100 Greatest Women in Pop

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Countries excluded (Spotify + Deezer + iTunes)

(As of 2022-02-25).

  • Northern America: 🇨🇦 Canada (ca) 🇺🇸 United States (us)
  • Caribbean: 🇨🇼 Curaçao (cw)
  • Western Europe: 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇫🇷 France (fr) 🇱🇺 Luxembourg (lu)
  • South-Eastern Asia: 🇲🇲 Myanmar (mm)
Anmerkung zuletzt geändert am 2022-02-25 21:31 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Believe
Produzent(in):
Brian Rawling und Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
Mix:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1998)
produced for:
Metro (production company) und Rive Droite Music Productions
aufgenommen bei und mixed at:
Dreamhouse Studios in London (Greater London), England, Vereinigtes Königreich
Teil von:
Grammy Award: Best Dance/Electronic Recording nominees (Nummer: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (Nummer: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 159) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 337)
recording of:
Believe
Texter:
Brian Higgins (British producer and song writer) und Matt Gray (UK techno DJ/producer, former video game composer)
Komponist(in):
Brian Higgins (British producer and song writer) (in 1998), Matt Gray (UK techno DJ/producer, former video game composer) (in 1998), Stuart McLennan (in 1998), Paul Michael Barry (songwriter/musician) (in 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (in 1998) und Steve Torch (in 1998)
publisher:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Rive Droite Music und Warner Chappell (Warner/Chappell Music, Inc.)
Cher3.73:59
2Daisy
sonstige Unterstützung:
Matt Wolach (Aufgabe: musical assistant)
Produzent(in):
Gemini (Thomas Slinger, electronic music producer)
Mix:
Mark “Spike” Stent (producer, engineer)
drum machine, Keyboard, Sitar, Synthesizer und Hintergrundgesang:
Gemini (Thomas Slinger, electronic music producer)
Sologesang:
Ashnikko (rapper/singer)
recording of:
Daisy
Verfasser(in):
Ashton Nicole Casey (rapper/singer) und Thomas Edward Slinger (Thomas Slinger, electronic music producer)
publisher:
Warner Chappell Music Limited (2019–present)
Ashnikko3.652:26
3Don’t Be So Hard on Yourself
zusätzliche Programmierung:
Wez Clarke
Techniker(in):
Nick Taylor (engineer, film scores)
Produzent(in):
TMS (UK songwriting/production team) und Tommy D
Mix:
Wez Clarke
Bratsche / Viola:
Fiona Leggat und Emma Owens (violist, violinist, strings)
Cello:
Rosie Danvers und Bryony James (cellist)
Geige / Violine:
Helen Hathorn (violinist), Sally Jackson (violinist), Patrick Kiernan (violinist), Kotono Sato (Japanese violinist), Eleanor Mathieson (violinist), Hayley Pomfrett, Jenny Sacha und Debbie Widdup (violinist)
Gitarre:
Ben Kohn (songwriter and producer)
Keyboard [keyboards]:
Pete Kelleher (multi-instrumentalist)
Saiteninstrumente:
Wired Strings
Schlagzeug:
Tom Barnes (UK songwriter and drummer)
Hintergrundgesang [backing vocals]:
Knox Brown (Jamaica, London, LA, Britain)
Sologesang:
Jess Glynne
Saiteninstrumente arranger:
Rosie Danvers
zusätzlich arranger:
Ben Collier
phonographisches Urheberrecht (℗) von:
Atlantic Records UK Ltd (in 2015)
engineered at:
Air-Edel Recording Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Don’t Be So Hard on Yourself
Verfasser(in):
Thomas Barnes (UK songwriter and drummer), Benjamin Alexander Kohn (songwriter and producer), Jess Glynne, Wayne Hector und Peter Kelleher (multi-instrumentalist)
Jess Glynne3.253:31
4I Know Where It’s At
recording of:
I Know Where It’s At
Verfasser(in):
Walter Becker, Donald Fagen, Paul Griffin (American pianist, session musician), Karl Gordon (British DJ, producer, rapper, and songwriter) und Shaznay Lewis
publisher:
Manuskript (not for release label use! this is only for copyrights and publishing relationships)
All Saints4:53
5Smile
Techniker(in):
Darren Lewis, Iyiola Babalola (drum n bass producer Iyiola Babalola) und Mike Pelanconi
Produzent(in):
Darren Lewis, Future Cut und Iyiola Babalola (drum n bass producer Iyiola Babalola)
assistierende(r) Mix:
Dan Porter
Mix:
Future Cut und Mike Pelanconi
Bassgitarre:
Clive Hunte
Keyboard:
Darren Lewis, John Ellis (UK session bassist/keyboardist/vocalist/producer) und Iyiola Babalola (drum n bass producer Iyiola Babalola)
Posaune:
Trevor Edwards
Saxophon:
Michael Rose (Saxophonist)
Schlagzeug:
Paul Powell
Trompete:
Eddie Thornton
Sologesang:
Lily Allen
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
mixed at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Teil von:
Amazon – Best Songs of 2007: Editor Picks (Nummer: 6)
recording of:
Smile
Texter:
Lily Allen, Darren Lewis und Iyiola Babalola (drum n bass producer Iyiola Babalola)
zusätzliche(r) Verfasser(in):
Clement “Coxsone” Dodd
Komponist(in):
Jackie Mittoo
publisher:
Sparta Florida Music Group und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
basiert auf:
Free Soul
Lily Allen3.73:16
6Lost in Your Eyes
recording engineer:
Phil Castellano (brother of John, uncle of Richie) und Don Feinberg
Schlagzeug und Keyboard-Programmierung:
Fred Zarr
Techniker(in):
Bill Esses, Jim Goatley und Matt Malles
Produzent(in):
Debbie Gibson
Mix:
Debbie Gibson, Bob Rosa und Tom Vercillo
E-Gitarre:
Tommy Williams (former Debbie Gibson musical director)
Keyboard:
Fred Zarr
Klavier und Hintergrundgesang:
Debbie Gibson
Perkussion:
Bashiri Johnson
arranger:
Debbie Gibson und Fred Zarr
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Lost in Your Eyes
Texter und Komponist(in):
