The Decca Masters, Volume 2

~ Release by Gershwin, Foster, Weill, Berlin; Jascha Heifetz (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Three Preludes: I
piano:
Emanuel Bay
violin:
Jascha Heifetz (violinist)
recording of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (for violin and piano, Heifetz)
composer:
George Gershwin (composer)
arranger:
Jascha Heifetz (violinist)
arrangement of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (original version for piano)
part of:
Three Preludes (for violin and piano, Heifetz)
George Gershwin1:34
2Three Preludes: II.
piano:
Emanuel Bay
violin:
Jascha Heifetz (violinist)
recording of:
Three Preludes: No. 2. Andante con moto e poco rubato (for violin and piano, Heifetz)
composer:
George Gershwin (composer)
arranger:
Jascha Heifetz (violinist)
arrangement of:
Three Preludes: No. 2. Andante con moto e poco rubato (original version for piano)
part of:
Three Preludes (for violin and piano, Heifetz)
George Gershwin2:50
3Three Preludes: III.
piano:
Emanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (violinist) (on 1945-11-28)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-28)
recording of:
Three Preludes: No. 3. Allegro ben ritmato e deciso (for violin and piano, Heifetz) (on 1945-11-28)
composer:
George Gershwin (composer)
arranger:
Jascha Heifetz (violinist)
arrangement of:
Three Preludes: No. 3. Allegro ben ritmato e deciso (original version for piano)
part of:
Three Preludes (for violin and piano, Heifetz)
George Gershwin1:13
4Old Folks at Home
piano:
Milton Kaye (on 1944-10-18)
violin:
Jascha Heifetz (violinist) (on 1944-10-18)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-18)
recording of:
Old Folks at Home (for violin and piano, arr. Heifetz) (on 1944-10-18)
composer:
Stephen Foster (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Old Folks at Home (Swanee River)
Stephen Collins Foster3:18
5From the Canebrake
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (violinist) (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
From the Canebrake, op. 5 no. 1 (for violin and piano) (in 1944-10)
composer:
Samuel Gardner (in 1918)
Samuel Gardner1:34
6Hexapoda: Gut Bucket Gus
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (violinist) (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Hexapoda: I. Gut-Bucket Gus (on 1945-11-29)
composer:
Robert Russell Bennett (American composer and arranger) (in 1940)
part of:
Hexapoda (5 Studies in Jitteroptera) (for violin and piano)
Robert Russell Bennett2:02
7Hexapoda: Jane Shakes Her Hair
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (violinist) (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Hexapoda: II. Jane Shakes Her Hair (on 1945-11-29)
composer:
Robert Russell Bennett (American composer and arranger) (in 1940)
part of:
Hexapoda (5 Studies in Jitteroptera) (for violin and piano)
Robert Russell Bennett1:04
8Hexapoda: Betty and Harold Close Their Eyes
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (violinist) (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Hexapoda: III. Betty and Harold Close Their Eyes (on 1945-11-29)
composer:
Robert Russell Bennett (American composer and arranger) (in 1940)
part of:
Hexapoda (5 Studies in Jitteroptera) (for violin and piano)
Robert Russell Bennett1:42
9Hexapoda: Jim Jives
piano:
Emanuel Bay
violin:
Jascha Heifetz (violinist)
recording of:
Hexapoda: IV. Jim Jives
composer:
Robert Russell Bennett (American composer and arranger) (in 1940)
part of:
Hexapoda (5 Studies in Jitteroptera) (for violin and piano)
Robert Russell Bennett1:00
10Hexapoda: Till Dawn Sunday
piano:
Emanuel Bay
violin:
Jascha Heifetz (violinist)
recording of:
Hexapoda: V. Til Dawn Sunday
composer:
Robert Russell Bennett (American composer and arranger) (in 1940)
part of:
Hexapoda (5 Studies in Jitteroptera) (for violin and piano)
Robert Russell Bennett1:47
11Jeannie With the Light Brown Hair
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (violinist) (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
Jeanie With the Light Brown Hair (for violin and piano, arr. Heifetz) (in 1944-10)
composer:
Stephen Foster (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Jeanie With the Light Brown Hair
Stephen Collins Foster2:57
12Porgy and Bess: Summertime
piano:
Emanuel Bay
violin:
Jascha Heifetz (violinist)
recording of:
Porgy and Bess: Summertime (for violin and piano, arr. Heifetz)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
George Gershwin1:48
13Porgy and Bess: A Woman Is a Sometime Thing
piano:
Emanuel Bay
violin:
Jascha Heifetz (violinist)
recording of:
Porgy and Bess: A Woman Is a Sometime Thing (for violin and piano, arr. Heifetz)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act Ⅰ, Scene Ⅰ. “Lissen to yo’ daddy warn you … A woman is a sometime thing”
George Gershwin1:49
14Porgy and Bess: My Man's Gone Now
piano:
Emanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (violinist) (on 1945-11-28)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-28)
recording of:
Porgy and Bess: My Man's Gone Now (for violin and piano, arr. Heifetz) (on 1945-11-28)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
