Christmas Carols

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Copyright: © 2024 UMG Recordings, Inc.

Annotation last modified on 2025-01-10 23:24 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Messiah, HWV 56: Pt. 1: 12. "For unto us a Child is born"
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
The English Concert Choir (in 1988-01)
orchestra:
The English Concert (in 1988-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1988)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (in 1988-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:06
2Ich steh an deiner Krippen hier, BWV 469
choir vocals:
Augsburger Domsingknaben
orchestra:
Deutsches Kammerorchester Berlin
conductor:
Reinhard Kammler (conductor)
recording of:
Geistliches Lied, BWV 469 „Ich steh an deiner Krippen hier“
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1653)
part of:
Musicalisches Gesang-Buch (Schemellis Gesangbuch, Schemelli´s Songbook) (number: 195), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 469), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 469) and Bach Compendium (number: BC F 232)
is based on:
Ich steh an deiner Krippen hier (just the lyrics, no melody)
Johann Sebastian Bach1:08
3Alle Jahre wieder
piano:
Jia Lim
orchestra:
Deutsches Kammerorchester Berlin
conductor:
Reinhard Kammler (conductor)
recording of:
Alle Jahre wieder (most commonly known melody by F. Silcher)
lyricist:
Johann Wilhelm Hey (in 1873)
composer:
[traditional] (special purpose artist) and Friedrich Silcher
Friedrich Silcher1:34
4Stille Nacht, heilige Nacht
producer:
Christopher Alder (editor/engineer/producer)
editor:
Karl-August Naegler (balance engineer)
choir vocals:
Dresdner Kreuzchor (from 1996-01 until 1996-03)
conductor:
Matthias Jung (German choral conductor) (from 1996-01 until 1996-03)
arranger:
Donald Fraser (composer and conductor)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1996-01 until 1996-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1996-01 until 1996-03)
recording of:
Stille Nacht, heilige Nacht (from 1996-01 until 1996-03)
lyricist:
Josef Mohr (in 1816)
composer:
Franz Xaver Gruber (in 1818)
part of:
Oh, What a Lovely War! (stage musical)
Franz Xaver Gruber3:30
5Polyhymnia Caduceatrix et Panegyrica: XXXIV. In dulci jubilo
choir vocals:
Gabrieli Consort & Players (UK early music ensemble) and Boy's Choir of Roskilde Cathedral
soprano vocals:
Tessa Bonner (soprano) and Susan Hemington Jones (soprano)
tenor vocals:
Mark le Brocq (tenor)
orchestra:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
chorus master:
Kristian Olesen (organist, chorus master)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 1993-10)
recording of:
In dulci jubilo (arr. Michael Praetorius. Musae Sioniae VI, no. 32)
composer:
Michael Praetorius (composer and organist) (in 1607)
version of:
In dulci iubilo (original traditional version in macaronic alteration of medieval German and Latin, use also for unspecified versions)
Michael Praetorius5:23
6A Spotless Rose
choir vocals:
Gabrieli Consort (in 2007-07, from 2007-07-19 until 2007-07-21)
conductor:
Paul McCreesh (conductor) (in 2007-07, from 2007-07-19 until 2007-07-21)
performer:
Gabrieli Consort & Players (UK early music ensemble)
recorded at:
Ely Cathedral in Ely, Cambridgeshire, England, United Kingdom (in 2007-07) and Ely Cathedral: Lady Chapel in Ely, Cambridgeshire, England, United Kingdom (from 2007-07-19 until 2007-07-21)
recording of:
A Spotless Rose (from 2007-07-19 until 2007-07-21)
lyricist:
[anonymous] (special purpose artist)
composer:
Herbert Howells (English composer) (in 1919)
translator:
Catherine Winkworth
publisher:
Galaxy Music Corp. and Stainer & Bell
is based on:
Es ist ein Ros entsprungen (original anonymous version)
part of:
Three Carol-Anthems
recording of:
A Spotless Rose (in 2007-07)
lyricist:
[anonymous] (special purpose artist)
composer:
Herbert Howells (English composer) (in 1919)
translator:
Catherine Winkworth
publisher:
Galaxy Music Corp. and Stainer & Bell
is based on:
Es ist ein Ros entsprungen (original anonymous version)
part of:
Three Carol-Anthems
Herbert Howells3:37
7The Wild Wood Carol
recording engineer:
Tom Russbüldt (in 2013-06)
producer:
Tobias Lehmann
oboe:
Albrecht Mayer (oboist) (in 2013-06)
vocals:
The King’s Singers (in 2013-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2013)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2013-06)
recording of:
Wild Wood Carol (in 2013-06)
lyricist and composer:
John Rutter (English choral music composer, conductor, arranger and producer, born 1945)
John Rutter3:16
8Virga Jesse (Motet)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Karl-August Naegler (balance engineer)
choir vocals:
Dresdner Kreuzchor (from 1996-01 until 1996-03)
vocals:
Dresdner Kreuzchor
conductor:
Matthias Jung (German choral conductor) (from 1996-01 until 1996-03)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1996-01 until 1996-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1996-01 until 1996-03)
recording of:
Virga Jesse, WAB 52 (from 1996-01 until 1996-03)
composer:
Anton Bruckner (Austrian composer) (in 1885)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 52)
Anton Bruckner4:22
9Historia der Geburt Jesu Christi, SWV 435 (1664): 6. Danksagen wir alle Gott...
