The Evening Watch and Other Choral Music

~ Release by Gustav Holst; Holst Singers, Holst Orchestra, Hilary Davan Wetton (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Two Psalms for Chorus, String Orchestra and Organ, H117: I. Psalm 86
recording engineer:
Tony Faulkner (recording engineer)
producer:
Martin Compton (producer)
organ:
John Birch (organist) (from 1988-10-01 until 1988-10-02)
tenor vocals:
Christopher Mercer (tenor) (from 1988-10-01 until 1988-10-02)
vocals:
Holst Singers (from 1988-10-01 until 1988-10-02)
orchestra:
The Holst Orchestra (from 1988-10-01 until 1988-10-02)
conductor:
Hilary Davan Wetton (conductor) (from 1988-10-01 until 1988-10-02)
recorded at:
St Paul’s Girls’ School in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1988-10-01 until 1988-10-02)
recording of:
Two Psalms: To My Humble Supplication (Psalm 86) (from 1988-10-01 until 1988-10-02)
composer:
Gustav Holst (composer) (in 1912)
part of:
Two Psalms
Gustav Holst7:19
2Two Psalms for Chorus, String Orchestra and Organ, H117: II. Psalm 148
recording engineer:
Tony Faulkner (recording engineer)
producer:
Martin Compton (producer)
organ:
John Birch (organist) (from 1988-10-01 until 1988-10-02)
vocals:
Holst Singers (from 1988-10-01 until 1988-10-02)
orchestra:
The Holst Orchestra (from 1988-10-01 until 1988-10-02)
conductor:
Hilary Davan Wetton (conductor) (from 1988-10-01 until 1988-10-02)
recorded at:
St Paul’s Girls’ School in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1988-10-01 until 1988-10-02)
recording of:
Two Psalms: Lord, Who Hast Made Us for Thine Own (Psalm 148) (from 1988-10-01 until 1988-10-02)
composer:
Gustav Holst (composer) (in 1912)
part of:
Two Psalms
Gustav Holst4:43
3Six Choruses for Male Voices, H186 Op. 53: I. Good Friday
recording engineer:
Tony Faulkner (recording engineer)
producer:
Martin Compton (producer)
vocals:
Holst Singers (from 1988-10-01 until 1988-10-02)
orchestra:
The Holst Orchestra (from 1988-10-01 until 1988-10-02)
conductor:
Hilary Davan Wetton (conductor) (from 1988-10-01 until 1988-10-02)
recorded at:
St Paul’s Girls’ School in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1988-10-01 until 1988-10-02)
recording of:
Six Choruses for Male Voices, op. 53, H. 186: I. Good Friday (from 1988-10-01 until 1988-10-02)
lyricist:
Helen Waddell
composer:
Gustav Holst (composer) (from 1931 until 1932)
part of:
Six Choruses for Male Voices, op. 53, H. 186
Gustav Holst4:14
4Six Choruses for Male Voices, H186 Op. 53: II. Intercession
recording engineer:
Tony Faulkner (recording engineer)
producer:
Martin Compton (producer)
vocals:
Holst Singers (from 1988-10-01 until 1988-10-02)
orchestra:
The Holst Orchestra (from 1988-10-01 until 1988-10-02)
conductor:
Hilary Davan Wetton (conductor) (from 1988-10-01 until 1988-10-02)
recorded at:
St Paul’s Girls’ School in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1988-10-01 until 1988-10-02)
recording of:
Six Choruses for Male Voices, op. 53, H. 186: II. Intercession (from 1988-10-01 until 1988-10-02)
lyricist:
Helen Waddell
composer:
Gustav Holst (composer) (from 1931 until 1932)
part of:
Six Choruses for Male Voices, op. 53, H. 186
Gustav Holst3:20
5Six Choruses for Male Voices, H186 Op. 53: III. How Mighty Are the Sabbaths