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Debbie Gibson53:33
7Problems
Anne‐Marie4.72:35
8Take Care of You
phonographisches Urheberrecht (℗) von:
Warner Music UK Limited (not for release label use!) (in 2022)
Ella Henderson3:14
9You Might Need Somebody
recording engineer und Techniker(in):
Ben ‘Jammin’ Robbins (UK producer, engineer, songwriter, arranger and keyboardist) und Ed Lover
membranophone-Programmierung:
Ed Baden Powell
Produzent(in):
D’Influence
Bassgitarre:
Ed Baden Powell
Horn:
D-I Horny Horns, Steve Marston und Kenny Wellington
Saiteninstrumente:
Stephen Hussey
zusätzlich Keyboard:
Kwame Kwaten
Hintergrundgesang und Sologesang:
Shola Ama
Interpret(in):
D-I Horny Horns
Saiteninstrumente arranger:
Ed Baden Powell
arranger:
D’Influence
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1997)
aufgenommen bei:
R G Jones in Wimbledon, Merton, London (Greater London), England, Vereinigtes Königreich und The D Lab
cover recording of:
You Might Need Somebody
Komponist(in):
Nan O’Byrne (American songwriter and composer) und Tom Snow (US keyboardist/songwriter)
Shola Ama3.654:49
10Right Back Where We Started From
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1994)
recording of:
Right Back Where We Started From (in 1975)
Verfasser(in):
J. Vincent Edwards und Pierre Tubbs
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. und Sony/ATV Songs LLC
Maxine Nightingale4.43:12
11I’m a Mess
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2018)
recording of:
I’m a Mess
Verfasser(in):
Meredith Brooks (US singer/songwriter and guitarist), Jussifer, Shelly Peiken, Bebe Rexha und Justin Tranter (singer and songwriter)
Bebe Rexha3.93:15
12Breathless
recording engineer:
Michel Gallone und Tim Martin (engineer)
Programmierung:
Richard Meyer (American folk singer-songwriter)
zusätzliche Programmierung:
Cory Churko und Kevin Churko
assistierende(r) Techniker(in):
Michel Gallone, Frances Murphy und Keith Roche
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
assistierende(r) Mix:
Adam Olmsted (engineer)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bassgitarre:
Keith Duffy (bass player for the Corrs)
Bodhrán, Perkussion und Schlagzeug:
Caroline Corr
Geige / Violine:
Sharon Corr
Gitarre und Keyboard:
Jim Corr
Gitarre [lead guitar]:
Anthony Drennan
tin whistle:
Andrea Corr
Hintergrundgesang:
Caroline Corr, Jim Corr und Sharon Corr
vocals:
Andrea Corr
aufgenommen bei:
Westland Studios in Dublin, County Dublin, Leinster, Irland
zusätzlich aufgenommen bei:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Breathless von The Corrs
recording of:
Breathless
Verfasser(in):
Andrea Corr, Caroline Corr, Jim Corr, Sharon Corr und Robert John “Mutt” Lange (Robert John Lange)
The Corrs3.553:27
13Boys
Samples:
[“Super Mario Bros.” coin sound effect] (1985) von 近藤浩治 (Koji Kondo, Nintendo composer)
Teil von:
Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 71)
recording of:
Boys
Verfasser(in):
Ingrid Andress, Ari Leff, Jerker Hansson, Cass Lowe, Michael Pollack (songwriter) und Emily Warren
publisher:
A5B Music, Anthem State of Mind Music, KMR Music Royalties II SCSp, Songs of Universal, Inc. (BMI), Songs With a Pure Tone, Sony/ATV Music Publishing (UK) Ltd., Straight From the Art Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Where da Kasz At
Charli XCX32:42
14Good Stuff
Griff3:25
15Pure Love
Techniker(in) und Mix:
Carlos de la Garza (US music producer)
zusätzliche(r) Produzent(in):
Carlos de la Garza (US music producer)
Bassgitarre:
Joey Howard (US bassist)
Conga und Schlagzeug:
Aaron Steel
Keyboard:
Joey Howard (US bassist) und Hayley Williams (Paramore vocalist)
zusätzlich Instrumente:
Taylor York
vocals:
Hayley Williams (Paramore vocalist)
recording of:
Pure Love
Verfasser(in):
Joey Howard (US bassist) und Hayley Williams (Paramore vocalist)
Hayley Williams3:07
16se essa vida fosse um filme
Giulia Be2:04
17Sitting Down Here
vocals:
Lene Marlin
arranger:
Jørn Dahl
phonographisches Urheberrecht (℗) von:
Virgin Records Norway (in 1999)
aufgenommen bei:
Disclab Oslo in Oslo, Norwegen
recording of:
Sitting Down Here
Texter und Komponist(in):
Lene Marlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Lene Marlin33:54
18Cleopatra’s Theme
recording of:
Cleopatra's Theme
Texter:
Cleopatra Higgins
Verfasser(in):
Cleopatra (UK girl group)
Cleopatra34:09
19Human
recording of:
Human
Verfasser(in):
Christina Judith Perri und Martin Bennett Johnson (production music composer)
Christina Perri4.54:10
20Good as Hell
Programmierung und Produzent(in):
Ricky Reed
Techniker(in):
Ethan Shumaker
assistierende(r) Mix:
Chris Galland und Ike Schultz
Mix:
Manny Marroquin
Instrumente:
Ricky Reed
vocals:
Lizzo (American rapper, singer and actress)
aufgenommen bei:
Elysian Park in Echo Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Spotify: Top Hits of 2019 (Nummer: 23) und Billboard Year-End Hot 100 singles of 2020 (Nummer: 31)
recording of:
Good as Hell
Verfasser(in):
Eric Frederic und Melissa “Lizzo” Jefferson (American rapper, singer and actress)
publisher:
Frederic and Ried Music, Lizzo Music (aka Lizzo Music Publishing - BMI affiliated), Songs from the Boardwalk, Sony/ATV Music Publishing, LLC (1995–2020), Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lizzo3.652:39
21I Want to Be With You
phonographisches Urheberrecht (℗) von:
Elektra Records LLC (in 2020)
chloe moriondo2:58
22I Dare You
recording of:
I Dare You
Verfasser(in):
Jeff Gitelman, Natalie Hemby, Jesse Shatkin (American singer-songwriter, and record producer), Laura Veltz (American country music songwriter and singer) und Ben West (Detroit producer & songwriter)
