| # | Title | Artist | Rating | Length |
|---|
| 1 | Nothing Compares 2 U | Sinéad O’Connor | 4.25 | 5:07 |
| 2 | True | Spandau Ballet | 3.65 | 5:34 |
| 3 | Vienna | Ultravox | 3.35 | 4:38 |
| 4 | Sleeping Satellite | Tasmin Archer | | 4:35 |
| 5 | I Got You Babe | UB40 & Chrissie Hynde | 2.75 | 3:08 |
| 6 | Ghost Town | The Specials | 3.95 | 3:40 |
| 7 | People Everyday | Arrested Development | | 3:53 |
| 8 | Black Man Ray | China Crisis | | 3:33 |
| 9 | Missing You- producer:
- Gary Gersh, David Thoener and John Waite
- phonographic copyright (℗) by:
- EMI Records USA (in 1984) and EMI USA (in 1984)
- edit of:
- Missing You by John Waite
- recording of:
- Missing You
- lyricist:
- John Waite
- composer:
- Mark Leonard, Chas Sandford and John Waite
- publisher:
- Alley Music Corp., Carlin Music Corporation, Copyright Control , Everpop Songs, Markmeem Music , Paperwaite Music (, in 1984), Quartet Music Inc., Sony Music Publishing , Warner Chappell Music Ltd. , WB Music Corp. (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (in 1984), The Hudson Bay Music Co. (in 1984) and WC Music Corp. (from 2019-05-28 to present)
| John Waite | 3.65 | 3:32 |
| 10 | Chicago | Tony Bennett | 4 | 2:07 |
| 11 | Come Fly With Me- producer:
- Voyle Gilmore
- cello:
- Elizabeth Greenschpoon, Armand Kaproff, Edgar Lustgarten and Eleanor Slatkin
- double bass:
- Joe Mondragon
- drums (drum set):
- Alvin Stoller
- guitar:
- Al Hendrickson
- harp:
- Verlye Mills
- percussion:
- Frank Flynn
- piano:
- Bill Miller
- trombone:
- Joe Howard , Ed Kusby, Murray McEachern and Si Zentner
- trumpet:
- Conrad Gozzo, Manny Klein, Vito N. Mangano and Shorty Sherock
- tuba:
- Joe Washburne
- viola:
- Alvin Dinkin, Alexander Neiman , Paul Robyn and Dave Sterkin
- violin:
- Harold Dicterow, David Frisina, Jacques Gasselin, Ben Gill, Dan Lube, Alex Murray , Paul Nero , Lou Raderman, Mischa Russell , Paul Shure, Felix Slatkin and Marshall Sosson
- woodwind:
- Buddy Collette, Fred Falensby, Jules Jacob , Harry Klee and Wilbur Schwartz
- vocals:
- Frank Sinatra (on 1957-10-08)
- orchestra:
- The Billy May Orchestra (on 1957-10-08)
- conductor:
- Billy May (on 1957-10-08)
- arranger:
- Billy May
- recorded at:
- Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1957-10-08)
- recording of:
- Come Fly With Me (on 1957-10-08)
- lyricist:
- Sammy Cahn (in 1957)
- composer:
- Jimmy Van Heusen (in 1957)
- publisher:
- Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. , Van Heusen Music Corp. and WB Music Corp. (until 2019-05-28)
- sub-publisher:
- Sony Music Publishing (Japan) Inc. , Warner Chappell Music Ltd. and フジパシフィックミュージック
| Frank Sinatra | 4.5 | 3:18 |
| 12 | Big Spender | Shirley Bassey | 4.5 | 1:50 |
| 13 | James Bond Theme | The John Barry Orchestra | | 3:02 |
| 14 | Summertime Blues- drums (drum set):
- Earl Palmer (on 1958-03-28)
- electric bass guitar:
- Connie “Guybo” Smith (on 1958-03-28)
- guitar:
- Eddie Cochran (on 1958-03-28)
- vocals:
- Eddie Cochran (on 1958-03-28)
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1958)
- recorded at:
- Goldstar Studio in Hollywood, Los Angeles, California, United States (on 1958-03-28)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1958 (number: 11), Rolling Stone: 500 Greatest Songs of All Time (number: 73) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 432)
- recording of:
- Summertime Blues (in 1958-05)
- writer:
- Jerry Capehart and Eddie Cochran
- publisher:
- American Music , Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. , Rightsong Music, Viva Music, Inc, Warner Bros. Music and Warner–Tamerlane Publishing Corp.
| Eddie Cochran | 3.75 | 1:59 |
| 15 | The House of the Rising Sun | The Animals | 4.25 | 4:30 |
| 16 | Good Vibrations- recording engineer:
- Bruce Botnick (from 1966-02 until 1966-06), Chuck Britz (from 1966-02 until 1966-06) and Larry Levine (from 1966-02 until 1966-06)
- engineer:
- Chuck Britz and Jim Lockert
- producer:
- The Beach Boys and Brian Wilson
- mixer:
- Derry FitzGerald
- lead vocals:
- Mike Love (from 1966-02 until 1966-06) and Carl Wilson (from 1966-02 until 1966-06)
- vocals:
- Mike Love (from 1966-02 until 1966-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1966)
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06), Sunset Sound in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06) and Western Recorders in Los Angeles, California, United States (from 1966-02 until 1966-06)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 6), Billboard: The 500 Best Pop Songs (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 53)
- recording of:
- Good Vibrations (from 1966-02 until 1966-06)
- lyricist:
- Mike Love and Brian Wilson
- composer:
- Brian Wilson
- publisher:
- Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. and Universal Music Publishing
- version of:
- Good Vibrations
| The Beach Boys | 4.2 | 3:36 |
| 17 | 5-4-3-2-1 | Manfred Mann | 4.5 | 1:59 |
| 18 | I'm Gonna Be (500 Miles) | The Proclaimers | 4 | 3:36 |
| 19 | When You Walk in the Room | Paul Carrack | 2.65 | 3:30 |
| 20 | Mercy Mercy Me / I Want You (medley) | Robert Palmer | | 5:53 |
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