The Grand Budapest Hotel: Original Soundtrack

~ Pubblicazione di Alexandre Desplat (visualizza tutte le versioni di questa pubblicazione: 5 disponibili)

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1CD
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1s’Rothe‐Zäuerli
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
S'Rothe-Zäuerli
compositore:
Ruedi Roth e Werner Roth (composer)
Öse Schuppel41:13
2The Alpine Sudetenwaltz
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
The Alpine Sudetenwaltz
orchestratore:
Alexandre Desplat (French score composer) e Mark Graham (conductor)
compositore:
Alexandre Desplat (French score composer)
parte di:
The Grand Budapest Hotel
Alexandre Desplat30:37
3Mr. Moustafa
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Mr. Moustafa
orchestratore:
Alexandre Desplat (French score composer) e Mark Graham (conductor)
compositore:
Alexandre Desplat (French score composer)
parte di:
The Grand Budapest Hotel
Alexandre Desplat43:04
4Overture: M. Gustave H
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Overture: M. Gustave H
orchestratore:
Alexandre Desplat (French score composer) e Mark Graham (conductor)
compositore:
Alexandre Desplat (French score composer)
parte di:
The Grand Budapest Hotel
Alexandre Desplat40:30
5A Prayer for Madame D
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
A Prayer for Madame D
orchestratore:
Alexandre Desplat (French score composer) e Mark Graham (conductor)
compositore:
Alexandre Desplat (French score composer)
parte di:
The Grand Budapest Hotel
Alexandre Desplat41:21
6The New Lobby Boy
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
The New Lobby Boy
orchestratore:
Alexandre Desplat (French score composer) e Mark Graham (conductor)
compositore:
Alexandre Desplat (French score composer)
parte di:
The Grand Budapest Hotel
Alexandre Desplat42:18
7Concerto for Lute and Plucked Strings I. Moderato
registrazione di:
Concerto for Lute in D major, RV 93: I. Allegro giusto
compositore:
Antonio Vivaldi (Italian baroque composer and violinist)
parte di:
Concerto for Lute in D major, RV 93
Siegfried Behrend & DZO Chamber Orchestra32:53
8Daylight Express to Lutz
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Daylight Express to Lutz
orchestratore:
Alexandre Desplat (French score composer) e Mark Graham (conductor)
compositore:
Alexandre Desplat (French score composer)
parte di:
The Grand Budapest Hotel
Alexandre Desplat42:17
9Schloss Lutz Overture
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Schloss Lutz Overture
orchestratore:
Alexandre Desplat (French score composer) e Mark Graham (conductor)
compositore:
Alexandre Desplat (French score composer)
parte di:
The Grand Budapest Hotel
Alexandre Desplat30:32
10The Family Desgoffe und Taxis
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
The Family Desgoffe Und Taxis
orchestratore:
Alexandre Desplat (French score composer) e Mark Graham (conductor)
compositore:
Alexandre Desplat (French score composer)
parte di:
The Grand Budapest Hotel
Alexandre Desplat41:50
11Last Will and Testament
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Last Will and Testament
orchestratore:
Alexandre Desplat (French score composer) e Mark Graham (conductor)
compositore:
Alexandre Desplat (French score composer)
parte di:
The Grand Budapest Hotel
Alexandre Desplat32:17
12Up the Stairs / Down the Hall
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Up the Stairs / Down the Hall
orchestratore:
Alexandre Desplat (French score composer) e Mark Graham (conductor)
compositore:
Alexandre Desplat (French score composer)
parte di:
The Grand Budapest Hotel
Alexandre Desplat30:28
13Night Train to Nebelsbad
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Night Train to Nebelsbad
orchestratore:
Alexandre Desplat (French score composer) e Mark Graham (conductor)
compositore:
Alexandre Desplat (French score composer)
parte di:
The Grand Budapest Hotel
Alexandre Desplat41:44
14The Lutz Police Militia
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
The Lutz Police Militia
orchestratore:
Alexandre Desplat (French score composer) e Mark Graham (conductor)
compositore:
Alexandre Desplat (French score composer)
parte di:
The Grand Budapest Hotel
Alexandre Desplat30:50
15Check Point 19 Criminal Internment Camp Overture
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Check Point 19 Criminal Internment Camp Overture
orchestratore:
Alexandre Desplat (French score composer) e Mark Graham (conductor)
compositore:
Alexandre Desplat (French score composer)
parte di:
The Grand Budapest Hotel
Alexandre Desplat40:11
16The Linden Tree
registrazione parziale di:
Липа
compositore:
[traditional] (special purpose artist)
arrangiatore:
Павел Куликов (Pavel Kulikov, Soviet composer and condictor)
Osipov State Russian Folk Orchestra, Vitaly Gnutov42:25
17J.G. Jopling, Private Inquiry Agent
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
J.G. Jopling, Private Inquiry Agent
orchestratore:
Alexandre Desplat (French score composer) e Mark Graham (conductor)
compositore:
Alexandre Desplat (French score composer)
parte di:
The Grand Budapest Hotel
Alexandre Desplat41:29
18A Dash of Salt (Ludwig’s Theme)
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
A Dash of Salt (Ludwig’s Theme)
orchestratore:
Alexandre Desplat (French score composer) e Mark Graham (conductor)
compositore:
Alexandre Desplat (French score composer)
parte di:
The Grand Budapest Hotel
Alexandre Desplat31:32
19The Cold‐Blooded Murder of Deputy Vilmos Kovacs
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