Kelly Clarkson3:36
23The Best
Produzent(in):
Dan Hartman und Tina Turner
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 4) und Cachitos Nochevieja 2022 (Nummer: 154)
cover recording of:
The Best
Verfasser(in):
Holly Knight und Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner45:29
24Get Ur Freak On
Assistent recording engineer:
Jesse Gorman und Grayson Sumby
Techniker(in):
Senator Jimmy D (engineer)
Produzent(in):
Missy Elliott (American rapper, singer, dancer & record producer) und Timbaland
assistierende(r) Mix:
Jesse Gorman und Steve Penny
Mix:
Jimmy Douglass (engineer)
Sologesang:
Missy Elliott (American rapper, singer, dancer & record producer)
zusätzlich vocals:
Angie Fisher
Musikvideos:
Get Ur Freak On von Missy Elliott (American rapper, singer, dancer & record producer)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 8) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 153)
recording of:
Get Ur Freak On
Verfasser(in):
Melissa Elliott (American rapper, singer, dancer & record producer) und Timothy Mosley
Missy Elliott43:56
25Passive Aggressive
recording of:
Passive Aggressive
Verfasser(in):
Charlotte Cardin
Komponist(in):
Jason Brando, Charlotte Cardin, Marc-André Gilbert und Connor Seidel
Charlotte Cardin33:08
26Play Date
Produzent(in):
Jennifer Decilveo und Michael Keenan (American producer and songwriter)
Interpret(in):
Melanie Martinez
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2015, in 2020) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2015)
Musikvideos:
Play Date (lyric video) von Melanie Martinez
recording of:
Play Date
Verfasser(in):
Jennifer Decilveo und Melanie Martinez
Melanie Martinez52:59
27Freak Like Me
Samples:
I’d Rather Be With You von Bootsy Collins (US funk musician & songwriter)
instrumental versions:
Freak Like Me (instrumental) von Adina Howard
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 370)
recording of:
Freak Like Me (Adina Howard)
Texter:
Eugene Hanes, Loren Hill und Marc Valentine
Komponist(in):
George Clinton (US funk musician), Bootsy Collins (US funk musician & songwriter) und Gary “Mudbone” Cooper
publisher:
Notting Dale Songs, Inc., Rubber Band Music und Universal Music Corp. (USA, affiliated with ASCAP)
basiert auf:
I’d Rather Be With You
Adina Howard4.254:13
28Make Me Feel
Techniker(in):
John Hanes (audio engineer, mixer) (Aufgabe: mix)
Produzent(in):
Prince (“The Artist Formerly Known as…”)
Mix:
Serban Ghenea
Sologesang:
Janelle Monáe
phonographisches Urheberrecht (℗) von:
Bad Boy Records LLC (in 2018) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2018)
Teil von:
TheNeedleDrop: Top 50 Singles of 2018 (Nummer: 4)
recording of:
Make Me Feel
Verfasser(in):
Robin Fredriksson (of Mattman & Robin), Matt Friedman, Janelle Monáe Robinson, Justin Trantor (singer and songwriter) und Julia Michaels
Janelle Monáe4.353:14
29You’re So Vain
recording engineer:
Robin Geoffrey Cable (von 1972-09 bis 1972-10)
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Bass:
Klaus Voorman (von 1972-09 bis 1972-10)
Gitarre:
Jimmy Ryan (American guitarist and singer/songwriter) (von 1972-09 bis 1972-10)
Klavier und Sologesang:
Carly Simon (von 1972-09 bis 1972-10)
Perkussion:
Richard Perry (producer) (von 1972-09 bis 1972-10)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (von 1972-09 bis 1972-10)
Hintergrundgesang:
Mick Jagger (von 1972-09 bis 1972-10)
zusätzlich Hintergrundgesang:
Carly Simon (von 1972-09 bis 1972-10) und Doris Troy (von 1972-09 bis 1972-10)
Saiteninstrumente arranger:
Carly Simon
Orchestrator(in):
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) und Rhino Entertainment Company (not for release label use!) (in 2015)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1972-09 bis 1972-10)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 140) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 495)
recording of:
You’re So Vain (von 1972-09 bis 1972-10)
Texter und Komponist(in):
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) und Universal Music Publishing Group
Carly Simon4.554:18
30Don’t Let Go (Love)
Produzent(in):
Organized Noize (Atlanta hip-hop production group)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1997)
recording of:
Don't Let Go (Love)
Verfasser(in):
Marqueze Ethridge, Andrea Martin (singer/songwriter for various dance/soul artists), Ivan Matias, Organized Noize (Atlanta hip-hop production group), Patrick Brown, Raymon Murray (American producer, songwriter & multi-instrumentalist) und Rico Wade
En Vogue44:51
31Respect
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bass:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Dewey "Spooner" Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Trompete:
Melvin Lastie (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Aretha Franklin2:25
32Walk On By
recording of:
Walk On By
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick2:57
33The Loco‐Motion
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 1) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 351)
recording of:
The Loco‐Motion (aka Locomotion) (in 1962)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (vom 1962 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Little Eva22:19
34You’re My World
recording of:
You’re My World
Texter:
Gino Paoli (singer, songwriter)
Komponist(in):
Umberto Bindi
Übersetzer:
Carl Sigman
publisher:
Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Welbeck Music Ltd.
