Paradisum: Serene Sacred Songs

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Copyright: © 2016 Decca Music Group Limited
This Compilation ℗ 2016 Decca Music Group Limited

Annotation last modified on 2024-12-30 13:04 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Ave Maria, D. 839 (arr. Gamley)
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer) (in 1976-01)
producer:
Ray Minshull (record producer)
choir vocals:
Wandsworth School Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger and orchestrator:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
live recording of:
Ave Maria (catch-all for arrangements) (in 1976-01)
composer:
Franz Schubert (composer)
arrangement of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements)
composer:
Franz Schubert (composer) (in 1825)
arrangement of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
lyricist:
Jairo (Argentinean singer) and Sir Walter Scott (19th-century Scottish author)
composer:
Franz Schubert (composer) (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
Franz Schubert4:52
2Requiem, op. 48: Pie Jesu
soprano vocals:
Renée Fleming (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Andreas Delfs (conductor)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré4:06
3Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, Joy Of Man's Desiring, BWV 147
producer:
Christopher Hazell
oboe:
Nicholas Daniel (oboist and conductor) (from 1996-07-01 until 1996-07-05)
organ:
Robert Quinney (organist and choir director) (from 1996-07-01 until 1996-07-05) and James Vivian (organist) (from 1996-07-01 until 1996-07-05)
choir vocals:
Choir of King’s College, Cambridge (from 1996-07-01 until 1996-07-05)
conductor:
Stephen Cleobury (organist, conductor) (from 1996-07-01 until 1996-07-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1996-07-01 until 1996-07-05)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (from 1996-07-01 until 1996-07-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Jesu, Joy of Man’s Desiring (in 1996-07)
orchestrator:
Leopold Stokowski (conductor)
lyricist:
Robert Bridges (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
translated version of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach6:01
4Du bist die Ruh', D. 776 (op. 59/3)
engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Mitlehner and Pål Christian Moe
piano:
Malcolm Martineau (pianist) (in 1994-02)
baritone vocals:
Bryn Terfel (bass‐baritone opera singer) (in 1994-02)
balance engineer:
Wolfgang Mitlehner
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1994-02)
recording of:
Du bist die Ruh’, D. 776 (in 1994-02)
lyricist:
Friedrich Rückert (German poet)
composer:
Franz Schubert (composer) (in 1823)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 776)
Franz Schubert4:39
5Requiem: Pie Jesu
choir vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir)
soprano vocals:
Anna Netrebko (soprano)
treble vocals:
Andrew Swait
orchestra:
Prague Philharmonia
conductor:
Emmanuel Villaume (conductor)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2013)
recording of:
Requiem: Pie Jesu
lyricist and composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
MCA Music Ltd., The Really Useful Company Limited and The Really Useful Music Co. Ltd. (not for release label use!)