orchestra and performer:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark
recording of:
Weihnachts-Historie, SWV 435 - Beschluß: Dank sagen wir
composer:
Heinrich Schütz (composer)
part of:
Weihnachts-Historie, SWV 435 (Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo)
Heinrich Schütz2:05
10Messiah, HWV 56: Pt. 2: XLII. "Hallelujah"
sound engineer:
Hans‐Peter Schweigmann (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
editor:
Ulrich Vette (engineer)
choir vocals:
The English Concert Choir (in 1988-01)
orchestra:
The English Concert (in 1988-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1988)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1988-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:01
11Resonet in Laudibus à 5
recording engineer:
Wolf‐Dieter Karwatky
choir vocals:
Pomerium (US early music choral group) (in 1996-05)
vocals:
Pomerium (US early music choral group)
conductor:
Alexander Blachly (chorus master) (in 1996-05)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Corpus Christi Church in New York, New York, United States (in 1996-05)
recording of:
Resonet in laudibus (in 1996-05)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
Orlande de Lassus4:14
12Ave maris stella
choir vocals:
Gabrieli Consort (from 2007-07-19 until 2007-07-21)
conductor:
Paul McCreesh (conductor) (from 2007-07-19 until 2007-07-21)
recorded at:
Ely Cathedral: Lady Chapel in Ely, Cambridgeshire, England, United Kingdom (from 2007-07-19 until 2007-07-21)
recording of:
Ave, maris stella, EG 150 (for mixed choir) (from 2007-07-19 until 2007-07-21)
composer:
Edvard Grieg (composer) (in 1893)
arranger:
Edvard Grieg (composer) (in 1898)
dedicated to:
Cæciliaforeningens madrigalkor
premiered at:
[event] (1899-11)
part of:
Grieg EG (catalogue by Dan Fog / Edvard Grieg Committee) (number: 150)
arrangement of:
Ave, Maris Stella, EG 150 (for voice and piano)
Edvard Grieg3:23
13Motet "Hodie Christus natus est"
choir vocals:
Sistine Chapel Choir
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano)
chorus master:
Massimo Palombella (chorus master)
recording of:
Motet: Hodie Christus natus est
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
Giovanni Pierluigi da Palestrina3:23
14Communion Motet: "Uns ist ein Kindlein heut geborn" (Musae Sioniae VI)
harp:
Hannelore Devaere (Belgian harp player) (in 1993-10)
choir vocals:
Gabrieli Consort (in 1993-10)
soprano vocals:
Sarah Pendlebury (soprano) (in 1993-10)
conductor:
Paul McCreesh (conductor) (in 1993-10)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 1993-10)
recording of:
Uns ist ein Kindlein heut geborn (Musae Sioniae VI (no. 49)) (in 1993-10)
composer:
Michael Praetorius (composer and organist)
part of:
Musae Sioniae VI
Michael Praetorius2:11
15Quatre motets pour le temps de Noël: Quem vidistis pastores
producer:
Christopher Alder (editor/engineer/producer)
editor:
Karl-August Naegler (balance engineer)
choir vocals:
Dresdner Kreuzchor (from 1996-01 until 1996-03)
conductor:
Matthias Jung (German choral conductor) (from 1996-01 until 1996-03)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1996-01 until 1996-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1996-01 until 1996-03)
recording of:
Quatre motets pour le temps de Noël: No. 2. Quem vidistis pastores dicite (from 1996-01 until 1996-03)
composer:
Francis Poulenc (French composer and pianist) (in 1951, from 1959 until 1960)
part of:
Quatre motets pour le temps de Noël, FP 152
Francis Poulenc3:20
16"Nun komm, der Heiden Heiland", BWV 62: No. 1 Chorus "Nun komm, der Heiden Heiland"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
editor:
Ingmar Haas (engineer)
choir vocals:
The Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
orchestra:
The English Baroque Soloists (in 1992-01)
conductor:
John Eliot Gardiner (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Great Hall, Blackheath Concert Halls in London (Greater London), England, United Kingdom (in 1992-01)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach4:37
17A Hymn to the Virgin
producer:
Christopher Alder (editor/engineer/producer)
editor:
Karl-August Naegler (balance engineer)
choir vocals:
Dresdner Kreuzchor (from 1996-01 until 1996-03)
conductor:
Matthias Jung (German choral conductor) (from 1996-01 until 1996-03)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1996-01 until 1996-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1996-01 until 1996-03)
recording of:
A Hymn to the Virgin (from 1996-01 until 1996-03)
lyricist:
[anonymous] (special purpose artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1930-07-09 until 1934-04-29)
premiered at:
[event] (1931-01-05)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
Benjamin Britten2:43
18Il est né le divin enfant
marimba:
Markus Leoson (percussionist) (in 1998-11)
violin:
Ulf Forsberg (violinist) (in 1998-11)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1998-11)
vocals:
Anne Sofie von Otter (mezzo-soprano)
arranger:
Annette Isserlis (violist)
recorded at:
Atlantis Studio in Stockholm, Stockholms län (Stockholm county), Sweden (in 1998-11)
recording of:
Il est né le divin enfant (in 1998-11)
lyricist and composer:
[traditional] (special purpose artist)
[anonymous]1:25
19O Holy Night
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer) (in 1976-01)