übersetzte Version von:
Il mio mondo
Cilla Black2:59
35Young Hearts Run Free
Produzent(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
Bassgitarre:
Scotty Edwards (bassist)
Conga:
Eddie Bongo
Gitarre:
Jay Graydon und Ray Parker
Keyboard:
Michael Boddicker, Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer) und Sonny Burke (soul/jazz/funk keyboardist)
Perkussion:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
Schlagzeug:
Ollie E. Brown (US drummer, session musician & record producer)
Synthesizer:
Monty Stark
Vibraphon:
Vic Feldman
Hintergrundgesang:
Jim Gilstrap, Lani Groves, Angie Johnson, Fleming McWilliams, Rochelle Runnells und June D. Williams
Sologesang:
Candi Staton
arranger:
Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer)
aufgenommen bei:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 424)
recording of:
Young Hearts Run Free
Texter und Komponist(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Da Ann Music (ASCAP-affiliated), Ghati Music Inc. und IQ Music Ltd.
Candi Staton4.24:09
36Wuthering Heights
Produzent(in):
Andrew Powell (known for contributions to Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
recording of:
Wuthering Heights
publisher:
Kate Bush (vom 1978 bis heute)
Texter und Komponist(in):
Kate Bush (am 1977-03-05)
publisher:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. und EMI Music Publishing Ltd. (PRS‐affiliated) (vom 1978 bis heute)
Kate Bush3:25
37Me & U
recording engineer, Programmierung, Produzent(in) und Mix:
Ryan Leslie (US songwriter, producer)
Instrumente:
Ryan Leslie (US songwriter, producer)
arranger:
Ryan Leslie (US songwriter, producer)
produced for:
NextSelection Lifestyle Group
aufgenommen bei und mixed at:
The Apartment (NYC) in New York, New York, Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 463)
recording of:
Me & U
Verfasser(in):
Ryan Leslie (US songwriter, producer)
publisher:
Aspen Songs und NextSelection Music Publishing
Cassie3.63:12
38Brass in Pocket
zusätzlich recording engineer:
Steve Nye (producer, engineer and pianist)
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Michael Paul Stavrou (producer/engineer)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1979, in 1987, in 2000)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
zusätzlich aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 89) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 389)
recording of:
Brass in Pocket
Verfasser(in):
James Honeyman‐Scott und Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music und Modern Music Publishing Co., Inc.
