Hits of the Thirties and Forties

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1You're Driving Me Crazy (What Did I Do?)Guy Lombardo & His Royal Canadians3:20
2Minnie the Moocher
banjo:
Morris White (jazz guitarist) (on 1931-03-03)
drums (drum set):
Leroy Maxey (jazz drummer) (on 1931-03-03)
piano:
Earres Prince (on 1931-03-03)
reeds:
Andrew Brown (jazz saxophonist) (on 1931-03-03) and Walter Thomas (on 1931-03-03)
trombone:
DePriest Wheeler (on 1931-03-03)
trumpet:
Reuben Reeves (on 1931-03-03) and Lammar Wright (on 1931-03-03)
lead vocals:
Cab Calloway
recording of:
Minnie the Moocher (on 1931-03-03)
lyricist and composer:
Cab Calloway and Irving Mills
publisher:
Big Bad Voodoo Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and J. Albert & Son Pty. Ltd.
is based on:
Willie the Weeper
Cab Calloway and His Orchestra33:12
3Dinah
orchestra:
Benny Krueger Brunswick Studio Orchestra
performer:
The Mills Brothers
recording of:
Dinah (on 1931-12-16)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) and Morley Music Corp.
part of:
The Girl’s Suite
Bing Crosby & The Mills Brothers2:50
4All of Me
cover recording of:
All of Me
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
Louis Armstrong3:04
5Night and Day
reeds:
Jess Smith (reeds in Leo Reisman & His Orchestra) (on 1932-11-22) and Burt Williams (on 1932-11-22)
trombone:
Ernie Gibbs (on 1932-11-22)
trumpet:
Lew Sherwood (on 1932-11-22)
violin:
Lew Conrad (on 1932-11-22) and Sammy Schklar (on 1932-11-22)
vocals:
Fred Astaire (on 1932-11-22)
orchestra:
Leo Reisman and His Orchestra (on 1932-11-22)
conductor:
Leo Reisman (violinist, bandleader, arranger) (on 1932-11-22)
recorded at:
Victor Studio #1 (Cherokee A) in New York, New York, United States (on 1932-11-22)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1932-11-22)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Fred Astaire53:28
6The Very Thought of You
vocals:
Al Bowlly
recording of:
The Very Thought of You (on 1934-04-21)
lyricist and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
Ray Noble and His Orchestra3:34
7Tiger Rag
recording of:
Tiger Rag (original 1917 instrumental version)
composer:
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro and Larry Shields
The Mills Brothers1:46
8The Music Goes Round and Round
clarinet:
Sid Stoneburn (on 1935-12-09)
double bass:
Gene Traxler (on 1935-12-09)
drums (drum set):
Sam Weiss (US jazz drummer) (on 1935-12-09)
guitar:
William Schaffer (on 1935-12-09)
piano:
Dick Jones (pianist, producer) (on 1935-12-09)
tenor saxophone:
John van Eps (producer/arranger/keyboardist) (on 1935-12-09)
trombone:
Tommy Dorsey (swing trombone player & band leader) (on 1935-12-09)
trumpet:
Sterling Bose (on 1935-12-09)
vocals:
Tommy Dorsey (swing trombone player & band leader) (on 1935-12-09) and Edythe Wright (on 1935-12-09)
orchestra:
Tommy Dorsey and His Clambake Seven (on 1935-12-09)
conductor:
Tommy Dorsey (swing trombone player & band leader)
recording of:
The Music Goes Round and Round (by E. Farley, M. Riley, R. Hodgson) (on 1935-12-09)
lyricist:
Red Hodgson (in 1935)
composer:
Edward Farley (US trumpeter, multi-instrumentalist & composer) (in 1935) and Mike Riley (US jazz trombonist & songwriter) (in 1935)
Tommy Dorsey and His Clambake Seven3:23
9Goody Goody
recorded in:
Chicago, Illinois, United States (on 1936-01-24)
alto saxophone:
Bill Depew (on 1936-01-24), Toots Mondello (on 1936-01-24) and Hymie Shertzer (on 1936-01-24)
bass and double bass:
Harry Goodman (on 1936-01-24)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1936-01-24)
drums (drum set):
Gene Krupa (on 1936-01-24)
guitar:
George van Eps (on 1936-01-24) and Allan Reuss (on 1936-01-24)
piano:
Frank Froeba (on 1936-01-24) and Jess Stacy (on 1936-01-24)
tenor saxophone:
Dick Clark (tenor saxophonist) (on 1936-01-24) and Art Rollini (on 1936-01-24)
trombone:
Red Ballard (on 1936-01-24), Joe Harris (Missouri-born jazz trombonist and singer) (on 1936-01-24) and Jack Lacey (on 1936-01-24)
trumpet:
Pee Wee Erwin (on 1936-01-24), Harry Geller (on 1936-01-24), Nate Kazebier (on 1936-01-24) and Ralph Muzzillo (on 1936-01-24)
vocals:
Helen Ward (on 1936-01-24)
arranger:
William Henri Woode
recording of:
Goody Goody (on 1936-01-24)
lyricist:
Johnny Mercer
composer:
Matty Malneck
publisher:
Chappell & Co., Inc. (USA), Malneck Music, The Johnny Mercer Foundation, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Benny Goodman and His Orchestra2:30
10It's a Sin to Tell a Lie
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1936-06-05)
drums (drum set):
Arnold Boling (on 1936-06-05)
guitar:
Al Casey (US jazz/soul guitarist) (on 1936-06-05)
piano:
Fats Waller (on 1936-06-05)
reeds:
Gene Sedric (on 1936-06-05)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1936-06-05)
vocals:
Fats Waller (on 1936-06-05)
cover recording of:
It’s a Sin to Tell a Lie (on 1936-06-05)
lyricist and composer:
Billy Mayhew (in 1936)
Fats Waller and His Rhythm2:58
11A Fine Romance
recorded in:
Los Angeles, California, United States (on 1936-07-28)
vocals:
Fred Astaire (on 1936-07-28)
orchestra:
Johnny Green and His Orchestra (on 1936-07-28)
recording of:
A Fine Romance (from “Swing Time”) (on 1936-07-28)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
Fred Astaire2:54
12Marie
recording of:
Marie
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music Company
Tommy Dorsey & His Orchestra3:21
13Sweet Leilani
cover recording of:
Sweet Leilani (on 1937-02-23)
lyricist and composer:
Harry Owens (on 1934-10-20)
part of:
The 10th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1937 winner)
Bing Crosby3:14
14Carelessly
alto saxophone:
Johnny Hodges (on 1937-03-31)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1937-03-31)
drums (drum set):
Cozy Cole (on 1937-03-31)
guitar:
Allan Reuss (on 1937-03-31)
piano:
Teddy Wilson (on 1937-03-31)
reeds:
Harry Carney (on 1937-03-31)
trumpet:
Cootie Williams (on 1937-03-31)
vocals:
Billie Holiday (on 1937-03-31)
recording of:
Carelessly (on 1937-03-31)
writer:
Norman Ellis (songwriter), Charles Kenny (songwriter, violinist) and Nick Kenny
Billie Holiday3:09
15Bei Mir Bist Du Schön
vocals:
The Andrews Sisters (on 1937-11-24)
recording of:
Bei mir bist du schön (English version) (on 1937-11-24)
lyricist:
Sammy Cahn
additional composer:
Saul Chaplin
composer:
Sholom Secunda
translated version of:
בײַ מיר ביסטו שיין (Bay mir bistu sheyn)
The Andrews Sisters3:09
16Don't Be That Way
recording of:
Don’t Be That Way
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
Benny Goodman and His Orchestra3:21
17I Let a Song Go Out of My Heart
recording of:
I Let a Song Go Out of My Heart
lyricist:
Irving Mills (in 1938), Henry Nemo (in 1938) and John Redmond (House vocalist) (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
part of:
The Real Book (compilation of jazz standards, Volume I)
Duke Ellington & His Orchestra3:06
18A-Tisket A-Tasket
vocals:
Ella Fitzgerald (American jazz singer)
recording of:
A‐Tisket, A‐Tasket (in 1938)
lyricist:
[traditional] (special purpose artist), Ella Fitzgerald (American jazz singer) and Van Alexander (aka Al Feldman)
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13188)
Ella Fitzgerald2:40
19My Reverie
recording of:
My Reverie (Debussy’s “Reverie”) (Adap. de Larry Clinton) (in 1938)
lyricist:
Larry Clinton (in 1938)
writer:
André Baruch
composer:
Claude Debussy (French composer) (in 1890)
arranger:
Larry Clinton
arrangement of:
Rêverie, L. 68, CD 76 (for piano)
is based on:
Rêverie, L. 68, CD 76 (for piano)
Larry Clinton & His Orchestra3:22
20Stairway to the Stars
recording of:
Stairway to the Stars
lyricist:
Mitchell Parish
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI United Partnership Ltd. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Glenn Miller & His Orchestra2:52
21Begin the Beguine
recording of:
Begin the Beguine
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
Artie Shaw and His Orchestra3:15
22Two Sleepy People
recording of:
Two Sleepy People (from the 1938 film "Thanks for the Memory")
lyricist:
Frank Loesser
composer:
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
Fats Waller and His Rhythm3:06
23You're Getting to Be a Habit With Me
recording of:
You’re Getting to Be a Habit With Me (on 1933-01-12)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
Bing Crosby2:51
24Over the Rainbow
vocals:
Judy Garland (on 1938-10-07)
orchestra:
MGM Orchestra (on 1938-10-07)
conductor:
Georgie Stoll (on 1938-10-07) and Herbert Stothart (composer) (on 1938-10-07)
arranger:
Herbert Stothart (composer)
orchestrator:
Murray Cutter
recording of:
Over the Rainbow (The Wizard of Oz) (on 1938-10-07)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Judy Garland4.52:48
2CD