engineer:
John Dunkerley (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger and orchestrator:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
Decca Records Company (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1976)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
O Holy Night (catch-all for arrangements)
composer:
Adolphe Adam (French composer)
arrangement of:
O Holy Night
Adolphe Adam4:15
20Shepherd's Pipe Carol
assistant recording engineer:
Mike Cox (engineer) (in 2010-07)
recording engineer:
Stephan Flock (in 2010-07)
producer:
Sid McLauchlan (engineer/producer)
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer) (in 2010-07)
choir vocals:
Côrdydd (Choir based in Cardiff.) (in 2010-07)
orchestra:
Orchestra of the Welsh National Opera (in 2010-07)
conductor:
Tecwyn Evans (NZ conductor) (in 2010-07)
chorus master:
Sioned James (chorus master) (in 2010-07)
arranger:
Chris Hazell
recorded at:
BBC Hoddinott Hall (Wales Millennium Centre) in Cardiff, Wales, United Kingdom (in 2010-07)
recording of:
Shepherd’s Pipe Carol (in 2010-07)
lyricist and composer:
John Rutter (English choral music composer, conductor, arranger and producer, born 1945) (in 1963)
John Rutter2:58
21Still, weil's Kindlein schlafen will
orchestra:
Brass Ensemble of the Berlin Philharmonic Orchestra
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1977)
instrumental recording of:
Still, Still, Still
lyricist:
Georg Götsch
composer:
[traditional] (special purpose artist)
[traditional]0:47
22Alle Jahre wieder
organ:
Jia Lim
choir vocals:
Augsburger Domsingknaben
orchestra:
Deutsches Kammerorchester Berlin
conductor:
Reinhard Kammler (conductor)
recording of:
Alle Jahre wieder (most commonly known melody by F. Silcher)
lyricist:
Johann Wilhelm Hey (in 1873)
composer:
[traditional] (special purpose artist) and Friedrich Silcher
Friedrich Silcher1:23
23Vom Himmel hoch
choir vocals:
Augsburger Domsingknaben
Martin Luther1:24
24Es ist ein Ros' entsprungen
Michael Praetorius1:45
25Ave Maria, "Ellens Gesang III", D. 839
producer:
Wolfgang Stengel
soprano vocals:
Cheryl Studer (soprano) (on 1992-07-26)
orchestra:
London Symphony Orchestra (on 1992-07-26)
conductor:
Ion Marin (conductor) (on 1992-07-26)
arranger:
Ion Marin (conductor)
balance engineer:
Jochen Gottschall (on 1992-07-26)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1992-07-26)
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements) (in 1992)
composer:
Franz Schubert (composer) (in 1825)
arrangement of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert5:36
26Joy to the World
guitar:
Los Romeros (quartet of Spanish guitarists)
guitar arranger:
Patrick Kerber
instrumental recording of:
Joy to the World (Christmas carol)
lyricist:
Isaac Watts (hymn writer) (in 1719)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Lowell Mason (in 1839)
[traditional]2:30
27Have Yourself a Merry Little Christmas
bass viol [bass gamba]:
Göran Danielsson (Swedish singer-songwriter) (in 1998-11)
bass viol [discant gamba]:
Mogens Rasmussen (Danish viol da gamba) (in 1998-11)
marimba:
Markus Leoson (percussionist) (in 1998-11)
tenor viol:
Leif Henrikson (in 1998-11)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1998-11)
arranger:
Svante Henryson
recorded at:
Atlantis Studio in Stockholm, Stockholms län (Stockholm county), Sweden (in 1998-11)
recording of:
Have Yourself a Merry Little Christmas (in 1998-11)
lyricist:
Ralph Blane (in 1943)
composer:
Hugh Martin (in 1943)
publisher:
EMI April Music Inc., EMI Feist Catalog Inc., EMI Music Publishing (do not use as a release label!), EMI Publishing, EMI United Partnership Ltd., J. Albert & Son, J. Albert & Son Pty. Ltd., Loew’s Incorporated (in 1943, in 1944) and Leo Feist, Inc. (in 1971, in 1972)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
part of:
Meet Me in St. Louis (1944 musical film soundtrack)
Hugh Martin, Ralph Blane3:14
28Oh du fröhliche
[traditional]2:57
29Leise rieselt der Schnee
Eduard Ebel2:20
30Ihr Kinderlein kommet
Johann Abraham Peter Schulz1:55
31In dulci jubilo
[traditional]1:57
32Macht hoch die Tür
recording engineer:
Martin Kistner (engineer) (in 2012-08)
producer:
Philipp Nedel
choir vocals:
Augsburger Domsingknaben (in 2012-08)
orchestra:
Deutsches Kammerorchester Berlin (in 2012-08)
conductor:
Reinhard Kammler (conductor) (in 2012-08)
performer:
Jia Lim (in 2012-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2012-08)
recording of:
Macht hoch die Tür (in 2012-08)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
[traditional] (special purpose artist)
[traditional]1:48
33Herz und Mund und Tat und Leben, BWV 147: Wohl mir, dass ich Jesum habe
Johann Sebastian Bach2:28
34Es kommt ein Schiff geladen
[traditional]2:15
35Maria durch ein Dornwald ging
[traditional]2:12
36O Tannenbaum
[traditional]2:35
37Let It Snow
recording engineer:
Tom Russbüldt (in 2013-06)
producer:
Tobias Lehmann
oboe:
Albrecht Mayer (oboist) (in 2013-06)
vocals:
The King’s Singers (in 2013-06)
arranger:
Alexander L’Estrange
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2013)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2013-06)
recording of:
Let It Snow! Let It Snow! Let It Snow! (in 2013-06)
lyricist:
Sammy Cahn (in 1945-07)
composer:
Jule Styne (in 1945-07)
