The Nina Simone Mastertakes

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1Mood Indigo
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Bass:
Jimmy Bond (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Phillips (publisher; do NOT use as release label) (in 1966)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Mood Indigo (1930 jazz composition and song) (in 1957-12)
Texter:
Irving Mills (in 1930)
Komponist(in):
Barney Bigard (in 1930) und Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) und Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
54:03
2Don’t Smoke in Bed
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Bass:
Jimmy Bond (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Philips (publisher; do NOT use as release label) (in 1964)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Don’t Smoke in Bed (in 1957-12)
Texter und Komponist(in):
Willard Robison
publisher:
MCA Music Ltd. und Oriole Music Corp.
43:13
3He Needs Me
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
He Needs Me (in 1957-12)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Warner Chappell North America
52:30
4Little Girl Blue
Bass:
Jimmy Bond (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Little Girl Blue (in 1957-12)
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jumbo
44:18
5Love Me or Leave Me
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Love Me or Leave Me (in 1957-12)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
4.653:23
6My Baby Just Cares for Me
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
Bearbeitung von:
My Baby Just Cares for Me (special extended version) von Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
3.853:38
7Good Bait (instrumental)
Bass:
Jimmy Bond (in 1957-12)
Klavier:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
instrumental cover recording of:
Good Bait (in 1957-12)
Texter:
Tadd Dameron
Komponist(in):
Count Basie (pianist) und Tadd Dameron
publisher:
Redwood Music Ltd. (Carlin) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
3.655:28
8Plain Gold Ring
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Bass:
Jimmy Bond (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
PolyGram Records Inch (not for release label use! US division of PolyGram) (in 1964)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Plain Gold Ring (in 1957-12)
Texter:
George Stone (composer)
Komponist(in):
Blue Sky Black Death (US hip hop production duo), Earl Burroughs und George Stone (composer)
publisher:
Thandewye Music (publisher; do NOT use as release label) und Hank Snow Music (am 1959-09-21)
33:56
9You’ll Never Walk Alone (instrumental)
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Bass:
Jimmy Bond (in 1957-12)
Klavier:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
instrumental cover recording of:
You’ll Never Walk Alone (Carousel) (in 1957-12)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company und Williamson Music, Inc.
Teil von:
Carousel (Rodgers & Hammerstein musical)
53:48
10I Loves You Porgy
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1957-12)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
3.54:11
11Central Park Blues (instrumental)
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Bass:
Jimmy Bond (in 1957-12)
Klavier:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
recording of:
Central Park Blues (in 1957-12)
Komponist(in):
Nina Simone
publisher:
Memory Music Lane Ltd.
56:51
12Black Is the Color of My True Love’s Hair
Produzent(in):
Hal Mooney
Klavier:
Nina Simone
vocals:
Nina Simone
arranger:
Nina Simone
cover recording of:
Black Is the Color of My True Love’s Hair (Arranged by Nina Simone) (am 1964-04-06)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label)
Arrangement von:
Black Is the Colour (of My True Love’s Hair)
3.53:32
13Exactly Like You
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (am 1959-09-12)
Klavier:
Nina Simone (am 1959-09-12)
Schlagzeug:
Albert “Tootie” Heath (am 1959-09-12)
vocals:
Nina Simone (am 1959-09-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (am 1959-09-12)
live cover recording of:
Exactly Like You (am 1959-09-12)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1930)
Verfasser(in):
Fritz Löhner-Beda (librettist, lyricist, writer)
Komponist(in):
Jimmy McHugh (songwriter) (in 1930)
33:14
14The Other Woman
recorded in:
New York, New York, Vereinigte Staaten (in 1959-10)
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (in 1959-10)
Klavier:
Nina Simone (in 1959-10)
Schlagzeug:
Albert “Tootie” Heath (in 1959-10)
vocals:
Nina Simone (in 1959-10)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (am 1959-09-15)
cover recording of:
The Other Woman (in 1959-10)
Texter und Komponist(in):
Jessie Mae Robinson
publisher:
Thandewye Music (publisher; do NOT use as release label)
4.53:01
15Under the Lowest
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (am 1959-09-12)
Klavier:
Nina Simone (am 1959-09-12)
membranophone:
Albert “Tootie” Heath
Schlagzeug:
Albert “Tootie” Heath (am 1959-09-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (am 1959-09-12)
Bearbeitung von:
Under the Lowest (live, 1959-09-12: The Town Hall, New York City, NY, USA) von Nina Simone
live recording of:
Under the Lowest (am 1959-09-12)
Komponist(in):
Nina Simone
5:32
16You Can Have Him
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (am 1959-09-12)
Klavier und Sologesang:
Nina Simone (am 1959-09-12)
Schlagzeug:
Albert “Tootie” Heath (am 1959-09-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (am 1959-09-12)
live cover recording of:
You Can Have Him (am 1959-09-12)
Texter und Komponist(in):
Irving Berlin (in 1949)
cover recording of:
You Can Have Him
Texter und Komponist(in):
Irving Berlin (in 1949)
5:49
17Summertime (instrumental)
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (am 1959-09-12)
Klavier:
Nina Simone (am 1959-09-12)
membranophone:
Albert “Tootie” Heath
Schlagzeug:
Albert “Tootie” Heath (am 1959-09-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (am 1959-09-12)
live instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1959-09-12)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
2:54
18Summertime (vocal version)
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (am 1959-09-12)
Klavier:
Nina Simone (am 1959-09-12)
membranophone:
Albert “Tootie” Heath
Schlagzeug:
Albert “Tootie” Heath (am 1959-09-12)
vocals:
Nina Simone (am 1959-09-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (am 1959-09-12)
live cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1959-09-12)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
2:43
19Cotton‐Eyed Joe
recorded in:
New York, New York, Vereinigte Staaten (in 1959-10)
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (in 1959-10)
Klavier:
Nina Simone (in 1959-10)
Schlagzeug:
Albert “Tootie” Heath (in 1959-10)
vocals:
Nina Simone (in 1959-10)
cover recording of:
Cotton‐Eyed Joe (traditional song) (in 1959-10)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 942)
22:53
20Return Home
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (am 1959-09-12)
Klavier:
Nina Simone (am 1959-09-12)
membranophone:
Albert “Tootie” Heath
Schlagzeug:
Albert “Tootie” Heath (am 1959-09-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (am 1959-09-12)
live recording of:
Return Home (am 1959-09-12)
Komponist(in):
Nina Simone
45:28
21Wild Is the Wind
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (in 1959-10)
Klavier und Sologesang:
Nina Simone (in 1959-10)
Schlagzeug:
Albert “Tootie” Heath (in 1959-10)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
cover recording of:
Wild Is the Wind (theme song from the Paramount movie “Wild Is the Wind”) (in 1959-10)
Texter:
Ned Washington
Komponist(in):
Dimitri Tiomkin
publisher:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (USA) (in 1957), Largo Music Inc. (in 1957, in 1985) und Patti Washington Music (in 1957, in 1985)
Teil von:
The 30th Academy Award for Best Original Song (Nummer: 2)
3:29
22Fine and Mellow
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (am 1959-09-12)
Klavier und Sologesang:
Nina Simone (am 1959-09-12)
Schlagzeug:
Albert “Tootie” Heath (am 1959-09-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (am 1959-09-12)
live cover recording of:
Fine and Mellow (am 1959-09-12)
Texter und Komponist(in):
Billie Holiday
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
3:31
23Blue Prelude
recording engineer:
Rudy van Gelder (in 1959-04)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959-04)
vocals:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959-04)
cover recording of:
Blue Prelude (in 1959-04)
Texter:
Gordon Jenkins
Komponist(in):
Joe Bishop
43:22
24Children Go Where I Send You
recording engineer:
Rudy van Gelder (in 1959-04)
Produzent(in):
Hecky Krasnow
Klavier und Sologesang:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959-04)
cover recording of:
Children Go Where I Send Thee (in 1959-04)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 133)
42:52
25Tomorrow (We Will Meet Once More)
recording engineer:
Rudy van Gelder (in 1959-04)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959-04)
vocals:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959-04)
recording of:
Tomorrow (We Will Meet Once More) (in 1959-04)
Verfasser(in):
Stephen Gale und Jerry Silverman
43:02
26Stompin’ at the Savoy