recording engineer:
Tony Faulkner (recording engineer)
producer:
Martin Compton (producer)
vocals:
Holst Singers (from 1988-10-01 until 1988-10-02)
orchestra:
The Holst Orchestra (from 1988-10-01 until 1988-10-02)
conductor:
Hilary Davan Wetton (conductor) (from 1988-10-01 until 1988-10-02)
recorded at:
St Paul’s Girls’ School in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1988-10-01 until 1988-10-02)
recording of:
Six Choruses for Male Voices, op. 53, H. 186: III. How Mighty Are the Sabbaths (from 1988-10-01 until 1988-10-02)
lyricist:
Helen Waddell
composer:
Gustav Holst (composer) (from 1931 until 1932)
part of:
Six Choruses for Male Voices, op. 53, H. 186
Gustav Holst5:38
6Six Choruses for Male Voices, H186 Op. 53: IV. A Love Song
recording engineer:
Tony Faulkner (recording engineer)
producer:
Martin Compton (producer)
vocals:
Holst Singers (from 1988-10-01 until 1988-10-02)
orchestra:
The Holst Orchestra (from 1988-10-01 until 1988-10-02)
conductor:
Hilary Davan Wetton (conductor) (from 1988-10-01 until 1988-10-02)
recorded at:
St Paul’s Girls’ School in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1988-10-01 until 1988-10-02)
recording of:
Six Choruses for Male Voices, op. 53, H. 186: IV. A Love Song (from 1988-10-01 until 1988-10-02)
lyricist:
Helen Waddell
composer:
Gustav Holst (composer) (from 1931 until 1932)
part of:
Six Choruses for Male Voices, op. 53, H. 186
Gustav Holst2:09
7Six Choruses for Male Voices, H186 Op. 53: V. Drinking Song
recording engineer:
Tony Faulkner (recording engineer)
producer:
Martin Compton (producer)
vocals:
Holst Singers (from 1988-10-01 until 1988-10-02)
orchestra:
The Holst Orchestra (from 1988-10-01 until 1988-10-02)
conductor:
Hilary Davan Wetton (conductor) (from 1988-10-01 until 1988-10-02)
recorded at:
St Paul’s Girls’ School in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1988-10-01 until 1988-10-02)
recording of:
Six Choruses for Male Voices, op. 53, H. 186: V. Drinking Song (from 1988-10-01 until 1988-10-02)
lyricist:
Helen Waddell
composer:
Gustav Holst (composer) (from 1931 until 1932)
part of:
Six Choruses for Male Voices, op. 53, H. 186
Gustav Holst2:08
8Six Choruses for Male Voices, H186 Op. 53: VI. Before Sleep
recording engineer:
Tony Faulkner (recording engineer)
producer:
Martin Compton (producer)
vocals:
Holst Singers (from 1988-10-01 until 1988-10-02)
orchestra:
The Holst Orchestra (from 1988-10-01 until 1988-10-02)
conductor:
Hilary Davan Wetton (conductor) (from 1988-10-01 until 1988-10-02)
recorded at:
St Paul’s Girls’ School in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1988-10-01 until 1988-10-02)
recording of:
Six Choruses for Male Voices, op. 53, H. 186: VI. Before Sleep (from 1988-10-01 until 1988-10-02)
lyricist:
Helen Waddell
composer:
Gustav Holst (composer) (from 1931 until 1932)
part of:
Six Choruses for Male Voices, op. 53, H. 186
Gustav Holst3:00
9The Evening Watch for Unaccompanied Eight-Part Mixed Choir, H159 Op. 43 No. 1
recording engineer:
Tony Faulkner (recording engineer)
producer:
Martin Compton (producer)
mezzo-soprano vocals:
Joya Logan (from 1988-10-01 until 1988-10-02)
tenor vocals:
Christopher Mercer (tenor) (from 1988-10-01 until 1988-10-02)
vocals:
Holst Singers (from 1988-10-01 until 1988-10-02)
