Angels: Christmas with the Great Sopranos

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1O Holy Night
Chorgesang:
Wiener Großstadtkinderchor (in 1961-06) und Wiener Singverein (in 1961-06)
Soprangesang:
Leontyne Price (soprano) (in 1961-06)
Orchester:
Members of the Wiener Philharmoniker (Berliner Philharmoniker) (in 1961-06) und Wiener Philharmoniker (in 1961-06)
conductor:
Herbert von Karajan (conductor) (in 1961-06)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (in 1961-06)
recording of:
O Holy Night (in 1961-06)
Texter:
John Sullivan Dwight (in 1855)
Komponist(in):
Adolphe Adam (French composer) (in 1847)
übersetzte Version von:
Cantique de Noël “Minuit chrétiens” (French original of “O Holy Night”)
recording of:
O Holy Night (catch-all for arrangements) (in 1961-06)
Komponist(in):
Adolphe Adam (French composer)
Arrangement von:
O Holy Night
Adolphe Adam4:30
2Ave Maria, D. 839
Soprangesang:
Renée Fleming (soprano)
Orchester:
Royal Philharmonic Orchestra
conductor:
Andreas Delfs (conductor)
arranger:
Chris Hazell
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Franz Schubert (composer)
Version von:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert4:22
3Requiem, op. 48: Pie Jesu
Produzent(in):
Paul Myers (classical record producer)
Soprangesang:
Kiri Te Kanawa (soprano) (in 1987-10)
Orchester:
Montréal Symphony Orchestra (Montreal Symphony Orchestra) (in 1987-10)
conductor:
Charles Dutoit (conductor) (in 1987-10)
Tonmeister(in):
John Dunkerley (engineer) (in 1987-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1988)
aufgenommen bei:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Kanada (in 1987-10)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (in 1987-10)
Komponist(in):
Gabriel Fauré (French composer) (von 1886 bis 1900)
enthalten in:
CHAPTER IV PIE JESU (REST)
Teil von:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:49
4Good King Wenceslas
Techniker(in):
Kenneth Wilkinson (engineer)
Produzent(in):
Ray Minshull (record producer)
Cembalo:
Valda Aveling (pianist, harpsichordist and clavichordist) (in 1965-05)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1965-05)
Soprangesang:
Patricia Clarke (Soprano) (in 1965-05) und Joan Sutherland (soprano) (in 1965-05)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1965-05)
recording of:
Good King Wenceslas (in 1965-06)
Texter:
John Mason Neale (in 1853)
Komponist(in):
[traditional] (special purpose artist) (von 1201 bis 1301)
arranger:
Thomas Helmore (in 1853)
Teil von:
Roud Folk Song Index (Nummer: 24754)
basiert auf:
Tempus adest floridum (13th-century carol)
[traditional]3:03
5Stille Nacht, Heilige Nacht
recording engineer:
Stanley Goodall (engineer) (in 1971-04)
Produzent(in):
Christopher Raeburn (producer)
Orgel:
George Thalben-Ball (in 1971-04)
Soprangesang:
Renata Tebaldi (soprano) (in 1971-04)
arranger:
Douglas Gamley (film composer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1971-04)
recording of:
Stille Nacht, heilige Nacht (in 1971-04)
Texter:
Josef Mohr (in 1816)
Komponist(in):
Franz Xaver Gruber (in 1818)
Teil von:
Oh, What a Lovely War! (stage musical)
Franz Xaver Gruber4:48
6Lullaby (Guten Abend, gut Nacht)
Produzent(in):
Andrew Cornall (engineer / producer) und Paul Myers (classical record producer) (Aufgabe: session recording producer)
Mix:
Philip Siney (sound engineer) (von 1998-09-19 bis 1998-09-25)
Soprangesang:
Angela Gheorghiu (Romanian soprano) (von 1998-09-19 bis 1998-09-25)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1998-09-19 bis 1998-09-25)
conductor:
Ion Marin (conductor) (von 1998-09-19 bis 1998-09-25)
arranger:
Chris Hazell
Tonmeister(in):
James Lock (James Locke, engineer) (von 1998-09-19 bis 1998-09-25)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2001)
aufgenommen bei:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1998-09-19 bis 1998-09-25)
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied (catch‐all for arrangements)
Komponist(in):
Johannes Brahms (German composer)
Arrangement von:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
Johannes Brahms1:37
7Ave Maria, piena di grazia
Soprangesang [Desdemona]:
Mirella Freni (soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1884 bis 1886-11-01, in 1887)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
Otello: Atto IV
Giuseppe Verdi6:02
8Vesperae solennes de confessore in C, K. 339: Laudate Dominum
leitende(r) Produzent(in):
Dr. Peter Czornyj und Charlotte Kriesch
Produzent(in):
Hans-Bernhard Bätzing (engineer, producer)
Orgel:
Paul Nicholson (harpsichordist & organist) (in 1993-09)
Chorgesang:
The English Concert Choir (in 1993-09)
Soprangesang:
Barbara Bonney (soprano) (in 1993-09)
Orchester:
The English Concert (in 1993-09)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1993-09)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer) (in 1993-09)
concertmaster:
Peter Hanson (violinist) (in 1993-09)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1993-09)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (in 1993-09)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1780)