recording engineer:
Rudy van Gelder (in 1959-04)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959-04)
vocals:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959-04)
cover recording of:
Stompin’ at the Savoy (in 1959-04)
Texter:
Andy Razaf
Komponist(in):
Benny Goodman (clarinetist and bandleader), Edgar Sampson und Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
42:10
27It Might as Well Be Spring
recording engineer:
Rudy van Gelder (in 1959-04)
Produzent(in):
Hecky Krasnow
Klavier und Sologesang:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959-04)
cover recording of:
It Might as Well Be Spring (State Fair) (in 1959-04)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
Komponist(in):
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1945 winner)
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
Teil von:
State Fair
3.653:57
28You’ve Been Gone Too Long
recording engineer:
Rudy van Gelder (in 1959)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959)
cover recording of:
You’ve Been Gone Too Long (in 1959)
Texter und Komponist(in):
Brother John Sellers
52:11
29That’s Him Over There
recording engineer:
Rudy van Gelder (in 1959)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959)
cover recording of:
That’s Him Over There (in 1959)
Texter:
Marilyn Bergman
Komponist(in):
Lew Spence
4.352:32
30Chilly Winds Don’t Blow
recording engineer:
Rudy van Gelder (in 1959)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959)
recording of:
Chilly Winds Don’t Blow (in 1959)
Verfasser(in):
Hecky Krasnow und Bill Lovelock (songwriter)
basiert auf:
Chilly Winds (a.k.a. Lonesome Road Blues - catch-all work)
42:47
31Theme From “Middle of the Night”
recording engineer:
Rudy van Gelder (in 1959)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959)
recording of:
Theme from “Middle of the Night” (in 1959)
Verfasser(in):
George Bassman und Paddy Chayefsky
32:30
32Can’t Get Out of This Mood
recording engineer:
Rudy van Gelder (in 1959)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959)
cover recording of:
Can’t Get Out of This Mood (in 1959)
Texter:
Frank Loesser
Komponist(in):
Jimmy McHugh (songwriter)
42:33
33Willow Weep for Me
recording engineer:
Rudy van Gelder (in 1959)
Produzent(in):
Hecky Krasnow
Klavier und Sologesang:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959)
cover recording of:
Willow Weep for Me (in 1959)
Texter und Komponist(in):
Ann Ronell (in 1932)
publisher:
Ann Ronell Music und Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3.353:14
34Solitaire
recording engineer:
Rudy van Gelder (in 1959)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959)
cover recording of:
Solitaire (in 1959)
Verfasser(in):
Reneé Borek, King Guion (jazz tenor saxophonist, clarinetist and bass clarinetist) und Carl Nutter
53:25
35Rags and Old Iron
recorded in:
New York, New York, Vereinigte Staaten (in 1961)
Produzent(in):
Cal Lampley
Bass:
Chris White (jazz bassist) (in 1961)
Gitarre:
Al Schackman (in 1961)
Klavier:
Nina Simone (in 1961)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
vocals:
Nina Simone (in 1961)
remixer:
Layo & Bushwacka! (DJs Layo Paskin & Matthew Benjamin)
cover recording of:
Rags and Old Iron (in 1961)
Texter und Komponist(in):
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
4.54:09
36No Good Man
recorded in:
New York, New York, Vereinigte Staaten (in 1961)
Produzent(in):
Cal Lampley
Bass:
Chris White (jazz bassist) (in 1961)
Gitarre:
Al Schackman (in 1961)
Klavier:
Nina Simone (in 1961)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
vocals:
Nina Simone (in 1961)
cover recording of:
No Good Man (in 1961)
Texter:
Sammy Gallop
Komponist(in):
Dan Fisher (U.S. songwriter ("Good Morning Heartache"), author, producer) und Irene Higginbotham
43:39
37Gin House Blues
recorded in:
New York, New York, Vereinigte Staaten (in 1961)
Produzent(in):
Cal Lampley
Bass:
Chris White (jazz bassist) (in 1961)
Gitarre:
Al Schackman (in 1961)
Klavier und Sologesang:
Nina Simone (in 1961)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
cover recording of:
Gin House Blues (in 1961)
Komponist(in):
Fletcher Henderson (in 1925) und Henry Troy (in 1925)
publisher:
Carlin Music Corp
33:04
38I’ll Look Around
recorded in:
New York, New York, Vereinigte Staaten (in 1961)
Produzent(in):
Cal Lampley
Bass:
Chris White (jazz bassist) (in 1961)
Gitarre:
Al Schackman (in 1961)
Klavier:
Nina Simone (in 1961)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
vocals:
Nina Simone (in 1961)
cover recording of:
I’ll Look Around (in 1961)
Texter:
Douglass Cross (US songwriter)
Komponist(in):
George Cory
publisher:
Universal/MCA Music Ltd. (not for release label use!)