publisher:
Cahn Music Company, Chappell & Co., Chappell/Morris Ltd., Cherry Lane Music Ltd., Imagen Music, J. Albert & Son Pty. Ltd., Producers Music Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and WB Music Corp. (1929–2019)
Jule Styne4:47
38White Christmas
baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Paul Daniel (conductor)
arranger:
Robert Russell Bennett (American composer and arranger)
recording of:
White Christmas
lyricist and composer:
Irving Berlin (from 1938 until 1940)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Berlin Music Corp., Williamson Music Company and Irving Berlin Music Company (from 1940 to present)
sub-publisher:
EMI Allans Music Australia Pty Ltd, Irving Berlin Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 15th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1942 winner)
Irving Berlin4:57
39Jingle Bells
recording engineer:
Tom Russbüldt (in 2013-06)
producer:
Tobias Lehmann
oboe:
Albrecht Mayer (oboist) (in 2013-06)
vocals:
The King’s Singers (in 2013-06)
oboe arranger:
Berty Rice
vocals arranger:
Gordon Langford (English composer, arranger and pianist)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2013)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2013-06)
recording of:
Jingle Bells (in 2013-06)
lyricist and composer:
James Lord Pierpont (in 1850)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
composed at and lyrics written at:
Simpson Tavern in Medford, Massachusetts, United States (in 1850)
James Lord Pierpont1:43
40"Tochter Zion, freue dich" Based on "See, the Conqu'ring hero comes" From Handel's Judas Maccabaeus, HWV 63
choir vocals:
Augsburger Domsingknaben
orchestra:
Deutsches Kammerorchester Berlin
conductor:
Reinhard Kammler (conductor)
recording of:
Tochter Zion, freue dich
lyricist and arranger:
Friedrich Heinrich Ranke
composer:
George Frideric Handel (German‐British baroque composer)
translated version of:
Judas Maccabaeus, HWV 63: Act III, no. 58: “See the Conqu’ring Hero Comes” (Chorus of Youths, Chorus of Virgins)
George Frideric Handel2:34
41Ave Maria: Arr. from Bach's Prelude no. 1, BWV 846
cello:
Mischa Maisky (cellist) (in 1987-10)
piano:
Pavel Gililov (pianist) (in 1987-10)
arranger:
Mischa Maisky (cellist)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz, Bayern (Bavaria), Germany (in 1987-10)
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work) (in 1987-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer)
publisher:
Lam Larghetto Music (from 1993 to present)
arrangement of:
Ave Maria (Bach/Gounod)
Charles Gounod, Johann Sebastian Bach5:25
42What Child Is This
recording engineer:
Tom Russbüldt (in 2013-06)
producer:
Tobias Lehmann
oboe:
Albrecht Mayer (oboist) (in 2013-06)
vocals:
The King’s Singers (in 2013-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2013)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2013-06)
recording of:
What Child Is This? (in 2013-06)
lyricist:
William Chatterton Dix (in 1865)
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 25608)
version of:
Greensleeves (generic entry for traditional and unknown arrangements)
[traditional]3:20
43Aleih Neiri
recording engineer:
Tom Russbüldt (in 2013-06)
producer:
Tobias Lehmann
oboe:
Albrecht Mayer (oboist) (in 2013-06)
vocals:
The King’s Singers (in 2013-06)
arranger:
Bob Chilcott
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2013)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2013-06)
recording of:
Aleih Neiri (in 2013-06)
composer:
Chaim Parchi
Chaim Parchi3:52
44Hänsel und Gretel: Abends will ich schlafen gehn
recording engineer:
Tom Russbüldt (in 2013-06)
producer:
Tobias Lehmann
oboe:
Albrecht Mayer (oboist) (in 2013-06)
vocals:
The King’s Singers (in 2013-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2013)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2013-06)
recording of:
Hänsel und Gretel: “Abends, will ich schlafen gehn” (Evening Prayer, Nachtgebet) (catch-all for arrangements) (in 2013-06)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
arrangement of:
Hänsel und Gretel: Akt II, 2. Szene. “Abends, will ich schlafen gehn” (Hänsel, Gretel) (Hansel and Gretel: Evening Prayer, Nachtgebet / Evening Prayer / Prière du soir)
Engelbert Humperdinck4:07
45Baby, It's Cold Outside
recording engineer:
Tom Russbüldt (in 2013-06)
producer:
Tobias Lehmann
oboe:
Albrecht Mayer (oboist) (in 2013-06)
vocals:
The King’s Singers (in 2013-06)
arranger:
Keith Roberts (composer & arranger)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2013)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2013-06)
recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser) (in 2013-06)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
The 22nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1949 winner)
Frank Loesser4:53
46Hymn to the Mother of God
choir vocals:
Gabrieli Consort (from 2007-07-19 until 2007-07-21)
conductor:
Paul McCreesh (conductor) (from 2007-07-19 until 2007-07-21)
recorded at:
Ely Cathedral: Lady Chapel in Ely, Cambridgeshire, England, United Kingdom (from 2007-07-19 until 2007-07-21)
recording of:
Two Hymns to the Mother of God: I. A Hymn to the Mother of God (from 2007-07-19 until 2007-07-21)
composer:
John Tavener (20th century composer) (in 1985)
publisher:
Chester Music Ltd.
