70 Hits of the 70s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Listen to the Music
recording of:
Listen to the Music
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.353:27
2Never Let Her Slip Away
assistierende(r) Techniker(in):
George Ybara
Techniker(in):
Dennis Kirk und Greg Ladanyi
Produzent(in):
Andrew Gold und Brock Walsh (singer, producer, songwriter)
Perkussion:
Andrew Gold (in 1978) und Brock Walsh (singer, producer, songwriter) (in 1978)
Saxophon:
Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1978)
Synthesizer:
Andrew Gold (in 1978)
Hintergrundgesang:
Andrew Gold (in 1978), John David Souther (in 1978) und Brock Walsh (singer, producer, songwriter) (in 1978)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978)
aufgenommen bei und mixed at:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978)
recording of:
Never Let Her Slip Away (in 1978)
Texter und Komponist(in):
Andrew Gold
publisher:
Luckyu Music
Andrew Gold53:22
3Killing Me Softly With His Song
Produzent(in):
Joel Dorn
Klavier:
Roberta Flack
vocals:
Roberta Flack
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 273) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 361)
cover recording of:
Killing Me Softly With His Song
Texter:
Norman Gimbel
Komponist(in):
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Platz Music Publishng, Rodali Music, Sony/ATV Songs LLC und Fox-Gimbel Productions Inc. (in 1972)
Roberta Flack3.554:47
4Disco Inferno (single edit)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 54)
recording of:
Disco Inferno
Verfasser(in):
Leroy Green (disco/soul songwriter) und Ron Kersey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. und Six Strings Music
The Trammps4.353:12
5Everybody Dance (edit version)
recording of:
Everybody Dance
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Chic53:58
6Bang a Gong (Get It On)
Techniker(in):
Roy Thomas Baker (producer), Malcolm Cecil, Rik Pekkonen und Martin Rushent
Produzent(in):
Tony Visconti
E-Bass:
Steve Currie (von 1971-03 bis 1971-06)
E-Gitarre und Sologesang:
Marc Bolan (von 1971-03 bis 1971-06)
Keyboard:
Rick Wakeman (von 1971-03 bis 1971-06)
Perkussion:
Mickey Finn (musician and T. Rex member) (von 1971-03 bis 1971-06)
Schlagzeug:
Bill Legend (von 1971-03 bis 1971-06)
Hintergrundgesang:
Howard Kaylan (von 1971-03 bis 1971-06) und Mark Volman (von 1971-03 bis 1971-06)
phonographisches Urheberrecht (℗) von:
Essex Music International Ltd. (in 1971), Straight Ahead Productions Ltd. (in 1971, in 2001) und Tarantula Productions (in 1971)
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 22), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 41)
recording of:
Get It On (Bang a Gong) (von 1971-03 bis 1971-06)
Texter und Komponist(in):
Marc Bolan
publisher:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. und Westminster Music Ltd.
T. Rex4.654:22
7Tiger Feet
Koproduzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
Interpret(in):
Mud (UK glam rock band)
phonographisches Urheberrecht (℗) von:
RAK (in 1974)
recording of:
Tiger Feet
Texter und Komponist(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) und BMG Music Publishing Ltd.
