Super ’70s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Elenco tracce

1▶CD
2▼CD
#TitoloArtistaValutazioneDurata
1Joy to the World
registrazione di:
Joy to the World
paroliere e compositore:
Hoyt Axton
editore:
Rondor Music
Three Dog Night4.753:37
2Le Freak
produttore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
direttore d'orchestra:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
arrangiatore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
parte di:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 10) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 391)
registrazione di:
Le Freak
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic3.25:29
3Shadow Dancing
produttore:
Albhy Galuten, Barry Gibb e Karl Richardson
diritti fonografici (℗) detenuti da:
Peta Gibb (nel 1978)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1978)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 55)
registrazione di:
Shadow Dancing
autore:
Andy Gibb, Barry Gibb, Maurice Gibb e Robin Gibb
editore:
Andy Gibb Music, Crompton Songs, Gibb Brothers Music, Hugh and Barbara Gibb Music, Joy USA Music Company, Stigwood Music, Inc. e Unichappell Music, Inc.
Andy Gibb4.654:31
4My Sharona
tecnico di registrazione:
Pete Coleman
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Bruce Gary
chitarra :
Berton Averre e Doug Fieger (in The Knack)
chitarra basso :
Prescott Niles
voce:
Berton Averre
voce principale:
Doug Fieger (in The Knack)
remixer:
Dave Jerden
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 1994, nel 2013)
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 18), TV Cream: Real 100 Best Singles Ever (numero: 24) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 201)
registrazione di:
My Sharona
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia e Wise Brothers Music LLC
The Knack4.154:54
5Brick House
produttore:
James Anthony Carmichael
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1977)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 296)
registrazione di:
Brick House (original version)
paroliere:
William King (member of Commodores), Walter Orange e Lionel Richie
compositore:
Ronald LaPread, Thomas McClary, Lionel Richie e Milan Williams
editore:
Brenda Richie Publishing, Cambrae Music, Daddy Married a Golddigger, Drop Five, Hanna Music, Jobete Music Co., Inc., Libren Music, Old Fashion Publishing, Reservoir Media Music, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Commodores3.73:33
6What a Fool Believes
tecnico:
Donn Landee
tecnico aggiunto:
Loyd Clifft
produttore:
Ted Templeman
batteria :
John Hartman (drummer for the Doobie Brothers) (nel 1978-08)
chitarra :
Jeff “Skunk” Baxter (nel 1978-08) e Patrick Simmons (nel 1978-08)
chitarra basso :
Tiran Porter (nel 1978-08)
congas aggiunto e voce aggiuntiva:
Bobby LaKind (nel 1978-08)
sintetizzatore :
Michael McDonald (R&B & soul singer) (nel 1978-08) e Bill Payne (nel 1978-08)
sintetizzatore aggiunto:
Bill Payne (nel 1978-08)
tastiera e voce principale:
Michael McDonald (R&B & soul singer) (nel 1978-08)
voce:
Patrick Simmons (nel 1978-08)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1978)
registrata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti (nel 1978-08)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 147) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 343)
registrazione di:
What a Fool Believes (nel 1978-08)
autore:
Ken Loggins e Mike McDonald (R&B & soul singer)
editore:
Milk Money Music (nel 1978) e Snug Music (nel 1978)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers43:43
7That’s the Way (I Like It)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975, nel 1976) e T.K. Records (Miami‐based disco label) (nel 1975)
edit di:
That’s the Way (I Like It) di KC and the Sunshine Band (US funk, R&B & disco band)
registrazione di:
That’s the Way (I Like It)
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) e Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.33:02
8Theme From “Shaft”
edit di:
Theme From ‘Shaft’ di Isaac Hayes
registrazione di:
Theme From Shaft (Shaft, 1971)
paroliere e compositore:
Isaac Hayes
editore:
Irving Music, Inc.
parte di:
The 44th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1971 winner)
parte di:
Shaft (1971 film soundtrack)
Isaac Hayes4.53:16
9Dream Weaver
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1975)
registrazione di:
Dream Weaver (Gary Wright)
paroliere e compositore:
Gary Wright (US singer/keyboardist) (nel 1975)
editore:
High Wave Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) e WB Music Corp.
Gary Wright3:22
10American Pie
tecnico:
Tom Flye
produttore:
Ed Freeman (producer, arranger, musician, and photographer)
chitarra elettrica :
David Spinozza (dal 1971-05 al 1971-06)
pianoforte :
Paul Griffin (American pianist, session musician) (dal 1971-05 al 1971-06)
voce:
Don McLean (dal 1971-05 al 1971-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1971, nel 2000)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1971-05 al 1971-06)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 131)
registrazione di:
American Pie (dal 1971-05 al 1971-06)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd e Yahweh Tunes, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean4.38:31
11Don’t Leave Me This Way
produttore:
Hal Davis
voce:
Thelma Houston (nel 1976)
arrangiatore:
Art Wright (guitar)
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1976)
edit di:
Don’t Leave Me This Way di Thelma Houston
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 355) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 432)
registrazione cover di:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Thelma Houston4.53:40
12Best of My Love
produttore:
Al McKay
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 334)
registrazione di:
Best of My Love
autore:
Al McKay e Maurice White (Earth, Wind & Fire)
editore:
EMI Songs Ltd.