3.55:04
39I Love to Love
recorded in:
New York, New York, Vereinigte Staaten (in 1961)
Produzent(in):
Cal Lampley
Bass:
Chris White (jazz bassist) (in 1961)
Gitarre:
Al Schackman (in 1961)
Klavier:
Nina Simone (in 1961)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
vocals:
Nina Simone (in 1961)
cover recording of:
I Love to Love (Herbert Baker song) (in 1961)
Texter und Komponist(in):
Herbert Baker
33:24
40Work Song
recorded in:
New York, New York, Vereinigte Staaten (in 1961)
Produzent(in):
Cal Lampley
Bass:
Chris White (jazz bassist) (in 1961)
Gitarre:
Al Schackman (in 1961)
Klavier und Sologesang:
Nina Simone (in 1961)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
vocals:
Nina Simone
cover recording of:
Work Song (lyrics added by Oscar Brown Jr.) (in 1961)
Texter:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
Komponist(in):
Nat Adderley
publisher:
Upam Music Co. und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Version von:
Work Song (original instrumental)
4.52:35
41Where Can I Go Without You
recorded in:
New York, New York, Vereinigte Staaten (in 1961)
Produzent(in):
Cal Lampley
Bass:
Chris White (jazz bassist) (in 1961)
Gitarre:
Al Schackman (in 1961)
Klavier:
Nina Simone (in 1961)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
vocals:
Nina Simone (in 1961)
cover recording of:
Where Can I Go Without You? (in 1961)
Verfasser(in):
Peggy Lee (jazz vocalist) und Victor Young (American composer, arranger, violinist & conductor)
publisher:
Denslow Music, Inc. und EMI Waterford Music
32:52
42Just Say I Love Him
recorded in:
New York, New York, Vereinigte Staaten (in 1961)
Produzent(in):
Cal Lampley
Bass:
Chris White (jazz bassist) (in 1961)
Gitarre:
Al Schackman (in 1961)
Klavier:
Nina Simone (in 1961)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
vocals:
Nina Simone (in 1961)
cover recording of:
Just Say I Love Her (Engl. translation "Dicitencello vujie") (in 1961)
Texter:
Enzo Fusco
Komponist(in):
Rodolfo Falvo
zusätzlich arranger:
Jimmy Dale (American jazz composer, pianist, music arranger) und Jack Val (ASCAP songwriter)
Übersetzer:
Martin Kalmanoff (ASCAP songwriter) und Sam Ward
übersetzte Version von:
Dicitencello vuje
56:35
43Memphis in June
recorded in:
New York, New York, Vereinigte Staaten (in 1961)
Produzent(in):
Cal Lampley
Bass:
Chris White (jazz bassist) (in 1961)
Gitarre:
Al Schackman (in 1961)
Klavier:
Nina Simone (in 1961)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
vocals:
Nina Simone (in 1961)
cover recording of:
Memphis in June (in 1961)
Texter:
Paul Francis Webster (in 1945)
Komponist(in):
Hoagy Carmichael (in 1945)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) (in 1945), Universal Music Publishing International Ltd. (in 1945) und Webster Music Co. (in 1945)
52:39
44Forbidden Fruit
recorded in:
New York, New York, Vereinigte Staaten (in 1961)
Produzent(in):
Cal Lampley
Bass:
Chris White (jazz bassist) (in 1961)
Gitarre:
Al Schackman (in 1961)
Klavier und Sologesang:
Nina Simone (in 1961)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
recording of:
Forbidden Fruit (in 1961)
Verfasser(in):
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
33:47
45Trouble in Mind (live at Newport)
recorded in:
Newport, Rhode Island, Vereinigte Staaten (am 1960-06-30)
Bass:
Chris White (jazz bassist) (am 1960-06-30)
Gitarre:
Al Schackman (am 1960-06-30)
Klavier:
Nina Simone (am 1960-06-30)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1960-06-30)
vocals:
Nina Simone (am 1960-06-30)
aufgenommen bei:
Newport Jazz Festival (1960-06-30 – 1960-07-04)
live cover recording of:
Trouble in Mind (am 1960-06-30)
Texter und Komponist(in):
Richard M. Jones (US jazz pianist)
publisher:
State Street Music Publ. Co. Inc., Universal Studios, Inc. (formerly known as MCA Inc.) und Universal‐MCA Music Publishing (US)
5:43
46Blues for Porgy (live at Newport)
recorded in:
Newport, Rhode Island, Vereinigte Staaten (am 1960-06-30)
Bass:
Chris White (jazz bassist) (am 1960-06-30)
Gitarre:
Al Schackman (am 1960-06-30)
Klavier:
Nina Simone (am 1960-06-30)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1960-06-30)
vocals:
Nina Simone (am 1960-06-30)
aufgenommen bei:
Newport Jazz Festival (1960-06-30 – 1960-07-04)
live recording of:
