The Very Best of The Tube

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Relax
engineer:
Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) and Anne Dudley (English score composer) (in 1983)
guest percussion:
Luís Jardim (in 1983)
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
lead vocals:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) and Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) and Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1983)
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 10) and Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 44)
recording of:
Relax (in 1983)
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:56
2Hungry Like the Wolf
engineer and producer:
Colin Thurston
performer:
Duran Duran (English rock band) (in 1982)
phonographic copyright (℗) by:
Tritec Music Ltd. (publisher and copyrights holder) (in 1982) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 398)
recording of:
Hungry Like the Wolf
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd. and Tritec Music Ltd. (publisher and copyrights holder)
adaptations:
Hungry Like a Pig
Duran Duran3.353:23
3Time (Clock of the Heart)
assistant engineer:
Gordon Milne (engineer)
engineer:
Steve Levine (producer) and Mike Ross (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
additional keyboard:
Phil Pickett (songwriter, producer, keyboard player)
bass and Moog [Moog bass]:
Michael Craig (Culture Club bassist)
drums (drum set) and tambourine:
Jon Moss
guitar and tubular bells:
Roy Hay (Member of Culture Club and composer for film and television)
saxophone:
Steve Grainger (saxophonist)
background vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
strings arranger:
Trevor Bastow
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983)
produced for:
Do Not Erase Productions Ltd.
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
engineered at:
Red Bus Studios in London (Greater London), England, United Kingdom
music videos:
Time (Clock of the Heart) by Culture Club (English pop group)
recording of:
Time (Clock of the Heart)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd. (in 1982)
Culture Club3.83:42
4The Lebanon
engineer:
Renate Blauel, Gavin McKillop and Bill Price (UK producer/engineer)
producer:
The Human League, Hugh Padgham and Chris Thomas (UK record producer / remixer)
mixer:
Hugh Padgham
music videos:
The Lebanon by The Human League
recording of:
The Lebanon
lyricist and writer:
Philip Oakey
composer:
Jo Callis
The Human League3:43
5Oblivious
engineer:
John Brand (engineer)
producer:
John Brand (engineer) and Bernie Clarke (keyboard / producer)
bass guitar:
Campbell Owens
drums (drum set) and percussion:
Dave Ruffy
guitar:
Roddy Frame
keyboard:
Bernie Clarke (keyboard / producer)
vocals:
Roddy Frame
arranger:
Roddy Frame
recording of:
Oblivious
lyricist and composer:
Roddy Frame
Aztec Camera53:09
6Situation
recording of:
Situation
writer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…) and Alison Moyet
Yazoo2:24
7Love Machine
engineer:
Tony Taverner
producer:
Steve Brown (engineer/music producer) and George Michael
cover recording of:
Love Machine
lyricist and composer:
Billy Griffin and Warren Moore
horn and strings arranger:
Wade Marcus
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Wham!3:22
8Dancing With Tears in My Eyes
recording of:
Dancing With Tears in My Eyes
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
publisher:
Hot Food Publishing Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) and Sing Sing Songs Ltd.
Ultravox44:04
9Change
programming:
Manny Elias, Chris Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
producer:
Ross Cullum and Chris Hughes (producer, aka “Merrick”)
bass guitar:
Curt Smith
guitar:
Roland Orzabal (UK musician, songwriter and producer)
keyboard:
Roland Orzabal (UK musician, songwriter and producer), Curt Smith and Ian Stanley
percussion:
Manny Elias and Chris Hughes (producer, aka “Merrick”)
vocals:
Curt Smith
conductor:
Chris Hughes (producer, aka “Merrick”)
performer:
Ross Cullum and Phil Palmer (guitarist)
recording of:
Change
lyricist and composer:
Roland Orzabal (UK musician, songwriter and producer)
publisher:
Roland Orzabal Ltd.
Tears for Fears4.254:17
10Gonna Tear Your Playhouse Down
producer:
Laurie Latham
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984) and Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (in 2002)
produced for:
LOL Productions (production company associated with Laurie Latham)
cover recording of:
I’m Gonna Tear Your Playhouse Down
lyricist and composer:
Earl Randle (US songwriter for Hi Records)
publisher:
Burlington Music Co., Ltd. and Irving Music, Inc.
Paul Young54:46
11Pretty in Pink
engineer:
Will Gosling and Phil Thornalley
producer:
Steve Lillywhite
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981, in 1986)
recording of:
Pretty in Pink
writer:
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs), Vincent Paul Davey, Duncan Kilburn and Roger Morris (UK guitarist for The Psychedelic Furs)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30) and EMI Songs Ltd.
The Psychedelic Furs4.653:58
12Modern Girl
phonographic copyright (℗) by:
BMG Eurodisc Ltd. (in 1984)
recording of:
Modern Girl
writer:
Sarah Durkee and Paul Jacobs (American composer)
publisher:
Morrison Leahy Music Ltd.
Meat Loaf44:25
13Some Guys Have All the Luck
cover recording of:
Some Guys Have All the Luck
lyricist and composer:
Jeff Fortgang
Robert Palmer3:07
14If You Let Me Stay
recording engineer and mixer:
Phil Legg
additional engineer:
Michael Brauer (engineer)
producer:
Howard Gray (UK producer, engineer, and electronic musician)
bass:
Sean Oliver
drums (drum set):
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
guitar:
Pete Glenister
keyboard:
Nick Plytas
percussion:
Terence Trent D’Arby (now known as Sananda Maitreya) and Frank Ricotti (percussionist)
background vocals:
Lance Ellington (Strictly Come Dancing) and Tony Jackson (British funk / soul musician, singer / songwriter, producer and arranger)
background vocals and lead vocals:
Terence Trent D’Arby (now known as Sananda Maitreya)
remixer:
Michael Brauer (engineer)
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1987)
recording of:
If You Let Me Stay
lyricist and composer:
Terence Trent D’Arby (now known as Sananda Maitreya)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), Virgin Music (Publishers) Ltd. and Young Terence Music (Publisher)
Terence Trent D’Arby3.153:14
15The Politics of Dancing
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983, in 1984)
recording of:
The Politics of Dancing
lyricist and composer:
Paul Fishman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambo Music Limited and Metric Music Ltd.
Re‐Flex3.353:45
16Middle of the Road
engineer:
Steve Churchyard
producer:
Chris Thomas (UK record producer / remixer)
bass guitar:
Malcolm Foster (UK bass player, in The Pretenders, Simple Minds)
drums (drum set):
Martin Chambers (drummer for The Pretenders)
guitar:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) and Robbie McIntosh (English guitarist for The Pretenders)
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK) (in 1983) and Warner Music UK Ltd. (not for release label use!) (in 2000)
recorded at:
Air Studios (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom
recording of:
Middle of the Road
lyricist and composer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
Clive Banks Music and Hynde House of Hits Music
The Pretenders4.754:13
17The Boys Are Back in Town
assistant recording engineer:
Neil Hornby
engineer:
Will Reid-Dick
producer:
John Alcock (producer)
acoustic guitar and bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham (Thin Lizzy guitarist) and Brian Robertson (Thin Lizzy & Motörhead)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1976)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 272) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 499)
recording of:
The Boys Are Back in Town
lyricist and composer:
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and PolyGram Music Publishing (in 1989)
Thin Lizzy4.24:29