Lady Sings the Blues: Original Motion Picture Soundtrack

~ Pubblicazione di Diana Ross (visualizza tutte le versioni di questa pubblicazione: 7 disponibili)

Annotazione

Disc Made in Japan.
Printed in Germany

Barcode: 0 035627 212925
Matrix / Runout: ZD72129 60117N

Annotazione modificata l'ultima volta il 2019-09-06 05:27 UTC.

Elenco tracce

1▼CD
#TitoloValutazioneDurata
1The Arrest
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
0:15
2Lady Sings the Blues
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione cover di:
Lady Sings the Blues
paroliere:
Billie Holiday
compositore:
Herbie Nichols (jazz pianist and composer)
editore:
Northern Music Company
1:03
3Baltimore Brothel
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
0:26
4Billie Sneaks Into Dean & Dean’s, Swingin’ Uptown
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione di:
Billie Sneaks Into Dean & Dean’s / Swingin’ Uptown
compositore:
Gil Askey
editore:
Stone Diamond Music Corporation
0:53
5T’ain’t Nobody’s Bizness If I Do
voce:
Blinky Williams (Blinky Williams - soul singer)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione di:
T’ain’t Nobody’s Bizness If I Do
paroliere:
Porter Grainger
compositore:
Porter Grainger e Everett Robbins
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
parte di:
American Splendor
1:06
6Big Ben, C. C. Rider
arrangiatore:
Gil Askey
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
2:32
7All of Me
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione di:
All of Me
autore:
Gerald Marks (nel 1932) e Seymour Simons (nel 1932)
editore:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs e Sony/ATV Tunes LLC (ASCAP)
sub-editore:
Peermusic e 日音 Synch事業部 (NICHION, INC. Synch Division)
2:20
8The Man I Love
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione di:
The Man I Love
paroliere:
Ira Gershwin (nel 1924)
compositore:
George Gershwin (composer) (nel 1924)
editore:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Lady, Be Good (full musical)
parte di:
New York, New York (1977 musical film soundtrack)
2:27
9Them There Eyes
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione di:
Them There Eyes
paroliere:
William Tracey (nel 1930)
compositore:
Maceo Pinkard (nel 1930) e Doris Tauber (nel 1930)
editore:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) e Warner Chappell Music Limited (2019–present)
1:05
10Gardenias From Louis
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
2:04
11Cafe Manhattan, Had You Been Around, Love Theme
voce:
Michelle Aller
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
medley che comprende una registrazione di:
Had You Been Around
compositore:
Richard R. Jacques, Ron Miller (Motown songwriter Ronald Norman Miller), Avery Vandenburg e Bernard Yuffy
editore:
Jobete Music Co., Inc. e Stone Diamond Music Corporation
medley che comprende una registrazione di:
Happy (Love Theme from Lady Sings the Blues)
paroliere:
William Robinson, Jr.
compositore:
Michel Legrand
editore:
Jobete Music Co., Inc.
3:33
12Any Happy Home
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione di:
Any Happy Home
compositore:
Gil Askey
editore:
Stone Diamond Music Corporation
0:37
13I Cried for You (Now It’s Your Turn to Cry Over Me)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione di:
I Cried for You
paroliere:
Arthur Freed
compositore:
Gus Arnheim e Abe Lyman
editore:
Arthur Freed Music, CBS Miller Catalog, Inc. e Miller Music Corp.
0:38
14Billie & Harry, Don’t Explain
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione di:
Billie & Harry / Don't Explain
compositore:
Arthur Herzog, Jr. e Billie Holiday
editore:
Duchess Music Corporation (BMI-affiliated)
2:12
15Mean to Me
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione di:
Mean to Me
paroliere:
Roy Turk
compositore:
Fred Ahlert
editore:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. e Pencil Mark Music (ASCAP)
1:19
16Fine and Mellow
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione cover di:
Fine and Mellow
paroliere e compositore:
Billie Holiday
editore:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
0:46
17What a Little Moonlight Can Do
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione cover di:
What a Little Moonlight Can Do
paroliere e compositore:
Harry M. Woods (American 1920/30s songwriter)
editore:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) e Warner Brothers Music Inc.
2:10
18Louis Visits Billie on Tour, Love Theme
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione di:
Louis Visits Billie on Tour / Love Theme
compositore:
Michel Legrand
è stata commissionata da:
Jobete Music Co., Inc.
3:48
19Cafe Manhattan Party
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
1:38
20Persuasion, T’ain’t Nobody’s Bizness If I Do
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
medley che comprende una registrazione di:
Persuasion
compositore:
Michel Legrand
è stata commissionata da:
Jobete Music Co., Inc.
medley che comprende una registrazione di:
T’ain’t Nobody’s Bizness If I Do
