100 Years of Lady Day

~ Veröffentlichung von Billie Holiday (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

A Collection of 15 Billie Holiday albums on 10 CDs.
The albums are distributed over the 10 CDs as follows:
CD 1:
1-8: Billie and Stan
9-16: Billie Holiday Sings
CD 2:
1-8: An Evening With Billie Holiday
9-16: Billie Holiday at Jazz at the Philharmonic
CD 3:
1-8: Music for Torching
9-16: Velvet Mood
CD 4:
1-12: A Recital By Billie Holiday
13-24: Lady Sings the Blues
CD 5:
1-15: Jazz Recitals
16-21: Songs for Distingué Lovers
CD 6: Body and Soul
CD 7: Lady in Satin
CD 8: The Blues Are Brewin'
CD 9: Ella Fitzgerald and Billie Holiday at Newport
CD 10: Stay With Me

Anmerkung zuletzt geändert am 2023-03-08 18:52 UTC.

Titelliste

1▶CD: Billie and Stan + Billie Holiday Sings
2▶CD: An Evening With Billie Holiday + Billie Holiday at Jazz at the Philharmonics
3▶CD: Music for Torching + Velvet Mood
4▶CD: A Recital By Billie Holiday + Lady Sings the Blues
5▶CD: Jazz Recital + Songs for Distingué Lovers
6▼CD: Body and Soul
Nr.TitelKünstlerBewertungLänge
1Body and Soul
recording of:
Body and Soul
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billie Holiday, Ben Webster, Barney Kessel, Harry “Sweets” Edison, Jimmy Rowles, Red Mitchell, Larry Bunker6:26
2They Can’t Take That Away from Me
Produzent(in):
Norman Granz (am 1957-01-09)
E-Gitarre und Gitarre:
Barney Kessel (am 1957-01-09)
Klavier:
Jimmy Rowles (am 1957-01-09)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1957-01-09) und Joe Mondragon (am 1957-01-09)
Schlagzeug:
Larry Bunker (am 1957-01-09)
Tenorsaxophon:
Ben Webster (am 1957-01-09)
Trompete:
Harry “Sweets” Edison (am 1957-01-09)
vocals:
Billie Holiday (in 1957-01, am 1957-01-09)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-09)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (am 1957-01-09)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
Billie Holiday, Ben Webster, Barney Kessel, Harry “Sweets” Edison, Jimmy Rowles, Red Mitchell, Larry Bunker3.54:12
3Darn That Dream
Produzent(in):
Norman Granz (am 1957-01-07)
Gitarre:
Barney Kessel (am 1957-01-07)
Klavier:
Jimmy Rowles (am 1957-01-07)
Kontrabass:
Joe Mondragon (am 1957-01-07)
Schlagzeug:
Alvin Stoller (am 1957-01-07)
Tenorsaxophon:
Ben Webster (am 1957-01-07)
Trompete:
Harry “Sweets” Edison (am 1957-01-07)
vocals:
Billie Holiday (am 1957-01-07)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-07)
recording of:
Darn That Dream (am 1957-01-07)
Texter:
Eddie DeLange (in 1939)
Komponist(in):
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
Teil von:
Swingin’ the Dream
Billie Holiday, Ben Webster, Barney Kessel, Harry “Sweets” Edison, Jimmy Rowles, Red Mitchell, Larry Bunker46:20
4Let’s Call the Whole Thing Off
Produzent(in):
Norman Granz (am 1957-01-09)
Gitarre:
Barney Kessel (am 1957-01-09)
Klavier:
Jimmy Rowles (am 1957-01-09)
Kontrabass:
Joe Mondragon (am 1957-01-09)
Schlagzeug:
Larry Bunker (am 1957-01-09)
Tenorsaxophon:
Ben Webster (am 1957-01-09)
Trompete:
Harry “Sweets” Edison (am 1957-01-09)
vocals:
Billie Holiday (in 1957-01)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-09)
recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (am 1957-01-09)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
übersetzte Version von:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
Teil von:
Shall We Dance (1937 film soundtrack)
Billie Holiday, Ben Webster, Barney Kessel, Harry “Sweets” Edison, Jimmy Rowles, Red Mitchell, Larry Bunker53:26
5Comes Love
recording of:
Comes Love (am 1956-01-04)
Texter:
Lew Brown
Komponist(in):
Sam H. Stept und Charles Tobias (Tin Pan Alley songwriter)
Billie Holiday, Ben Webster, Barney Kessel, Harry “Sweets” Edison, Jimmy Rowles, Red Mitchell, Larry Bunker24:00
6Gee Baby, Ain’t I Good to You
recording of:
Gee, Baby Ain’t I Good to You
Texter:
Andy Razaf
Komponist(in):
Don Redman
publisher:
Michael H. Goldsen Inc. und Razaf Music
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Billie Holiday, Ben Webster, Barney Kessel, Harry “Sweets” Edison, Jimmy Rowles, Red Mitchell, Larry Bunker5:37
7Embraceable You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-09)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (am 1957-01-09)
Klavier:
Jimmy Rowles (am 1957-01-09)
Kontrabass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1957-01-09)
Schlagzeug:
Larry Bunker (am 1957-01-09)
Tenorsaxophon:
Ben Webster (am 1957-01-09)
Trompete:
Harry “Sweets” Edison (am 1957-01-09)
vocals:
Billie Holiday (am 1957-01-09)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1957-01-07 bis 1957-01-09)
recording of:
Embraceable You (am 1957-01-09)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
Billie Holiday, Ben Webster, Barney Kessel, Harry “Sweets” Edison, Jimmy Rowles, Red Mitchell, Larry Bunker56:49
8Moonlight in Vermont
recording of:
Moonlight in Vermont
Texter:
John Blackburn (songwriter)
Komponist(in):
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billie Holiday, Ben Webster, Barney Kessel, Harry “Sweets” Edison, Jimmy Rowles, Red Mitchell, Larry Bunker3:52
7▶CD: Lady in Satin
8▶CD: The Blues Are Brewin’
9▶CD: Ella Fitzgerald and Billie Holiday at Newport
10▶CD: Stay With Me

Nennungen

Veröffentlichung

hergestellt in:Europa
Discogs:https://www.discogs.com/release/7528401 [Info]

Veröffentlichungsgruppe

Teil von:10 CD Collection (Reihenfolge: 6)
Discogs:https://www.discogs.com/master/1757294 [Info]