American Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD: Gershwin
2CD: Bernstein
3CD: Barber – Korngold – Copland
4CD: Minimalists: Adams – Glass – Reich
5CD: Gershwin – Porter – Kern
#TitleArtistRatingLength
1A Damsel in Distress: Suite From the Film
orchestra:
New Princess Theater Orchestra
conductor:
John McGlinn (American conductor)
recording of:
A Damsel in Distress: Suite From the Film
composer:
George Gershwin (composer)
is based on:
A Damsel in Distress (1937 film score)
John McGlinn5:54
2Girl Crazy: Overture
orchestra:
New Princess Theater Orchestra
conductor:
John McGlinn (American conductor)
recording of:
Overture to “Girl Crazy”
composer:
George Gershwin (composer)
part of:
Girl Crazy (1930 Musical)
George Gershwin5:21
3Tip‐Toes: Overture
orchestra:
New Princess Theater Orchestra
conductor:
John McGlinn (American conductor)
recording of:
Tip-Toes: Overture
composer:
George Gershwin (composer)
part of:
Tip-Toes
George Gershwin4:46
4Oh, Kay!: Overture
orchestra:
New Princess Theater Orchestra
conductor:
John McGlinn (American conductor)
recording of:
Overture (Oh, Kay!)
composer:
George Gershwin (composer)
part of:
Oh, Kay! (1926 musical)
George Gershwin6:46
5Anything Goes: Overture
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1990-12)
conductor:
John McGlinn (American conductor) (in 1990-12)
orchestrator:
Hans Spialek
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
medley including a instrumental recording of:
All Through the Night (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
WB Music Corp. (1929–2019)
part of:
Anything Goes
medley including a instrumental recording of:
Anything Goes (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
part of:
Anything Goes
medley including a instrumental recording of:
Blow, Gabriel Blow (Anything Goes) (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1934)
part of:
Anything Goes
medley including a instrumental recording of:
You’re the Top (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1934)
part of:
Anything Goes
Cole Porter4:59
6Can‐Can: Overture
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1990-12)
conductor:
John McGlinn (American conductor) (in 1990-12)
orchestrator:
Philip Lang
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
medley including a instrumental recording of:
Allez-vous-en (Can-Can [Pistache]) (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1953)
part of:
Can‐Can
medley including a instrumental recording of:
I Love Paris (Can-Can [Pistache, Company]) (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
medley including a instrumental recording of:
If You Loved Me Truly (from Can-Can) (in 1990-12)
lyricist and composer:
Cole Porter (composer)
part of:
Can‐Can
medley including a instrumental recording of:
Montmartre (in 1990-12)
composer:
Cole Porter (composer)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
medley including a instrumental recording of:
Can-Can (Can-Can [Pistache, Women])
lyricist and composer:
Cole Porter (composer)
part of:
Can‐Can (1960 musical film)
Cole Porter4:19
7Kiss Me, Kate: Overture
producer:
John Fraser (UK producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1989-06)
conductor:
John McGlinn (American conductor) (in 1989-06)
orchestrator:
Robert Russell Bennett (American composer and arranger)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-06)
remix of:
Overture (Kiss Me Kate, 1989 London studio cast) by London Sinfonietta, John McGlinn (American conductor) (in 1990)
medley including a instrumental recording of:
Bianca (from Kiss Me, Kate) (in 1989-06)
lyricist and composer:
Cole Porter (composer)
part of:
Kiss Me, Kate (musical)
medley including a instrumental recording of:
So in Love (from Kiss Me, Kate) (in 1989-06)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
medley including a instrumental recording of:
Too Darn Hot (from Kiss Me, Kate) (in 1989-06)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co. and T.B. Harms Co.
part of:
Kiss Me, Kate (musical)
medley including a instrumental recording of:
Why Can’t You Behave? (from Kiss Me, Kate) (in 1989-06)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
medley including a instrumental recording of:
Wunderbar (from Kiss Me, Kate) (in 1989-06)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Kiss Me, Kate (musical)
Cole Porter6:15
8Night and Day
orchestra:
London Sinfonietta
conductor:
John McGlinn (American conductor)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Cole Porter5:26
9Leave It to Jane: Overture
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
John McGlinn (American conductor)
recording of:
Leave It to Jane: Overture
composer:
Jerome Kern
Jerome Kern5:13
10Sitting Pretty: Overture
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
John McGlinn (American conductor)
recording of:
Sitting Pretty: Overture
composer:
Jerome Kern
Jerome Kern6:34
11Music From the Film Swing Time: I. Main Title / Pick Yourself Up
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
John McGlinn (American conductor)
recording of:
Pick Yourself Up (from “Swing Time”)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jerome Kern
part of:
Swing Time (film)
Jerome Kern3:53
12Music From the Film Swing Time: II. The Way You Look Tonight
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
John McGlinn (American conductor)
recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
Jerome Kern2:24
13Music From the Film Swing Time: III. Waltz in Swing Time
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
John McGlinn (American conductor)
recording of:
Waltz in Swingtime (Swing Time)
composer:
Jerome Kern
part of:
Swing Time (film)
Jerome Kern2:35
14Music From the Film Swing Time: IV. Never Gonna Dance
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
John McGlinn (American conductor)
recording of:
Never Gonna Dance (from “Swing Time”)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jerome Kern
part of:
Swing Time (film)
Jerome Kern3:19
15Music From the Film Swing Time: V. Bojangles of Harlem
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
John McGlinn (American conductor)
recording of:
Bojangles of Harlem (from “Swing Time”)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jerome Kern
part of:
Swing Time (film)
Jerome Kern6:11
16Show Boat: Overture
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
John McGlinn (American conductor)
recording of:
Overture (Show Boat)
composer:
Jerome Kern
part of:
Show Boat
Jerome Kern5:34
6CD: Joplin – Gershwin – Ellington