Mud53:50
8Cold as Ice
Partner-Techniker(in):
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron und Randy Mason
Techniker(in):
Gary Lyons (UK engineer & producer)
Koproduzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Produzent(in):
Gary Lyons (UK engineer & producer) und John Sinclair (engineer)
Mix:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Bassgitarre:
Ed Gagliardi (bass player (Foreigner))
Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Horn:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Keyboard:
Al Greenwood und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Schlagzeug:
Dennis Elliott
Synthesizer:
Al Greenwood
Hintergrundgesang:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
vocals:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977) und Rhino Entertainment Company (not for release label use!) (in 2009)
recording of:
Cold as Ice
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Fuji Pacific Music inc. (Fujipacific Music inc.) (bis 2014-12-31), Yamaha Music Publishing (bis 2017-03-31), Fujipacific Music, Inc. (vom 2015-01-01 bis heute) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Foreigner43:20
9Grease
Techniker(in) und Mix:
Karl Richardson
Produzent(in):
Albhy Galuten, Barry Gibb und Karl Richardson
Gitarre:
Peter Frampton
Hintergrundgesang:
Barry Gibb
Sologesang:
Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
arranger:
Albhy Galuten und Barry Gibb
phonographisches Urheberrecht (℗) von:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 11)
recording of:
Grease (Grease, 1978 film)
Texter und Komponist(in):
Barry Gibb
publisher:
Careers–BMG Music Publishing, Inc. und Gibb Brothers Music
Teil von:
Grease (1978 film)
Frankie Valli4.353:27
10You’re So Vain
recording engineer:
Robin Geoffrey Cable (von 1972-09 bis 1972-10)
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Bass:
Klaus Voorman (von 1972-09 bis 1972-10)
Gitarre:
Jimmy Ryan (American guitarist and singer/songwriter) (von 1972-09 bis 1972-10)
Klavier und Sologesang:
Carly Simon (von 1972-09 bis 1972-10)
Perkussion:
Richard Perry (producer) (von 1972-09 bis 1972-10)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (von 1972-09 bis 1972-10)
Hintergrundgesang:
Mick Jagger (von 1972-09 bis 1972-10)
zusätzlich Hintergrundgesang:
Carly Simon (von 1972-09 bis 1972-10) und Doris Troy (von 1972-09 bis 1972-10)
Saiteninstrumente arranger:
Carly Simon
Orchestrator(in):
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) und Rhino Entertainment Company (not for release label use!) (in 2015)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1972-09 bis 1972-10)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 140) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 495)
recording of:
You’re So Vain (von 1972-09 bis 1972-10)
Texter und Komponist(in):
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) und Universal Music Publishing Group
Carly Simon4.554:18
11Baker Street (radio edit)
Bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (in 1977)
Gitarre [lead guitar]:
Hugh Burns (in 1977)
Gitarre [rhythm guitar]:
Nigel Jenkins (in 1977)
Keyboard:
Tommy Eyre (in 1977)
Perkussion:
Glen LeFleur (in 1977)
Saxophon:
Raphael Ravenscroft (in 1977)
Schlagzeug:
Henry Spinetti (in 1977)
Sologesang:
Gerry Rafferty (in 1977)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) und United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich (in 1977)
Bearbeitung von:
Baker Street von Gerry Rafferty
recording of:
Baker Street (in 1977)
Texter und Komponist(in):
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) und Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:09
12Guitar Man
Techniker(in):
Armin Steiner
Partner-Produzent(in):
James Griffin (soft rock singer/songwriter/guitarist)
Produzent(in):
David Gates (singer/songwriter, lead singer of Bread)
Bassgitarre:
David Gates (singer/songwriter, lead singer of Bread)
Gitarre:
David Gates (singer/songwriter, lead singer of Bread) und James Griffin (soft rock singer/songwriter/guitarist)
Klavier:
James Griffin (soft rock singer/songwriter/guitarist)
Perkussion und Schlagzeug:
Michael Botts
arranger:
David Gates (singer/songwriter, lead singer of Bread)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1972), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972) und Warner Music International (trademark of Warner Music International the company) (in 1973)
aufgenommen bei:
Elektra Sound Recorders in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Guitar Man
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music Publishing (do not use as a release label!) und Screen Gems–Columbia Music, Inc.
Bread43:44
13Kid
zusätzlich recording engineer:
Steve Nye (producer, engineer and pianist)
Techniker(in) und Mix:
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
aufgenommen bei und mixed at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
zusätzlich aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
recording of:
Kid
Texter und Komponist(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Hynde House of Hits Music, Modern Music Publishing Co., Inc., フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Pretenders53:05
14Just What I Needed
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 112) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 369)
recording of:
Just What I Needed (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
BMG Music Publishing Ltd., Lido Music, Inc. und Lido Music (not for release label use!) (in 1978)
The Cars4.33:46
15Can’t Get Enough
recording engineer und Mix:
Ron Nevison
Techniker(in):
Ron Fawcus (Aufgabe: tape operator)
Produzent(in):
Bad Company (British blues-rock supergroup)
Bass:
Boz Burrell (English musician) (in 1973-11)
Gitarre:
Mick Ralphs (in 1973-11)
Gitarre [second guitar] und Sologesang:
Paul Rodgers (in 1973-11)
Schlagzeug:
Simon Kirke (in 1973-11)
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) (in 1974)
aufgenommen bei:
Headley Grange (Grade II listed building, best known for its use as a recording and rehearsal venue in the 1960s–70s) in Hampshire, England, Vereinigtes Königreich (in 1973-11)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Can’t Get Enough (in 1973-11)
Texter und Komponist(in):
Mick Ralphs
publisher:
Badco Music, Inc.