paroliere:
Porter Grainger
compositore:
Porter Grainger e Everett Robbins
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
parte di:
American Splendor
3:06
21Agent’s Office
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
1:09
22Love Is Here to Stay
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione di:
Love Is Here to Stay
paroliere:
Ira Gershwin
compositore:
George Gershwin (composer)
editore:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Gershwin Publishing Corp (nel 1938) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The Goldwyn Follies
2:00
23Fine and Mellow
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione cover di:
Fine and Mellow
paroliere e compositore:
Billie Holiday
editore:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
2:56
24Lover Man (Oh, Where Can You Be?)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione di:
Lover Man
paroliere:
Jimmy Davis (US songwriter, wrote “Lover Man”) (nel 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (nel 1942) e Jimmy Sherman (pianist, arranger and songwriter) (nel 1942)
compositore:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (nel 1942) e Jimmy Sherman (pianist, arranger and songwriter) (nel 1942)
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (conclusa), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (conclusa) e Universal Music Corp. (USA, affiliated with ASCAP)
3:22
25You’ve Changed
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione di:
You’ve Changed
paroliere:
Bill Carey (US songwriter)
compositore:
Carl T. Fischer (Native American jazz pianist and composer)
editore:
Peer International (BMI; Peer Int'l or Peer-International) e Southern Music Publishing Company
2:34
26Gimme a Pigfoot (and a Bottle of Beer)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione di:
Gimme a Pigfoot (and a Bottle of Beer)
compositore:
Wesley A. Wilson
editore:
Northern Music (song publisher)
2:06
27Good Morning Heartache
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione cover di:
Good Morning Heartache
paroliere:
Ervin Drake (Songwriter)
compositore:
Dan Fisher (U.S. songwriter ("Good Morning Heartache"), author, producer) e Irene Higginbotham
editore:
Fisher Music Corp., Lindabet Music, Inc. e Universal/MCA Music (music publisher; do not use as release label!)
2:21
28All of Me
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione di:
All of Me
autore:
Gerald Marks (nel 1932) e Seymour Simons (nel 1932)
editore:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs e Sony/ATV Tunes LLC (ASCAP)
sub-editore:
Peermusic e 日音 Synch事業部 (NICHION, INC. Synch Division)
2:05
29Love Theme
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione di:
Love Theme
compositore:
Michel Legrand
editore:
Jobete Music Co., Inc.
2:53
30My Man (Mon homme)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione cover di:
My Man (Mon homme) (Channing Pollock lyrics)
paroliere:
Jacques Charles (French librettist and theatre producer) e Albert Willemetz
compositore:
Maurice Yvain
traduttore:
Channing Pollock
editore:
CBS Feist Catalog, Inc. (conclusa) e Éditions Salabert France
versione tradotta di:
Mon homme
3:26
31Don’t Explain
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione di:
Don’t Explain
autore:
Arthur Herzog, Jr. e Billie Holiday
editore:
Duchess Music Corporation (BMI-affiliated) e Universal Music Publishing (use ONLY if no country‐specific information is available)
2:11
32I Cried for You (Now It’s Your Turn to Cry Over Me)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione di:
I Cried for You
paroliere:
Arthur Freed
compositore:
Gus Arnheim e Abe Lyman
editore:
Arthur Freed Music, CBS Miller Catalog, Inc. e Miller Music Corp.
2:13
33Strange Fruit
produttore:
Ben Sidran
produttore esecutivo:
Diana Ross
arrangiatore:
Gil Askey
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione cover di:
Strange Fruit
paroliere e compositore:
Lewis Allan
editore:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) e Music Sales Corporation (American copyright holder in both popular and classical music)
versione di:
Bitter Fruit
3:35
34God Bless the Child
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione cover di:
God Bless the Child
paroliere:
Billie Holiday
compositore:
Arthur Herzog, Jr.
editore:
Basart Editions (conclusa) e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
2:43
35Closing Theme
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione di:
Closing Theme
compositore:
Michel Legrand
editore:
Jobete Music Co., Inc.
1:08

Accreditamenti

Gruppo di pubblicazioni

direzione creativa:Tony Jones (Motown producer and songwriter)
tributo a:Billie Holiday
parte di:Billboard Decade End Chart: Billboard 200 (1970s) (numero: 63) (ordine: 63)
Wikipedia:en: Lady Sings the Blues (soundtrack) [info]
Discogs:https://www.discogs.com/master/99297 [info]
Allmusic:https://www.allmusic.com/album/mw0000191652 [info]
Wikidata:Q6470533 [info]
voce della discografia:https://www.last.fm/music/Diana+Ross/Lady+Sings+The+Blues [info]