Pretenders4.153:05
39Midnight at the Oasis
Techniker(in):
Lee Herschberg und Donn Landee
Produzent(in):
Joe Boyd (US producer, founder of Hannibal Records) und Lenny Waronker
Mix:
Lee Herschberg
Akustikgitarre:
David Nichtern
Bassgitarre:
Freebo
E-Gitarre:
Amos Garrett
Klavier:
Mark T. Jordan
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
Sprecher:
Greg Prestopino
vocals:
Maria Muldaur
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Midnight at the Oasis
Texter und Komponist(in):
David Nichtern
publisher:
Space Potato Music (in 1974)
Maria Muldaur43:49
40Goldfinger
Techniker(in):
John Richards (engineer)
Produzent(in):
John Barry (English score composer) und George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
vocals:
Shirley Bassey (Welsh singer) (in 1964-07)
conductor:
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
Goldfinger (in 1964-07)
Texter:
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. und Sony/ATV Songs LLC
Teil von:
James Bond themes
Teil von:
Goldfinger
Shirley Bassey4.252:48
41Tainted Love
Techniker(in):
Mike Stavrou (producer/engineer) und Gary Ulmer
Produzent(in):
Marc Bolan und Gloria Jones (US singer/songwriter, known for “Tainted Love”)
recording of:
Tainted Love (in 1976)
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Gloria Jones32:42
42Ain’t Nobody
alto saxophone:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Bass:
Bobby Watson (bassist)
flute:
Gary Herbig, Ernie Watts (Ernest James Watts, jazz and blues saxophonist) und Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Gitarre:
Tony Maiden
Keyboard:
Kevin Murphy (American keyboardist, Rufus & The American Breed) und David “Hawk” Wolinski
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
Tenorsaxophon:
Gary Herbig und Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
Trompete:
Jerry Hey
zusätzlich Synthesizer:
James Newton Howard (American score composer)
vocals:
Chaka Khan und Tony Maiden
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 88) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 403)
recording of:
Ain’t Nobody
Texter und Komponist(in):
David Wolinski
publisher:
Overdue Music
Chaka Khan4.054:45
43Self Control
leitende(r) Produzent(in):
Jack White (German producer Horst Nußbaum)
Produzent(in):
Robbie Buchanan (Canadian producer) und Jack White (German producer Horst Nußbaum)
arranger:
Robbie Buchanan (Canadian producer) und Harold Faltermeier
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
Musikvideos:
Self Control von Laura Branigan
cover recording of:
Self Control (in 1984)
Texter:
Steve Piccolo
zusätzliche(r) Verfasser(in):
Harro Steffen
Komponist(in):
Giancarlo Bigazzi und Raffaele Riefoli (Italian pop singer)
publisher:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Musik Verlags GmbH (publisher) und Sugarmusic Spa (publisher, do NOT use as label)
Version von:
Self Control
Laura Branigan4.554:07
44Twist in My Sobriety
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) und WEA Records Ltd. (holding company based in the UK) (in 1988)
recording of:
Twist in My Sobriety (in 1988)
Texter und Komponist(in):
Tanita Tikaram
publisher:
Brogue Music, Warner Basart (publisher) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tanita Tikaram4.74:50
45Frankie
Produzent(in):
Nile Rodgers
recording of:
Frankie
Texter und Komponist(in):
Denise Rich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge4:17
46Black Velvet (single version)
recording of:
Black Velvet
Verfasser(in):
David Tyson (Canadian producer/songwriter) und Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin', Kobalt Music Publishing Ltd. (UK), Ole Media Management LP und Zomba Music Publishing Ltd.
Alannah Myles4:46
47Set Me Free
Musikvideos:
Set Me Free von Jaki Graham
recording of:
Set Me Free
Texter und Komponist(in):
Derek Bramble
Jaki Graham33:36
48Walkin’ Back to Happiness
recording of:
Walking Back to Happiness
Verfasser(in):
Mike Hawker und John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
Helen Shapiro22:31
49Just One Look
recorded in:
New York, New York, Vereinigte Staaten (am 1963-03-05)
Produzent(in):
Artie Ripp
Bass:
Barney Richmond (am 1963-03-05)
Gitarre:
Napoleon "Snags" Allen (am 1963-03-05)
Klavier:
Horace Ott (am 1963-03-05)
Schlagzeug:
Bruno Carr (am 1963-03-05)
Hintergrundgesang [harmony vocals] und Sologesang:
Doris Troy (am 1963-03-05)
vocals:
Doris Troy (am 1963-03-05)
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 7) und Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 29)
recording of:
Just One Look (am 1963-03-05)
Verfasser(in):
Gregory Carroll und Doris Payne
publisher:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Doris Troy2:31
50Jump to the Beat
recording of:
Jump to the Beat
publisher:
Walden Music, Inc.
Stacy Lattisaw3:25
51Nightline
Randy Crawford3:48
52B‐A‐B‐Y
recording of:
B-A-B-Y
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner/Chappell North America
Carla Thomas2:51
53The Boy Is Mine (radio edit)
Produzent(in):
Dallas Austin, Brandy (US R&B singer) und Rodney Jerkins
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1998) und WEA International, Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
produced for:
Brand Nu, Inc., Darkchild Entertainment, Inc. und Darp, Inc.
Bearbeitung von:
The Boy Is Mine (album version) von Brandy (US R&B singer) & Monica (US R&B singer)
recording of:
The Boy Is Mine
Verfasser(in):
Brandy Norwood (US R&B singer), LaShawn Daniels (US contemporary R&B songwriter), Fred Jerkins, Rodney Jerkins und Japhe Tejeda
publisher:
Bran-Bran Music, EMI April Music Inc., EMI Blackwood Music Inc., Ensign Music Publishing, Famous Music Publishing, Fred Jerkins Publishing, Henchi Music und Sony/ATV Melody
basiert auf:
The Girl Is Mine
Brandy and Monica44:00
54Secret Rendezvous
recording engineer und Mix:
Jon Gass
assistierende(r) Techniker(in):
Toni Greene (engineer), John Guggenheim und Fred Howard (engineer)
zusätzliche(r) Techniker(in):
Bob Brown (recording, mixing and mastering engineer)
leitende(r) Produzent(in):
Benny Medina und Leonard Richardson (US hip-hop producer)
Produzent(in):
L.A. & Babyface (US R&B songwriting/production duo)
Bass-Synthesizer [bass synth]:
Kayo (Kevin Roberson)
Keyboard [keyboards] und Solo-Gitarre:
Babyface (R&B musician Kenny Edmonds)
Perkussion und Schlagzeug [drums]:
L.A.