part of:
Two Hymns to the Mother of God
John Tavener3:32
47Ave Maria (4vv)
choir vocals:
Gabrieli Consort (from 2007-07-19 until 2007-07-21)
conductor:
Paul McCreesh (conductor) (from 2007-07-19 until 2007-07-21)
recorded at:
Ely Cathedral: Lady Chapel in Ely, Cambridgeshire, England, United Kingdom (from 2007-07-19 until 2007-07-21)
recording of:
Ave Maria … virgo serena (a 4) (from 2007-07-19 until 2007-07-21)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez7:03
48Ave Maria
choir vocals:
Gabrieli Consort (from 2007-07-19 until 2007-07-21)
conductor:
Paul McCreesh (conductor) (from 2007-07-19 until 2007-07-21)
recorded at:
Ely Cathedral: Lady Chapel in Ely, Cambridgeshire, England, United Kingdom (from 2007-07-19 until 2007-07-21)
recording of:
Ave Maria (1934 version, in Church Slavonic) (from 2007-07-19 until 2007-07-21)
composed in:
Paris, Île-de-France, France (on 1934-05-18)
additional composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1949)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (on 1934-05-18)
part of:
K Catalog (number: K057)
translated version of:
Богородице Дѣво
Igor Stravinsky2:13
49There Is No Rose of Swych Vertu
choir vocals:
Gabrieli Consort (from 2007-07-19 until 2007-07-21)
conductor:
Paul McCreesh (conductor) (from 2007-07-19 until 2007-07-21)
recorded at:
Ely Cathedral: Lady Chapel in Ely, Cambridgeshire, England, United Kingdom (from 2007-07-19 until 2007-07-21)
recording of:
There Is No Rose of Such Virtu (15th century carol) (from 2007-07-19 until 2007-07-21)
lyricist and composer:
[anonymous] (special purpose artist)
is based on:
There Is No Rose
[traditional]4:56
50The Fayrfax Carol
choir vocals:
Gabrieli Consort (from 2007-07-19 until 2007-07-21)
conductor:
Paul McCreesh (conductor) (from 2007-07-19 until 2007-07-21)
recorded at:
Ely Cathedral: Lady Chapel in Ely, Cambridgeshire, England, United Kingdom (from 2007-07-19 until 2007-07-21)
recording of:
The Fayrfax Carol (from 2007-07-19 until 2007-07-21)
composer:
Thomas Adès (British composer, pianist and conductor) (in 1997)
librettist:
[anonymous] (special purpose artist)
was commissioned by:
Choir of King’s College, Cambridge (in 1997)
premiered at:
A Festival of Nine Lessons and Carols 1997 (1997-12-24)
publisher:
Faber Music Ltd. (in 1998)
Thomas Adès4:24
51Nun komm, der Heiden Heiland
orchestra:
Bläser der Berliner Philharmoniker (Berlin Philharmonic Wind Ensemble)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1977)
Andreas Raselius0:50
52Hosianna dem Sohne Davids
choir vocals:
Dresdner Kreuzchor
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1957)
Michael Praetorius1:17
53Dem neugebornen Kindelein
choir vocals:
Dresdner Kreuzchor
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1957)
recording of:
Dem neugebor’nen Kindelein
composer:
Michael Praetorius (composer and organist)
Michael Praetorius1:47
54Freut euch, ihr lieben Christen
choir vocals:
Dresdner Kreuzchor
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1957)
Michael Praetorius1:37
55Ein Kind geborn zu Bethlehem
wind instruments:
Bläservereinigung der Archiv Produktion
choir vocals:
Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
conductor:
Heinz Hennig (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
Leonhard Schröter2:39
56Ein Kind ist uns geboren
producer:
Christopher Alder (editor/engineer/producer)
editor:
Karl-August Naegler (balance engineer)
choir vocals:
Dresdner Kreuzchor (from 1996-01 until 1996-03)
conductor:
Matthias Jung (German choral conductor) (from 1996-01 until 1996-03)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1996-01 until 1996-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1996-01 until 1996-03)
recording of:
Ein Kind ist uns geboren (unspecified)
composer:
Heinrich Schütz (composer)
Heinrich Schütz3:23
57Maria durch ein Dornwald ging
producer:
Christopher Alder (editor/engineer/producer)
editor:
Karl-August Naegler (balance engineer)
choir vocals:
Dresdner Kreuzchor (from 1996-01 until 1996-03)
conductor:
Matthias Jung (German choral conductor) (from 1996-01 until 1996-03)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1996-01 until 1996-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1996-01 until 1996-03)
recording of:
Drei Weihnachtliche Liedsätze: Nr. 1. Maria durch ein Dornwald ging (from 1996-01 until 1996-03)
composer:
Heinrich Kaminski
part of:
Drei Weihnachtliche Liedsätze
recording of:
Maria durch ein Dornwald ging
lyricist and composer:
[traditional] (special purpose artist)
Heinrich Kaminski2:04
58Übers Gebirg Maria geht
producer:
Christopher Alder (editor/engineer/producer)
editor:
Karl-August Naegler (balance engineer)
choir vocals:
Dresdner Kreuzchor (from 1996-01 until 1996-03)
conductor:
Matthias Jung (German choral conductor) (from 1996-01 until 1996-03)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1996-01 until 1996-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1996-01 until 1996-03)
recording of:
Übers Gebirg Maria geht (from 1996-01 until 1996-03)
lyricist:
Ludwig Helmbold
composer:
Johannes Eccard (composer)
Johannes Eccard2:33
59Weihnachtslieder, op. 8: No. 3 "Drei Kön'ge wandern aus Morgenland"
producer:
Christopher Alder (editor/engineer/producer)
editor:
Karl-August Naegler (balance engineer)
choir vocals:
Dresdner Kreuzchor (from 1996-01 until 1996-03)
conductor:
Matthias Jung (German choral conductor) (from 1996-01 until 1996-03)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1996-01 until 1996-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1996-01 until 1996-03)
