Early Modern

~ Release by Milt Jackson (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1Softly as in a Morning Sunrise
double bass:
Ray Brown (jazz bassist) (in 1952-04)
drums (drum set):
Kenny Clarke (in 1952-04)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1952-04)
vibraphone:
Milt Jackson (in 1952-04)
instrumental recording of:
Softly, as in a Morning Sunrise (The New Moon) (in 1952-04)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
part of:
The New Moon: Act I
3:29
2Love Me, Pretty Baby
double bass:
Ray Brown (jazz bassist) (in 1952-04)
drums (drum set):
Kenny Clarke (in 1952-04)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1952-04)
vibraphone:
Milt Jackson (in 1952-04)
3:39
3Heart and Soul
double bass:
Ray Brown (jazz bassist) (in 1952-04)
double bass [bass]:
Percy Heath (in 1952-04)
drums (drum set):
Kenny Clarke (in 1952-04)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1952-04)
vibraphone:
Milt Jackson (in 1952-04)
instrumental recording of:
Heart and Soul (in 1952-04)
lyricist:
Frank Loesser
composer:
Hoagy Carmichael
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:32
4True Blues
double bass:
Ray Brown (jazz bassist) (in 1952-04)
drums (drum set):
Kenny Clarke (in 1952-04)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1952-04)
vibraphone:
Milt Jackson (in 1952-04)
3:03
5Milt Meets Sid
double bass:
Ray Brown (jazz bassist) (on 1951-08-24)
vibraphone:
Milt Jackson (on 1951-08-24)
3:08
6D & E
double bass:
Ray Brown (jazz bassist) (on 1951-08-24)
vibraphone:
Milt Jackson (on 1951-08-24)
2:57
7Yesterdays
double bass:
Ray Brown (jazz bassist) (on 1951-08-24)
vibraphone:
Milt Jackson (on 1951-08-24)
instrumental recording of:
Yesterdays (on 1951-08-24)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
2:32
8Between the Devil and the Deep Blue Sea
double bass:
Ray Brown (jazz bassist) (on 1951-08-24)
vibraphone:
Milt Jackson (on 1951-08-24)
instrumental recording of:
Between the Devil and the Deep Blue Sea (on 1951-08-24)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
2:38
9Autumn Breeze
double bass:
Percy Heath (on 1951-09-18)
drums (drum set):
Al Jones (drummer with Dizzy Gillespie) (on 1951-09-18)
vibraphone:
Milt Jackson (on 1951-09-18)
2:57
10Moving Nicely
double bass:
Percy Heath (on 1951-09-18)
drums (drum set):
Al Jones (drummer with Dizzy Gillespie) (on 1951-09-18)
vibraphone:
Milt Jackson (on 1951-09-18)
recording of:
Moving Nicely
writer:
Milt Jackson
3:17
11Bluesology
double bass:
Percy Heath (on 1951-09-18)
double bass [bass]:
Ray Brown (jazz bassist) (on 1951-09-18)
drums (drum set):
Al Jones (drummer with Dizzy Gillespie) (on 1951-09-18)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1951-09-18)
vibraphone:
Milt Jackson (on 1951-09-18)
recording of:
Bluesology (on 1951-09-18)
writer:
Milt Jackson
2:48
12'Round Midnight
double bass:
Percy Heath (on 1951-09-18)
drums (drum set):
Al Jones (drummer with Dizzy Gillespie) (on 1951-09-18)
vibraphone:
Milt Jackson (on 1951-09-18)
recording of:
’Round Midnight (on 1951-09-18)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
2:58
13You Go to My Head
miscellaneous support:
Ozzie Cadena (task: recording supervisor)
double bass:
Curley Russell (on 1949-01-25)
drums (drum set):
Kenny Clarke (on 1949-01-25)
French horn:
Julius Watkins (on 1949-01-25)
piano and trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1949-01-25)
piano and vibraphone:
Milt Jackson (on 1949-01-25)
tenor saxophone:
Billy Mitchell (US jazz saxophonist) (on 1949-01-25)
instrumental recording of:
You Go to My Head (on 1949-01-25)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
2:58
14Hearing Bells (Take 3)
double bass:
Nelson Boyd (on 1949-02-23)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-02-23)
French horn:
Julius Watkins (on 1949-02-23)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1949-02-23)
vibraphone:
Milt Jackson (on 1949-02-23)
2:54
15Hearing Bells
double bass:
Nelson Boyd (on 1949-02-23)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-02-23)
French horn:
Julius Watkins (on 1949-02-23)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1949-02-23)
vibraphone:
Milt Jackson (on 1949-02-23)
2:54
16Junior
double bass:
Nelson Boyd (on 1949-02-23)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-02-23)
French horn:
Julius Watkins (on 1949-02-23)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1949-02-23)
vibraphone:
Milt Jackson (on 1949-02-23)
2:35
17Bluesology (alternate - Take 2)
double bass:
Nelson Boyd (on 1949-02-23)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-02-23)
French horn:
Julius Watkins (on 1949-02-23)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1949-02-23)
vibraphone:
Milt Jackson (on 1949-02-23)
recording of:
Bluesology (on 1949-02-23)
writer:
Milt Jackson
2:47
18Bluesology
double bass:
Nelson Boyd (on 1949-02-23)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-02-23)
French horn:
Julius Watkins (on 1949-02-23)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1949-02-23)
vibraphone:
Milt Jackson (on 1949-02-23)
recording of:
Bluesology (on 1949-02-23)
writer:
Milt Jackson
2:48
19Bubu
double bass:
Nelson Boyd (on 1949-02-23)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-02-23)
French horn:
Julius Watkins (on 1949-02-23)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1949-02-23)
vibraphone:
Milt Jackson (on 1949-02-23)
2:33
20Sonor
double bass:
Percy Heath (on 1954-11-01)
drums (drum set):
Kenny Clarke (on 1954-11-01)
piano:
Gerald Wiggins (on 1954-11-01)
tenor saxophone:
Walter Benton (on 1954-11-01)
vibraphone:
Milt Jackson (on 1954-11-01)
4:54
21Strollin'
double bass:
Percy Heath (on 1954-11-01)
drums (drum set):
Kenny Clarke (on 1954-11-01)
piano:
Gerald Wiggins (on 1954-11-01)
tenor saxophone:
Walter Benton (on 1954-11-01)
vibraphone:
Milt Jackson (on 1954-11-01)
4:26
22Blues Mood
double bass:
Percy Heath (on 1954-11-01)
drums (drum set):
Kenny Clarke (on 1954-11-01)
piano:
Gerald Wiggins (on 1954-11-01)
tenor saxophone:
Walter Benton (on 1954-11-01)
vibraphone:
Milt Jackson (on 1954-11-01)
4:22
23Skoot
double bass:
Percy Heath (on 1954-11-01)
drums (drum set):
Kenny Clarke (on 1954-11-01)
piano:
Gerald Wiggins (on 1954-11-01)
tenor saxophone:
Walter Benton (on 1954-11-01)
vibraphone:
Milt Jackson (on 1954-11-01)
recording of:
Skoot (on 1954-11-01)
composer:
Eddie Beal and Erroll Garner
3:50