| # | Title | Artist | Rating | Length |
|---|
| 1 | Perfect Day | Lou Reed | 4.3 | 3:43 |
| 2 | Ain’t No Sunshine | Bill Withers | 4.5 | 2:05 |
| 3 | What’s Going On- producer:
- Marvin Gaye
- mixer:
- Lawrence Miles (on 1971-05-06)
- instruments:
- Detroit Symphony Orchestra (on 1971-05-06) and The Funk Brothers (on 1971-05-06)
- percussion [box drum], piano and lead vocals:
- Marvin Gaye (on 1971-05-06)
- background vocals:
- Lem Barney (on 1971-05-06), Mel Farr (on 1971-05-06) and Marvin Gaye (on 1971-05-06)
- conductor:
- David Van dePitte (on 1971-05-06)
- phonographic copyright (℗) by:
- Motown Records (in 1971)
- recorded at:
- Hitsville in Detroit, Michigan, United States (on 1971-05-06)
- part of:
- Helsingin Sanomat: 100 maailman parasta laulua (number: 4), Rolling Stone: 500 Greatest Songs of All Time (number: 4), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 6), Billboard: The 500 Best Pop Songs (number: 102) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- What’s Going On (on 1971-05-06)
- lyricist and composer:
- Renaldo Benson, Al Cleveland and Marvin Gaye
- publisher:
- EMI Songs Australia, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd. and Stone Agate Music Corp.
- sub-publisher:
- イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| Marvin Gaye | 4.25 | 3:50 |
| 4 | Proud Mary | Ike & Tina Turner | 4.65 | 4:54 |
| 5 | Samba pa ti- engineer:
- David Brown and John Fiore
- producer:
- Fred Catero, Bob Irwin, Santana and Carlos Santana
- bass guitar:
- David Brown (on 1970-07-19)
- congas and percussion:
- Michael Carabello (on 1970-07-19)
- congas, percussion and timbales:
- José “Chepito” Áreas (on 1970-07-19)
- drums (drum set):
- Michael Shrieve (on 1970-07-19)
- guitar:
- Carlos Santana (on 1970-07-19)
- keyboard:
- Gregg Rolie (on 1970-07-19)
- percussion:
- Rico Reyes (on 1970-07-19)
- tabla:
- Steven Saphore (on 1970-07-19)
- arranger:
- Gregg Rolie and Carlos Santana
- phonographic copyright (℗) by:
- CBS, Inc. (in 1970), Sony BMG Music Entertainment (in 1970) and Sony Music Entertainment Inc. (in 1970)
- recorded at:
- Wally Heider Studios in San Francisco, California, United States (on 1970-07-19)
- recording of:
- Samba pa ti (on 1970-07-19)
- composer:
- Carlos Santana
- publisher:
- BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music and Universal Music Careers
| Santana | 3.9 | 4:30 |
| 6 | Three Times a Lady- producer:
- James Anthony Carmichael and Commodores
- lead vocals:
- Lionel Richie
- arranger:
- James Anthony Carmichael and Commodores
- phonographic copyright (℗) by:
- Motown Record Company, L.P. (in 1978), Motown Record Corporation (in 1978, in 1979) and UMG Recordings, Inc. (in 1978)
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 10)
- recording of:
- Three Times a Lady
- lyricist and composer:
- Lionel Richie
- publisher:
- Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. , Jobete Music , Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
| Commodores | 3.65 | 3:38 |
| 7 | Late Again | Stealers Wheel | | 3:11 |
| 8 | Free Bird | Lynyrd Skynyrd | | 8:43 |
| 9 | Mr. Blue Sky- engineer:
- Mack
- producer:
- Jeff Lynne
- bass:
- Kelly Groucutt (in 1977)
- drums (drum set), other instruments [fire extinguisher] and percussion:
- Bev Bevan (in 1977)
- guitar, synthesizer and lead vocals:
- Jeff Lynne (in 1977)
- keyboard:
- Richard Tandy (in 1977)
- background vocals:
- Bev Bevan (in 1977) and Kelly Groucutt (in 1977)
- conductor:
- Louis Clark (in 1977)
- arranger:
- Louis Clark, Jeff Lynne and Richard Tandy
- phonographic copyright (℗) by:
- Jet Records (in 1977), Sony Music Entertainment (in 1977, in 2005), Sony Music Entertainment Inc. (in 1977) and United Artists Music and Records Group, Inc. (in 1977)
- recorded at:
- Musicland Studios in München , Bayern , Germany (in 1977)
- mixed at:
- Musicland Studios in München , Bayern , Germany
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 17) and Q50 – December 2005 (number: 33)
- recording of:
- Mr. Blue Sky (in 1977)
- lyricist and composer:
- Jeff Lynne
- publisher:
- EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Ltd. , EMI Songs Ltd. and Polygon Publishing Ltd.