Teil von:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart4:59
9I Know That My Redeemer Liveth
Soprangesang:
Sylvia McNair (soprano)
Orchester:
Academy of St Martin in the Fields (in 1992-04)
conductor:
Sir Neville Marriner (conductor) (in 1992-04)
aufgenommen bei:
Point Theatre in Dublin, County Dublin, Leinster, Irland (in 1992-04)
live recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (in 1992-04)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part III
George Frideric Handel5:28
10Hark! The Herald Angels Sing
Chorgesang:
Singverein der Gesellschaft der Musikfreunde (in 1961-06) und Wiener Großstadtkinderchor (in 1961-06)
Soprangesang:
Leontyne Price (soprano) (in 1961-06)
Orchester:
Members of the Wiener Philharmoniker (Berliner Philharmoniker) (in 1961-06) und Wiener Philharmoniker (in 1961-06)
conductor:
Herbert von Karajan (conductor) (in 1961-06)
chorus master:
Reinhold Schmidt (chorusmaster, composer)
arranger:
Friedrich Meyer (composer, bandleader) und Wolfgang Meyer (organist, harpsichordist)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (in 1961-06)
recording of:
Hark! The Herald Angels Sing (Christmas carol) (in 1961-06)
Texter:
Charles Wesley (hymn writer) (in 1739)
zusätzlicher Texter:
George Whitefield (in 1753)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1840)
arranger:
William H. Cummings (in 1855)
Teil von:
The New English Hymnal (hymn book) (Nummer: 26)
Felix Mendelssohn2:38
11Herz und Mund und Tat und Leben, BWV 147: Jesus bleibet meine Freude
Soprangesang:
Renée Fleming (soprano)
Orchester:
Royal Philharmonic Orchestra
conductor:
Andreas Delfs (conductor)
arranger:
Chris Hazell
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach2:51
12Let the Bright Seraphim
Trompete:
Crispian Steele‐Perkins (classical trumpeter and composer)
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
English Chamber Orchestra
conductor:
Barry Rose (organist / choirmaster)
recording of:
Samson, HWV 57: Act III. Air: Let the bright seraphim (Israelite woman)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Librettist:
Newburgh Hamilton
Teil von:
Samson, HWV 57: Act III
George Frideric Handel5:59
13It Came Upon a Midnight Clear
Techniker(in):
Kenneth Wilkinson (engineer)
Produzent(in):
Ray Minshull (record producer)
Soprangesang:
Joan Sutherland (soprano) (in 1965-05)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1965-05)
recording of:
It Came Upon the Midnight Clear (carol version) (in 1965-05)
Texter:
Edmund Sears (American church author)
Komponist(in):
Richard Storrs Willis
Teil von:
The New English Hymnal (hymn book) (Nummer: 29)
basiert auf:
CAROL (hymn tune)
basiert auf:
It Came Upon the Midnight Clear (poem)
Richard Storrs Willis2:51
14Ave Maria
Produzent(in):
Andrew Cornall (engineer / producer) und Paul Myers (classical record producer) (Aufgabe: session recording producer)
Mix:
Philip Siney (sound engineer) (von 1998-09-19 bis 1998-09-25)
Soprangesang:
Angela Gheorghiu (Romanian soprano) (von 1998-09-19 bis 1998-09-25)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1998-09-19 bis 1998-09-25)
conductor:
Ion Marin (conductor) (von 1998-09-19 bis 1998-09-25)
arranger:
Giacomo Zani
Tonmeister(in):
James Lock (James Locke, engineer) (von 1998-09-19 bis 1998-09-25)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2001)
aufgenommen bei:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1998-09-19 bis 1998-09-25)
recording of:
Ave Maria (by Pietro Mascagni, adapted from the Intermezzo of his Cavalleria Rusticana) (von 1998-09-19 bis 1998-09-25)
Texter:
Pietro Mazzoni
Komponist(in):
Pietro Mascagni (composer & conductor)
basiert auf:
Cavalleria rusticana: Intermezzo
Pietro Mascagni3:23
15Adeste fideles
recording engineer:
Stanley Goodall (engineer) (in 1971-04)
Produzent(in):
Christopher Raeburn (producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-04)
Soprangesang:
Renata Tebaldi (soprano) (in 1971-04)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1971-04)
conductor:
Anton Guadagno (conductor) (in 1971-04)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
arranger:
Douglas Gamley (film composer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1971-04)
recording of:
Adeste fideles (original latin version) (in 1971-04)
Texter und Komponist(in):
John Francis Wade (von 1740 bis 1743)
John Francis Wade3:16
16Exsultate, jubilate, K. 165: Alleluia
recording engineer:
Erwin de Ceuster (engineer), Nico de Koning (engineer) und Roger de Schot
Produzent(in):
Anna Barry (classical producer)
Soprangesang:
Sylvia McNair (soprano) (in 1993-03)
Orchester:
English Baroque Soloists (The English Baroque Soloists) (in 1993-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-03)
Tonmeister(in):
Onno Scholtze (sound engineer)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1993)
aufgenommen bei:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1993-03)
recording of:
Exsultate, jubilate, K. 158a/165: IV. Alleluia (in 1993-03)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Teil von:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart2:32