Greatest Ever Decades 70s 80s 90s 00s

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Total Playing Time: Approx 5hrs. This Compilation ℗ & © 2021 Union Square Music Ltd., a BMG Company. All rigthts of the producer and owner
of the recorded work reserved. Unauthorised copying, hiring, renting, public performance and broadcasting of this record prohibited. See inside for
licensing credits. Union Square Music Ltd., a BMG Company, BMG UK, 8th Floor, 5 Merchant Square, London, W2 1AS. info.uk@bmg.com. Made in Austria.

Matrix / Runout: GTST4CDW25-1 36 A00
Mastering SID Code: IFPI L552
Mould SID Code: IFPI 943P
Matrix / Runout: GTST4CDW25-2 16 A00
Mastering SID Code: L552
Mould SID Code: IFPI 94Y6
Matrix / Runout: GTST4CDW25-3 34 A00
Mastering SID Code: IFPI L551
Mould SID Code: 94Y7
Matrix / Runout: GTST4CDW25-4 16 A00
Mastering SID Code: IFPI L552
Mould SID Code: IFPI 944P

Annotation last modified on 2023-06-10 12:00 UTC.

Tracklist

1▶CD: 70s
2▶CD: 80s
3▶CD: 90s
4▼CD: 00s
#TitleArtistRatingLength
1Can’t Get You Out of My Head
drum machine programming:
Rob Davis (songwriter/producer was in Mud)
engineer and mixer:
Tim Orford
producer:
Rob Davis (songwriter/producer was in Mud) and Cathy Dennis
electric guitar and keyboard:
Rob Davis (songwriter/producer was in Mud)
background vocals and lead vocals:
Kylie Minogue
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001) and KDB Pty Limited (in 2001)
produced for:
19 Productions
music videos:
Can’t Get You Out of My Head by Kylie Minogue
part of:
triple j’s Hottest 100 of Australian Songs (number: 27), Billboard Year-End Hot 100 singles of 2002 (number: 45) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 207)
recording of:
Can’t Get You Out of My Head
lyricist:
Cathy Dennis
composer:
Rob Davis (songwriter/producer was in Mud)
publisher:
Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Toxic Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal‐MCA Music Publishing (US), Universal/MCA Music Limited (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Kylie Minogue3.853:49
2The Time Is Now
recording of:
The Time Is Now
writer:
Mark Brydon and Róisín Murphy
publisher:
Chrysalis Music Publishing
Moloko3:41
3Crazy
engineer:
Ben H. Allen
producer:
Danger Mouse (Brian Burton)
additional mixer:
Kennie Takahashi
mixer:
Ben H. Allen and Danger Mouse (Brian Burton)
music videos:
Crazy by Gnarls Barkley
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 28), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 307), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 355) and Indie 88: Top 500 Indie Rock Songs (number: 357)
recording of:
Crazy (Gnarls Barkley song)
lyricist:
Thomas DeCarlo Callaway
writer:
Gian Franco Reverberi and Gian Piero Reverberi
composer:
Brian Burton
Gnarls Barkley4.152:59
4Bad Day
Daniel Powter3:55
5I’m Yours
Jason Mraz3:33
6The Closest Thing to Crazy
engineer:
Steve Sale
producer:
Mike Batt
lead vocals:
Katie Melua
arranger:
Mike Batt
phonographic copyright (℗) by:
Dramatico Entertainment Ltd. (not release label) (in 2003) and BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 2023)
recording of:
The Closest Thing to Crazy
lyricist and composer:
Mike Batt
publisher:
Dramatico, Dramatico Music Publishing, Sony Music Publishing (1995–2020) and Sony/ATV Music Publishing (UK) Ltd.
Katie Melua3.54:12
7Last Request
additional programming:
Matt Benbrook
additional engineer:
Richard Wilkinson (production music)
assistant engineer:
Darren Simpson (engineer)
engineer:
Mark Phythian
producer:
Matt Benbrook (strings) and Ken Nelson (UK record producer)
mixer:
Tom Elmhirst (mixing engineer)
acoustic guitar and background vocals:
Donny Little (guitar player)
bass guitar:
Mike Hunter (UK producer & engineer)
drums (drum set), keyboard and percussion:
Jim Duguid
guitar:
Eddie Harrison, Donny Little (guitar player) and Ken Nelson (UK record producer)
strings:
Matt Benbrook
lead vocals:
Paolo Nutini
recording of:
Last Request
writer:
Matt Benbrook, Jim Duguid and Paolo Nutini
Paolo Nutini3.353:39
8Lazy
recording of:
Lazy
writer and arranger:
Ashley Beedle, David Byrne (Talking Heads), Darren Rock (UK techno producer Darren Rock) and Darren House
X‐Press 2 feat. David Byrne4:14
9Smile
recording of:
Smile
lyricist:
Lily Allen, Darren Lewis and Iyiola Babalola (drum n bass producer Iyiola Babalola)
additional writer:
Clement “Coxsone” Dodd
composer:
Jackie Mittoo
publisher:
Sparta Florida Music Group and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
is based on:
Free Soul
Lily Allen3:13
10No Letting Go
Wayne Wonder3:22
11Turn Me On
Kevin Lyttle3:09
12Superstar
Lupe Fiasco feat. Matthew Santos3:58
13Crossroads
Blazin’ Squad3:09
14Shoulda Woulda Coulda
Beverley Knight3:31
15The Boy Does Nothing
Alesha Dixon3:28
16Follow Me
engineer:
Mike Bradford
additional producer:
Mike Bradford
producer:
Kid Rock (American singer/rapper)
mixer:
Kid Rock (American singer/rapper) and Mike Bradford
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2000) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2000)
recorded at:
Outside the Tsongas Arena in Lowell, Massachusetts, United States
recording of:
Follow Me
writer:
Michael Bradford and Matthew Shafer
publisher:
Chunky Style Music, EMI Music Publishing (do not use as a release label!), Gaje Music, Warner Chappell Music (publisher as Warner/Chappell Music) and Warner–Tamerlane (publisher; do NOT use as release label)
Uncle Kracker3.553:34
17Sweet Disposition
producer:
Jim Abbiss
guitar:
Simon Nygaard
background vocals:
Joseph Greer
phonographic copyright (℗) by:
EuropaCorp (in 2014)
part of:
triple j’s Hottest 100 of Australian Songs (number: 11) and Indie 88: Top 500 Indie Rock Songs (number: 489)
recording of:
Sweet Disposition
writer:
Dougy Mandagi and Lorenzo Sillitto
Temper Trap3.83:51
18How You Remind Me
producer:
Chad Kroeger, Mike Kroeger, Rick Parashar, Ryan Peake and Ryan "Nik" Vikedal
mixer:
Randy Staub
bass:
Mike Kroeger
drums (drum set) [drums]:
Ryan "Nik" Vikedal
guitar [guitars]:
Chad Kroeger and Ryan Peake
lead vocals:
Chad Kroeger
vocals:
Ryan Peake
phonographic copyright (℗) by:
The All Blacks B.V. (company, for copyrights purposes) (in 2001)
music videos:
How You Remind Me by Nickelback
part of:
Billboard Year-End Hot 100 singles of 2002 (number: 1) and BILLIONS CLUB
recording of:
How You Remind Me
lyricist:
Chad Kroeger
composer:
Chad Kroeger, Mike Kroeger, Ryan Peake and Ryan Vikedal
publisher:
Arm Your Dillo Publishing Inc., M. Kroeger Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Zero‐G Music Inc.
Nickelback3.653:42
19Are You Gonna Be My Girl
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
additional guitar:
Brooklyn’s own Dave Sardy (American score composer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003), Real Horrorshow Pty. Ltd. (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
part of:
triple j’s Hottest 100 of Australian Songs (number: 23), triple j’s Hottest 100 (Australian annual music listener poll) (number: 2003), Sean Michaels: The Top 30 Songs of 2003 (number: runner-up) and Indie 88: Top 500 Indie Rock Songs (number: 364)
recording of:
Are You Gonna Be My Girl
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Jet3.73:34
20I Believe in a Thing Called Love
assistant recording engineer:
Will Bartle
engineer, producer and mixer:
Pedro Ferreira
assistant mixer:
Nick Taylor (UK recording engineer)
bass:
Frankie Poullain
drums (drum set):
Ed Graham
guitar:
Dan Hawkins (member of The Darkness and Stone Gods) and Justin Hawkins
lead vocals:
Justin Hawkins
recorded at:
Chapel Studios in Lincolnshire, England, United Kingdom
mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 94)
recording of:
I Believe in a Thing Called Love
writer:
Daniel Francis Hawkins (member of The Darkness and Stone Gods), Francis Gilles Poullain-Patterson, Edwin James Graham and Justin Hawkins
The Darkness4.23:36