- sub-publisher:
- イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- part of:
- Concerto for a Rainy Day
| Electric Light Orchestra | 4.55 | 5:06 |
| 10 | Let’s Stick Together- assistant engineer:
- Nigel Walker and Jon Walls
- engineer:
- Steve Nye and John Punter
- producer:
- Bryan Ferry and Chris Thomas
- bass:
- John Wetton (from 1973 until 1976)
- drums (drum set):
- Paul Thompson (from 1973 until 1976)
- guitar:
- Chris Spedding (from 1973 until 1976)
- harmonica and keyboard:
- Bryan Ferry (from 1973 until 1976)
- percussion:
- Morris Pert (from 1973 until 1976)
- soprano saxophone:
- Mel Collins (from 1973 until 1976)
- synthesizer and violin:
- Eddie Jobson (from 1973 until 1976)
- tenor saxophone:
- Chris Mercer (from 1973 until 1976)
- trumpet:
- Martin Drover (from 1973 until 1976)
- choir vocals:
- Vicki Brown (from 1973 until 1976), Doreen Chanter (from 1973 until 1976), Helen Chappelle (from 1973 until 1976), Jackie Sullivan (from 1973 until 1976), Martha Walker (from 1973 until 1976) and Paddie McHugh (from 1973 until 1976)
- vocals:
- Bryan Ferry (from 1973 until 1976)
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1976), Virgin EG Records Ltd. (in 1976) and Virgin Records Ltd. (in 1976, in 1999)
- recorded at:
- Air Studios in London , England, United Kingdom and Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (from 1973 until 1976)
- cover recording of:
- Let’s Stick Together (from 1973 until 1976)
- lyricist and composer:
- Wilbert Harrison
- publisher:
- ABZ Music Corp., Copyright Control , EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. and SBK/U Catalog (in 1969)
| Bryan Ferry | 3.35 | 2:59 |
| 11 | Spanish Stroll | Mink DeVille | 5 | 3:32 |
| 12 | Radar Love- recording engineer:
- Pieter Nieboer
- executive producer:
- Fred Haayen
- producer:
- Golden Earring
- mixer:
- Damon Lyon-Shaw
- acoustic guitar and electric guitar:
- George Kooymans
- drums (drum set) and percussion:
- Cesar Zuiderwijk
- electric bass guitar and keyboard:
- Rinus Gerritsen
- slide guitar:
- Eelco Gelling
- vocals:
- Barry Hay and George Kooymans
- arranger:
- Golden Earring
- phonographic copyright (℗) by:
- Dutch Record Company (in 1973), Polydor B.V. (in 1973), Red Bullet Productions B.V. (in 1973), Track Records Ltd. (in 1973) and Geffen Records (in 1974)
- produced for:
- Red Bullet Productions
- recorded at:
- Phonogram Studios in Hilversum, Noord-Holland , Netherlands, Kingdom of the Netherlands
- mixed at:
- IBC Studios in London , England, United Kingdom
- recording of:
- Radar Love
- lyricist:
- Barry Hay
- composer:
- George Kooymans
- publisher:
- Dayglow Music , Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music and Sony/ATV Music Publishing
| Golden Earring | 4.3 | 6:24 |
| 13 | Morning Has Broken- producer:
- Paul Samwell-Smith
- bass and congas:
- Larry Steele (in 1971-03)
- bouzouki:
- Angelos Hatzipavli (in 1971-03) and Ανδρέας Τουμαζής (in 1971-03)
- drums (drum set):
- Harvey Burns (in 1971-03) and Gerry Conway (in 1971-03)
- guitar:
- Alun Davies (in 1971-03) and Cat Stevens (in 1971-03)
- keyboard and lead vocals:
- Cat Stevens (in 1971-03)
- piano:
- Rick Wakeman (in 1971-03)
- strings:
- Del Newman (in 1971-03)
- phonographic copyright (℗) by:
- Universal Island Records Ltd. (in 1970) and Island Records Ltd. (in 1971)
- recorded at:
- Morgan Studios in Willesden, Brent , London , England, United Kingdom (in 1971-03)
- recording of:
- Morning Has Broken (in 1971-03)
- lyricist:
- Eleanor Farjeon
- composer:
- [traditional]
- publisher:
- Cat Music Ltd., EMI Music , Freshwater Music Ltd., Irving Music, Inc., Island Music Ltd. and Island Music, Inc.