part of:
Requiem
Andrew Lloyd Webber3:45
6Serse, HWV 40: Act 1: "Ombra mai fu"
countertenor vocals [Serse]:
Andreas Scholl (countertenor)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Roger Norrington (conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1999)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:01
7Repentir (O Divine Redeemer), CG 434
producer:
Paul Myers (classical record producer)
soprano vocals:
Kiri Te Kanawa (soprano) (from 1989-02-24 until 1989-02-25)
orchestra:
Utah Symphony Orchestra (from 1989-02-24 until 1989-02-25)
conductor:
Julius Rudel (conductor) (from 1989-02-24 until 1989-02-25)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1989)
recorded at:
Salt Lake Tabernacle (Mormon Tabernacle) in Salt Lake City, Utah, United States (from 1989-02-24 until 1989-02-25)
live recording of:
Repentir (“O Divine Redeemer”) (from 1989-02-24 until 1989-02-25)
composer:
Charles Gounod (French composer)
Charles Gounod5:28
8Ave verum corpus, K. 618
producer:
Christopher Hazell
organ:
James Vivian (organist) (from 1996-07-01 until 1996-07-05)
choir vocals:
Choir of King’s College, Cambridge (from 1996-07-01 until 1996-07-05)
conductor:
Stephen Cleobury (organist, conductor) (from 1996-07-01 until 1996-07-05)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1996-07-01 until 1996-07-05)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (from 1996-07-01 until 1996-07-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart3:37
9Ave Maria
producer:
Anna Barry (classical producer)
mezzo-soprano vocals:
Elīna Garanča (Latvian operatic lyric mezzo-soprano) (in 2013-10)
orchestra:
Deutsche Radio Philharmonie Saarbrücken Kaiserslautern (in 2013-10)
conductor:
Karel Mark Chichon (conductor) (in 2013-10)
balance engineer:
Stephan Flock and Ralf Schnellbach
recorded at:
Funkhaus Halberg: Großer Sendesaal in Saarbrücken, Saarland, Germany (in 2013-10)
recording of:
Ave Maria (Vavilov, often misattributed to Caccini) (in 2013-10)
composer:
Владимир Вавилов (Vladimir Vavilov)
previously attributed to:
Giulio Caccini (Italian renaissance composer, 1551-1618)
Giulio Caccini5:40
10Mille Cherubini in Coro, D. 498
recording engineer:
Thijs Hoekstra, Everett Porter and Roger de Schot
producer:
Anna Barry (classical producer)
mixer and balance engineer:
Jean‐Marie Geijsen
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
solo tenor vocals:
Andrea Bocelli (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
정명훈 (Myung-Whun Chung, pianist and conductor)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor)
arranger:
Steven Mercurio (conductor and composer)
recorded at:
Auditorium Conciliazione in Roma (Rome), Roma, Lazio, Italy
recording of:
Mille cherubini in coro
lyricist:
Ernst Marischka
composer:
Franz Schubert (composer)
arranger:
Alois Melichar
version of:
Wiegenlied, D. 498
Franz Schubert43:57
11Wesendonck Lieder, WWV 91: Der Engel
producer:
David Groves (classical music producer at EMI)
tenor vocals:
Jonas Kaufmann (tenor) (in 2012-09)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 2012-09)
conductor:
Donald Runnicles (conductor) (in 2012-09)
recorded at:
Funkhaus Nalepastraße in Berlin, Germany (in 2012-09)
recording of:
Wesendonck-Lieder: I. Der Engel (for voice and large orchestra, Mottl) (in 2012-09)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: I. Der Engel (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner3:14
12Requiem in D minor, K. 626: 3. Sequentia: Lacrimosa
choir vocals:
MDR Rundfunkchor Leipzig (in 1982-04)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1982-04)
conductor:
Peter Schreier (German tenor and conductor) (in 1982-04)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (in 1982-04)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart3:06
13Vespers, op. 37: VI. Bogoroditse Devo
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
vocals:
VOCES8
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2015)
recording of:
Всенощное бдение, op. 37: 6. Богородице Дево, радуйся (All-Night Vigil, Op. 37: VI. Rejoice, O Virgin)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1915)
part of:
Всенощное бдение, op. 37 (All-Night Vigil, Op. 37, All-Night Vigil by Sergei Rachmaninoff)
Sergei Rachmaninoff3:06
14Song for Athene
organ:
Ian le Grice (organist)
choir vocals:
The Choir of Temple Church and Holst Singers
conductor:
Stephen Layton (English conductor)
recording of:
Song for Athene
lyricist:
William Shakespeare (English poet and playwright)
composer:
John Tavener (20th century composer) (in 1993)
publisher:
Chester Music Ltd.