Bad Company3.554:14
16You Make Me Feel Like Dancing (single version)
recording engineer:
Bill Schnee
assistierende(r) Techniker(in):
Dana Latham
Produzent(in):
Richard Perry (producer)
Bass:
Chuck Rainey (American bassist)
Clavinet:
John Barns
Gitarre:
Larry Carlton und Ray Parker Jr.
Schlagzeug:
Steve Gadd (drummer)
Hintergrundgesang:
Clydie King, Becky Louis und Sherlie Matthews (US vocalist)
vocals:
Leo Sayer
conductor:
Gene Page
Saiteninstrumente arranger:
Gene Page
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1976) und Silverbird Ltd. (in 1976)
recording of:
You Make Me Feel Like Dancing
Texter:
Leo Sayer
Komponist(in):
Vini Poncia
publisher:
Braintree Music, Chrysalis Music (music publisher, ASCAP-affiliated), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Rondor Music und Silverbird Songs Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Leo Sayer53:39
17I Saw the Light
Produzent(in):
Todd Rundgren
Instrumente und vocals:
Todd Rundgren
arranger:
Todd Rundgren
phonographisches Urheberrecht (℗) von:
Bearsville Records (in 1972)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 452)
recording of:
I Saw the Light
Texter und Komponist(in):
Todd Rundgren
publisher:
Earmark Music Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Todd Rundgren53:00
18The Air That I Breathe
Techniker(in):
Mike Jarratt (Recording, mixing and lacquer cutting engineer) und Alan Parsons (of The Alan Parsons Project)
Produzent(in):
The Hollies und Ron Richards
vocals:
Allan Clarke (of The Hollies) (von 1973-11-15 bis 1973-11-22), Tony Hicks (von 1973-11-15 bis 1973-11-22) und Terry Sylvester (von 1973-11-15 bis 1973-11-22)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) und Polydor International GmbH (not for release label use!) (in 1974)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-11-15 bis 1973-11-22)
cover recording of:
The Air That I Breathe (von 1973-11-15 bis 1973-11-22)
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
The Air That I Breathe
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies4.54:04
19She’s Gone
recorded in:
New York, New York, Vereinigte Staaten (in 1973)
Produzent(in):
Arif Mardin
Bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
E-Gitarre, mellotron und Synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
Gitarre:
John Oates (in 1973)
Hybrid-Piano:
Daryl Hall (in 1973)
Perkussion:
Ralph MacDonald (in 1973)
Schlagzeug:
Bernard “Pretty” Purdie (in 1973)
Tenorsaxophon:
Joe Farrell (in 1973)
Sologesang:
Daryl Hall (in 1973) und John Oates (in 1973)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 336)
recording of:
She’s Gone (in 1973)
Texter und Komponist(in):
Daryl Hall und John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:13
20Every 1’s a Winner
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) und Infinity Records Inc. (in 1978)
recording of:
Every 1’s a Winner
Texter und Komponist(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated) und RAK Music Publishing Ltd.
Hot Chocolate4.154:04
21Rock Your Baby
recording of:
Rock Your Baby
Verfasser(in):
Harry Wayne Casey, Richard Finch und KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music und Peer Music (UK) Ltd.
George McCrae6:24
22I’m Every Woman (Lew Hahn remix)
recording of:
I’m Every Woman
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Chaka Khan4:05
23You’ve Got a Friend
Techniker(in):
Richard Sanford Orshoff
Produzent(in):
Peter Asher
Akustikgitarre:
James Taylor (singer-songwriter and guitarist)
Akustikgitarre und Conga:
Danny Kortchmar (Danny Kootch)
Bassgitarre:
Leland Sklar (bassist, session musician)
cabasa, Conga und Schlagzeug:
Russ Kunkel (session drummer)
Hintergrundgesang:
Joni Mitchell und James Taylor (singer-songwriter and guitarist)
cover recording of:
You’ve Got a Friend
Texter und Komponist(in):
Carole King
publisher:
Colgems-EMI Music Inc. und Screen Gems–EMI Music Ltd.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
James Taylor4.44:29
24Cat’s in the Cradle
Produzent(in):
Paul Leka
arranger:
Paul Leka
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead), Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1974)
aufgenommen bei:
Connecticut Recording Studios in Connecticut, Vereinigte Staaten
recording of:
Cat’s in the Cradle
Verfasser(in):
Sandra Campbell Chapin und Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin3.83:46
25The Man With the Child in His Eyes
Techniker(in):
Jon Kelly (engineer at Air London Studios)
leitende(r) Produzent(in):
David Gilmour (Pink Floyd)
Produzent(in):
Andrew Powell (known for contributions to Alan Parsons Project)
Klavier, Hintergrundgesang und Sologesang:
Kate Bush (in 1975-06)
arranger:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977, in 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977, in 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (in 1977, in 1978) und EMI France (in 1995)
aufgenommen bei:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (von 1977-07 bis 1977-08)
recording of:
The Man With the Child in His Eyes (in 1975-06)
publisher:
Kate Bush (vom 1978 bis heute)
Texter und Komponist(in):
Kate Bush
arranger:
Stefan Lievestro (Dutch jazz bassist)
Premiere bei:
Saturday Night Live: Season 4, Episode 8 (1978-12-09 – 1978-12-10)
publisher:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) (, vom 1978 bis heute) und Kate Bush Music Ltd.
