The Classic 100: Baroque & Before

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Volume I CD1
2▶CD: Volume I CD2
3▶CD: Volume I CD3
4▼CD: Volume 1 CD4
Nr.TitelKünstlerBewertungLänge
1Brandenburg Concerto No. 5 in D major, BWV1050: I. Allegro (excerpt)
Cembalo:
Erin Helyard
Orchester:
Orchestra of the Antipodes
conductor:
Erin Helyard
teilweise recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: I. Allegro
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach6:07
2Solomon, HWV67: The Arrival of the Queen of Sheba
Orchester:
Australian Brandenburg Orchestra
conductor:
Paul Dyer (conductor)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft und Public Domain (refers to works that are in the public domain)
Teil von:
Solomon, HWV 67: Act III
George Frideric Handel3:10
3Brandenburg Concerto No. 1 in F major, BWV1046: I. [Allegro]
Orchester:
Orchestra of the Antipodes
conductor:
Antony Walker (Australian conductor)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I.
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach3:57
4The Well-Tempered Clavier, Book I: Prelude in C major, BWV846
Cembalo:
Erin Helyard
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 29)
Teil von:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
Revision von:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach2:06
5Greensleeves
Gitarre:
Gareth Koch
recording of:
Greensleeves (generic entry for traditional and unknown arrangements)
Texter und Komponist(in):
[traditional] (special purpose artist)
Anonymous2:26
6Come, Ye Sons of Art, Away (Birthday Ode for Queen Mary), Z323: Sound the Trumpet
Countertenorgesang [countertenor]:
Christophe Dumaux (countertenor) und Andreas Scholl (countertenor)
Orchester:
Accademia Bizantina
conductor:
Stefano Montanari (violinist and conductor)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: III. Sound the Trumpet
Komponist(in):
Henry Purcell (Baroque composer) (in 1694)
Librettist:
Nahum Tate
Teil von:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell3:03
7Serse (Xerxes), HWV40: Ombra mai fù (Never Was Shade So Lovely)
Tenor-Gesang [tenor]:
David Hobson (tenor, composer)
Orchester:
Sinfonia Australis
conductor:
Antony Walker (Australian conductor)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (von 1737-12-26 bis 1738-01-09)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Serse, HWV 40: Atto I
George Frideric Handel2:47
8Brandenburg Concerto No. 4 in G major, BWV1049: I. Allegro
Orchester:
Orchestra of the Antipodes
conductor:
Anna McDonald (Australian violinist and conductor) und Antony Walker (Australian conductor)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach6:56
9Flow My Tears
Laute:
Tommie Andersson
viola da gamba:
Daniel Yeadon (cello and viol player)
Tenor-Gesang [tenor]:
Paul McMahon (Australian tenor)
recording of:
Lachrimae Pavane (Flow My Tears)
Komponist(in):
John Dowland (composer and lutenist)
John Dowland5:08
10Christmas Oratorio, BWV248: Jauchzet, frohlocket (Rejoice, exult)
Chorgesang:
The Sixteen (UK choir)
Orchester:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
Interpret(in):
The Sixteen (UK choir)
aufgenommen bei:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1993-01)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1734-12-25)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1734 bis 1735)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
Teil von:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:55
11Rinaldo, HWV7: Lascia ch'io pianga (Let Me Lament)
Soprangesang [soprano]:
Yvonne Kenny (Australian soprano)
Orchester:
Australian Brandenburg Orchestra
conductor:
Paul Dyer (conductor)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1711)
Librettist:
Giacomo Rossi
Teil von:
Rinaldo, HWV 7a: Atto II
George Frideric Handel4:25
12St John Passion, BWV245 (1724 Version): Ruht wohl (Rest In Peace)
Chorgesang:
Choir of the AAM
Orchester:
Academy of Ancient Music
conductor:
Richard Egarr (conductor)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 39 Chorus "Ruht wohl, ihr heiligen Gebeine"
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach6:33
13Brandenburg Concerto No. 2 in F major, BWV1047: I. [Allegro]
Orchester:
Orchestra of the Antipodes
conductor:
Antony Walker (Australian conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I.
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach5:02
14Brandenburg Concerto No. 6 in B-flat major, BWV1051: I. [Allegro]
Orchester:
Orchestra of the Antipodes
conductor:
Erin Helyard und Antony Walker (Australian conductor)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: I.
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Johann Sebastian Bach5:56
15The Prince of Denmark's March (Trumpet Voluntary)
Orchester:
West Australian Symphony Orchestra
conductor:
Benjamin Northey (Australian conductor)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
Komponist(in):
Jeremiah Clarke (English baroque composer and organist) (in 1700)
Jeremiah Clarke2:31
16Concerto for Two Guitars in G major, RV532 (originally for two mandolins): I. Allegro
Gitarre:
Leonard Grigoryan (Australian classical guitarist) und Slava Grigoryan (Australian classical guitarist)
Orchester:
Tasmanian Symphony Orchestra
conductor:
Benjamin Northey (Australian conductor)
recording of:
Concerto for Two Mandolins and Strings in G major, RV 532: I. Allegro (orch. Bream)
Orchestrator(in):
Julian Bream
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Laute arranger:
Julian Bream
Orchestrierung von:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: I. Allegro
Teil von:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532 (for two lutes in D major)
Antonio Vivaldi4:16
17Giulio Cesare in Egitto (Julius Caesar in Egypt), HWV17 Piangerò la sorte mia (I Will Lament My Fate)
Soprangesang [soprano]:
Yvonne Kenny (Australian soprano)
Orchester:
Australian Brandenburg Orchestra
conductor:
Paul Dyer (conductor)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena III, 35. Aria “Piangerò la sorte mia” (Cleopatra)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1724)
Librettist:
Nicola Francesco Haym
Teil von:
Giulio Cesare in Egitto, HWV 17: Atto III
George Frideric Handel5:38
5▶CD: Volume II CD1
6▶CD: Volume II CD2
7▶CD: Volume II CD3
8▶CD: Volume II CD4

Nennungen

Veröffentlichung

leitende(r) Produzent(in):Toby Chadd (Producer)
Robert Patterson (producer)
Editing:Natalie Shea (alto / producer)
mastering:Virginia Read (engineer/editor/producer)
design:Imagecorp Pty Ltd
Diskografieeintrag:http://musictrust.com.au/the-classic-100-baroque-and-before/ [Info]

Veröffentlichungsgruppe

enthält:The Classic 100: Baroque & Before; Volume 1
Teil von:Classic 100 (Nummer: 2014) (Reihenfolge: 11)