Hintergrundgesang:
Babyface (R&B musician Kenny Edmonds), Carmen Carter, O'Bryan Burnett II, Daryl Simmons und Karyn White
gemixt für:
Ratstyle Productions
produced for:
La'Face, Inc. (production company)
aufgenommen bei:
Silverlake Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Studio Masters in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Elumba Recording Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Secret Rendezvous
Verfasser(in):
Babyface (R&B musician Kenny Edmonds), D. Simmons und L.A. Reid
publisher:
Chappell Music Ltd., Green Skirt Music (publisher), Hip Trip (publisher) und Kear Music (publisher)
Karyn White5:37
55Show Me Love
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 7) (Nummer: 9)
recording of:
Show Me Love
Verfasser(in):
Allen George (Songwriter - producer - keyboards player) und Fred McFarlane
publisher:
Champion Music und Son-A-Tron Music
Robin S.44:12
56You Oughta Know
recording engineer:
Glen Ballard und Ted Blaisdell
zusätzlich recording engineer:
Chris Fogel (engineer) und David Schiffman (American producer/audio engineer)
Programmierung und Produzent(in):
Glen Ballard
Ko-Mix:
Chris Fogel (engineer)
Mix:
Jimmy Boyelle
Bass:
Flea (US bassist)
Gitarre [guitars]:
Dave Navarro (American guitarist)
Orgel:
Benmont Tench
Schlagzeug:
Matt Laug
vocals:
Alanis Morissette
Teil von:
Canada’s Drag Race Lip Sync Performances (season 1) (Nummer: 8), Huffington Post: 100 Best Canadian Songs Ever (Nummer: 15), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 103), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 145) und Indie 88: Top 500 Indie Rock Songs (Nummer: 358)
recording of:
You Oughta Know
Texter:
Alanis Morissette
Komponist(in):
Glen Ballard und Alanis Morissette
publisher:
Aerostation Corporation (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet), Vanhurst Place Music (beendet), Arlovol Music und Songs of Universal, Inc. (BMI)
Teil von:
Jagged Little Pill (the musical)
Alanis Morissette44:09
57I Love You Always Forever
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 408)
recording of:
I Love You Always Forever
Texter und Komponist(in):
Donna Lewis
publisher:
donna lewis ltd und Warner/Chappell Music, Inc.
Donna Lewis3.83:59
58Sleeping Satellite
recording of:
Sleeping Satellite
Verfasser(in):
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) und John Hughes (Writer, Producer, Musician)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer44:18
59Stay
Produzent(in):
Nigel Lowis
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
cover recording of:
Stay
Verfasser(in):
Mark Elmer Stevens (US funk musician/songwriter, brother of Chaka Khan) und Robert S. Khozouri
publisher:
Universal/MCA Music Ltd. (not for release label use!)
recording of:
Stay
Verfasser(in):
Mark Elmer Stevens (US funk musician/songwriter, brother of Chaka Khan) und Robert S. Khozouri
publisher:
Universal/MCA Music Ltd. (not for release label use!)
Eternal3.63:57
60Love Like This
recording of:
Love Like This
Verfasser(in):
Schon-Jomel Crawford, Bernard Edwards (American bassist and record producer), Clarence Emery, Faith Evans, Ron Lawrence (US hip-hop producer aka Amen-Ra), Nile Rodgers und Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy)
Faith Evans44:35
61I Don’t Want to Wait
recording engineer und Mix:
Roger Moutenot
Produzent(in):
Paula Cole
vocals:
Paula Cole
recording of:
I Don’t Want to Wait
Texter und Komponist(in):
Paula Cole
publisher:
Ensign Music Publishing (in 1996) und Hingface Music (in 1996)
Paula Cole3.255:18
62You Don’t Love Me (No, No, No) (extended mix)
recording of:
You Don’t Love Me (No, No, No)
Verfasser(in):
Willie Cobbs, Clement “Coxsone” Dodd, Ellas McDaniel (American singer, guitarist, songwriter and music producer) und Dawn Penn
Version von:
You Don’t Love Me
Dawn Penn4:37
63Love Shine a Light
Teil von:
United Kingdom in the Eurovision Song Contest (Vereinigtes Königreich beim Eurovision Song Contest) (Nummer: 1997) und Winners of the Eurovision Song Contest (Die Sieger des Eurovision Song Contest) (Nummer: 1997)
recording of:
Love Shine a Light (in 1997)
Texter und Komponist(in):
Kimberley Rew
Katrina and the Waves22:53
64So Into You
Samples:
Say Yeah von Commodores (US funk/soul band with Lionel Richie)
recording of:
So Into You
Verfasser(in):
Tim Kelley, Ronald LaPread, Lionel Richie, Bob Robinson (US R&B producer/songwriter) und Tamia Washington (Canadian R&B and soul singer)
publisher:
Cambrae Music, Jobete Music Co., Inc., Libren Music, Plus 1 Publishing, Songs by Barometer Music Royalty Fund I, Time for Flytes Music und WC Music Corp.
basiert auf:
Say Yeah
Tamia4:21
65Ooh Aah… Just a Little Bit (Motiv8 radio edit)
recording of:
Ooh Aah… Just a Little Bit
Verfasser(in):
Steve Rodway und Simon Tauber
publisher:
Peermusic (UK) Ltd.
Gina G3:24
66Don’t Walk Away
recording of:
Don't Walk Away
Verfasser(in):
Vassal Benford und Ronald Spearman
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) und MCA Music Ltd.