George Gershwin3:52
15Porgy and Bess: It Ain't Necessarily So
piano:
Emanuel Bay
violin:
Jascha Heifetz (violinist)
recording of:
Porgy and Bess: It Ain’t Necessarily So (for piano and violin, arr. Heifetz)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
George Gershwin2:30
16Porgy and Bess: Tempo di Blues
piano:
Emanuel Bay
violin:
Jascha Heifetz (violinist)
recording of:
Porgy and Bess: Tempo di Blues (for violin and piano, arr. Heifetz)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York”
George Gershwin2:53
17Porgy and Bess: Bess, You Is My Woman Now
piano:
Emanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (violinist) (on 1945-11-28)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-28)
recording of:
Porgy and Bess: Bess, You Is My Woman Now (for violin and piano, arr. Heifetz) (on 1945-11-28)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
George Gershwin3:02
18A La Valse
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (violinist) (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
3 Pieces, No. 3: A la valse (in 1944-10)
composer:
Victor Herbert (American composer)
Victor Herbert1:40
19Jamaican Rumba
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (violinist) (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
Jamaican Rumba (for violin or viola and piano, arr. Primrose) (in 1944-10)
composer:
Arthur Benjamin (Australian composer / pianist / conductor)
arranger:
William Primrose (violist)
arrangement of:
Jamaican Rumba (for orchestra)
Arthur Benjamin arr. William Primrose1:36
20Florida Night Song
piano:
Emanuel Bay
violin:
Jascha Heifetz (violinist)
recording of:
An Outlandish Suite: No. 2. Florida Night Song
composer:
Susan H. Dyer
Susan H. Dyer2:55
21Deep River
piano:
Milton Kaye
violin:
Jascha Heifetz (violinist)
recording of:
Deep River (arr. Heifetz, for violin and piano)
composer:
[traditional] (special purpose artist)
arranger:
Jascha Heifetz (violinist)
arrangement of:
Deep River
[traditional]2:23
22Levee Dance
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (violinist) (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
Levee Dance op. 27 no. 2 (for violin and piano) (in 1944-10)
composer:
Clarence Cameron White (US composer and violinist)
is based on:
Go Down Moses (spiritual)
Clarence Cameron White3:03
23Gweedore Brae (arr. Crowther)
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (violinist) (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
Gweedore Brae (for violin and piano, arr. Crowther) (in 1944-10)
composer:
[traditional] (special purpose artist)
piano and violin arranger:
John Crowther
[traditional]3:10
24Moderato Assai
piano:
Emanuel Bay (on 1945-11-30)
violin:
Jascha Heifetz (violinist) (on 1945-11-30)
arranger:
Stefan Frenkel
medley including a recording of:
Die Dreigroschenoper: Akt III. Das Lied von der Unzulänglichkeit menschlichen Strebens (on 1945-11-30)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die Dreigroschenoper: Akt III
medley including a recording of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer (on 1945-11-30)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die Dreigroschenoper: Vorspiel
Kurt Weill2:20
25White Christmas
violin:
Jascha Heifetz (violinist) (on 1944-10-17)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1944-10-17)
conductor:
Salvador Camarata (on 1944-10-17)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-17)
instrumental recording of:
White Christmas (on 1944-10-17)
lyricist and composer:
Irving Berlin (from 1938 until 1940)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Berlin Music Corp., Williamson Music Company and Irving Berlin Music Company (from 1940 to present)
sub-publisher:
EMI Allans Music Australia Pty Ltd, Irving Berlin Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 15th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1942 winner)
Irving Berlin3:20
26Lullaby
piano:
Emanuel Bay
violin:
Jascha Heifetz (violinist) (on 1946-07-13)
vocals:
Bing Crosby (on 1946-07-13)
conductor:
Victor Young (American composer, arranger, violinist & conductor) (on 1946-07-13)
recorded at:
Decca Studios (Hollywood; fka Recordings, Inc. 1934–40, before Decca took it over) in Hollywood, Los Angeles, California, United States (on 1946-07-13)
recording of:
Jocelyn, op. 100: Acte II. Berceuse (catch-all for arrangements) (on 1946-07-13)
composer:
Benjamin Godard (French violinist and composer, 1849-1895)
arrangement of:
Jocelyn, op. 100: Acte II. Berceuse “Cachés dans cet asile” (Jocelyn, Op. 100: Act II. Lullaby “Angels Guard Thee”)
Benjamin Godard3:14
27Where My Caravan Has Rested
piano:
Emanuel Bay
violin:
Jascha Heifetz (violinist) (on 1946-07-13)
vocals:
Bing Crosby (on 1946-07-13)
conductor:
Victor Young (American composer, arranger, violinist & conductor) (on 1946-07-13)
recorded at:
Decca Studios (Hollywood; fka Recordings, Inc. 1934–40, before Decca took it over) in Hollywood, Los Angeles, California, United States (on 1946-07-13)
recording of:
Where My Caravan Has Rested (on 1946-07-13)
lyricist:
Edward Teschemacher
composer:
Hermann Löhr
part of:
Romany Songs
Hermann Löhr2:53

Credits

Release

ASIN:US: B000009I7Y [info]