Blues for Porgy (am 1960-06-30)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
1.55:10
47Little Liza Jane (live at Newport)
recorded in:
Newport, Rhode Island, Vereinigte Staaten (am 1960-06-30)
Bass:
Chris White (jazz bassist) (am 1960-06-30)
Gitarre:
Al Schackman (am 1960-06-30)
Klavier:
Nina Simone (am 1960-06-30)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1960-06-30)
vocals:
Nina Simone (am 1960-06-30)
aufgenommen bei:
Newport Jazz Festival (1960-06-30 – 1960-07-04)
live cover recording of:
Little Liza Jane (am 1960-06-30)
Texter und Komponist(in):
[traditional] (special purpose artist)
4:34
48You’d Be So Nice to Come Home To (live at Newport)
recorded in:
Newport, Rhode Island, Vereinigte Staaten (am 1960-06-30)
Bass:
Chris White (jazz bassist) (am 1960-06-30)
Gitarre:
Al Schackman (am 1960-06-30)
Klavier:
Nina Simone (am 1960-06-30)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1960-06-30)
vocals:
Nina Simone (am 1960-06-30)
aufgenommen bei:
Newport Jazz Festival (1960-06-30 – 1960-07-04)
live cover recording of:
You’d Be So Nice to Come Home To (am 1960-06-30)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
5:23
49Flo Me La (live at Newport)
recorded in:
Newport, Rhode Island, Vereinigte Staaten (am 1960-06-30)
Bass:
Chris White (jazz bassist) (am 1960-06-30)
Gitarre:
Al Schackman (am 1960-06-30)
Klavier:
Nina Simone (am 1960-06-30)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1960-06-30)
vocals:
Nina Simone (am 1960-06-30)
aufgenommen bei:
Newport Jazz Festival (1960-06-30 – 1960-07-04)
live recording of:
Flo Me La (am 1960-06-30)
Komponist(in):
[traditional] (special purpose artist) und Nina Simone
recording of:
Flo Me La
Komponist(in):
[traditional] (special purpose artist) und Nina Simone
17:11
50Nina’s Blues (live at Newport)
recorded in:
Newport, Rhode Island, Vereinigte Staaten (am 1960-06-30)
Bass:
Chris White (jazz bassist) (am 1960-06-30)
Gitarre:
Al Schackman (am 1960-06-30)
Klavier:
Nina Simone (am 1960-06-30)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1960-06-30)
vocals:
Nina Simone (am 1960-06-30)
aufgenommen bei:
Newport Jazz Festival (1960-06-30 – 1960-07-04)
live recording of:
Nina’s Blues (am 1960-06-30)
Komponist(in):
Nina Simone
6:12
51In the Evening by the Moonlight (live at Newport)
recorded in:
Newport, Rhode Island, Vereinigte Staaten (am 1960-06-30)
Bass:
Chris White (jazz bassist) (am 1960-06-30)
Gitarre:
Al Schackman (am 1960-06-30)
Klavier:
Nina Simone (am 1960-06-30)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1960-06-30)
vocals:
Nina Simone (am 1960-06-30)
aufgenommen bei:
Newport Jazz Festival (1960-06-30 – 1960-07-04)
live cover recording of:
In the Evening by the Moonlight (1879 song) (am 1960-06-30)
Texter und Komponist(in):
James A. Bland (in 1879)
6:13
52Just in Time (live at Village Gate)
aufgenommen bei:
The Village Gate in Greenwich Village, New York, New York, Vereinigte Staaten (in 1961-04)
live cover recording of:
Just in Time (Bells Are Ringing) (in 1961-04)
Texter:
Betty Comden (in 1956) und Adolph Green (in 1956)
Komponist(in):
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Bells Are Ringing (stage musical)
36:38
53He Was Too Good to Me (live at Village Gate)
aufgenommen bei:
The Village Gate in Greenwich Village, New York, New York, Vereinigte Staaten (in 1961-04)
live cover recording of:
He Was Too Good to Me (in 1961-04)
Texter:
Lorenz Hart (in 1930)
Komponist(in):
Richard Rodgers (composer)
publisher:
Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Williamson Music Company, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Simple Simon
4:54
54House of the Rising Sun (live at Village Gate)
Bass:
Chris White (jazz bassist) (in 1961)
Gitarre:
Al Schackman (in 1961)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
Sologesang:
Nina Simone (in 1961)
aufgenommen bei:
The Village Gate in Greenwich Village, New York, New York, Vereinigte Staaten (in 1961-04)
live cover recording of:
House of the Rising Sun (in 1961-04)
Texter und Komponist(in):
[traditional] (special purpose artist)
publisher:
Beechwood Music Corp., Ole Cantaloupe Music und Sonet Publishing Ltd.
cover recording of:
House of the Rising Sun
Texter und Komponist(in):
[traditional] (special purpose artist)
publisher:
Beechwood Music Corp., Ole Cantaloupe Music und Sonet Publishing Ltd.
