Tombstone (expanded)

~ Release by Bruce Broughton (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Logo
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Cinergi Logo
orchestrator:
Don Nemitz
composer:
Jerry Goldsmith (American score composer)
Jerry Goldsmith0:24
2Prologue; Main Title; And Hell Followed
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Prologue; Main Title; And Hell Followed
orchestrator:
Don Nemitz
composer:
Bruce Broughton
Bruce Broughton3:53
3A Family
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
A Family
orchestrator:
Don Nemitz
composer:
Bruce Broughton
Bruce Broughton2:06
4Arrival in Tombstone
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Arrival in Tombstone
orchestrator:
Don Nemitz
composer:
Bruce Broughton
Bruce Broughton2:17
5The Town Marshall; A Quarter Interest
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
The Town Marshall; A Quarter Interest
orchestrator:
Don Nemitz
composer:
Bruce Broughton
Bruce Broughton0:51
6Josephine
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Josephine
orchestrator:
Don Nemitz
composer:
Bruce Broughton
Bruce Broughton1:33
7Gotta Go to Work
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Gotta Go to Work
orchestrator:
Don Nemitz
composer:
Bruce Broughton
Bruce Broughton1:13
8Ludus Inebriatus
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Ludus Inebriatus
orchestrator:
Don Nemitz
composer:
Bruce Broughton
Bruce Broughton1:19
9Fortuitous Encounter; Wyatt and Josephine
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Fortuitous Encounter; Wyatt and Josephine
orchestrator:
Don Nemitz
composer:
Bruce Broughton
Bruce Broughton5:20
10Thinking Out Loud
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Thinking Out Loud
orchestrator:
Don Nemitz
composer:
Bruce Broughton
Bruce Broughton0:31
11Opium Den; Law Dogs; You Got a Fight Comin'
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Opium Den; Law Dogs; You Got a Fight Comin'
orchestrator:
Don Nemitz
composer:
Bruce Broughton
Bruce Broughton7:11
12Virgil Thinks
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Virgil Thinks
orchestrator:
Don Nemitz
composer:
Bruce Broughton
Bruce Broughton0:56
13The Antichrist; Gathering for a Fight; Walking to the Corral; OK Corral Gunfight
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
The Antichrist; Gathering for a Fight; Walking to the Corral; OK Corral Gunfight
orchestrator:
Don Nemitz
composer:
Bruce Broughton
Bruce Broughton7:39
14Aftermath
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Aftermath
orchestrator:
Don Nemitz
composer:
Bruce Broughton
Bruce Broughton1:32
15The Dead Don't Dance; Dehan Warns Josephine; Upping the Ante; Morgan's Murder
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
The Dead Don't Dance; Dehan Warns Josephine; Upping the Ante; Morgan's Murder
orchestrator:
Don Nemitz
composer:
Bruce Broughton
Bruce Broughton5:17
16Defections
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Defections
orchestrator:
Don Nemitz
composer:
Bruce Broughton
Bruce Broughton1:01
17Morgan's Death
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Morgan's Death
orchestrator:
Don Nemitz
composer:
Bruce Broughton
Bruce Broughton2:16
18Hell's Comin'; Wyatt's Revenge
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Hell's Comin'; Wyatt's Revenge
orchestrator:
Don Nemitz
composer:
Bruce Broughton
Bruce Broughton3:55
19No More Curly Bill
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
No More Curly Bill
orchestrator:
Don Nemitz
composer:
Bruce Broughton
Bruce Broughton0:39
20The Former Fabian
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
The Former Fabian
orchestrator:
Don Nemitz
composer:
Bruce Broughton
Bruce Broughton1:37
21Brief Encounters; Ringo's Challenge; Doc and Wyatt
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Brief Encounters; Ringo's Challenge; Doc and Wyatt
orchestrator:
Don Nemitz
composer:
Bruce Broughton
Bruce Broughton5:40
22You're No Daisy; Finishing It
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
You're No Daisy; Finishing It
orchestrator:
Don Nemitz
composer:
Bruce Broughton
Bruce Broughton3:58
23Doc Dies
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Doc Dies
orchestrator:
Don Nemitz
composer:
Bruce Broughton
Bruce Broughton2:49
24Looking at Heaven; End Credits
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Looking at Heaven; End Credits
orchestrator:
Don Nemitz
composer:
Bruce Broughton
Bruce Broughton8:47
2▶CD: bonus disc