Kate Bush3.652:41
26Undercover Angel
Alan O’Day3:31
27You Are My Love
recording of:
You Are My Love
Verfasser(in):
Roger Scott Craig und Billy Kinsley (singer, songwriter and bassist)
Liverpool Express3:15
28I’d Really Love to See You Tonight
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
I’d Really Love to See You Tonight
Texter und Komponist(in):
Parker McGee
publisher:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing und Sutjujo Music
England Dan & John Ford Coley52:39
29Dance With Me
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1975)
recording of:
Dance With Me
Texter:
Johanna Hall
Komponist(in):
John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
EMI Blackwood Music Inc., Siren Songs, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Orleans53:01
30If You Could Read My Mind
recording engineer:
Gary Brandt und Lee Herschberg
Produzent(in):
Lenny Waronker und Joe Wissert
Mix:
Lee Herschberg
vocals:
Gordon Lightfoot
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1970)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 8)
recording of:
If You Could Read My Mind
Texter und Komponist(in):
Gordon Lightfoot
publisher:
ATV Kirshner (publisher) (beendet), Early Morning Music (beendet), Laetrec Music (beendet), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Gordon Lightfoot4.63:49
31Magic
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974, in 1975, in 2003)
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 41)
recording of:
Magic
Verfasser(in):
Billy Lyall und David Paton (of Pilot)
publisher:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Robbins Music Corp. Ltd.
Pilot4.753:06
32December, 1963 (Oh What a Night!)
recording engineer:
Steve Maslow
Produzent(in):
Bob Gaudio
Mix:
Val Garay
Bass:
Don Ciccone
Gitarre:
John Paiva
Keyboard:
Bob Gaudio und Lee Shapiro
Klavier:
Bob Gaudio
Schlagzeug:
Gerry Polci
vocals:
Bob Gaudio, Don Ciccone, Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons), Gerry Polci und John Paiva
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Lee Shapiro
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 64)
recording of:
December, 1963 (Oh, What a Night)
Texter:
Bob Gaudio und Judy Parker
Komponist(in):
Bob Gaudio
publisher:
EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. und Seasons Music Co.
Frankie Valli & The Four Seasons3.853:21
33Welcome Back (them from “Welcome Back, Kotter”)
recording of:
Welcome Back (70’s Song by John Sebastian)
Texter und Komponist(in):
John Sebastian
John Sebastian52:52
34That’s the Way (I Like It) (edited version)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1976) und T.K. Records (Miami‐based disco label) (in 1975)
Bearbeitung von:
That’s the Way (I Like It) von KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) und Mushroom Music (Mushroom label’s publishing company)
KC & the Sunshine Band4.33:04
35Pick Up the Pieces
Average White Band3:59
36I Got The…
recording of:
I Got The
Texter und Komponist(in):
Labi Siffre
Labi Siffre6:25
37Street Player
Techniker(in):
Jim Boyer (producer/engineer)
Produzent(in):
Chicago (American pop rock/jazz fusion band) und Phil Ramone
Perkussion:
Airto Moreira (percussionist)
Synthesizer:
David “Hawk” Wolinski
Trompete:
Maynard Ferguson
Sologesang:
Peter Cetera
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 2003)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
recording of:
Street Player
Verfasser(in):
Danny Seraphine und David “Hawk” Wolinski
Chicago9:11
38Black Night
E-Bass:
Roger Glover (in 1970-05)
E-Gitarre:
Ritchie Blackmore (in 1970-05)
Hammond-Orgel:
Jon Lord (in 1970-05)
Schlagzeug:
Ian Paice (in 1970-05)
Sologesang:
Ian Gillan (in 1970-05)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1970-05)
recording of:
Black Night (in 1970-05)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music und Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Japan C.F. division (bis 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Deep Purple4.453:27
39The Rubberband Man
The Spinners4.653:33
40Then Came You
Gast vocals:
Dionne Warwick
Interpret(in):
The Spinners (The Detroit Spinners, US R&B/soul group, aka The Detroit Spinners)
cover recording of:
Then Came You
Verfasser(in):
Sherman Marshall und Philip Pugh
publisher:
Mijac Double Diamond Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners & Dionne Warwick4.53:59
41Sailing
Produzent(in):
Tom Dowd
cover recording of:
Sailing
Texter und Komponist(in):
Gavin Sutherland (UK folk rock artist, member of The Sutherland Brothers)
publisher:
Ackee Music Inc., Island Music (Island Music Ltd.) und Melodie der Welt J. Michel KG (German publisher; read annotation)
Rod Stewart3.354:39
42Willin’
recording engineer und Mix:
Donn Landee
Produzent(in):
Ted Templeman
Bassgitarre:
Roy Estrada
Gast-Steel-Gitarre:
Sneaky Pete Kleinow
Gitarre und Sologesang:
Lowell George
Keyboard:
Bill Payne
Perkussion und Schlagzeug:
Richie Hayward
Hintergrundgesang:
Roy Estrada und Richie Hayward
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972)
recording of:
Willin’
Texter und Komponist(in):
Lowell George
publisher:
Abraham Music und Naked Snake Music
Little Feat2:55
43Sister Golden Hair
assistierende(r) Techniker(in):
Tom Anderson (engineer)
Techniker(in):
Geoff Emerick (British recording engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
andere Instrumente:
America (US folk/soft rock band)
Bassgitarre:
David Dickey (U.S. drummer and bassist)
Schlagzeug und Perkussion:
Willie Leacox
vocals:
America (US folk/soft rock band)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975), Warner Music H.K. Ltd. (in 1997) und Rhino Entertainment Company (not for release label use!) (in 2011)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 12) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 264)
recording of:
Sister Golden Hair
Texter und Komponist(in):
Gerald Beckley
publisher:
Warner/Chappell Music Australia Pty. Ltd.
live recording of:
Sister Golden Hair
Texter und Komponist(in):
Gerald Beckley
publisher:
Warner/Chappell Music Australia Pty. Ltd.
America4.13:17
44Jealous Mind
recording of:
Jealous Mind
Texter und Komponist(in):
Peter Shelley (British 1970s pop singer/songwriter)
Alvin Stardust52:42
45Wishing on a Star (edit)
recording of:
Wishing on a Star
Texter und Komponist(in):
Billie Calvin (Billie Rae Calvin)
publisher:
Warner/Chappell North America
Rose Royce43:59
46Light My Fire
cover recording of:
Light My Fire
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. und 日音 Synch事業部 (NICHION, INC. Synch Division)
Shirley Bassey2.53:29
47Supernatural Thing
Ben E. King43:24
48The Mexican (edit)
recording of:
The Mexican
Texter und Komponist(in):
Alan Shacklock
zusätzliche(r) Komponist(in):
Ennio Morricone (Italian classical and score composer)
Babe Ruth3:27
49I’m Gonna Run Away From You (radio edit)
recording of:
I’m Gonna Run Away From You
Texter und Komponist(in):
Bert Russell Berns
Tami Lynn2:49
50Dancing in the City
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) und Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (in 1978)
recording of:
Dancing in the City (in 1978)
Verfasser(in):
Kit Hain und Julian Marshall
publisher:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) und Rondor Music (London) Ltd.
