt ist dies Händchen" (Rodolfo) (from 1957-01-18 until 1957-01-22)
composer:
Giacomo Puccini (Italian composer)
part of:
La Bohème (German translation)
Georges Bizet4:05
18Tosca: "Wie sich die Bilder gleichen" (Cavaradossi)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
tenor vocals [Cavaradossi]:
Ernst Kozub (tenor) (from 1957-01-18 until 1957-01-22)
orchestra:
Radio-Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1957-01-18 until 1957-01-22)
conductor:
Ferenc Fricsay (conductor) (from 1957-01-18 until 1957-01-22)
balance engineer:
Alfred Steinke
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-01-18 until 1957-01-22)
recording of:
Tosca: "Wie sich die Bilder gleichen" (Cavaradossi) (from 1957-01-18 until 1957-01-22)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca (German translation)
Georges Bizet3:23
5▶CD: Gluck: Orpheus und Eurydike(1)
6▶CD: Gluck: Orpheus und Eurydike(2)
7▶CD: Haydn: The Seasons(1)
8▶CD: Haydn: The Seasons(2)
9▶CD: Haydn: The Seasons(3)
10▶CD: Haydn: The Seasons(4) / Haydn: Te Deum
11▶CD: Kodály: Psalmus Hungaricus
12▶CD: Mendelssohn: A Midsummer Night's Dream
13▶CD: Mozart: Great Mass in C minor / Laudate omnes gentes / Exsultate, jubilate
14▶CD: Mozart: Requiem
15▶CD: Mozart: Die Entführung aus dem Serail(1)
16▶CD: Mozart: Die Entführung aus dem Serail(2) / Exsultate, jubilate / Arias
17▶CD: Mozart: The Magic Flute(1)
18▶CD: Mozart: The Magic Flute(2)
19▶CD: Mozart: Don Giovanni(1)
20▶CD: Mozart: Don Giovanni(2)
21▶CD: Mozart: Don Giovanni(3)
22▶CD: Mozart: Idomeneo(1)
23▶CD: Mozart: Idomeneo(2)
24▶CD: Mozart: Le nozze di Figaro(1)
25▶CD: Mozart: Le nozze di Figaro(2)
26▶CD: Mozart: Le nozze di Figaro(3)
27▶CD: Rossini: Stabat Mater
28▶CD: J. Strauss II: Die Fledermaus(1)
29▶CD: J. Strauss II: Die Fledermaus(2) / Voices of Spring
30▶CD: Igor Stravinsky: Oedipus Rex / Symphony of Psalms
31▶CD: Verdi: Requiem(1)
32▶CD: Verdi: Requiem(2)
33▶CD: Verdi: Requiem(3) / Quattro pezzi sacri
34▶CD: Wagner: Der fliegende Holländer(1)
35▶CD: Wagner: Der fliegende Holländer(2)
36▶CD: Bizet, Gounod, Verdi...:Opera Arias / Orff: Carmina Burana(excerpts)
37▶CD: Interviews with Ferenc Fricsay
38▶DVD-Video: Dukas: The Sorcerer's Apprentice / Kodály: Háry János Suite

Credits

Release

manufactured in:EU (Europe)
photography:Erich Auerbach (photographer) (task: box photo left side © Erich Auerbach)
Hugo Jehle (photographer) (task: box photo right side © Hugo Jehle)
Legrand (photo studio) (task: box cover photo © Legrand)
phonographic copyright (℗) by:Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2015)
Discogs:https://www.discogs.com/release/11744322 [info]
ASIN:UK: B00W6ET93W [info]
discography entry:http://www.deutschegrammophon.com/en/cat/4794641 [info]