The Emotions4.153:42
13Back Stabbers
tecnico di registrazione:
Joe Tarsia (engineer) (nel 1972)
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
esecutore:
MFSB (Mother Father Sister Brother) (nel 1972)
arrangiatore:
Thom Bell (keyboards, songwriter, producer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
Back Stabbers (nel 1972)
autore:
Leon Huff (Philly soul producer, of Gamble & Huff), Gene McFadden e John Whitehead
editore:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.73:06
14Don’t Bring Me Down
tecnico:
Mack (German rock producer/engineer Reinhold Mack)
produttore:
Jeff Lynne
batteria e percussione :
Bev Bevan (English rock drummer) (dal 1979-03 al 1979-04)
chitarra basso :
Kelly Groucutt (dal 1979-03 al 1979-04)
chitarra elettrica e voce principale:
Jeff Lynne (dal 1979-03 al 1979-04)
clarinetto e pianoforte elettrico :
Richard Tandy (keyboardist for Electric Light Orchestra) (dal 1979-03 al 1979-04)
pianoforte e sintetizzatore :
Jeff Lynne (dal 1979-03 al 1979-04) e Richard Tandy (keyboardist for Electric Light Orchestra) (dal 1979-03 al 1979-04)
cori:
Kelly Groucutt (dal 1979-03 al 1979-04) e Jeff Lynne (dal 1979-03 al 1979-04)
direttore d'orchestra:
Louis Clark (dal 1979-03 al 1979-04)
arrangiatore archi e arrangiatore cori:
Louis Clark, Jeff Lynne e Richard Tandy (keyboardist for Electric Light Orchestra)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1979), Jet Inc. (nel 1979), Jet Records (nel 1979), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1979) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 2005)
registrata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (dal 1979-03 al 1979-04)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 215)
registrazione di:
Don’t Bring Me Down (dal 1979-03 al 1979-04)
paroliere e compositore:
Jeff Lynne
editore:
April Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Ltd., Jet Music Inc., Jet Music Ltd. (British branch) e Polygon Publishing Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Electric Light Orchestra4.454:03
15You’re No Good
tecnico di registrazione:
Val Garay (dal 1974-06 al 1974-09) e David Hassinger (dal 1974-06 al 1974-09)
tecnico:
Val Garay
produttore:
Peter Asher, Jay Faires e Tricia Holloway
basso :
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (dal 1974-06 al 1974-09)
batteria, pianoforte elettrico e percussione :
Andrew Gold (dal 1974-06 al 1974-09)
chitarra elettrica :
Ed Black (dal 1974-06 al 1974-09)
chitarra elettrica solista :
Andrew Gold (dal 1974-04 al 1974-09)
voce di accompagnamento:
Clydie King (dal 1974-06 al 1974-09) e Shirley Matthews (Canadian pop singer) (dal 1974-06 al 1974-09)
arrangiatore archi :
Gregory Rose
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1974, nel 2006) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1974, nel 2013)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (dal 1974-06 al 1974-09)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 38)
registrazione cover di:
You’re No Good (dal 1974-06 al 1974-09)
paroliere e compositore:
Clint Ballard, Jr.
editore:
Beardog Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Edwin H. Morris & Co. (a division of MPL Communications Inc.)
Linda Ronstadt4.753:45
16Don’t Pull Your Love
registrazione di:
Don't Pull Your Love
autore:
Dennis Lambert e Brian Potter (US songwriter & producer)
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Hamilton, Joe Frank & Reynolds2:43
17I’m Not in Love
basso e chitarra :
Graham Gouldman (nel 1975)
effetti [musical effects] :
Eric (nel 1975)
moog :
Kevin Godley (nel 1975)
pianoforte :
Lol Creme (nel 1975)
pianoforte elettrico e voce principale:
Eric Stewart (nel 1975)
synclavier [control desk] :
Eric (nel 1975), Graham (nel 1975), Kevin (nel 1975) e Lol (nel 1975)
voce di accompagnamento:
Lol Creme (nel 1975), Kevin Godley (nel 1975) e Graham Gouldman (nel 1975)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!)
edit di:
I’m Not in Love (album version) di 10cc
registrazione di:
I’m Not in Love (nel 1975)
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, nel 1975), Schubert Music Publishing, St. Anne's Music e St. Anne’s Music Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
10cc4.23:46
18Can’t Get Enough of Your Love, Babe
diritti fonografici (℗) detenuti da:
20th Century Records (1972–1978; name reverted in 1978 to 20th Century-Fox Records) (nel 1974)
registrazione di:
Can’t Get Enough of Your Love Babe
paroliere e compositore:
Barry White
editore:
January Music Corp., Sa‐Vette Music Co., Warner Chappell Music (publisher as Warner/Chappell Music) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Barry White3:23
19Let’s Stay Together
produttore:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
basso elettrico :
Leroy Hodges
batteria :
Howard Grimes e Al Jackson, Jr. (Booker T & The MGs drummer)
famiglia delle chitarre :
Mabon Hodges (“Teenie”, soul guitarist)
organo e pianoforte :
Charles Hodges (soul organist)
sassofono :
James Mitchell (US saxophonist/arranger)
sassofono tenore :
Ed Logan
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
trombone :
Jack Hale (trombone)
voce:
Al Green (US soul singer, songwriter, pastor and record producer)
voce di accompagnamento:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes e Sandra Rhodes
diritti fonografici (℗) detenuti da:
Cream Records (70s Los Angeles) (nel 1971) e HI Records Inc. (nel 1971)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 34), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 60), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 84)
registrazione di:
Let’s Stay Together
autore:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) e Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
editore:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. e Irving Music, Inc.
Al Green4.553:13

Accreditamenti