Marshall Hain3:47
51Midnight at the Oasis
Techniker(in):
Lee Herschberg und Donn Landee
Produzent(in):
Joe Boyd (US producer, founder of Hannibal Records) und Lenny Waronker
Mix:
Lee Herschberg
Akustikgitarre:
David Nichtern
Bassgitarre:
Freebo
E-Gitarre:
Amos Garrett
Klavier:
Mark T. Jordan
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
Sprecher:
Greg Prestopino
vocals:
Maria Muldaur
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Midnight at the Oasis
Texter und Komponist(in):
David Nichtern
publisher:
Space Potato Music (in 1974)
Maria Muldaur43:50
52Breezin’
recording engineer:
Al Schmitt (von 1976-01-06 bis 1976-01-08)
assistierende(r) Techniker(in):
Don Henderson (engineer)
assistierende(r) Produzent(in):
Noel Newbolt
Produzent(in):
Tommy LiPuma
Mix:
Al Schmitt
Bassgitarre und Gitarre [rhythm guitar]:
Phil Upchurch (von 1976-01-06 bis 1976-01-08)
Clavinet und Klavier:
Jorge Dalto (von 1976-01-06 bis 1976-01-08)
Gitarre [lead guitar]:
George Benson (jazz guitarist/singer) (von 1976-01-06 bis 1976-01-08)
Minimoog [mini-moog] und Hybrid-Piano:
Ronnie Foster (von 1976-01-06 bis 1976-01-08)
Perkussion:
Ralph MacDonald (von 1976-01-06 bis 1976-01-08)
Schlagzeug:
Harvey Mason (jazz drummer) (von 1976-01-06 bis 1976-01-08)
conductor:
Claus Ogerman (von 1976-01-06 bis 1976-01-08)
Orchestrator(in):
Claus Ogerman
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1976-01-06 bis 1976-01-08)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Breezin’ (von 1976-01-06 bis 1976-01-08)
Komponist(in):
Bobby Womack
publisher:
Unart Music Corp. (beendet), ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Unart Catalog Inc., Tracebob Music Co., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und 日本アブコ音楽出版 (ABKCO Japan Publishing)
George Benson45:42
53Until You Come Back to Me (That’s What I Am Going to Do)
Techniker(in):
Lew Hahn
Produzent(in):
Aretha Franklin, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Chuck Rainey (American bassist) (am 1973-09-07)
Gitarre:
Hugh McCracken (am 1973-09-07)
Hybrid-Piano:
Donny Hathaway (am 1973-09-07)
Klavier und Sologesang:
Aretha Franklin (am 1973-09-07)
Orgel:
Richard Tee (am 1973-09-07)
Schlagzeug:
Bernard “Pretty” Purdie (am 1973-09-07)
Solo-flute:
Joe Farrell (am 1973-09-07)
Synthesizer:
Ken Bichel (keyboardist) (am 1973-09-07)
Hintergrundgesang:
Margaret Branch (am 1973-09-07), Ann S. Clark (am 1973-09-07) und Pat Smith (soul vocalist) (am 1973-09-07)
arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (am 1973-09-07)
Verfasser(in):
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul und Stevie Wonder
publisher:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau und Stone Agate Music
Aretha Franklin4.353:26
54Cindy Incidentally
assistierende(r) Techniker(in):
Phil Chapman (engineer)
Techniker(in) und Produzent(in):
Glyn Johns
Bassgitarre:
Ronnie Lane
Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Klavier:
Ian McLagan
Schlagzeug:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
Sologesang:
Rod Stewart
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Cindy Incidentally
publisher:
Rod Stewart BMI - United States of America
Verfasser(in):
Ian McLagan, Rod Stewart und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und WB Music Corp. (1929–2019)
Faces42:39
55Tush
recording engineer und Mix:
Terry Manning (US recording engineer)
Produzent(in):
Bill Ham (manager of ZZ Top)
Bassgitarre und Sologesang:
Dusty Hill
E-Gitarre:
Billy Gibbons
Schlagzeug:
Frank Beard (ZZ Top drummer)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten und Robin Hood Studios in Tyler, Texas, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 67)
recording of:
Tush
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
publisher:
Music of Stage Three und Songs of Mosaic
ZZ Top4.652:14
56Wishing Well
cover recording of:
Wishing Well (Free song)
Verfasser(in):
John “Rabbit” Bundrick, Simon Kirke, Paul Kossoff, Paul Rodgers und Tetsu Yamauchi
publisher:
Cayman Music Inc, Keepers Cottage Music Ltd. und Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
sub-publisher:
Universal Music Publishing France (not for release label use!)
