German Masterworks

~ Release by Bach, Beethoven, Brahms, Bruckner; Saito Kinen Orchestra, Seiji Ozawa (see all versions of this release, 1 available)

Tracklist

1▶CD: Bach: Mass in B minor
2▼CD: Bach: Mass in B minor
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1Mass in B minor, BWV 232: Credo in unum Deum, Chorus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:58
2Mass in B minor, BWV 232: Patrem omnipotentem, Chorus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:51
3Mass in B minor, BWV 232: Et in unum Dominum, Duet soprano I, contra-alto
alto vocals:
Angelika Kirchschlager (mezzo soprano) (from 2000-08-29 until 2000-09-04)
soprano vocals:
Barbara Bonney (soprano) (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:05
4Mass in B minor, BWV 232: Et incarnatus est, Chorus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:16
5Mass in B minor, BWV 232: Crucifixus, Chorus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:52
6Mass in B minor, BWV 232: Et resurrexit, Chorus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:49
7Mass in B minor, BWV 232: Et in Spiritum Sanctum, Aria bass
bass vocals:
Alastair Miles (operatic bass) (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:40
8Mass in B minor, BWV 232: Confiteor unum baptisma, Chorus
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:56
9Mass in B minor, BWV 232: Et expecto resurrectionem, Chorus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:06
10Mass in B minor, BWV 232: Sanctus, Chorus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:03
11Mass in B minor, BWV 232: Osanna, Chorus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:32
12Mass in B minor, BWV 232: Benedictus, Aria tenor
tenor vocals:
John Mark Ainsley (tenor) (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:55
13Mass in B minor, BWV 232: Osanna, Chorus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:31
14Mass in B minor, BWV 232: Agnus Dei, Aria contra-alto
alto vocals:
Angelika Kirchschlager (mezzo soprano) (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:47
15Mass in B minor, BWV 232: Dona nobis pacem, Chorus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:03
3▶CD: Bach: St. Matthew Passion
4▶CD: Bach: St. Matthew Passion
5▶CD: Bach: St. Matthew Passion
6▶CD: Beethoven: Symphony no. 1 / Leonore Overture nos. 2 & 3
7▶CD: Beethoven: Symphonies nos. 2 & 7 / Leonore Overture
8▶CD: Beethoven: Symphony no. 3 “Eroica” / Egmont Overture
9▶CD: Beethoven: Symphonies nos. 4 & 8 / Leonore Overture
10▶CD: Beethoven: Symphony no. 6 “Pastoral” / Leonore Overture no. 3
11▶CD: Beethoven: Symphony no. 9 “Choral”
12▶CD: Symphony no. 1 / Hungarian Dances nos. 1, 3 & 10
13▶CD: Brahms: Symphonies nos. 2 & 3
14▶CD: Symphony no. 4 / Hungarian Dances nos. 5 & 6
15▶CD: Bruckner: Symphony no. 7