recording of:
Weihnachtslieder, op. 8: III. Die Könige (from 1996-01 until 1996-03)
lyricist:
Peter Cornelius (German composer, lived from 1824 to 1874)
composer:
Peter Cornelius (German composer, lived from 1824 to 1874) (in 1856)
part of:
Weihnachtslieder, op. 8
Peter Cornelius2:28
60Ave maria - Motet (5vv)
producer:
Christopher Alder (editor/engineer/producer) and Gabriel Crouch (baritone / conductor / producer)
choir vocals:
Gabrieli Consort and Gabrieli Consort & Players (UK early music ensemble) (in 2006-07)
conductor:
Paul McCreesh (conductor) (in 2006-07)
balance engineer:
Neil Hutchinson (sound engineer) (in 2006-07)
recording of:
Ave Maria (à 5) (in 2006-07)
composer:
Robert Parsons (composer)
Robert Parsons4:57
61Audite principes a 16, C 123
recording engineer:
Reinhard Lagemann (in 1998-07)
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Curdt (Editor)
instruments:
Gabrieli Players (in 1998-07)
vocals:
Gabrieli Consort (in 1998-07)
orchestra:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor) (in 1998-07)
balance engineer:
Andrew Wedman (producer and engineer) (in 1998-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2001)
recorded at:
Brinkburn Priory in Northumberland, England, United Kingdom (in 1998-07)
recording of:
Audite principes à 16, Ch. 123 (in 1998-07)
composer:
Giovanni Gabrieli (composer)
part of:
Giovanni Gabrieli: A Thematic Catalogue of his Music with a Guide to the Source Materials and Translations of his Vocal Texts (Charteris [Ch.]) (number: Ch. 123)
Giovanni Gabrieli5:23
62First Mass for Christmas: Introit "Dominus dixit" - Psalm "Quare fremuerunt"
recording engineer:
Reinhard Lagemann (in 1998-07)
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Curdt (Editor)
instruments:
Gabrieli Players (in 1998-07)
vocals:
Gabrieli Consort (in 1998-07)
conductor:
Paul McCreesh (conductor) (in 1998-07)
balance engineer:
Andrew Wedman (producer and engineer) (in 1998-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2001)
recorded at:
Brinkburn Priory in Northumberland, England, United Kingdom (in 1998-07)
Paul McCreesh2:10
63Salvator noster a 15, C 80
recording engineer:
Reinhard Lagemann (in 1998-07)
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Curdt (Editor)
instruments:
Gabrieli Players (in 1998-07)
vocals:
Gabrieli Consort (in 1998-07)
conductor:
Paul McCreesh (conductor) (in 1998-07)
balance engineer:
Andrew Wedman (producer and engineer) (in 1998-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2001)
recorded at:
Brinkburn Priory in Northumberland, England, United Kingdom (in 1998-07)
recording of:
Salvator noster à 15, Ch. 80 (Sacrae symphoniae, Liber 2) (in 1998-07)
composer:
Giovanni Gabrieli (composer)
part of:
Giovanni Gabrieli: A Thematic Catalogue of his Music with a Guide to the Source Materials and Translations of his Vocal Texts (Charteris [Ch.]) (number: Ch. 80)
part of:
Sacrae symphoniae, Liber 2
Giovanni Gabrieli4:11
64O Jesu mi dulcissime a 8, C 56
recording engineer:
Reinhard Lagemann (in 1998-07)
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Curdt (Editor)
instruments:
Gabrieli Players (in 1998-07)
vocals:
Gabrieli Consort (in 1998-07)
conductor:
Paul McCreesh (conductor) (in 1998-07)
balance engineer:
Andrew Wedman (producer and engineer) (in 1998-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2001)
recorded at:
Brinkburn Priory in Northumberland, England, United Kingdom (in 1998-07)
recording of:
O Jesu mi dulcissime à 8, Ch. 56 (Sacrae symphoniae, Liber 2) (in 1998-07)
composer:
Giovanni Gabrieli (composer)
part of:
Giovanni Gabrieli: A Thematic Catalogue of his Music with a Guide to the Source Materials and Translations of his Vocal Texts (Charteris [Ch.]) (number: Ch. 56)
part of:
Sacrae symphoniae, Liber 2
Giovanni Gabrieli6:14
65Quem Vidistis pastores a 12, C 77
recording engineer:
Reinhard Lagemann (in 1998-07)
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Curdt (Editor)
instruments:
Gabrieli Players (in 1998-07)
vocals:
Gabrieli Consort (in 1998-07)
conductor:
Paul McCreesh (conductor) (in 1998-07)
arranger:
Hugh Keyte
balance engineer:
Andrew Wedman (producer and engineer) (in 1998-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2001)
recorded at:
Brinkburn Priory in Northumberland, England, United Kingdom (in 1998-07)
recording of:
Quem vidistis pastores? à 14, Ch. 77 (Sacrae symphoniae, Liber 2) (in 1998-07)
composer:
Giovanni Gabrieli (composer)
part of:
Giovanni Gabrieli: A Thematic Catalogue of his Music with a Guide to the Source Materials and Translations of his Vocal Texts (Charteris [Ch.]) (number: Ch. 77)
part of:
Sacrae symphoniae, Liber 2
Giovanni Gabrieli8:48
66Mary's Boy Child
assistant recording engineer:
Mike Cox (engineer) (in 2010-07)
recording engineer:
Stephan Flock (in 2010-07)
producer:
Sid McLauchlan (engineer/producer)
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer) (in 2010-07)
choir vocals:
Côrdydd (Choir based in Cardiff.) (in 2010-07)
orchestra:
Orchestra of the Welsh National Opera (in 2010-07)
conductor:
Tecwyn Evans (NZ conductor) (in 2010-07)
chorus master:
Sioned James (chorus master)
arranger:
David Cullen (composer, arranger, orchestrator) and Chris Hazell
recorded at:
BBC Hoddinott Hall (Wales Millennium Centre) in Cardiff, Wales, United Kingdom (in 2010-07)
recording of:
Mary’s Boy Child (in 2010-07)
lyricist and composer:
Jester Hairston
publisher:
Bourne Music Ltd. and J. Albert & Son Pty. Ltd.