Blackfoot53:13
57Psycho Killer
Techniker(in):
Ed Stasium (US record producer & audio engineer)
zusätzliche(r) Techniker(in):
Matt Cohen (US producer and engineer)
leitende(r) Produzent(in):
Karen Ahmed und Robin Hurley
Produzent(in):
Tony Bongiovi, Lance Quinn und Talking Heads
Bassgitarre:
Tina Weymouth (von 1976 bis 1977)
Gitarre:
David Byrne (Talking Heads) (von 1976 bis 1977) und Jerry Harrison (Talking Heads & producer) (von 1976 bis 1977)
Gitarre und Keyboard und Keyboard:
Jerry Harrison (Talking Heads & producer) (von 1976 bis 1977)
Schlagzeug:
Chris Frantz (von 1976 bis 1977)
Sologesang:
David Byrne (Talking Heads) (von 1976 bis 1977)
vocals:
Jerry Harrison (Talking Heads & producer) (von 1976 bis 1977)
phonographisches Urheberrecht (℗) von:
Sire Records Inc. (in 1977)
aufgenommen bei:
Sundragon Studios in Flatiron District, New York, New York, Vereinigte Staaten (von 1976 bis 1977)
mixed at:
Mediasound Studios in New York, New York, Vereinigte Staaten (in 2005)
Samples von:
Lexicon Valley #190, "Beyond the Five Ws" von John McWhorter
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 108)
recording of:
Psycho Killer (von 1976 bis 1977)
Texter:
David Byrne (Talking Heads), Chris Frantz und Tina Weymouth
Komponist(in):
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell Music (publisher as Warner/Chappell Music)
Talking Heads4.054:21
58Milk and Alcohol
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Milk and Alcohol (in 1978-09)
Verfasser(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer) und Gypie Mayo
publisher:
Plangent Visions Music Ltd. und Rock Music Co., Ltd.
Dr. Feelgood4.22:49
59Elected
Produzent(in):
Bob Ezrin
Bassgitarre:
Dennis Dunaway (original bass player for Alice Cooper) (von 1972-08 bis 1973-01)
Gitarre:
Michael Bruce (of Alice Cooper) (von 1972-08 bis 1973-01) und Glen Buxton (American guitarist) (von 1972-08 bis 1973-01)
Keyboard:
Michael Bruce (of Alice Cooper) (von 1972-08 bis 1973-01)
Schlagzeug:
Neal Smith (former Alice Cooper drummer) (von 1972-08 bis 1973-01)
Hintergrundgesang:
Michael Bruce (of Alice Cooper) (von 1972-08 bis 1973-01), Dennis Dunaway (original bass player for Alice Cooper) (von 1972-08 bis 1973-01) und Neal Smith (former Alice Cooper drummer) (von 1972-08 bis 1973-01)
Sologesang:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) (von 1972-08 bis 1973-01)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
Musikvideos:
Elected von Alice Cooper (1964–1975 American rock band)
Teil von:
CBC Music: The Ultimate Election Day Playlist
recording of:
Elected (von 1972-08 bis 1973-01)
Verfasser(in):
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Dennis Dunaway (original bass player for Alice Cooper) und Neal Smith (former Alice Cooper drummer)
publisher:
Sony Songs Inc. (beendet), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music Corp., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC und Ezra Music (in 1973)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Revision von:
Reflected
Alice Cooper3.84:05
60Pretty Vacant
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Bill Price (UK producer/engineer) und Chris Thomas (UK record producer / remixer)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich (in 1977-03)
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 34)
live recording of:
Pretty Vacant
Verfasser(in):
Steve Jones (Sex Pistols member), John Lydon (Johnny Rotten of the Sex Pistols), Glen Matlock (bass guitarist of the Sex Pistols) und Paul Thomas Cook (drummer for the Sex Pistols)
publisher:
A Thousand Miles Long, Inc., Arista Music, Inc., Careers Music, Inc., Rotten Music Ltd (publishing company of Johnny Rotten), Stephen Philip Jones, Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
Sex Pistols3.93:18
61No More Heroes (radio edit)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
No More Heroes
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music Ltd.
