| # | Title | Artist | Rating | Length |
|---|
| 1 | Another One Bites the Dust- engineer:
- Mack
- co-producer:
- Mack
- producer:
- Mack , Brian May , Queen and Roger Taylor
- bass, bass guitar, guitar, keyboard, piano [piano (reversed)] and synthesizer [synthesizer (reversed)]:
- John Deacon (from 1980-02 until 1980-05)
- drums (drum set) and electronic instruments [electronic percussion]:
- Roger Taylor (from 1980-02 until 1980-05)
- electric guitar:
- John Deacon (from 1980-02 until 1980-05) and Brian May (from 1980-02 until 1980-05)
- background vocals and lead vocals:
- Freddie Mercury (from 1980-02 until 1980-05)
- phonographic copyright (℗) by:
- Hollywood Records, Inc. (in 1980, in 2014), Queen Productions Ltd. (in 1980, in 2011) and Raincloud Productions Ltd. (in 1980, in 2014)
- recorded at:
- Musicland Studios in München , Bayern , Germany (from 1979-06 until 1980-05)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 48)
- recording of:
- Another One Bites the Dust (from 1980-02 until 1980-05)
- lyricist and composer:
- John Deacon
- publisher:
- EMI Music Publishing Ltd. , EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Beechwood Music Corp. (in 1980), Queen Music Ltd. (in 1980) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- included in:
- We Will Rock You
- included in:
- We Will Rock You
| Queen | 4.15 | 3:36 |
| 2 | What’s Love Got to Do With It- engineer and mixer:
- John Hudson
- producer:
- Terry Britten
- drums (drum set):
- Graham Jarvis
- guitar:
- Terry Britten
- keyboard:
- Nick Glennie‐Smith and Billy Livsey
- percussion:
- Simon Morton
- background vocals:
- Terry Britten and Tessa Niles
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1984), Parlophone Records Ltd. (in 1984, in 1997) and EMI Records Ltd. (in 2004)
- recorded at:
- Mayfair Studios in London , England, United Kingdom
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (number: 309)
- recording of:
- What’s Love Got to Do With It
- writer:
- Graham Lyle and Terence Ernest Britten
- publisher:
- Hornall Brothers Music Ltd. , Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. , Goodsingle Limited (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- recording of:
- What’s Love Got to Do With It
- writer:
- Terry Britten, Kyrre Gørvell-Dahll and Graham Lyle
- publisher:
- Kobalt Music (from 2020 to present) and WC Music Corp. (from 2020 to present)
- is based on:
- What’s Love Got to Do With It
| Tina Turner | 4.05 | 3:47 |
| 3 | You Can Leave Your Hat On- engineer:
- Brian Reeves
- producer:
- Richie Zito
- mixer:
- Rik Pekkonen
- bass and synthesizer:
- Arthur Barrow
- guitar:
- Richie Zito
- horn:
- Dick Hyde, Steve Madaio and Joel Peskin
- membranophone:
- Michael Baird
- background vocals:
- Maxine Sharp, Julia Waters and Maxine Waters
- lead vocals:
- Joe Cocker
- recorded at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States
- cover recording of:
- You Can Leave Your Hat On
- lyricist and composer:
- Randy Newman
- publisher:
- Warner–Tamerlane Publishing Corp. , WC Music Corp., Randy Newman (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (in 1972, in 1976)
- recording of:
- You Can Leave Your Hat On
- lyricist and composer:
- Randy Newman
- publisher:
- Warner–Tamerlane Publishing Corp. , WC Music Corp., Randy Newman (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (in 1972, in 1976)
| Joe Cocker | 3.85 | 4:04 |
| 4 | Don’t You (Forget About Me) | Simple Minds | 4.25 | 4:17 |
| 5 | Sexcrime | Eurythmics | 2.4 | 3:57 |
| 6 | A View to a Kill | Duran Duran | 3.6 | 3:35 |
| 7 | Enola Gay | Orchestral Manoeuvres in the Dark | 3.75 | 3:31 |
| 8 | Don’t You Want Me | The Human League | 3.85 | 3:56 |
| 9 | Such a Shame | Talk Talk | | 4:10 |
| 10 | Kids in America- recording engineer:
- Jeo (from 1980 until 1981)
- programming:
- Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
- engineer:
- Steve Stewart
- producer:
- Ricky Wilde
- additional keyboard:
- Nick Priessnitz (from 1980 until 1981)
- bass guitar:
- Martin Russell (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
- drums (drum set):
- Bernhard Hahn (from 1980 until 1981), Chris North (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
- guitar:
- Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- keyboard:
- Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (from 1980 until 1981), Calvin Hayes (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- background vocals:
- D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- lead vocals:
- Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
- vocals:
- Kim Wilde (from 1980 until 1981)
- phonographic copyright (℗) by:
- Cherry Red Records Ltd. , EMI Records Ltd. (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (in 2006)
- recorded at:
- Amira Studio (from 1980 until 1981), RAK Studios in London , England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
- mixed at:
- Jeopark in Buchholz, Niedersachsen , Germany, RAK Studios in London , England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 55)
- recording of:
- Kids in America (from 1980 until 1981)
- writer:
- Marty Wilde and Ricky Wilde
- publisher:
- All Nations Music, EMI Music Publishing , Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
| Kim Wilde | 4.35 | 3:24 |
| 11 | Do You Really Want to Hurt Me | Culture Club | 3.95 | 4:22 |
| 12 | Avalon | Roxy Music | | 3:55 |
| 13 | Eyes Without a Face | Billy Idol | 3 | 4:08 |
| 14 | Call Me- DJ-mixer:
- Armand van Helden
- recording of:
- Call Me
- lyricist:
- Deborah Harry
- composer:
- Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Copyright Control , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
- sub-publisher:
- Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Blondie | | 3:11 |
| 15 | Too Shy | Kajagoogoo | 3.55 | 3:28 |
| 16 | Running Up That Hill | Kate Bush | | 4:03 |
| 17 | Dancing With Tears in My Eyes | Ultravox | | 3:32 |
| 18 | Hey Little Girl | Icehouse | | 3:33 |
| 19 | Love Is a Battlefield | Pat Benatar | | 3:59 |
| 20 | True | Spandau Ballet | 4 | 5:20 |
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