conductor:
Hilary Davan Wetton (conductor) (from 1988-10-01 until 1988-10-02)
recorded at:
St Paul’s Girls’ School in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1988-10-01 until 1988-10-02)
recording of:
The Evening Watch, op. 43 no. 1, H. 159 (from 1988-10-01 until 1988-10-02)
lyricist:
Henry Vaughan
composer:
Gustav Holst (composer) (in 1924)
part of:
2 Motets, op. 43
Gustav Holst4:53
10Seven Partsongs for Female Voices and Strings, H162 Op. 44: I. Say Who Is This
recording engineer:
Tony Faulkner (recording engineer)
producer:
Martin Compton (producer)
soprano vocals:
Isobel Collyer (from 1988-10-01 until 1988-10-02)
vocals:
Holst Singers (from 1988-10-01 until 1988-10-02)
orchestra:
The Holst Orchestra (from 1988-10-01 until 1988-10-02)
conductor:
Hilary Davan Wetton (conductor) (from 1988-10-01 until 1988-10-02)
recorded at:
St Paul’s Girls’ School in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1988-10-01 until 1988-10-02)
recording of:
Seven Part-Songs, op. 44: I. Say, Who Is This (from 1988-10-01 until 1988-10-02)
composer:
Gustav Holst (composer) (from 1925 until 1926)
part of:
Seven Part-Songs, op. 44
Gustav Holst2:57
11Seven Partsongs for Female Voices and Strings, H162 Op. 44: II. Of Love I Complain
recording engineer:
Tony Faulkner (recording engineer)
producer:
Martin Compton (producer)
vocals:
Holst Singers (from 1988-10-01 until 1988-10-02)
orchestra:
The Holst Orchestra (from 1988-10-01 until 1988-10-02)
conductor:
Hilary Davan Wetton (conductor) (from 1988-10-01 until 1988-10-02)
recorded at:
St Paul’s Girls’ School in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1988-10-01 until 1988-10-02)
recording of:
Seven Part-Songs, op. 44: II. Of Love I Complain (from 1988-10-01 until 1988-10-02)
composer:
Gustav Holst (composer) (from 1925 until 1926)
part of:
Seven Part-Songs, op. 44
Gustav Holst1:24
12Seven Partsongs for Female Voices and Strings, H162 Op. 44: III. Angel Spirits of Sleep
recording engineer:
Tony Faulkner (recording engineer)
producer:
Martin Compton (producer)
vocals:
Holst Singers (from 1988-10-01 until 1988-10-02)
orchestra:
The Holst Orchestra (from 1988-10-01 until 1988-10-02)
conductor:
Hilary Davan Wetton (conductor) (from 1988-10-01 until 1988-10-02)
recorded at:
St Paul’s Girls’ School in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1988-10-01 until 1988-10-02)
recording of:
Seven Part-Songs, op. 44: III. Angel Spirits of Sleep (from 1988-10-01 until 1988-10-02)
composer:
Gustav Holst (composer) (from 1925 until 1926)
part of:
Seven Part-Songs, op. 44
Gustav Holst1:46
13Seven Partsongs for Female Voices and Strings, H162 Op. 44: IV. When First We Meet
recording engineer:
Tony Faulkner (recording engineer)
producer:
Martin Compton (producer)
soprano vocals:
Isobel Collyer (from 1988-10-01 until 1988-10-02)
vocals:
Holst Singers (from 1988-10-01 until 1988-10-02)
orchestra:
The Holst Orchestra (from 1988-10-01 until 1988-10-02)
conductor:
Hilary Davan Wetton (conductor) (from 1988-10-01 until 1988-10-02)
recorded at:
St Paul’s Girls’ School in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1988-10-01 until 1988-10-02)
recording of:
Seven Part-Songs, op. 44: IV. When First We Meet (from 1988-10-01 until 1988-10-02)
composer:
Gustav Holst (composer) (from 1925 until 1926)
part of:
Seven Part-Songs, op. 44
Gustav Holst2:09
14Seven Partsongs for Female Voices and Strings, H162 Op. 44: V. Sorrow and Joy
recording engineer:
Tony Faulkner (recording engineer)
producer:
Martin Compton (producer)
vocals:
Holst Singers (from 1988-10-01 until 1988-10-02)
orchestra:
The Holst Orchestra (from 1988-10-01 until 1988-10-02)
conductor:
Hilary Davan Wetton (conductor) (from 1988-10-01 until 1988-10-02)
recorded at:
St Paul’s Girls’ School in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1988-10-01 until 1988-10-02)
recording of:
Seven Part-Songs, op. 44: V. Sorrow and Joy (from 1988-10-01 until 1988-10-02)
composer:
Gustav Holst (composer) (from 1925 until 1926)
part of:
Seven Part-Songs, op. 44
Gustav Holst1:27
15Seven Partsongs for Female Voices and Strings, H162 Op. 44: VI. Love on My Heart
recording engineer:
Tony Faulkner (recording engineer)
producer:
Martin Compton (producer)
soprano vocals:
Isobel Collyer (from 1988-10-01 until 1988-10-02)
vocals:
Holst Singers (from 1988-10-01 until 1988-10-02)
orchestra:
The Holst Orchestra (from 1988-10-01 until 1988-10-02)
conductor:
Hilary Davan Wetton (conductor) (from 1988-10-01 until 1988-10-02)
recorded at:
St Paul’s Girls’ School in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1988-10-01 until 1988-10-02)
recording of:
Seven Part-Songs, op. 44: VI. Love On My Heart (from 1988-10-01 until 1988-10-02)
composer:
Gustav Holst (composer) (from 1925 until 1926)
part of:
Seven Part-Songs, op. 44
Gustav Holst2:42
16Seven Partsongs for Female Voices and Strings, H162 Op. 44: VII. Assemble, All Ye Maidens
recording engineer:
Tony Faulkner (recording engineer)
producer:
Martin Compton (producer)
soprano vocals:
Isobel Collyer (from 1988-10-01 until 1988-10-02)
vocals:
Holst Singers (from 1988-10-01 until 1988-10-02)
orchestra:
The Holst Orchestra (from 1988-10-01 until 1988-10-02)
conductor:
Hilary Davan Wetton (conductor) (from 1988-10-01 until 1988-10-02)
recorded at:
St Paul’s Girls’ School in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1988-10-01 until 1988-10-02)
recording of:
Seven Part-Songs, op. 44: VII. Assemble, All Ye Maidens (from 1988-10-01 until 1988-10-02)
composer:
Gustav Holst (composer) (from 1925 until 1926)
part of:
Seven Part-Songs, op. 44
Gustav Holst11:19
17Nunc Dimittis for Eight-Part Choir, H127
recording engineer:
Tony Faulkner (recording engineer)
producer:
Martin Compton (producer)
soprano vocals:
Isobel Collyer (from 1988-10-01 until 1988-10-02)
tenor vocals:
Christopher Mercer (tenor) (from 1988-10-01 until 1988-10-02)
vocals:
Holst Singers (from 1988-10-01 until 1988-10-02)
conductor:
Hilary Davan Wetton (conductor) (from 1988-10-01 until 1988-10-02)
recorded at:
St Paul’s Girls’ School in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1988-10-01 until 1988-10-02)
recording of:
Nunc dimittis (from 1988-10-01 until 1988-10-02)
composer:
Gustav Holst (composer) (in 1915)
part of:
A thematic catalogue of Gustav Holst’s music (number: H. 127)
Gustav Holst3:24

Credits

Release

liner notes:Julian Haylock
executive producer:Cecile Kelly (producer)
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
design:Terry Shannon (designer)
ASIN:UK: B000002ZLJ [info]