The Stranglers52:57
62Whole Lotta Love
Produzent(in):
Mickie Most (English record producer)
arranger:
John Cameron (British composer, arranger and conductor)
instrumental cover recording of:
Whole Lotta Love
zusätzlicher Texter:
Willie Dixon
Verfasser(in):
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page und Robert Plant (of Led Zeppelin)
publisher:
Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB und WB Music Corp. (1929–2019)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
basiert auf:
You Need Love
CCS53:33
63Venus
assistierende(r) Techniker(in):
Jim Boyer (producer/engineer)
Techniker(in) und Mix:
Andy Johns
Produzent(in):
Andy Johns und Tom Verlaine
assistierende(r) Mix:
Jimmy Douglass (engineer) und Randy Mason
Bassgitarre:
Fred Smith (bassist)
E-Gitarre:
Richard Lloyd (American guitarist and singer, Television)
Schlagzeug:
Billy Ficca
Solo-E-Gitarre und Sologesang:
Tom Verlaine
Hintergrundgesang:
Richard Lloyd (American guitarist and singer, Television) und Fred Smith (bassist)
vocals:
Richard Lloyd (American guitarist and singer, Television) und Fred Smith (bassist)
aufgenommen bei:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
Venus
Texter und Komponist(in):
Tom Verlaine
Television53:49
64Wear It Out
Produzent(in):
Verdine White und Robert Wright (disco/funk producer)
recording of:
Wear It Out
Verfasser(in):
Charles Fearing, Rochelle Runnells und Robert Wright (disco/funk producer)
Stargard45:14
652‐4‐6‐8 Motorway
Produzent(in):
Vic Maile
Bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
Gitarre:
Danny Kustow (am 1977-09-14)
Klavier und Orgel:
Mark Ambler (am 1977-09-14)
Schlagzeug:
Dolphin Taylor (am 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
aufgenommen bei:
Berwick Street Studios in Westminster, London (Greater London), England, Vereinigtes Königreich (am 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (am 1977-09-14)
Texter und Komponist(in):
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band43:18
66Werewolves of London
Techniker(in):
Dennis Kirk und Greg Ladanyi
Produzent(in):
Jackson Browne (American singer-songwriter) und Waddy Wachtel
Bass:
John McVie
Gitarre [guitars]:
Waddy Wachtel
Klavier:
Warren Zevon
Schlagzeug:
Mick Fleetwood
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und Rhino Entertainment Company (not for release label use!) (vom 2007 bis heute)
aufgenommen bei:
The Sound Factory in Tucson, Arizona, Vereinigte Staaten (in 2007)
recording of:
Werewolves of London
Verfasser(in):
LeRoy P. Marinell, Waddy Wachtel und Warren Zevon
publisher:
Leadsheet Land Music, Polite Music, Tiny Tunes und Zevon Music Inc. (BMI)
Warren Zevon4.93:28
67Journey
recording of:
The Journey
Texter und Komponist(in):
Duncan Browne (English singer-songwriter)
Duncan Browne53:22
68Softly Whispering I Love You
Techniker(in):
Peter Vince (engineer, producer)
Interpret(in):
Brian Keith und Alan Parker (guitarist & composer)
arranger:
Ken Woodman (British trumpeter, music director, arranger and composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
aufgenommen bei:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
cover recording of:
Softly Whispering I Love You
Verfasser(in):
Roger Frederick Cook (US‐based British singer, songwriter and producer) und Roger John Reginald Greenaway
publisher:
Cookaway Music Ltd. (publisher, likely UK-based), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
The Congregation23:02
69Jesus Was a Cross Maker
Produzent(in):
John Beck (producer & member of The Leaves), Henry Lewy und Jim Pons
Gitarre und Sologesang:
Judee Sill
Hintergrundgesang:
Rita Coolidge, Venetta Fields und Clydie King
Orchestrator(in):
Don Bagley und Bob Harris (pianist/songwriter, played keyboards with Frank Zappa in May–Aug 1971)
recording of:
Jesus Was a Crossmaker
Texter und Komponist(in):
Judee Sill
publisher:
EMI Blackwood Music Inc.
Judee Sill3:30
70Wonderous Stories
assistierende(r) Techniker(in):
David Richards (Swiss-based producer and engineer)
Techniker(in):
John Timperley
leitende(r) Produzent(in):
Brian Lane (producer)
Produzent(in):
Yes (British progressive rock band)
Bassgitarre:
Chris Squire (Yes bassist) (von 1976 bis 1977)
Moog [Polymoog]:
Rick Wakeman (von 1976 bis 1977)
portugiesische Gitarre [Vachalia] und E-Gitarre:
Steve Howe (von 1976 bis 1977)
Schlagzeug und Perkussion:
Alan White (Yes drummer) (von 1976 bis 1977)
Hintergrundgesang:
Steve Howe (von 1976 bis 1977) und Chris Squire (Yes bassist) (von 1976 bis 1977)
Sologesang:
Jon Anderson (Yes/Jon & Vangelis) (von 1976 bis 1977)
arranger:
Yes (British progressive rock band)
phonographisches Urheberrecht (℗) von:
Atlantic (Warner Music imprint) (in 1977), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977)
aufgenommen bei:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Kanton Waadt), Schweiz (von 1976 bis 1977)
teilweise recording of:
Wonderous Stories (von 1976 bis 1977)
Texter und Komponist(in):
Jon Anderson (Yes/Jon & Vangelis)
publisher:
Rondor Music (London) Ltd., Topographic Music (publisher), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Topographic Music, Ltd. (in 1977)
Yes4.353:49