Jester Hairston3:34
67Missa "Hodie Christus natus est": 1. Kyrie
orchestra and performer:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
recording of:
Missa "Hodie Christus natus est": I. Kyrie Eleison
lyricist:
[traditional] (special purpose artist)
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa "Hodie Christus natus est"
Giovanni Pierluigi da Palestrina2:41
68Missa "Hodie Christus natus est": 2. Gloria
vocals and orchestra:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
recording of:
Missa "Hodie Christus natus est": II. Gloria
lyricist:
[traditional] (special purpose artist)
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa "Hodie Christus natus est"
Giovanni Pierluigi da Palestrina3:57
69Missa "Hodie Christus natus est": 3. Credo
orchestra and performer:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
recording of:
Missa "Hodie Christus natus est": III. Credo
lyricist:
[traditional] (special purpose artist)
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa "Hodie Christus natus est"
Giovanni Pierluigi da Palestrina6:05
70Quem Vidistis, Pastores: Offertorium
organ:
Timothy Roberts (British conductor and keyboardist)
choir vocals:
Gabrieli Consort
conductor:
Paul McCreesh (conductor)
recording of:
Quem vidistis, pastores?
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
Tomás Luis de Victoria3:40
71Missa "Hodie Christus natus est": 4. Sanctus
choir vocals:
Gabrieli Consort & Players (UK early music ensemble)
orchestra and performer:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
recording of:
Missa "Hodie Christus natus est": IV. Sanctus & Benedictus
lyricist:
[traditional] (special purpose artist)
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa "Hodie Christus natus est"
Giovanni Pierluigi da Palestrina5:23
72Missa "Hodie Christus natus est": 6. Agnus Dei
orchestra and performer:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
recording of:
Missa "Hodie Christus natus est": V. Agnus dei
lyricist:
[traditional] (special purpose artist)
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa "Hodie Christus natus est"
Giovanni Pierluigi da Palestrina3:02
73Exulta, gaude, filia Sion
conductor:
Paul McCreesh (conductor)
performer:
Gabrieli Consort & Players (UK early music ensemble)
recording of:
Exulta, gaude, filia Sion
composer:
Giacomo Carissimi
Giacomo Carissimi3:54
74In dulci jubilo à 2
recording engineer:
Wolf‐Dieter Karwatky
choir vocals:
Pomerium (US early music choral group) (in 1996-05)
conductor:
Alexander Blachly (chorus master) (in 1996-05)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Corpus Christi Church in New York, New York, United States (in 1996-05)
[traditional]1:00
75In dulci jubilo à 2
recording engineer:
Wolf‐Dieter Karwatky
choir vocals:
Pomerium (US early music choral group) (in 1996-05)
conductor:
Alexander Blachly (chorus master) (in 1996-05)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Corpus Christi Church in New York, New York, United States (in 1996-05)
Michael Praetorius1:42
76In dulci jubilo à 3
recording engineer:
Wolf‐Dieter Karwatky
choir vocals:
Pomerium (US early music choral group) (in 1996-05)
conductor:
Alexander Blachly (chorus master) (in 1996-05)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Corpus Christi Church in New York, New York, United States (in 1996-05)
Michael Praetorius2:17
77In dulci jubilo à 4
recording engineer:
Wolf‐Dieter Karwatky
choir vocals:
Pomerium (US early music choral group) (in 1996-05)
conductor:
Alexander Blachly (chorus master) (in 1996-05)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Corpus Christi Church in New York, New York, United States (in 1996-05)
Michael Praetorius0:59
78Resonet in laudibus
recording engineer:
Wolf‐Dieter Karwatky
choir vocals:
Pomerium (US early music choral group) (in 1996-05)
conductor:
Alexander Blachly (chorus master) (in 1996-05)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Corpus Christi Church in New York, New York, United States (in 1996-05)
[traditional]1:18
79Resonet in laudibus à 4
recording engineer:
Wolf‐Dieter Karwatky
choir vocals:
Pomerium (US early music choral group) (in 1996-05)
conductor:
Alexander Blachly (chorus master) (in 1996-05)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Corpus Christi Church in New York, New York, United States (in 1996-05)
recording of:
Resonet in laudibus (a 4)
composer:
Christian Erbach
Christian Erbach1:57
80Preter rerum seriem
recording engineer:
Wolf‐Dieter Karwatky
choir vocals:
Pomerium (US early music choral group) (in 1996-05)
conductor:
Alexander Blachly (chorus master) (in 1996-05)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Corpus Christi Church in New York, New York, United States (in 1996-05)
[traditional]1:37
81Preter rerum seriem à 6
recording engineer:
Wolf‐Dieter Karwatky
choir vocals:
Pomerium (US early music choral group) (in 1996-05)
conductor:
Alexander Blachly (chorus master) (in 1996-05)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Corpus Christi Church in New York, New York, United States (in 1996-05)
recording of:
Praeter rerum seriem (a 6) (in 1996-05)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez6:38
82Conditor alme siderum à 3
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
choir vocals:
Pomerium (US early music choral group) (in 1995-03)
conductor:
Alexander Blachly (chorus master) (in 1995-03)
balance engineer:
Gregor Zielinsky (Balance engineer)
recorded at:
The Grotto Church of Notre Dame in New York, New York, United States (in 1995-03)
recording of:
Conditor Alme Siderum (in 1995-03)
composer:
Guillaume Dufay (French 15th century composer)
part of:
Hymns
[traditional]3:50
83Puer natus est à 4
recording engineer:
Wolf‐Dieter Karwatky
choir vocals:
Pomerium (US early music choral group) (in 1996-05)
conductor:
Alexander Blachly (chorus master) (in 1996-05)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Corpus Christi Church in New York, New York, United States (in 1996-05)
recording of:
Puer natus est nobis, T 119 (à 4, Gradualia II (1607)) (in 1996-05)
composer:
William Byrd (English composer)
part of:
William Byrd: A Research and Information Guide, 3rd ed. (Turbet [T]) (number: T 119)
part of:
Gradualia ac cantiones sacrae, Liber 2 (1607)
William Byrd8:13
84O Sapientia
recording engineer:
Wolf‐Dieter Karwatky
choir vocals:
Pomerium (US early music choral group) (in 1996-05)
conductor:
Alexander Blachly (chorus master) (in 1996-05)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Corpus Christi Church in New York, New York, United States (in 1996-05)
[traditional]1:03
85Magnificat secundi toni à 5
recording engineer:
Wolf‐Dieter Karwatky
choir vocals:
Pomerium (US early music choral group) (in 1996-05)
conductor:
Alexander Blachly (chorus master) (in 1996-05)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Corpus Christi Church in New York, New York, United States (in 1996-05)
recording of:
Magnificat secundi toni à 5 (in 1996-05)
composer:
William Horwood
William Horwood14:48
86O Sapientia à 5
recording engineer:
Wolf‐Dieter Karwatky
choir vocals:
Pomerium (US early music choral group) (in 1996-05)
conductor:
Alexander Blachly (chorus master) (in 1996-05)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Corpus Christi Church in New York, New York, United States (in 1996-05)
recording of:
O Sapientia (in 1996-05)
composer:
Robert Ramsey (Scottish composer)
Robert Ramsey2:35
87Quem vidistis pastores
recording engineer:
Wolf‐Dieter Karwatky
choir vocals:
Pomerium (US early music choral group) (in 1996-05)
conductor:
Alexander Blachly (chorus master) (in 1996-05)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Corpus Christi Church in New York, New York, United States (in 1996-05)
[traditional]1:00
88Quem vidistis pastores à 7
recording engineer:
Wolf‐Dieter Karwatky
choir vocals:
Pomerium (US early music choral group) (in 1996-05)
conductor:
Alexander Blachly (chorus master) (in 1996-05)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Corpus Christi Church in New York, New York, United States (in 1996-05)
recording of:
Quem vidistis, pastores (a 7)
composer:
Cipriano de Rore (Franco-Flemish Renaissance composer)
Cipriano de Rore3:47
89Alma redemptoris mater
recording engineer:
Wolf‐Dieter Karwatky
choir vocals:
Pomerium (US early music choral group) (in 1996-05)
conductor:
Alexander Blachly (chorus master) (in 1996-05)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Corpus Christi Church in New York, New York, United States (in 1996-05)
[traditional]2:12
90Alma redemptoris mater à 4
recording engineer:
Wolf‐Dieter Karwatky
choir vocals:
Pomerium (US early music choral group) (in 1996-05)
conductor:
Alexander Blachly (chorus master) (in 1996-05)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Corpus Christi Church in New York, New York, United States (in 1996-05)
recording of:
Alma redemptoris mater (in 1996-05)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
Johannes Ockeghem5:14
91Reges Tharsis et insulae à 4
recording engineer:
Wolf‐Dieter Karwatky
choir vocals:
Pomerium (US early music choral group) (in 1996-05)
conductor:
Alexander Blachly (chorus master) (in 1996-05)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Corpus Christi Church in New York, New York, United States (in 1996-05)
recording of:
Reges Tharsis et insulae, T 129 (à 4, Gradualia II (1607)) (in 1996-05)
composer:
William Byrd (English composer)
part of:
William Byrd: A Research and Information Guide, 3rd ed. (Turbet [T]) (number: T 129)
part of:
Gradualia ac cantiones sacrae, Liber 2 (1607)
William Byrd4:18