54:33
55Bye Bye Blackbird (live at Village Gate instrumental)
aufgenommen bei:
The Village Gate in Greenwich Village, New York, New York, Vereinigte Staaten (in 1961-04)
live cover recording of:
Bye Bye Blackbird (in 1961-04)
Texter:
Mort Dixon (in 1926)
Komponist(in):
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) und Warner Bros., Inc. (not for release label use!)
18:17
56Brown Baby (live at Village Gate)
aufgenommen bei:
The Village Gate in Greenwich Village, New York, New York, Vereinigte Staaten (in 1961-04)
live cover recording of:
Brown Baby (in 1961-04)
Texter und Komponist(in):
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), EMHA, Knock Music und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
cover recording of:
Brown Baby
Texter und Komponist(in):
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), EMHA, Knock Music und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
25:45
57Zungo (live at Village Gate)
aufgenommen bei:
The Village Gate in Greenwich Village, New York, New York, Vereinigte Staaten (in 1961-04)
live cover recording of:
Zungo (Olatunji) (in 1961-04)
Texter und Komponist(in):
Babatunde Olatunji
publisher:
Thandewye Music (publisher; do NOT use as release label)
cover recording of:
Zungo (Olatunji)
Texter und Komponist(in):
Babatunde Olatunji
publisher:
Thandewye Music (publisher; do NOT use as release label)
3:01
58If He Changed My Name (live at Village Gate)
aufgenommen bei:
The Village Gate in Greenwich Village, New York, New York, Vereinigte Staaten (in 1961-04)
3:59
59Children Go Where I Send You (live at Village Gate)
aufgenommen bei:
The Village Gate in Greenwich Village, New York, New York, Vereinigte Staaten (in 1961-04)
live cover recording of:
Children Go Where I Send Thee (in 1961-04)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 133)
7:47
60Do Nothin’ Till You Hear From Me
cover recording of:
Do Nothin’ Till You Hear From Me
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Sony/ATV Harmony
Version von:
Concerto for Cootie
3.52:50
61I Got It Bad (and That Ain’t Good)
Sologesang:
Nina Simone (in 1962)
vocals:
Nina Simone
cover recording of:
I Got It Bad (and That Ain’t Good) (in 1962)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, Volume I)
44:07
62Hey Buddy Bolden
Sologesang:
Nina Simone
recording of:
Hey, Buddy Bolden
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
32:28
63Merry Mending
recording of:
Merry Mending
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader)
32:35
64Something to Live For
cover recording of:
Something to Live For (1938 Billy Strayhorn jazz composition)
Texter und Komponist(in):
Billy Strayhorn
32:55
65You Better Know It
cover recording of:
You Better Know It
Texter und Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
42:24
66I Like the Sunrise
Sologesang:
Nina Simone
cover recording of:
Liberian Suite: I Like the Sunrise
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1947)
publisher:
Duke Ellington Music und Tempo Music, Inc. (Duke Ellington’s music publishing company)
33:01
67Solitude
Chorgesang:
The Malcom Dodds Singers (in 1962)
Sologesang:
Nina Simone (in 1962)
conductor:
Ralph Burns (in 1962)
arranger:
Ralph Burns
cover recording of:
(In My) Solitude (in 1962)
Texter:
Eddie DeLange (in 1934) und Irving Mills (in 1934)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) und J. R. Lafleur & Son Ltd.
53:45
68The Gal From Joe’s
cover recording of:
The Gal From Joe’s
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Irving Mills
4.52:08
69Satin Doll (instrumental)
instrumental cover recording of:
Satin Doll
Texter:
Johnny Mercer (in 1953)
Komponist(in):
Billy Strayhorn (in 1953)
zusätzliche(r) Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) und WB Music Corp. (1929–2019)
4.53:37
70It Don’t Mean a Thing (If It Ain’t Got That Swing)
Sologesang:
Nina Simone (in 1962)
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (in 1962)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
42:33

Nennungen

Veröffentlichung

ASIN:UK: B00YUPLVR2 [Info]