- is based on:
- Bunessan
- cover recording of:
- Morning Has Broken
- lyricist:
- Eleanor Farjeon
- composer:
- [traditional]
- publisher:
- Cat Music Ltd., EMI Music , Freshwater Music Ltd., Irving Music, Inc., Island Music Ltd. and Island Music, Inc.
- is based on:
- Bunessan
- recording of:
- Morning Has Broken
- lyricist:
- Eleanor Farjeon
- composer:
- [traditional]
- arranger:
- Cat Stevens
- arrangement of:
- Morning Has Broken
| Cat Stevens | 4.25 | 3:16 |
| 14 | Dreadlock Holiday- engineer:
- Keith Bessey, Eric Stewart and Tony Spath
- producer:
- Graham Gouldman and Eric Stewart
- mixer:
- Eric Stewart
- agogô, congas, cowbell, marimba, timbales and triangle:
- Paul Burgess
- bass guitar, cabasa and background vocals and lead vocals:
- Graham Gouldman
- drums (drum set) and tambourine:
- Stuart Tosh
- electric guitar:
- Rick Fenn and Graham Gouldman
- electric piano and maracas:
- Eric Stewart
- organ:
- Rick Fenn and Eric Stewart
- synthesizer [Yamaha Cs80]:
- Duncan Mackay
- background vocals:
- Rick Fenn, Eric Stewart and Stuart Tosh
- arranger:
- 10cc
- phonographic copyright (℗) by:
- Mercury Records Ltd. (in 1978) and Phonogram Ltd. (in 1978)
- recorded at and mixed at:
- Strawberry Studios South in Dorking, Surrey, England, United Kingdom
- music videos:
- Dreadlock Holiday by 10cc
- recording of:
- Dreadlock Holiday
- writer:
- Graham Gouldman and Eric Stewart
- publisher:
- EMI Music Publishing Australia Pty Ltd , EMI Music Publishing Ltd. and Man-Ken Music Ltd.
| 10cc | 4.65 | 4:27 |
| 15 | Midnight Train to Georgia | Gladys Knight & the Pips | 4.5 | 4:38 |
| 16 | I Don’t Like Mondays | The Boomtown Rats | 4.5 | 3:46 |
| 17 | Never Be Clever | Herman Brood | | 3:03 |
| 18 | Dust in the Wind- additional engineer:
- Terry Diane Becker
- engineer:
- Jeff Glixman (from 1977-06 until 1977-07)
- producer:
- Jeff Glixman (in 1977-06)
- acoustic guitar and electric guitar:
- Kerry Livgren (from 1977-06 until 1977-07) and Rich Williams (from 1977-06 until 1977-07)
- bass guitar:
- Dave Hope (from 1977-06 until 1977-07)
- celesta, organ, synthesizer, vibraphone and lead vocals:
- Steve Walsh (from 1977-06 until 1977-07)
- cello, viola and violin [violins]:
- Robby Steinhardt (from 1977-06 until 1977-07)
- chimes, drums (drum set), gong and timpani:
- Phil Ehart (from 1977-06 until 1977-07)
- clavinet and synthesizer [synthesizers]:
- Kerry Livgren (from 1977-06 until 1977-07)
- percussion [additional percussion]:
- Phil Ehart (from 1977-06 until 1977-07), Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- piano:
- Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- background vocals:
- Robby Steinhardt (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- arranger:
- Kansas
- phonographic copyright (℗) by:
- Sony Music (in 1976), CBS, Inc. (in 1977), Epic Records (in 1977), Sony Music Entertainment Inc. (in 1977) and CBS Records Inc. (in 1978)
- recorded at:
- Studio in the Country in Bogalusa, Louisiana, United States (from 1977-06 until 1977-07) and Woodland Studios in Nashville, Tennessee, United States (from 1977-06 until 1977-07)
- mixed at:
- The Village in Los Angeles, California, United States (in 1977-08)
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 39)
- recording of:
- Dust in the Wind (from 1977-06 until 1977-07)
- lyricist and composer:
- Kerry Livgren
- publisher:
- Blackwood Music Publishing, Don Kirshner Music Inc., Kirshner CBS Music Publishing and Kirshner-Warner Bros Music Ltd.
- sub-publisher:
- フジパシフィックミュージック SBK事業部
- adaptations:
- As the Sun Rises
| Kansas | 4.05 | 3:22 |
| 19 | Show Me the Way | Peter Frampton | | 4:33 |
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