The Cold-Blooded Murder of Deputy Vilmos Kovacs
orchestratore:
Alexandre Desplat (French score composer) e Mark Graham (conductor)
compositore:
Alexandre Desplat (French score composer)
parte di:
The Grand Budapest Hotel
Alexandre Desplat42:47
20Escape Concerto
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Escape Concerto
orchestratore:
Alexandre Desplat (French score composer) e Mark Graham (conductor)
compositore:
Alexandre Desplat (French score composer)
parte di:
The Grand Budapest Hotel
Alexandre Desplat42:13
21The War (Zero’s Theme)
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
The War (Zero’s Theme)
orchestratore:
Alexandre Desplat (French score composer) e Mark Graham (conductor)
compositore:
Alexandre Desplat (French score composer)
parte di:
The Grand Budapest Hotel
Alexandre Desplat31:02
22No Safe‐House
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
No Safe-House
orchestratore:
Alexandre Desplat (French score composer) e Mark Graham (conductor)
compositore:
Alexandre Desplat (French score composer)
parte di:
The Grand Budapest Hotel
Alexandre Desplat31:32
23The Society of the Crossed Keys
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
The Society of the Crossed Keys
orchestratore:
Alexandre Desplat (French score composer) e Mark Graham (conductor)
compositore:
Alexandre Desplat (French score composer)
parte di:
The Grand Budapest Hotel
Alexandre Desplat42:21
24M. Ivan
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
M. Ivan
orchestratore:
Alexandre Desplat (French score composer) e Mark Graham (conductor)
compositore:
Alexandre Desplat (French score composer)
parte di:
The Grand Budapest Hotel
Alexandre Desplat41:15
25Lot 117
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Lot 117
orchestratore:
Alexandre Desplat (French score composer) e Mark Graham (conductor)
compositore:
Alexandre Desplat (French score composer)
parte di:
The Grand Budapest Hotel
Alexandre Desplat40:31
26Third Class Carriage
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Third Class Carriage
orchestratore:
Alexandre Desplat (French score composer) e Mark Graham (conductor)
compositore:
Alexandre Desplat (French score composer)
parte di:
The Grand Budapest Hotel
Alexandre Desplat41:21
27Canto at Gabelmeister’s Peak
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Canto at Gabelmeister's Peak
orchestratore:
Alexandre Desplat (French score composer) e Mark Graham (conductor)
compositore:
Alexandre Desplat (French score composer)
parte di:
The Grand Budapest Hotel
Alexandre Desplat45:35
28A Troops Barracks (Requiem for the Grand Budapest)
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
A Troops Barracks (Requiem for the Grand Budapest)
orchestratore:
Alexandre Desplat (French score composer) e Mark Graham (conductor)
compositore:
Alexandre Desplat (French score composer)
parte di:
The Grand Budapest Hotel
Alexandre Desplat45:18
29Cleared of All Charges
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Cleared of All Charges
orchestratore:
Alexandre Desplat (French score composer) e Mark Graham (conductor)
compositore:
Alexandre Desplat (French score composer)
parte di:
The Grand Budapest Hotel
Alexandre Desplat41:10
30The Mystical Union
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
The Mystical Union
orchestratore:
Alexandre Desplat (French score composer) e Mark Graham (conductor)
compositore:
Alexandre Desplat (French score composer)
parte di:
The Grand Budapest Hotel
Alexandre Desplat41:26
31Kamarinskaya
registrata a:
Unione Sovietica (storica, 1922-1991) (nel 1962-06)
tecnico:
C. Robert Fine (nel 1962-06)
tecnico associato:
Robert Eberenz (nel 1962-06)
domra solista :
Рудольф Белов (Rudolf Belov) (nel 1962-06)
orchestra:
Osipov State Russian Folk Orchestra (Ossipov Russian Folk Orchestra) (nel 1962-06)
direttore d'orchestra:
Vitaly Gnutov (nel 1962-06)
registrata presso:
Московская Государственная Консерватория им. П. И. Чайковского: большой зал (Moscow Conservatory: The Grand Hall) in Moscow, Russia (nel 1962-06)
registrazione di:
Kamarinskaya
compositore:
Nikolay Osipov (Soviet virtuoso balalaika player, conductor and teacher)
Osipov State Russian Folk Orchestra, Vitaly Gnutov42:43
32Traditional Arrangement: “Moonshine”
assistente tecnico di registrazione:
Florent Berthier (recording engineer)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
programmazione:
Romain Allender
produttore:
Wes Anderson (US film director, screenwriter & actor) e Randall Poster (producer and soundtrack music supervisor)
editor:
Yann McCullough (engineer, composer)
direttore d'orchestra:
Mark Graham (conductor)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Светит месяц («Светит месяц, светит ясный, светит белая заря…»)
autore:
[traditional] (special purpose artist)
parte di:
Русские народные песни (Russian traditional songs)
Alexandre Desplat43:21

Accreditamenti

Pubblicazione

tecnico di mastering:Greg Calbi (American mastering engineer)
design:Brian Fitzpatrick (visual design)
fabbricata da:ABKCO Music & Records, Inc. (not an imprint, please use “ABKCO” instead)
diritti fonografici (℗) detenuti da:ABKCO Music & Records, Inc. (not an imprint, please use “ABKCO” instead) (nel 2014)
mastering effettuato presso:Sterling Sound (original NYC studio; split/relocated to Nashville and Edgewater in 2018) in Chelsea, New York, New York, Stati Uniti
Discogs:https://www.discogs.com/release/5704573 [info]
https://www.discogs.com/release/6653898 [info]
ASIN:US: B00HGGUTPW [info]
altri database:https://rateyourmusic.com/release/album/alexandre_desplat/the_grand_budapest_hotel.p/ [info]