John Tavener5:34
15Requiem in D minor, op. 48: VII. In Paradisum
organ:
John Birch (organist) (in 1993-01)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1993-01)
orchestra:
Academy of St Martin in the Fields (in 1993-01)
conductor:
Sir Neville Marriner (conductor) (in 1993-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1993-01)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (in 1993-01)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:08
16Ave Maria, CG 89a
tenor vocals [Tenor]:
Juan Diego Flórez (Peruvian operatic tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Michele Mariotti (conductor)
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer)
publisher:
Lam Larghetto Music (from 1993 to present)
arrangement of:
Ave Maria (Bach/Gounod)
Johann Sebastian Bach2:58
17Cantique de Jean Racine, op. 11
producer:
Christopher Hazell
organ:
James Vivian (organist) (from 1996-07-01 until 1996-07-05)
choir vocals:
Choir of King’s College, Cambridge (from 1996-07-01 until 1996-07-05)
conductor:
Stephen Cleobury (organist, conductor) (from 1996-07-01 until 1996-07-05)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1996-07-01 until 1996-07-05)
recording of:
Cantique de Jean Racine, op. 11 (for choir and piano or organ) (from 1996-07-01 until 1996-07-05)
lyricist:
Jean Racine (French dramatist)
composer:
Gabriel Fauré (French composer) (in 1865)
dedicated to:
César Franck (Belgian‐born French composer)
part of:
Works of Gabriel Fauré by opus number (number: op. 11)
Gabriel Fauré5:37
18The Ground
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Alexander Van Ingen
editor:
Dave Rowell (engineer)
piano:
Ola Gjeilo (Norwegian composer)
vocals:
Tenebrae (UK choir)
orchestra:
Chamber Orchestra of London
chorus master:
Nigel Short (British counter-tenor and conductor)
concertmaster:
Thomas Gould (violinist)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2015-04-13 until 2015-04-15)
recording of:
The Ground (Pleni sunt caeli)
lyricist:
[anonymous] (special purpose artist)
composer:
Ola Gjeilo (Norwegian composer) (in 2010)
Ola Gjeilo3:39
19Mass: Simple Song
soprano vocals:
Renée Fleming (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Andreas Delfs (conductor)
recording of:
Mass: I. Devotions before Mass, No. 2. Hymn and Psalm: “A Simple Song”
additional lyricist:
Leonard Bernstein (American conductor, composer, pianist) (in 1971) and Stephen Schwartz (musical theatre lyricist/composer) (in 1971)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1971)
premiered at:
The John F. Kennedy Center for the Performing Arts in Washington, D.C., United States (on 1971-09-08)
part of:
Mass: A Theatre Piece for Singers, Players, and Dancers
Leonard Bernstein4:09
20Panis angelicus, CFF 209
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
choir vocals:
Wandsworth School Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
chorus master:
Russell Burgess (in 1976-01)
arranger and orchestrator:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Panis Angelicus (catch-all for arrangements)
composer:
César Franck (Belgian‐born French composer)
arrangement of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
César Franck4:04
21Liturgy of St John Chrysostom, op. 31: 10. We Praise Thee: "Tebe poem"
choir vocals:
St. Petersburg Chamber Choir (in 1994-01)
soprano vocals:
Natalia Kornieva (in 1994-01)
chorus master:
Nikolai Korniev (chorus master) (in 1994-01)
recorded at:
Peter and Paul Cathedral in Sankt-Peterburg (Saint Petersburg), Russia (in 1994-01)
partial recording of:
Liturgy of St. John Chrysostom, op. 31 (in 1994-01)
premiered in:
Moscow, Russia (on 1910-11-25)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1910-07)
part of:
Works of Sergei Rachmaninoff by opus number (number: op. 31)
