And We Were Lovers

~ Release by John Klemmer (see all versions of this release, 1 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1Look to the Sky
recording engineer:
Doug Brand (in 1968-02)
producer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer)
bass:
Cleveland Eaton (American jazz bassist) (in 1968-02)
membranophone:
George Marsh (drums) (in 1968-02)
piano:
Ken Chaney (jazz pianist and composer) (in 1968-02)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (in 1968-02)
3:07
A2And We Were Lovers
recording engineer:
Doug Brand (in 1968-02)
producer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer)
bass:
Cleveland Eaton (American jazz bassist) (in 1968-02)
membranophone:
George Marsh (drums) (in 1968-02)
piano:
Ken Chaney (jazz pianist and composer) (in 1968-02)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (in 1968-02)
3:30
A3Little Dream World
recording engineer:
Doug Brand (in 1968-02)
producer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer)
bass:
Cleveland Eaton (American jazz bassist) (in 1968-02)
membranophone:
George Marsh (drums) (in 1968-02)
piano:
Ken Chaney (jazz pianist and composer) (in 1968-02)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (in 1968-02)
2:47
A4What the World Needs Now
recording engineer:
Doug Brand (in 1968-02)
producer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer)
bass:
Cleveland Eaton (American jazz bassist) (in 1968-02)
membranophone:
George Marsh (drums) (in 1968-02)
piano:
Ken Chaney (jazz pianist and composer) (in 1968-02)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (in 1968-02)
3:00
A5A Song for Us
recording engineer:
Doug Brand (in 1968-02)
producer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer)
bass:
Cleveland Eaton (American jazz bassist) (in 1968-02)
membranophone:
George Marsh (drums) (in 1968-02)
piano:
Ken Chaney (jazz pianist and composer) (in 1968-02)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (in 1968-02)
3:15
A6Chi Cha
recording engineer:
Doug Brand (in 1968-02)
producer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer)
bass:
Cleveland Eaton (American jazz bassist) (in 1968-02)
membranophone:
George Marsh (drums) (in 1968-02)
piano:
Ken Chaney (jazz pianist and composer) (in 1968-02)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (in 1968-02)
3:05
B1Christopher's Clock
recording engineer:
Doug Brand (in 1968-02)
producer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer)
bass:
Melvin Jackson (Chicago-born bassist and composer) (in 1968-02)
membranophone:
James Slaughter (in 1968-02)
piano:
Jodie Christian (in 1968-02)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (in 1968-02)
3:55
B2Touch of the Moment
recording engineer:
Doug Brand (in 1968-02)
producer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer)
bass:
Melvin Jackson (Chicago-born bassist and composer) (in 1968-02)
membranophone:
James Slaughter (in 1968-02)
piano:
Jodie Christian (in 1968-02)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (in 1968-02)
6:07
B3Dreams
recording engineer:
Doug Brand (in 1968-02)
producer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer)
bass:
Melvin Jackson (Chicago-born bassist and composer) (in 1968-02)
membranophone:
James Slaughter (in 1968-02)
piano:
Jodie Christian (in 1968-02)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (in 1968-02)
6:10