Jade44:44
67Let Me Take You There
Produzent(in):
John Coxon
recording of:
Let Me Take You There
Verfasser(in):
Alison Clarkson (British dance music singer-songwriter), John Coxon, Charles Dawes und Carl Sigman
basiert auf:
It’s All in the Game
Betty Boo2.53:59
68Trouble
Shampoo3:19
69Dance, Dance, Dance
Koproduzent(in):
Lasse Mårtén (producer, mixer and engineer)
Produzent(in):
Björn Yttling
Mix:
Lasse Mårtén (producer, mixer and engineer) und Björn Yttling
Akustikgitarre, kleine Trommel / Snare [snare] und Hintergrundgesang [backing vocals]:
Björn Yttling
Perkussion und Schlagzeug [drums]:
John Eriksson (Swedish drummer and percussionist)
Saxophon:
Per Ruskträsk Johansson
mixed at:
Decibel Studios in Stockholm, Stockholms län (Stockholm county), Schweden und Sear Sound in New York, New York, Vereinigte Staaten
Teil von:
Pitchfork Presents: The 100 Best Tracks of 2008 (Nummer: 66)
recording of:
Dance, Dance, Dance
Texter:
Lykke Li
Komponist(in):
Lykke Li und Björn Yttling
Lykke Li33:41
70Pack Up
Produzent(in):
Matt Prime
Gast vocals:
Lloyd Wade
Musikvideos:
Pack Up von Eliza Doolittle (Eliza, formerly Eliza Doolittle)
recording of:
Pack Up
Verfasser(in):
Eliza Sophie Caird (Eliza, formerly Eliza Doolittle), Matt Prime und Tim Woodcock
quotes lyrics from:
Pack Up Your Troubles in Your Old Kit-Bag
Eliza Doolittle3.53:11
71Yesterday
Toni Braxton43:48
72Not Too Young
Sabina Ddumba4:03
73Stars Are Blind
Programmierung, Techniker(in) und Produzent(in):
Garibay (US producer, songwriter and DJ)
Koproduzent(in):
Sheppard Solomon
assistierende(r) Mix:
Neeraj Khajanchi
Mix:
Tony Maserati (engineer / mixer)
Instrumente:
Garibay (US producer, songwriter and DJ)
Posaune:
Eric Jorgensen
Trompete:
Lee R. Thornburg
Hintergrundgesang:
Jennifer Karr
Sologesang:
Paris Hilton
zusätzlich vocals arranger:
Jennifer Karr
gemixt für:
Two Chord Music Inc.
produced for:
F2 Inc.
aufgenommen bei:
F2 Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Studio at the Palms in Paradise, Nevada, Vereinigte Staaten
recording of:
Stars Are Blind
Verfasser(in):
Garibay (US producer, songwriter and DJ), Ralph McCarthy und Sheppard Solomon
publisher:
Fernando Garibay Music, V2 Music Publishing Limited und Zufelt Music
Paris Hilton2.53:56
74It’s Alright, It’s OK
recording engineer:
Brian Sumner (Los Angeles based recording engineer)
Produzent(in):
Alke (songwriter and producer) und Twin (Niclas Molinder and Joacim Persson, Flamenco)
zusätzliche(r) Produzent(in):
Kelly Levesque (Sologesang [vocal])
assistierende(r) Mix:
Matty Green (mix engineer)
Mix:
Mark “Spike” Stent (producer, engineer)
Bass:
Niclas Bosson
Gitarre:
Johan Alkenäs (songwriter and producer) und Joacim Persson (Swedish songwriter and producer)
Hintergrundgesang:
Sibel Redzep (Swedish singer Sibel Redžep)
Sologesang:
Ashley Tisdale
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2009)
aufgenommen bei:
RedFly Studios in Schweden und The Boom Boom Room in Burbank, California (Kalifornien), Vereinigte Staaten
Musikvideos:
It’s Alright, It’s OK von Ashley Tisdale und It’s Alright, It’s OK (lyric video) von Ashley Tisdale
recording of:
It’s Alright, It’s OK
Verfasser(in):
David Jassy (Swedish musician, songwriter and producer), Johan Alkenäs (songwriter and producer), Niclas Molinder und Joacim Persson (Swedish songwriter and producer)
publisher:
Art in the Fodder Music (in 2009), Arthouse Entertainment (in 2009), Crossfade Songs (in 2009), RedFly Music AB (in 2009) und Warner/Chappell Music Scandinavia AB (in 2009)
Ashley Tisdale2:59
75Please Don’t Say You Love Me
recording engineer:
James David (engineer, mixer) und Mike Spencer (UK producer)
Produzent(in) und Mix:
Mike Spencer (UK producer)
recording of:
Please Don’t Say You Love Me
Verfasser(in):
Gabrielle Aplin und Nick Atkinson (member of Rooster)
Komponist(in):
Mike Spencer (UK producer)
Gabrielle Aplin4.53:01
76Shoulda Woulda Coulda
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2002)
recording of:
Shoulda Woulda Coulda
Verfasser(in):
Beverley Knight und Craig Wiseman (country music songwriter)
Beverley Knight23:32
77Peachy Keen
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. UK (in 2018)
L Devine2:28
78Euphoria
Techniker(in):
Linn Fijal
Produzent(in):
Peter Boström und Thomas G:son
Saiteninstrumente:
Stockholm Session Strings
Hintergrundgesang:
Johanna Beijbom
Saiteninstrumente arranger:
Henrik Janson und Ulf Janson
recording of:
Euphoria
Verfasser(in):
Peter Boström und Thomas G:son
publisher:
Peer Music (“Peermusic—the global independent”) und Warner/Chappell Music Scandinavia AB
Loreen3:32
79Love Me Right
vocals:
LaVern Baker (US rhythm & blues singer)
recording of:
Love Me Right
Verfasser(in):
Bobby Darin und Don Kirshner
LaVern Baker1:54
80I Don’t Know
recording of:
I Don’t Know (am 1959-03-07)
Verfasser(in):
Brook Benton und Bobby Stevenson (US songwriter Augustus Stevenson)
publisher:
Shelby Singleton Music Inc. und The Clyde Otis Music Group, Inc. (publisher; do NOT use as release label)
Ruth Brown2:53
81Dear Lover
recording of:
Dear Lover
Verfasser(in):
Carl Davis (record producer) und Gerald Sims
Mary Wells2:14
82Clean Up Woman
Techniker(in):
Willie Clarke
Produzent(in):
Willie Clarke und Clarence Reid
Horn arranger und Saiteninstrumente arranger:
Mike Lewis (US composer, arranger and producer)
instruments arranger:
Little Beaver
recording of:
Clean Up Woman
Verfasser(in):
Willie Clarke und Clarence Reid
publisher:
EMI Longitude Music
Betty Wright52:49
83Mojo Hannah
cover recording of:
Mojo Hannah
Verfasser(in):
Barbara Paul, Clarence Paul und Andre Williams (US RnB vocalist/musician/producer/songwriter)
publisher:
Stone Agate Music und Swing Beat Songs
Esther Phillips2:22
84I’m Gonna Run Away From You
recording of:
I’m Gonna Run Away From You
Texter und Komponist(in):
Bert Russell Berns
Tami Lynn2:51
85Gold
Programmierung, Techniker(in) und Produzent(in):
Felix Snow
andere Instrumente, Gitarre und Schlagzeug:
Felix Snow
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2015), EFFESS (in 2015), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2016) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2016)
Teil von:
Billboard Year-End Hot 100 singles of 2016 (Nummer: 52)
recording of:
Gold
publisher:
Kiiara
Verfasser(in):
David Singer-Vine, Kiiara und Felix Snow
publisher:
Felix Snow Productions, Indie‐Pop Music (publisher linked to label Indie‐Pop), Sony ATV (Sony/ATV) und WB Music Corp. (1929–2019)
Kiiara4.53:45
86The Weakness in Me
Keisha White3:20
87Disparate Youth
recording of:
Disparate Youth
Santigold54:44
88What a Man
Laura Lee2:53
89Crazy Love
Sunshine Anderson4:37
90Edge of Seventeen
Techniker(in):
Shelly Yakus
Produzent(in):
Jimmy Iovine
Bassgitarre [bass]:
Bob Glaub
Gitarre:
Waddy Wachtel
Klavier:
Roy Bittan
Orgel:
Benmont Tench
Perkussion:
Bobbye Hall
Schlagzeug:
Russ Kunkel (session drummer)
Sologesang:
Stevie Nicks
phonographisches Urheberrecht (℗) von:
Modern Records, Inc. (in 1981) und Rhino Entertainment Company (not for release label use!) (in 2016)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 217)
recording of:
Edge of Seventeen
Texter und Komponist(in):
Stevie Nicks
gewidmet:
John Lennon (The Beatles)
Stevie Nicks4.055:27
91I Wish You Loved Me
Tynisha Keli4:53
92Take It Off
Techniker(in) und Produzent(in):
Jason Carmer und Robert Shimp
zusätzliche(r) Techniker(in):
Sean Beresford und Clint Roth
Mix:
Chris Lord‐Alge
mixed at:
Image Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Take It Off
Verfasser(in):
Brett Anderson (The Donnas vocalist), Torry Castellano, Maya Ford und Allison Robertson
publisher:
EMI Blackwood Music Inc. und Horns R Us Music, Inc.
The Donnas42:41
93Bar‐B‐Q
Wendy Rene2:29
94Stuck in the Middle With You
Musikvideos:
Stuck in the Middle With You von Louise (British pop singer)
cover recording of:
Stuck in the Middle With You
Texter und Komponist(in):
Gerald Rafferty und Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. und Universal Music Publishing (use ONLY if no country‐specific information is available)
Louise2.53:45
95Damaged
Teil von:
Billboard Year-End Hot 100 singles of 2008 (Nummer: 42)
recording of:
Damaged
Danity Kane34:09
96How Can I Ease the Pain
Lisa Fischer5:19
97Treat U Rite
Angela Winbush6:09
98Everywhere
Techniker(in):
Marc DeSisto und Lars Fox
Produzent(in):
John Shanks
Mix:
Chris Lord‐Alge
Editing:
Lars Fox
mixed at:
Image Recorders in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Everywhere (music video) von Michelle Branch
recording of:
Everywhere (Michelle Branch song)
Verfasser(in):
Michelle Branch, Matt Bronleewe, John Shanks und Tiffany Arbuckle
Michelle Branch4.153:34
99Good Love 2.0
Priya Ragu2:54
100Pretend We’re Dead
Techniker(in) und Mix:
Butch Vig
zusätzliche(r) Techniker(in):
Mr. Colson, Steve Marker und Jeff Sheehan
Produzent(in):
L7 (US punk rock) und Butch Vig
aufgenommen bei:
Smart Studios in Madison, Wisconsin, Vereinigte Staaten und Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
recording of:
Pretend We're Dead
Komponist(in):
Donita Sparks
L74.33:55