recording of:
Liturgy of St. John Chrysostom, op. 31: XII. We Praise Тhee (in 1994-01)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1910-07)
part of:
Liturgy of St. John Chrysostom, op. 31
Sergei Rachmaninoff3:37
22Sancta Maria
recording engineer:
Thijs Hoekstra, Everett Porter and Roger de Schot
producer:
Anna Barry (classical producer)
mixer and balance engineer:
Jean‐Marie Geijsen
solo tenor vocals:
Andrea Bocelli (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
정명훈 (Myung-Whun Chung, pianist and conductor)
recorded at:
Auditorium Conciliazione in Roma (Rome), Roma, Lazio, Italy
recording of:
Sancta Maria (based on the Intermezzo from "Cavalleria rusticana" by Mascagni)
composer:
Pietro Mascagni (composer & conductor)
arranger:
Steven Mercurio (conductor and composer)
is based on:
Cavalleria rusticana: Intermezzo
Pietro Mascagni33:38
23Misa Criolla: 1. Kyrie
percussion:
Domingo Cura (in 1987-07) and Jorge Padin (in 1987-07)
choir vocals:
Coral Salvé de Laredo (in 1987-07) and Sociedad Coral de Bilbao (Bilbao Choral Society) (in 1987-07)
tenor vocals:
José Carreras (Spanish tenor) (in 1987-07)
orchestra:
Huancara (in 1987-07)
conductor:
José Luis Ocejo
chorus master:
José Luis Ocejo (in 1987-07)
recorded at:
Santuario de la Bien Aparecida in Ampuero, Cantabria, Spain (in 1987-07)
recording of:
Misa criolla: I. Kyrie (in 1987-07)
composer:
Ariel Ramírez (Argentinian composer, pianist and music director) (in 1964)
part of:
Misa criolla
Ariel Ramírez3:49
24Auf Flügeln des Gesanges, op. 34, no. 2
producer:
Andrew Cornall (engineer / producer) and Paul Myers (classical record producer) (task: session recording producer)
mixer:
Philip Siney (sound engineer) (from 1998-09-19 until 1998-09-25)
soprano vocals:
Angela Gheorghiu (Romanian soprano) (from 1998-09-19 until 1998-09-25)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1998-09-19 until 1998-09-25)
conductor:
Ion Marin (conductor) (from 1998-09-19 until 1998-09-25)
arranger:
Chris Hazell
balance engineer:
James Lock (James Locke, engineer) (from 1998-09-19 until 1998-09-25)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2001)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-09-19 until 1998-09-25)
recording of:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (catch-all for arrangements)
composer:
Felix Mendelssohn (composer)
arrangement of:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (original for voice and piano)
Felix Mendelssohn2:51
25Os Justi, WAB 30
recording engineer:
Andrew Mellor (engineer)
producer:
Nicholas Parker (Production music composer)
vocals:
VOCES8 (in 2013-04)
recorded at:
Église Notre-Dame d'Herment in Herment, Puy-de-Dôme, Auvergne-Rhône-Alpes, France (from 2013-04-05 until 2013-04-11)
recording of:
Os justi, WAB 30 (in 2013-04)
composer:
Anton Bruckner (Austrian composer) (on 1879-07-18)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 30)
Anton Bruckner4:48
26Nulla in mundo pax, RV 630: 1. Nulla in mundo pax
engineer:
John Dunkerley (engineer)
producer:
Peter Wadland (producer)
baroque trumpet [natural trumpet]:
Michael Laird (classical trumpeter) (in 1978-06)
bassoon:
Jeremy Ward (UK classical bassoonist) (in 1978-06)
cello:
Anthony Pleeth (cellist) (in 1978-06) and Richard Webb (cellist) (in 1978-06)
chamber organ:
Christopher Hogwood (conductor, harpsichordist) (in 1978-06)
double bass:
Peter McCarthy (double bassist) (in 1978-06)
oboe:
Clare Shanks (oboist) (in 1978-06)
viola:
Annette Isserlis (violist) (in 1978-06), Trevor Jones (British violist, ex. Salomon Quartet) (in 1978-06) and Colin Kitching (in 1978-06)
violin:
Joan Brickley (in 1978-06), Judith Falkus (in 1978-06), Miles Golding (violinist) (in 1978-06), Rachel Isserlis (in 1978-06), June Baines (in 1978-06), Catherine Mackintosh (violinist) (in 1978-06), Michela Comberti (English violinist) (in 1978-06), Simon Standage (English violinist and conductor) (in 1978-06), Robin Stowell (in 1978-06), Kay Usher (in 1978-06), Polly Waterfield (in 1978-06) and Christel Wiehe (in 1978-06)
soprano vocals:
Emma Kirkby (soprano) (in 1978-06)
orchestra:
Academy of Ancient Music (in 1978-06)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1978-06)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1978-06)
recording of:
Nulla in mundo pax sincera, RV 630: I. Aria “Nulla in mundo pax”. Larghetto (in 1978-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Nulla in mundo pax sincera, RV 630
recording of:
Nulla in mundo pax sincera, RV 630
lyricist:
[anonymous] (special purpose artist)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1735)
part of:
Ryom-Verzeichnis (number: RV 630)
Antonio Vivaldi36:48
2712 Songs, op. 21 (arr. by Michael Rot): VII. Zdes′ khorosho
recording engineer:
Wolf‐Dieter Karwatky (from 2005-12 until 2006-06)
sound engineer:
Rainer Maillard (from 2005-12 until 2006-06)
producer:
Christopher Alder (editor/engineer/producer) (from 2005-12 until 2006-06)
soprano vocals:
Anna Netrebko (soprano) (from 2005-12 until 2006-06)
orchestra:
Orchestra of the Mariinsky Theatre (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992) (from 2005-12 until 2006-06)
conductor:
Valery Gergiev (conductor) (from 2005-12 until 2006-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2006)
recorded at:
Mariinsky Theatre (Mariinsky Theatre) in Sankt-Peterburg (Saint Petersburg), Russia (from 2005-12 until 2006-06)
recording of:
12 Romances, op. 21: No. 7 “How Fair This Spot” (12 Romances, op. 21: no. 7 “How Fair This Spot”)
lyricist:
Галина Галина (Galina Galina)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1902)
part of:
12 Romances, op. 21
Sergei Rachmaninoff2:26
28Vesperae solennes de confessore in C, K. 339: 5. Laudate Dominum omnes gentes
producer:
Chris Hazell
choir vocals:
Choir of St John’s College, Cambridge (from 1979-08-01 until 1979-08-02)
soprano vocals:
Felicity Palmer (mezzo-soprano) (from 1979-08-01 until 1979-08-02)
orchestra:
The Wren Orchestra (from 1979-08-01 until 1979-08-02)
conductor:
George Guest (organist and conductor) (from 1979-08-01 until 1979-08-02)
balance engineer:
John Dunkerley (engineer) (in 1979-08) and Kenneth Wilkinson (engineer) (in 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1979-08-01 until 1979-08-02)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (from 1979-08-01 until 1979-08-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart4:52
29Magnificat in D major, BWV 243: Quia respexit... Omnes generationes
producer:
Andrew Cornall (engineer / producer) and Paul Myers (classical record producer) (task: session recording producer)
mixer:
Philip Siney (sound engineer) (from 1998-09-19 until 1998-09-25)
choir vocals:
Romanian National Choir "Madrigal-Marin Constantin"
soprano vocals:
Angela Gheorghiu (Romanian soprano) (from 1998-09-19 until 1998-09-25)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1998-09-19 until 1998-09-25)
conductor:
Ion Marin (conductor) (from 1998-09-19 until 1998-09-25)
balance engineer:
James Lock (James Locke, engineer) (from 1998-09-19 until 1998-09-25)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2001)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-09-19 until 1998-09-25)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach4:02
30Lux Aurumque
choir vocals:
Eric Whitacre Singers
conductor:
Eric Whitacre (composer)
recording of:
Lux aurumque
lyricist:
Edward Esch
composer:
Eric Whitacre (composer) (in 2000)
translator:
Charles Anthony Silvestri (US poet, fl. early 21c)
was commissioned by:
Master Chorale of Tampa Bay
Eric Whitacre4:11